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Books on the topic 'Opéra au cinéma'

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Published: 27 July 2024

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1

Jean, Cléder, Picard Timothée, Plassard Didier, and Blot Marie-Laure, eds. Patrice Chéreau: Transversales : théâtre, cinéma, opéra. Lormont: Bord de l'eau, 2010.

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2

Centre national du costume de scène (France), ed. Costumer le pouvoir: Opéra et cinéma. Lyon: Fage, 2013.

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3

Jeongwon, Joe, and Theresa Rose, eds. Between opera and cinema. New York: Routledge, 2002.

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4

1926-, Marinelli Carlo, and Miceli Sergio 1944-, eds. Opera e cinema. Roma: Istituto di ricerca per il teatro musicale, 1988.

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5

Morbio, Vittoria Crespi. Visconti: Cinema, teatro, opera. Milano: Amici della Scala, 2019.

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6

Fusco, Franca Olivo. Arie d'opera al cinema. Foggia: Bastogi, 2011.

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7

Screen tastes: Soap opera to satellite dishes. London: Routledge, 1997.

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8

Joe, Jeongwon. Wagner & cinema. Bloomington: Indiana University Press, 2010.

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9

Ishaghpour, Youssef. Opera et theatre dans le cinema d'aujourd'hui. Paris: Ed. la Difference, 1995.

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10

Casadio, Gianfranco. Opera e cinema: La musica lirica nel cinema italiano dall'avvento del sonoro ad oggi. Ravenna: Longo Editore, 1995.

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11

Gesù, Sebastiano. Il melodramma al cinema: Il film-opera croce e delizia. Catania: G. Maimone, 2009.

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12

Jeongwon, Joe, and Gilman Sander L, eds. Wagner and cinema. Bloomington: Indiana University Press, 2010.

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13

Jeongwon, Joe, and Gilman Sander L, eds. Wagner and cinema. Bloomington: Indiana University Press, 2010.

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14

Jeongwon, Joe, and Gilman Sander L, eds. Wagner and cinema. Bloomington: Indiana University Press, 2010.

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15

Jeongwon, Joe, and Gilman Sander L, eds. Wagner and cinema. Bloomington: Indiana University Press, 2010.

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16

Verdi, Luigi. Franz Liszt e la sua musica nel cinema. Lucca: Libreria musicale italiana, 2014.

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17

Massimo, Marchelli, and Venturelli Renato, eds. Se quello schermo io fossi: Verdi e il cinema. Recco: Le Mani, 2001.

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18

Ishaghpour, Youssef. Opéra et théâtre dans le cinéma d'aujourd'hui. Paris: La Différence, 1995.

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19

Miceli, Sergio, and Marco Capra. Verdi & Wagner nel cinema e nei media: Atti del convegno internazionale nel bicentenario della nascita : Parma, Casa della musica, 10-11 maggio 2013. Venezia: Marsilio, 2014.

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20

Dolfi, Anna, ed. Non finito. Opera interrotta e modernità. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-729-6.

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Non finito, opera interrotta… difficile trovare una definizione, circoscrivere il tema, distinguere il caso dall’intenzionalità. Certo pochi ‘generi’ e/o declinazioni hanno come il non finito bisogno di ciò che è esterno all’opera e che in qualche modo la completa, collocandola in posizione privilegiata per la sintonia con la nostra inquieta modernità. Non stupisce che in letteratura siano naturaliter ‘sospesi’ – oltre a ciò che è stato brutalmente interrotto – gli epistolari, i diari, le cronache della malattia e della sofferenza; né che l’incompiutezza accompagni gli scritti che rinviano a grumi irrisolti, traumi nascosti, taciute malinconie. Dettata da scelta o da gradi distinti di incapacità, la tentazione del non finito, del non finire, insegue, incalza, illude… Ce ne parlano le scritture del privato, gli abbozzi, i progetti, le carte che testimoniano il cammino necessario all’opera per arrivare alla sua forma. Questo libro, ricco e suggestivo, ideato e curato da Anna Dolfi, inscritto – come il suo oggetto – all’insegna dell’incompiuto, del non finibile, si interroga su alcuni dei tanti esempi possibili, lungo un arco diacronico che va alla letteratura alle arti figurative, al teatro, al cinema: da Leonardo a Blake, da Ariosto a Stendhal, da Dossi a Gadda, da Kafka a Borges, dalla Sarraute alla Morante, dagli sconosciuti scriventi affetti da ‘cancroregina’ all’ultimo Pirandello messo in scena da Tiezzi, fino al Fellini dell’impossibile Mastorna ... Al centro del volume una sezione con le pagine del dattiloscritto ed i quaderni di appunti inediti di/per La scelta di Giuseppe Dessí conduce ai limiti dello spazio bianco, là dove la chambre claire fissa con pochi, rarefatti segni, quanto si cela oltre la scrittura.
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21

Magna, Franco La. Vi ravviso, o luoghi ameni: Vincenzo Bellini nel cinema e nella televisione. Reggio Calabria: Città del sole, 2007.

