Dissertations / Theses on the topic 'ODE'
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Hidefjäll, Rickard. "Områdesinbäddning för ODE." Thesis, Uppsala University, Department of Mathematics, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-121428.
Full textCampbell, Diarmid. "Ode to r/r." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18093.
Full textThompson, Nancy Lynn. "Ode to the Whiterock Conservancy." [Ames, Iowa : Iowa State University], 2008.
Find full textJung, Brigitte Klemz, Otilia Lizete de Oliveira Martins Heinig, and Universidade Regional de Blumenau Programa de Pós-Graduação em Educação. "ODE a uma escola diferente /." reponame:Biblioteca Digital de Teses e Dissertações FURB, 2008. http://www.bc.furb.br/docs/DS/2008/330750_1_1.pdf.
Full textEngler, Bernd. "Die Amerikanische Ode : gattungsgeschichtliche Untersuchungen /." Paderborn ; München ; Wien : F. Schöningh, 1985. http://catalogue.bnf.fr/ark:/12148/cb349520616.
Full textFowler-Smith, Penelope Jane Art College of Fine Arts UNSW. "Peacock pilgrimage: an ode to India." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41230.
Full textDurno, Thomas Edward. "Poetics of the English Ode, 1786-1820." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607677.
Full textLeitão, Bruna Maria Campos. "Ode marítima: leitura de Álvaro de Campos." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6612.
Full textThis dissertation is the result of the master's research done about the poem "Ode marítima" by Álvaro de Campos, Fernando Pessoas heteronymous. The poem was studied under theoretical considerations that could sustain the artistic content of that poem. In other words, the theoretical contributions by Walter Benjamin, Philippe Lacoue-Labarthe, Theodor W. Adorno, etc, aims to provide a poetic research discourse, respecting the literary manifestation in question the poem. During the research "Ode marítima" showed different themes. These themes were studied separately. They are: "Imagination," "Absolute Pier", "Dream", "Strength" and "Childhood". For each subject a chapter has been prepared. All subjects studied converge to the apprehension of Álvaro de Campos "Ode marítima" as a poem that contains the singularity of this heteronymous. Thus, the survey reaches other poems by Álvaro de Campos, making possible the conjecture about the poetry of this heteronymous. The research aims to gain the studies of Alvaro de Campos poetry, pointing out its peculiarities, as done about by the "Ode marítima" and being aware that this is one proposal among many others as valid and as enriching as this one
Mirko, Bogdanović. "Uzvišenost ideje – komparativna analiza engleske klasicističke i romantičarske ode." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2015. http://www.cris.uns.ac.rs/record.jsf?recordId=90692&source=NDLTD&language=en.
Full textOde as an artistic form, beautiful and sublime, reason and imagination,dynamically and mathematically sublime, the sublimity of a form and the sublimity of anidea, subjectivity of the sublime, are some of the key terms of this study. However, insomewhat wider context, it also includes the individual and the universal, eternal andtemporal, finite and infinite, human and mythical, human and divine, man and nauture. Allthese questions are intertwined in the sublime frame of an ode, which, by its own existence,has marked the brightest spots of each epoch and written them in the magnificent chronicle ofhuman history. This work represents the retrospect of that golden chronicle in which our ownepoch will hopefully write a few lines.
Nilsson, Per-Olof. "En komparativ studie av ODE-lösare." Thesis, Uppsala universitet, Matematiska institutionen, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-121378.
Full textTrowles, Tony Albert. "The musical ode in Britain, c.1670-1800." Thesis, University of Oxford, 1992. https://ora.ox.ac.uk/objects/uuid:2c30162d-7b1d-45ba-9e3c-301129ecb38c.
Full textAraujo, Alisson Alexandre de. "7ª Ode Olímpica de Píndaro: tradução e notas." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-23082007-121817/.
Full textThis work aims to present a comment to Pindar\'s 7th Olympian Ode. Additionally, it intents not only to demonstrate the way Pindar\'s work was mentioned or referred to in Greek language until the publication of Zacarias Calierges\' edition, in 1515, but also show how the pindaric criticism of XIX and XX centuries was shaped.
Lee, Hock Seng. "An ODE/MOL PDE Template For Soil Physics." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/365588.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Australian School of Environmental Studies
Full Text
Moore, James. "An ODE Model of Biochemotherapy Treatment for Cancer." Scholarship @ Claremont, 2007. https://scholarship.claremont.edu/hmc_theses/200.
