Journal articles on the topic 'Opéra au cinéma'
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Autissier, Anne-Marie. "Théâtre, opéra, cinéma : la scène pour tous à Malmö, Saint-Denis et Delhi." Culture and Local Governance 9, no. 1 (July 10, 2024): 32–51. http://dx.doi.org/10.18192/clg-cgl.v9i1.7152.
Full textGuido, Laurent. "De l’« opéra de l’oeil » aux « films à sensation » : musique et théâtralité aux sources de l’horreur cinématographique." Cinémas 20, no. 2-3 (January 7, 2011): 13–40. http://dx.doi.org/10.7202/045143ar.
Full textReis Vieira, Claudio. "A ópera a que assistimos: um estudo de caso." Viso: Cadernos de estética aplicada 4, no. 8 (March 4, 2010): 10–22. http://dx.doi.org/10.22409/1981-4062/v8i/82.
Full textHaine, Malou. "Le magazine américain Vanity Fair (1913-1936) : vitrine de la modernité musicale à Paris et à New York." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (April 25, 2017): 23–37. http://dx.doi.org/10.7202/1039610ar.
Full textHelman, Alicja. "Opera w filmie — opera filmowa." Literatura i Kultura Popularna 24 (April 18, 2019): 83–96. http://dx.doi.org/10.19195/0867-7441.24.7.
Full textJorge, Marina Soler. "Cinefilia, cult movies e o filme Bastardos inglórios, de Quentin Tarantino." Galáxia (São Paulo) 13, no. 25 (June 2013): 99–100. http://dx.doi.org/10.1590/s1982-25532013000200009.
Full textKropova, Daria Sergeevna. "From Greek Tragedy To Opera-Film." Journal of Flm Arts and Film Studies 7, no. 2 (June 15, 2015): 62–72. http://dx.doi.org/10.17816/vgik7262-72.
Full textDarelli, Virgil. "La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia." Schermi. Storie e culture del cinema e dei media in Italia 7, no. 13 (December 31, 2023): 151–67. http://dx.doi.org/10.54103/2532-2486/22534.
Full textLani, Silja. "Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances." Baltic Screen Media Review 5, no. 1 (December 20, 2017): 70–89. http://dx.doi.org/10.1515/bsmr-2017-0013.
Full textMendonça, Leandro José Luz Riodades. "Os Cinemas Que Falam Português: O Conceito De Cinema Nacional, Identidade e Resistência." Novos Olhares 4, no. 1 (June 17, 2015): 105. http://dx.doi.org/10.11606/issn.2238-7714.no.2015.102226.
Full textMartín Quintanal, Ruymán. "Hollywood y Viena. Funciones y connotaciones del atonalismo en el cine y la ópera." Comunicación Revista Internacional de Comunicación Audiovisual Publicidad y Literatura 1, no. 18 (2020): 85–98. http://dx.doi.org/10.12795/comunicacion.2020.i18.05.
Full textLandy, Marcia. "Opera, cinema, melodrama, and history: The case of Italian cinema." European Legacy 1, no. 4 (July 1996): 1597–601. http://dx.doi.org/10.1080/10848779608579617.
Full textRadigales, Jaume, and Isabel Villanueva-Benito. "Technology, Audio-visual Adaptation and Cultural Re-education of Opera." Tripodos, no. 51 (January 27, 2022): 131–42. http://dx.doi.org/10.51698/tripodos.2021.51p131-142.
Full textKhokhlova, Elena. "Opera in cinema: aspects of video expressive means in modern opera." Musicologica Brunensia, no. 2 (2015): 147–55. http://dx.doi.org/10.5817/mb2015-2-11.
Full textOrazi, Veronica. "Faust secondo La Fura dels Baus: teatro, opera, cinema." Zeitschrift für Katalanistik 30 (July 1, 2017): 333–55. http://dx.doi.org/10.46586/zfk.2017.333-355.
Full textBennett, Benjamin. "Cinema, Theater and Opera: Modern Drama as Ceremony." Modern Drama 28, no. 1 (March 1985): 1–21. http://dx.doi.org/10.3138/md.28.1.1.
Full textRumyantseva, Alina V., and Liliana Yu Malkova. "“Rigoletto”: Variety of Screen Forms and Specifics of Staging Solutions for Classical Opera in Cinema and on Television." Vestnik of Saint Petersburg University. Arts 12, no. 2 (2022): 259–74. http://dx.doi.org/10.21638/spbu15.2022.203.
