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1

Immersive Longform Storytelling. Taylor & Francis Group, 2019.

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2

Dowling, David. Immersive Longform Storytelling: Media, Technology, Audience. Taylor & Francis Group, 2019.

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3

Dowling, David. Immersive Longform Storytelling: Media, Technology, Audience. Taylor & Francis Group, 2019.

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4

Dowling, David. Immersive Longform Storytelling: Media, Technology, and Audience. Taylor & Francis Group, 2019.

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5

Video journalism for the web: A practical introduction to documentary storytelling. New York: Routledge, 2012.

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6

Lebowitz, Josiah, and Chris Klug. Interactive Storytelling for Video Games: Proven Writing Techniques for Role Playing Games, Online Games, First Person Shooters, and More. Taylor & Francis Group, 2012.

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7

Lebowitz, Josiah, and Chris Klug. Interactive Storytelling for Video Games: Proven Writing Techniques for Role Playing Games, Online Games, First Person Shooters, and More. Taylor & Francis Group, 2012.

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8

Lebowitz, Josiah, and Chris Klug. Interactive Storytelling for Video Games: Proven Writing Techniques for Role Playing Games, Online Games, First Person Shooters, and More. Taylor & Francis Group, 2012.

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9

Lebowitz, Josiah, and Chris Klug. Interactive Storytelling for Video Games: Proven Writing Techniques for Role Playing Games, Online Games, First Person Shooters, and More. Taylor & Francis Group, 2012.

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10

Montgomery, Robb. Smartphone Video Storytelling. Taylor & Francis Group, 2018.

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11

Montgomery, Robb. Smartphone Video Storytelling. Taylor & Francis Group, 2018.

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12

Montgomery, Robb. Smartphone Video Storytelling. Taylor & Francis Group, 2018.

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13

Montgomery, Robb. Smartphone Video Storytelling. Taylor & Francis Group, 2018.

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14

Montgomery, Robb. Smartphone Video Storytelling. Taylor & Francis Group, 2018.

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15

Smartphone Video Storytelling. Routledge, 2018.

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16

Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. Taylor & Francis Group, 2015.

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17

Hyvärinen, Matti, Frans Mäyrä, Mari Hatavara, and Maria Mäkelä. Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. Taylor & Francis Group, 2015.

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18

Hyvärinen, Matti, Frans Mäyrä, Mari Hatavara, and Maria Mäkelä. Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. Taylor & Francis Group, 2018.

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19

Stories and social media: Identities and interaction. New York: Routledge, 2012.

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20

Emerging Practices in the Age of Automated Digital Journalism: Models, Languages, and Storytelling. Taylor & Francis Group, 2022.

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21

García-Orosa, Berta, Ángel Vizoso, and Sara Pérez-Seijo. Emerging Practices in the Age of Automated Digital Journalism: Models, Languages, and Storytelling. Taylor & Francis Group, 2022.

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22

News Now: Visual Storytelling in the Digital Age. Pearson Education, Limited, 2012.

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23

News now: Visual storytelling in the digital age. Boston: Pearson Education, 2011.

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24

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2015.

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25

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2015.

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26

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2022.

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27

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2015.

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28

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2022.

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29

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2022.

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30

Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. Taylor & Francis Group, 2015.

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31

Del Negro, Janice M., and Melanie A. Kimball, eds. Engaging Teens with Story. ABC-CLIO, LLC, 2017. http://dx.doi.org/10.5040/9798400646225.

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Based on proven theory and real-life experience, this guidebook provides a one-stop resource for educators, librarians, and storytellers looking to introduce storytelling programs for young adults. Storytelling is often associated with storytime and library services to young children, but effective storytelling speaks to all ages—including teens. Engaging Teens with Story: How to Inspire and Educate Youth with Storytelling offers an in-depth look at storytelling for young adults that explains the benefits of storytelling with this audience, what current practices are, and storytelling opportunities to explore with youth. It provides a unique source of expert guidance that youth services librarians, professional storytellers, and middle and high school teachers will appreciate. Readers will learn how to find stories for teens, apply proven techniques for successful telling of tales to teens, use traditional literature as a basis for creative writing, and establish a teen storytelling club or troupe. The guide also covers how teens can create their own stories with digital media; the connections between traditional folk and fairy tales and today's film, television, books, and online media; and how storytelling can be successfully used with at-risk youth.
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32

Stein, Daniel, Jan-Noël Thon, and Andreas Rauscher. Comics and Videogames: From Hybrid Medialities to Transmedia Expansions. Taylor & Francis Group, 2020.

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33

Stein, Daniel, Jan-Noël Thon, and Andreas Rauscher. Comics and Videogames: From Hybrid Medialities to Transmedia Expansions. Routledge, Chapman & Hall, Incorporated, 2022.

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34

Stein, Daniel, Jan-Noël Thon, and Andreas Rauscher. Comics and Videogames: From Hybrid Medialities to Transmedia Expansions. Taylor & Francis Group, 2020.