Full textSong, Li Li. "Numerical methods with circulant-like preconditioners for ODE systems." Thesis, University of Macau, 2002. http://umaclib3.umac.mo/record=b1446723.
Full textSchmidt, D. A. "Bakchylides : Text and interpretation of Ode 3,5,16 and 17." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383884.
Full textSubbaraman, Nidhi. "Why we sing : an ode to our musical origins." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/60840.
Full text"September 2010." Cataloged from PDF version of thesis.
Includes bibliographical references (p. 29-32).
Music is part of human culture and has been around for several thousand years. In spite of its strong emotional appeal, the history of this human characteristic, and the source of its allure remain elusive. This thesis is a report from the front lines of research into the origins of human music, presenting four popular scenarios for the source of music. Music is treated as a homolog for gibbon song, as a co-evolver with language, as a sexually selected adaptation and as a cultural artifact that elicits universally reaching, culturally exclusive emotional responses from listeners.
by Nidhi Subbaraman.
S.M.in Science Writing
Teixeira, Francisco Diniz [UNESP]. "Na senda tradutória da ode: Horácio e Filinto Elísio." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154385.
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O trabalho que ora se encerra, tencionou ao longo do curso de doutoramento efetuar uma investigação acerca da ode enquanto gênero literário, na sua matriz latina a partir do estudo da poesia horaciana e das projeções desta na poesia de Francisco Manoel do Nascimento, poeta neoclássico conhecido pelo pseudônimo de Filinto Elísio. Para tornar isso possível, foi necessário fazer o levantamento da fortuna crítica, a partir de estudos que permitissem a compreensão da ode enquanto gênero ligado ao arquigênero, vislumbrado sob o conceito “Lírico”. Entendendo-se que a transposição de uma forma antiga para as literaturas vernáculas só se torna possível através da tradução, optou-se por delimitar o corpus de trabalho para as onze odes de Horácio que Filinto Elísio traduziu e que, juntamente com as odes de sua autoria, compõem o maior corpus de odes produzidas no Século das Luzes. O estudo de tradução levado a cabo se ancorou no referencial teórico encontrado nos escritos de Henri Meschonnic, Haroldo de Campos e Antony Pym. Evidentemente, o estudo proposto não se limitou aos referenciais teóricos necessários para o desvelamento da prática tradutória do poeta luso, sem que antes se resgatasse o peso de suas ideias estéticas, do contexto histórico-artístico em que ele se inseriu e da recepção de suas ideias e obras na história da literatura portuguesa. Ao fim do trabalho, concluiu-se que a criação artística prolífica entre os poetas neoclássicos, particularmente na obra de Filinto Elísio, se deve ao estudo e tradução – etapa fundamental – das Odes horacianas, tomadas como matriz do gênero e sinônimo de bom gosto no contexto intelectual do século XVIII.
El trabajo que se concluye acá, pretendió, a lo largo del curso de doctorado, efectuar una investigación acerca de la oda como género literario, en su matriz latina a partir del estudio de la poesía horaciana y sus proyecciones en la poesía de Francisco Manoel do Nascimento, poeta neoclásico portugués conocido por el pseudónimo de Filinto Elísio. Para hacerla posible, fue necesario investigar el acervo crítico acerca del tema, a partir de estudios que permitiesen la comprensión de la oda como género vinculado al archigénero, vislumbrado bajo el concepto "Lírico". Comprendiendo que la transposición de una forma antigua a las literaturas vernáculas sólo se hace posible a través de la traducción, se optó por delimitar el corpus de trabajo para las once odas de Horacio que Filinto Elísio tradujo y que junto a las odas de su autoría componen el mayor corpus de odas producidas en el Siglo de las Luces. El estudio de traducción llevado a cabo se ancló en el referencial teórico encontrado en los escritos de Henri Meschonnic, Haroldo de Campos y Antony Pym. Evidentemente, el estudio propuesto no se limitó a los referenciales teóricos necesarios para el desvelamiento de la práctica traductora del poeta luso sin antes se rescatar el peso de sus ideas estéticas, del contexto histórico-artístico en que se inserta y de la recepción de sus ideas y obras en la historia de la literatura portuguesa. Al final del trabajo se concluye que la creación artística prolífica de los poetas neoclásicos, particularmente en la obra de Filinto Elísio, se debe al estudio y traducción – etapa fundamental – de las Odas horacianas, tomadas como matriz del género y sinónimo de buen gusto en el contexto intelectual del siglo XVIII.
