Dissertations / Theses on the topic 'Ohio (1883)'

This thesis investigates three lynchings of African Americans in Progressive-Era western Kentucky. The first occurred in Owensboro. In July 1884, a masked mob at-tacked the Daviess County jail. Richard May, an African-American field hand, had been incarcerated for the alleged sexual assault of a local farmer’s daughter. During the lynch mob’s actions that claimed May’s life, the white county jailer was killed protecting his prisoner. Ironically, just two decades earlier Jailer William Lucas had fought for the Confederate States of America during the Civil War. In nearby Hawesville in September 1897, Raymond Bushrod was also arrested on suspicion of raping a white girl. Rumors swirled throughout the town about a potential mob, with the local newspaper even commenting that “the result of [the community’s outrage] will likely be the first lynching in the history of Hancock County before morn-ing.” Indeed Bushrod was hanged; however, the heinous act took place in daylight in the full view of cheering women and children. The final case, the April 1911 Livermore (McLean County) lynching, received the widest national–and even international–attention. Residents of Livermore seized William Potter, a local black man arrested for allegedly assaulting a white man, from town law enforcement officials. The lynch mob then shot Potter to death on the stage of the town opera house. Some accounts state that admission was charged for the morbid spectacle. The horrific event was harshly condemned by the national and international press, and the National Association for the Advancement of Colored People petitioned both Frankfort and Washington, D.C. for action. Surprisingly, heavy public pressure resulted in the eventual indictment of eighteen prominent McLean Countians believed to have partici-pated in the heinous spectacle. Not surprisingly, they were all hastily acquitted, however. Nonetheless, media attention of the disturbing tragedy helped to ensure that the days of unchecked lynch law in the American South were numbered. These stories are brought to life through eyewitness accounts in contemporary newspaper reports and court records. In addition to presenting a case study of each lynching, I examine the public sentiment, media treatment, and legal proceedings (if any) surrounding these acts of racial violence. As an overarching theme, I analyze how soci-ety itself changed during the period under review, from 1884 to 1911. While there are unique aspects to each lynching, all of these stories share common threads. Each took place in the adjacent western Kentucky Coal Field counties of Davi-ess, Hancock, and McLean. Each lynching victim stood accused of a crime that typically brought with it an automatic “death sentence” in the New South–sexual assault of a white woman in two cases, and attempted murder of a white man in the other instance. Each occurred about a decade and a half apart. While lynchings of African Americans in the Bluegrass State during the period covered by this thesis were not uncommon–historian George Wright counts some 135–many of the details make these three cases distinctive. The death of Jailer Lucas in the line of duty was a very rare occurrence. So too was the brazen communal nature of the Hawesville lynching and the legal action taken against the men of the Livermore mob. These tales also demonstrate that public attitude about extralegal “justice” was far from unanimous. While many whites undoubtedly agreed with the Owensboro Messenger’s assertion that lynching was “too good for” certain “black brutes,” there were unwavering voices of reason and civility present also. These latter voices grew progressively louder as the national anti-lynching campaign reached its crescendo in the 1920s and 1930s. Many special people have been influential in helping me to complete this project. I would like to thank the Western Kentucky University History Department, in particular Patricia Minter, Carol Crowe-Carraco, and Marion Lucas, for reading my thesis and of-fering their valuable suggestions. Any mistakes that remain are solely my responsibility. Also, the librarians at the Daviess County Public Library, Western Kentucky University, and the University of Kentucky were immensely helpful in my search for primary sources. Above all I want to dedicate this project to my father and mother, Woody and Susan Maglinger. They have taught me to live by the Golden Rule, and I would not be the man that I am today had they not shared God’s love through their beautiful examples.

Thesis (M.A.)--University of Toledo, 2009.
Typescript. "Submitted as partial fulfillment of the requirements for The Master of Arts in History." "A thesis entitled"--at head of title. Bibliography: leaves 180-189.

Indiana University-Purdue University Indianapolis (IUPUI)
The landscape of James A. Garfield’s Mentor, Ohio home (now preserved at James A. Garfield National Historic Site) contains multiple layers of historical meanings and values. The landscape as portrayed in political biographies, political cartoons, and other ephemera during Garfield’s 1880 presidential campaign reveals the existence of the dual cultural values of agrarian tradition and agricultural progress in the late nineteenth century. Although Garfield did not depend on farming exclusively for his livelihood, he, like many agriculturalists of this era participated in a process of mediation between these dual values. The function of the landscape of Garfield’s farm between 1876 and 1880 is a reflection of this process of mediation. After President Garfield’s assassination in 1881, his wife and children returned to their Mentor home. Between 1885 and c. 1905, Garfield’s widow Lucretia made numerous changes to the agricultural landscape, facilitating the evolution of the home from farm to country estate. Despite the rich history of this landscape, its cultural complexity and evolution over time makes it difficult to interpret for public audiences. Additionally, the landscape is currently interpreted exclusively through indoor museum exhibits and outdoor wayside panels, two formats with severe limitations. I propose the integration of deep mapping into interpretation at James A. Garfield National historic site in order to more effectively represent the multi-layered qualities of its historic landscape.