Full textBikkulova, Diana R. "Cinematographic techniques in 1920s Russian opera theatre." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 1 (2023): 104–13. http://dx.doi.org/10.35852/2588-0144-2023-1-104-113.
Full textJoe, Jeongwon. "Korean opera-film Chunhyang and the trans-cultural politics of the voice." Muzikologija, no. 5 (2005): 181–93. http://dx.doi.org/10.2298/muz0505181j.
Full textMattl, Siegfried. "Utopies du cinéma parlant ou les Semaines internationales du cinéma de Vienne et la connexion entre l’opérette et le cinéma autrichien." Austriaca 64, no. 1 (2007): 27–38. http://dx.doi.org/10.3406/austr.2007.4529.
Full textParker, Ben. "IMAX and Its Doubles." Film Quarterly 67, no. 1 (2013): 22–26. http://dx.doi.org/10.1525/fq.2013.67.1.22.
Full textVieira, Luciana Oliveira. "(Re)Pensar a direção cinematográfica." Grau Zero – Revista de Crítica Cultural 11, no. 2 (May 4, 2024): 179–202. http://dx.doi.org/10.30620/gz.v11n2.p179.
Full textBenghozi, Pierre-Jean, and Claire Nénert. "Création de valeur artistique ou économique : Du Festival International du film de Cannes au marché du film." Recherche et Applications en Marketing (French Edition) 10, no. 4 (December 1995): 65–76. http://dx.doi.org/10.1177/076737019501000404.
Full textDurão, Fabio Akcelrud, and Ana Karla Canarinos. "O século XVIII é mais avançado que o XXI: uma experiência de autoetnografia." Acta Scientiarum. Language and Culture 41, no. 2 (October 1, 2019): e44694. http://dx.doi.org/10.4025/actascilangcult.v41i2.44694.
Full textHampshire, Kathryn. ""Man's Hatred Has Made Me So"." Digital Literature Review 3 (January 13, 2016): 119–35. http://dx.doi.org/10.33043/dlr.3.0.119-135.
Full textTse, Priscilla. "“One Opera, Two Nationalisms”: Negotiating Hong Kong Identity and Chinese Nationalism in Cantonese Opera." Asian Theatre Journal 40, no. 2 (September 2023): 381–402. http://dx.doi.org/10.1353/atj.2023.a912921.
Full textRoll, Julia, and Sven-Ove Horst. "The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany." Baltic Screen Media Review 5, no. 1 (December 20, 2017): 90–109. http://dx.doi.org/10.1515/bsmr-2017-0014.
Full textLaw. "King Hu’s Cinema Opera in his Early Wuxia Films." Music and the Moving Image 7, no. 3 (2014): 24. http://dx.doi.org/10.5406/musimoviimag.7.3.0024.
Full textKuhn, Bernhard. "Film Melodrama and Opera: La Tosca in Italian Cinema." Italianist 37, no. 2 (May 4, 2017): 135–48. http://dx.doi.org/10.1080/02614340.2017.1332722.
Full textTeixeira, Francisco Elinaldo. "Do experimental ao filme-ensaio: passagens." Significação: Revista de Cultura Audiovisual 49, no. 58 (September 2, 2022): 190928. http://dx.doi.org/10.11606/issn.2316-7114.sig.2022.190928.
Full textAlvim, Luíza Beatriz, and Diana Maron. "Da ópera para o cinema, do cinema para a ópera: a arte do ator-cantor." Significação: Revista de Cultura Audiovisual 47, no. 54 (July 8, 2020): 83–101. http://dx.doi.org/10.11606/issn.2316-7114.sig.2020.164518.
Full textGiuggioli, Matteo. "Source and Myth: Opera in Italian Cinema of the 1960s." Journal of Film Music 8, no. 1-2 (September 27, 2018): 13–31. http://dx.doi.org/10.1558/jfm.37318.
Full textBiancorosso, Giorgio. "The Phantom of the Opera and the Performance of Cinema." Opera Quarterly 34, no. 2-3 (2018): 153–67. http://dx.doi.org/10.1093/oq/kby009.