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35

Daniel, Stein, Thon Jan-Noël, Rauscher Andreas, Stein Daniel, and Thon Jan-Noël, eds. Comics and Videogames: From Hybrid Medialities to Transmedia Expansions. Taylor & Francis, 2021.

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36

Multimedia Storytelling for Digital Communicators in a Multiplatform World. Routledge, 1996.

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37

Broadcast News in the Digital Age: A Guide to Storytelling, Producing and Performing Online and on TV. Taylor & Francis Group, 2022.

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38

Stephens, Kim, and Faith M. Sidlow. Broadcast News in the Digital Age: A Guide to Storytelling, Producing and Performing Online and on TV. Taylor & Francis Group, 2022.

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39

Fernandes, Sujatha. Curated Stories. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190618049.001.0001.

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In the contemporary era we have seen a proliferation of storytelling activities, from the phenomenon of TED talks and Humans of New York to a plethora of story-coaching agencies and consultants. Curated Stories seeks to understand the rise of this storytelling culture alongside a broader shift to neoliberal free market economies. The book shows how in the turn to free market orders, stories have been reconfigured to promote liberal and neoliberal self-making and are restructured as easily digestible soundbites mobilized toward utilitarian ends. The reader is taken to several sites around the world where we can hear stories and observe varied contemporary modes of storytelling: the online Afghan Women’s Writing Project, the domestic workers movement and the undocumented student Dreamer movement in the United States, and the Misión Cultura storytelling project in Venezuela. Curated stories are often heartbreaking accounts of poverty and mistreatment that may move us deeply. But what do they move us to? What are the stakes, and for whom, in the crafting and mobilization of storytelling? A careful analysis of the conditions under which the stories are told, the tropes through which they are narrated, and the ways in which they are responded to shows how stories may actually work to disguise the deeper contexts of global inequality in which these marginal lives are situated. The book is also concerned with how we might reclaim storytelling as a craft that allows for the fullness and complexity of experience to be expressed in pursuit of transformative social change.
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40

Sulimma, Maria. Gender and Seriality. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474473958.001.0001.

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The notion of seriality and serial identity performance runs as a strong undercurrent through feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, Gender and Seriality argues that serial storytelling can offer such complex negotiations of identity that the ‘results’ of televisual gender performances are rarely separate from the processes that produce them. As such, gender performances are not restricted to individual television programmes themselves, but are also located in official paratexts, such as making-of documentaries, interviews with writers and actors, and in cultural sites like online viewer discussions, recaps and fan fiction. With case studies of series such as Girls, How to Get Away With Murder and The Walking Dead, this book seeks to understand how gender as a practice is generated by television narratives in the overlapping of text, reception and production, and explores the viewer practices that these narratives seek to trigger and draw on in the process
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41

Pullen, Jennifer, Sean Prentiss, Amorak Huey, H. K. Hummel, Chris Gavaler, Sean Prentiss, Xu Xi, et al. Fantasy Fiction. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350166967.

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The first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include: - Character and dialogue - Point of view - Plot and structure - Worldbuilding settings, ideologies and cultures - Style and revision The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fantasy. An accompanying anthology will provide students with a greater awareness of the range of possibilities open to them as fantasy writers and will feature such writers as Ursula Le Guin, China Miéville, Theodora Goss, Emrys Donaldson, Ken Liu, C.S.E. Cooney, Vandana Singh, Sofia Samatar, Rebecca Roanhorse, Jessie Ulmer, Yxta Maya Murray, and Rachael K. Jones. With writing exercises, prompts, additional online resources and cues for further reading throughout, this is an essential resource for anyone wanting to write fantastical fiction.
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42

Edwards, Leigh H. The Triumph of Reality TV. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216027577.

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This book provides an up-to-date account of how reality TV has developed, why it has become the most popular genre on television today, and how the explosion in reality TV signals new developments in American media culture. The reasons behind reality TV's continued popularity go beyond the sensationalism and low production cost of these programs: there is much more to the genre's continued success than just escapism or “guilty pleasure” TV. The Triumph of Reality TV: The Revolution in American Television identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include innovations in storytelling, making emotional appeals to viewers, and applying content from television to other media such as films, music albums, webisodes, online games, and smart phone apps. Author Leigh H. Edwards also analyzes how reality TV shows target themes of social conflict, such as changing ideas of the American family, and address common anxieties and tensions in American society such as gender, race, class, and economic struggle. A wide variety of reality shows—including American Idol, Celebrity Rehab, Jackass, Run's House, Survivor, and The Hills—are profiled. An appealing read for students, scholars, and general readers alike, this book provides fascinating insights into the complexities of a seemingly simplistic form of mass entertainment.
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43

Burum, Ivo. Mojo Handbook: Theory to Praxis. Taylor & Francis Group, 2020.

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44

Burum, Ivo. Mojo Handbook: Theory to Praxis. Taylor & Francis Group, 2020.

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45

Burum, Ivo. Mojo Handbook: Theory to Praxis. Taylor & Francis Group, 2020.

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46

Burum, Ivo. Mojo Handbook: Theory to Praxis. Taylor & Francis Group, 2020.

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47

Mojo Handbook. Taylor & Francis Group, 2020.

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