D'Augustine, Anthony Frank. "MATLODE: A MATLAB ODE Solver and Sensitivity Analysis Toolbox." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83081.
Full textMaster of Science
Teixeira, Francisco Diniz. "Na senda tradutória da ode : Horácio e Filinto Elísio /." Araraquara, 2018. http://hdl.handle.net/11449/154385.
Full textBanca: João Batista T. Prado
Banca: Carlos Eduardo Mendes de Moraes
Banca: Pedro Carlos Louzada Fonseca
Banca: Heloísa Maria Moraes Moreira Penna
Resumo: O trabalho que ora se encerra, tencionou ao longo do curso de doutoramento efetuar uma investigação acerca da ode enquanto gênero literário, na sua matriz latina a partir do estudo da poesia horaciana e das projeções desta na poesia de Francisco Manoel do Nascimento, poeta neoclássico conhecido pelo pseudônimo de Filinto Elísio. Para tornar isso possível, foi necessário fazer o levantamento da fortuna crítica, a partir de estudos que permitissem a compreensão da ode enquanto gênero ligado ao arquigênero, vislumbrado sob o conceito "Lírico". Entendendo-se que a transposição de uma forma antiga para as literaturas vernáculas só se torna possível através da tradução, optou-se por delimitar o corpus de trabalho para as onze odes de Horácio que Filinto Elísio traduziu e que, juntamente com as odes de sua autoria, compõem o maior corpus de odes produzidas no Século das Luzes. O estudo de tradução levado a cabo se ancorou no referencial teórico encontrado nos escritos de Henri Meschonnic, Haroldo de Campos e Antony Pym. Evidentemente, o estudo proposto não se limitou aos referenciais teóricos necessários para o desvelamento da prática tradutória do poeta luso, sem que antes se resgatasse o peso de suas ideias estéticas, do contexto histórico-artístico em que ele se inseriu e da recepção de suas ideias e obras na história da literatura portuguesa. Ao fim do trabalho, concluiu-se que a criação artística prolífica entre os poetas neoclássicos, particularmente na obra de Filinto Elísio,... (Resumo completo, clicar acesso eletrônico abaixo)
Resumen: El trabajo que se concluye acá, pretendió, a lo largo del curso de doctorado, efectuar una investigación acerca de la oda como género literario, en su matriz latina a partir del estudio de la poesía horaciana y sus proyecciones en la poesía de Francisco Manoel do Nascimento, poeta neoclásico portugués conocido por el pseudónimo de Filinto Elísio. Para hacerla posible, fue necesario investigar el acervo crítico acerca del tema, a partir de estudios que permitiesen la comprensión de la oda como género vinculado al archigénero, vislumbrado bajo el concepto "Lírico". Comprendiendo que la transposición de una forma antigua a las literaturas vernáculas sólo se hace posible a través de la traducción, se optó por delimitar el corpus de trabajo para las once odas de Horacio que Filinto Elísio tradujo y que junto a las odas de su autoría componen el mayor corpus de odas producidas en el Siglo de las Luces. El estudio de traducción llevado a cabo se ancló en el referencial teórico encontrado en los escritos de Henri Meschonnic, Haroldo de Campos y Antony Pym. Evidentemente, el estudio propuesto no se limitó a los referenciales teóricos necesarios para el desvelamiento de la práctica traductora del poeta luso sin antes se rescatar el peso de sus ideas estéticas, del contexto histórico-artístico en que se inserta y de la recepción de sus ideas y obras en la historia de la literatura portuguesa. Al final del trabajo se concluye que la creación artística prolífica de los poetas neoclásicos,... (Resumen completo clicar acceso eletrônico abajo)
Doutor
Gregori, Daniele. "N=2 gauge theories from the ODE-IM correspondence perspective." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15820/.
Full textBrus, Linda. "Recursive black-box identification of nonlinear state-space ODE models." Licentiate thesis, Uppsala : Department of Information Technology, Uppsala University, 2006. http://www.it.uu.se/research/publications/lic/2006-001/.