Full textAtkinson, Sarah. "The Labor of Liveness: Behind the Curtain of Opera Cinema." Opera Quarterly 34, no. 4 (2018): 306–23. http://dx.doi.org/10.1093/oq/kbz010.
Full textRindom, Ditlev. "Celluloid Diva: Staging Leoncavallo's Zazà in the Cinematic Age." Journal of the Royal Musical Association 144, no. 2 (2019): 287–321. http://dx.doi.org/10.1080/02690403.2019.1651515.
Full textSoares, Leonardo Francisco. "A ópera aberta: A força do destino, de Nélida Piñon, e E la nave va, de Federico Fellini." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 250–61. http://dx.doi.org/10.17851/2317-2096.8..250-261.
Full textMcGrath, Jason. "Suppositionality, Virtuality, and Chinese Cinema." boundary 2 49, no. 1 (February 1, 2022): 263–92. http://dx.doi.org/10.1215/01903659-9615487.
Full textd'Amora, Mariano. "Nuove visioni drammaturgiche e sociali nel teatro e nella letteratura di Giuseppe Patroni Griffi." Forum Italicum: A Journal of Italian Studies 52, no. 2 (February 12, 2018): 600–630. http://dx.doi.org/10.1177/0014585818755383.
Full textCITRON, MARCIA J. "Subjectivity in the Opera Films of Jean-Pierre Ponnelle." Journal of Musicology 22, no. 2 (2005): 203–40. http://dx.doi.org/10.1525/jm.2005.22.2.203.
Full textCENCIARELLI, CARLO. "At the Margins of the Televisual: Picture Frames, Loops and ‘Cinematics’ in the Paratexts of Opera Videos." Cambridge Opera Journal 25, no. 2 (June 4, 2013): 203–23. http://dx.doi.org/10.1017/s0954586713000074.
Full textRogowski Pozzo, Renata. "O poder de narrar: geopolítica da distribuição cinematográfica no Brasil." Liinc em Revista 16, no. 1 (May 30, 2020): e5144. http://dx.doi.org/10.18617/liinc.v16i1.5144.
Full textSmith, M. W. "Michal Grover-Friedlander: Vocal Apparitions: The Attraction of Cinema to Opera." Opera Quarterly 22, no. 1 (December 13, 2006): 170–72. http://dx.doi.org/10.1093/oq/kbi079.
Full textSantos, Yasmin Bidim Pereira dos. "A Consciência Cinematográfica na Poesia de Marília Garcia." Opiniães, no. 18 (July 31, 2021): 388–409. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2021.180065.
Full textSilva, Odair José Moreira da. "Observações sobre o tempo e a memória em Cidadão Kane." REVISTA POIÉSIS 10, no. 14 (October 11, 2018): 144–55. http://dx.doi.org/10.22409/poiesis.1014.144-155.
Full textAndrade, Érico. "O cinema de Kleber Mendonça em três tempos: Davi contra Golias." Viso: Cadernos de estética aplicada 14, no. 26 (May 13, 2020): 6–25. http://dx.doi.org/10.22409/1981-4062/v26i/359.
Full textHuiyu, Zhang. "Genre Metamorphoses of Modern Chinese Ballet." Университетский научный журнал, no. 75 (August 25, 2023): 67–72. http://dx.doi.org/10.25807/22225064_2023_75_67.
Full textHuiyu, Zhang. "Genre Metamorphoses of Modern Chinese Ballet." Университетский научный журнал, no. 75 (August 25, 2023): 67–72. http://dx.doi.org/10.25807/10.25807/22225064_2023_75_67.
Full textLa Rochelle, Réal. "Parcours québécois et canadiens en cinéphonographie." Cinémas 3, no. 1 (March 8, 2011): 95–112. http://dx.doi.org/10.7202/1001182ar.
Full textGomes Barbosa, Karina. "Leslie e Ofelia, meninas que ousam sair do quarto: espaço, feminilidade e corpo em Ponte para Terabítia e O labirinto do fauno." Revista Mídia e Cotidiano 14, no. 1 (February 19, 2020): 133. http://dx.doi.org/10.22409/rmc.v14i1.38707.
Full textThériault, Mélissa. "Documentaire et jeux de fiction. Le cas du cinéma québécois1." Globe 17, no. 1 (February 12, 2015): 131–52. http://dx.doi.org/10.7202/1028636ar.
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