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22

Blumenthal, Eileen. Julie Taymor: Playing with fire : theater, opera, film. 3rd ed. Abrams, NY: Abrams, 2006.

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23

Blumenthal, Eileen. Julie Taymor: Playing with fire : theater, opera, film. New York: H.N. Abrams, 1999.

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24

Pancani, Eleonora, ed. Ruggero Jacobbi alla radio. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-664-8.

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Recent years have seen the publication of a great deal of the work of Ruggero Jacobbi, a legendary figure of Italian twentieth-century culture, thanks to a praiseworthy retrieval of unpublished material conserved in the «A. Bonsanti» contemporary archive of the Gabinetto «G.P. Vieusseux». However, despite so many new pages of poetry and translation, what was still lacking was the writer's voice. The voice which, thanks to the painstaking work of Eleonora Pancani, we can now read (if not hear), as with characteristic dexterity it intermingles verses and music, literature and theatre, politics and entertainment. Ruggero Jacobbi alla radio presents the transcription of several radio programmes of the 70s featuring the genial culture of this multi-faceted intellectual. Jacobbi entertains his audience, discorsing on literary history, the figurative arts and opera, quoting poetry, discussing plays, mingling observations on Goldoni, Pirandello, Bontempelli, Savinio, Pessoa and García Lorca in an engaging anecdotal style that involves the cinema, the theatre and literature, while the great figures of tradition and recent history are interwoven with reminiscences of private life.
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25

David, Williams. Saints alive: Word, image, and enactment in the lives of the saints. Montréal: McGill-Queen's University Press, 2010.

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26

Basel, Museum für Gegenwartskunst, Öffentliche Kunstsammlung Basel, and Emanuel Hoffmann-Stiftung, eds. Tacita Dean: Selected works from 1994-2000 : an aside. Basel: Museum für Gegenwartskunst Basel, 2000.

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27

Opéra et Cinéma. Premières Loges, 1987.

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28

Joe, Jeongwon. Opera As Soundtrack. Taylor & Francis Group, 2013.

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29

Opera As Soundtrack. Taylor & Francis Group, 2016.

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30

Between Opera and Cinema. Routledge, 2012.

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31

Theresa, Rose, and Jeongwon Joe. Between Opera and Cinema. Taylor & Francis Group, 2015.

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32

Teo, Stephen. The Opera Film in Chinese Cinema. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199765607.013.0012.

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33

Attard, Joseph. Opera Cinema: A New Cultural Experience. Bloomsbury Publishing Plc, 2022.

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34

Stage Design: Concerts, Events, Ceremonies and Theater. Gingko Press, Incorporated, 2013.

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35

Brunsdon, Charlotte. Screen Tastes: Soap Opera to Satellite Dishes. Taylor & Francis Group, 2005.

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36

Brunsdon, Charlotte. Screen Tastes: Soap Opera to Satellite Dishes. Taylor & Francis Group, 2005.

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37

Le signore dalle camelie: L'opera al cinema. Perugia: Morlacchi editore, 2020.

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38

Grover-Friedlander, Michal. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton University Press, 2014.

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39

Grover-Friedlander, Michal, Roger Parker, and Carolyn Abbate. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton University Press, 2014.

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40

Theresa, Rose. Between Opera and Cinema (Critical and Cultural Musicology). Routledge, 2001.

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41

Vocal apparitions: The attraction of cinema to opera. Prinston: Princeton University Press, 2005.

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42

Il sogno seduttore: La Traviata e il cinema. Genova: Name, 2004.

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43

L' Economia dietro il sipario: Teatro, opera, cinema, televisione. Torino: EDT, 1989.

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44

Modernism and the Cult of Mountains: Music, Opera, Cinema. Taylor & Francis Group, 2016.

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45

Morris, Christopher. Modernism and the Cult of Mountains: Music, Opera, Cinema. Taylor & Francis Group, 2016.

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46

Modernism and the cult of mountains: Music, opera, cinema. Burlington, VT: Ashgate, 2012.

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47

Brook, Peter. Points de suspension. Seuil, 1998.

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48

Tsui Hark's Peking Opera Blues (The New Hong Kong Cinema). Hong Kong University Press, 2016.

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49

Lavandier, Yves. La dramaturgie: les mecanismes du recit cinema, theatre, opera, radio, television, B.D. Paris, 1997.

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50

Crosby, Nina E., and Elizabeth H. Marten. Don't Teach! Let Me Learn About Opera, Ballet, American Theater and Cinema. D O K Publishers, 1988.

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