Full textKleyer, Niklas Carl Simom. "TRAFFIC SIMULATIONS THROUGH ODE-, DDE SYSTEM MODELING AND NUMERICAL COMPUTATIONS." Thesis, KTH, Matematik (Inst.), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-148377.
Full textThe ODE- and DDE models are based on the same model with the only exception that the DDE model features reaction times. They are defined by consideration forces and sub-consideration forces. The values (h; k) determines the number of cars that each driver considers and therefore adds to the system as additional terms that are of the same form as the consideration forces, hence the sub prefix. The basic case where there are no sub-considerations involved is called the base case of the system and equals to (h; k) = (1; 1). The (h; k) of the system is determining the matrix B in equation (11) by the number of sub diagonals h and super diagonals k that are filled by weights of the forces. The time integrations can result in three base cases, unstable, stable oscillating and exponentially stable. These cases refer to the behavior of all system velocities. The unstable case can for limited time frames predict collisions between cars but otherwise diverge and cannot generally be used. Oscillating stable systems reach a constant velocity after a settling time and fits well into a realistic scenario. The exponential case reaches a constant velocity the fastest and is therefore the sought after solution. Both models are similar in this regard apart from the fact that the DDE model generally have a lot more system energy. Figures 1 and 4 are empirical proof that the models works as defined and can predict some traffic behavior. An interesting observation during testing was that the ODE exponential case would always remain exponential no matter the multiplication (; ; ) = C(; ; ), the only difference would be the system energy since larger acting forces are coupled with larger energies. The DDE model however is dependent on the system energy for stability since the delay sets a system energy limit for stability since too large forces coupled with delay will not achieve the optimum distance d. The system stability analysis can be reduced in both models to analyzing the homogeneous and particular parts separate. The expansions confirms in both cases what the time integrations shows and can give an idea of how the stability changes with one parameter changing. However, this is where the DDE model behaves completely different from the ODE model. For the ODE case it is possible to plot a complete eigenvalue chart whereas the DDE case has an infinite number of eigenvalues and is therefore impossible to completely chart. A conclusion that is in common between the models is that Fd(t) inherently is dominant and should as such be at lower priority compared to the other consideration forces in order to help system stability. Comparisons to the spring equation revealed that systems that prioritize Fd(t) too high converges to a system of particles in a chain connected by springs with no friction giving the observed behavior. Prioritizing F fr(t) help stability in both cases with the exception that DDE case will be stable for a sub interval (since the top limit comes from the system total energy) within the expansion whereas the ODE case remains stable through the whole intervall. The problems that come with larger systems are stability- and computation complexity related. All through the project has the models focused on the base case with no sub-considerations. The thesis is that adding sub-considerations will again stabilize an unstable system with the addition that each consecutive weight should deflate its value exponentially. The results proves that an unstable system can be stabilized by simply increasing the (h; k) of the system. This can have applications when the optimal weights are not enough to stabilize a large system. When computing the eigenvalues for large systems it puts strain on the algorithm ’eig’. According to [1] is the computation time complexity proportional to n3. What the resulting fit shows is that the relation is more quadratic than cubic and the reason is described to be the appearance of the system matrix for the base case. The matrix structure is similar to the one of the upper Hessenbergs which as a result saves time when transforming the input matrix which is the reason why the complexity is weakly cubic.
Siegmund-Schultze, Walther. "Händels ”Caecilien-Ode” (HWV 76). Ihre Stellung in seinem Gesamtwerk." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38282.
Full textAlbishi, Njwd. "Three-and four-derivative Hermite-Birkhoff-Obrechkoff solvers for stiff ODE." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34332.
Full textBozic, Vladan. "Three-stage Hermite-Birkhoff-Taylor ODE solver with a C++ program." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27751.
Full textLee, Hock Seng, and n/a. "An ODE/MOL PDE Template For Soil Physics: A Numerical Study." Griffith University. Australian School of Environmental Studies, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030616.142709.
Full textLeRay, David. "Efficient pricing of an Asian put option using stiff ODE methods." Link to electronic thesis, 2007. http://www.wpi.edu/Pubs/ETD/Available/etd-050907-133817/.
Full textKhudhair, Ali Dheyaa. "VECTOR QUANTIZATION USING ODE BASED NEURAL NETWORK WITH VARYING VIGILANCE PARAMETER." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/dissertations/478.
Full textCroft, Elise Melinda. "Multiphase extensions to ODE models for detonations of non-ideal explosives." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268225.
Full textBell, Justin Waters Mary. "Cracking the Urn master and slave in "Ode on a Grecian Urn" /." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t042.pdf.
Full text"May 2006." Title from PDF title page (viewed on October 23, 2006). Thesis adviser: Mary Waters. Includes bibliographic references (leaves 35-37).
Höckerdal, Erik. "Model Error Compensation in ODE and DAE Estimators : with Automotive Engine Applications." Doctoral thesis, Linköpings universitet, Fordonssystem, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-67117.
Full textKutik, Ilʹja Vitalʹevič. "The ode and the odic : essays on Mandelstam, Pasternak, Tsvetaeva and Mayakovsky." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 1994. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-68065.
Full textAnderson, Silvia Maria Marinho Galvao. "A Ode a Escopas no Protágoras de Platão. Discursos sobre a Arete." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-25062012-142857/.
Full textThe present research has the aim of studying Simonides Ode to Scopas in Platos Protagoras. Throughout the dialogue the difference between sophistic and philosophic discourse is highlighted by Socrates. Dialectic sections which study the areté, are intermingled with rhetorical sections in which political areté is approached. While in the former, human excellence is examined, in the sophistic sections the investigation is upon civic nómos. Simonides poem praises the healthy man that acts according to the nómos, as opposed to the morally irreprehensible man. Through Socrates analysis of the poem, poetic discourse is compared to the rhetorical one. It can be concluded that dialectic discourse is the only method through which it is possible to reach the truth of areté.
Cembrone, Kátia Pellicci. "Ode marítima: do atual ao inaugural a poesia como poiesis e performance." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/14678.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work aims to demonstrate the reason why Ode Marítima is considered the most important poem of the Sensacionism Moviment, created by Fernando Pessoa and Mário de Sá-Carneiro in the early twentieth-century, by establishing a connection between actual and original, modern and primitive, time and no-time dimensions, chronological time and mythical time. In order to do that, some of the theoretical frameworks used were: the studies of the rhythm structure of this ode, by José Augusto Seabra and Nicolás Extremera Tapia; the studies of oral poetry, developed by Paul Zumthor; Fernando Pessoa and Mário de Sá-Carneiro s writings about Sensacionism; Micea Eliade s studies about myth; and the philosophical view of man s way of life transformations according to Friedrich Nietzsche. In the first chapter, we intended to reflect on the transformations poetry has passed through the time in order to, in the next chapter, explain and justify the sensacionist proposal of a modern art that is based on sensation strength, and intends to touch the sensorial body of its receptor. Finally, we proceeded to an analytic reading of the corpus: the Ode Marítima. We concluded that the poem materializes the Sensacionism by proposing us a return to the origins of the poetry. Thus, Álvaro de Campos modern experiment is access to the archaic rituals rhythm: song, voice, dance, body pure sensation, pure poetry. Such an experiment gives us the possibility of a more conscious perception of the complex way of modern life
O objetivo deste trabalho é demonstrar por que Ode Marítima é considerada o poema expressão máxima do movimento sensacionista, idealizado por Fernando Pessoa e Mário de Sá-Carneiro, no início do século XX, estabelecendo uma relação entre o atual e o inaugural, o moderno e o arcaico, o tempo e o não-tempo, o tempo cronológico e o tempo mítico. Para tanto, alguns dos referenciais teóricos utilizados foram: os estudos realizados por José Augusto Seabra e Nicolás Extremera Tapia acerca da estruturação rítmica da ode; os estudos sobre a poesia oral, realizados por Paul Zumthor; os escritos sobre o Sensacionismo, deixados por Fernando Pessoa e Mário de Sá-Carneiro; os estudos do mitólogo Micea Eliade; e a leitura filosófica das transformações no modo de viver do homem, realizada por Friedrich Nietzsche. No primeiro capítulo, buscamos refletir sobre as transformações pelas quais passou o ser da poesia através dos tempos para, no capítulo seguinte, explicar e justificar a proposta sensacionista, de uma arte moderna que se baseia na força da sensação, que busca atingir o corpo sensorial do receptor. Finalmente, realizamos uma leitura analítica do corpus: a Ode Marítima. Concluímos que o poema materializa o Sensacionismo propondo-nos um retorno às origens da poesia. Assim, o experimento moderno de Álvaro de Campos é acesso ao ritmo dos rituais arcaicos: canto, voz, dança, corpo pura sensação, pura poesia. Tal experimento nos dá a possibilidade de uma nova percepção, mais consciente, da complexa forma de vida moderna
Kutik, Ilʹâ Vitalʹevič. "The Ode and the Odic : essays on Mandelstam, Pasternak, Tsvetaeva and Mayakovsky /." Stockholm : Almqvist och Wiksell, 1994. http://catalogue.bnf.fr/ark:/12148/cb37671636q.
Full textDonolo, Marcos Angel. "An ODE solver for constrained state spaces: with applications to hybrid-system simulations." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/36025.
Full textMaster of Science
Yang, Shuo. "Ode to Joy: Sound that Alters Perceptions of Birdwatching as a Leisure Pursuit." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1468601951.
Full textCalderhead, Ben. "A study of Population MCMC for estimating Bayes Factors over nonlinear ODE models." Connect to e-thesis, 2007. http://theses.gla.ac.uk/304/.
Full textMSc(R) thesis submitted to the Faculty of Information and Mathematical Sciences, Department of Computing Science, University of Glasgow, 2007. Includes bibliographical references. Print version also available.
Retter, Andreas. "Das Prooimion von Pindars siebter Olympischer Ode : Versuch einer integrierenden Lösung von Bezugsproblemen /." Innsbruck : Institut für Sprachen und Literatur der Universität Innsbruck, 2002. http://catalogue.bnf.fr/ark:/12148/cb40018307v.
Full textVanderplas, Steven Elworthy. "Cromwell and Augustus: Non-Partisan Historical Comparisons in andrew Marvell's "An Horatian Ode"." W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539625462.
Full textRehberg, Marcel [Verfasser]. "A numerical approach to model reduction for optimal control of multiscale ODE / Marcel Rehberg." Ulm : Universität Ulm. Fakultät für Mathematik und Wirtschaftswissenschaften, 2013. http://d-nb.info/1038734967/34.
Full textKitavtsev, Georgy. "Derivation, analysis and numerics of reduced ODE models describing coarsening dynamics of liquid droplets." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2010. http://dx.doi.org/10.18452/16069.
Full textIn this dissertation the topic of reduced ODE models corresponding to a family of one-dimensional lubrication equations derived by Muench et al. 06'' is addressed. This family describes the dewetting process of nanoscopic thin liquid films on hydrophobic polymer substrates due to the presence of several intermolecular forces and takes account of different ranges of slip-lengths at the polymer substrate interface. Reduced ODE models derived from underlying lubrication equations allow for an efficient analytical and numerical investigation of the latest stage of the dewetting process: coarsening dynamics of the remaining droplets. We first give an asymptotical derivation of these models and use them to investigate the influence of slip-length on the coarsening dynamics. In the second part of the talk we present a new geometric approach which can be used for an alternative derivation and justification of above reduced ODE models and is based on a center-manifold reduction recently applied by Mielke and Zelik 08'' to a certain class of semilinear parabolic equations. One of the main problems for a rigorous justification of this approach is investigation of the spectrum of a lubrication equation linearized at the stationary solution, which describes physically a single droplet. The corresponding eigenvalue problem turns out to be a singularly perturbed one with respect to a small parameter epsilon tending to zero. For this problem we show existence of an epsilon-dependent spectral gap between a unique exponentially small eigenvalue and the rest of the spectrum.
Yang, Ming. "Single and multiple processor performance of a family of stepsize adjustment procedures for ODE solvers." Thesis, University of Ottawa (Canada), 1992. http://hdl.handle.net/10393/7742.
Full textHunt, Stuart H. "The Poet and the "Temple of Delight": Allegory in "Ode on Melancholy" and Blake's "Songs"." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_hontheses/8.
Full textKöthe, Alexandra [Verfasser], and Anna [Akademischer Betreuer] Marciniak-Czochra. "Hysteresis-driven pattern formation in Reaction-diffusion-Ode models / Alexandra Köthe ; Betreuer: Anna Marciniak-Czochra." Heidelberg : Universitätsbibliothek Heidelberg, 2013. http://d-nb.info/1177809214/34.
Full textKowall, Chris [Verfasser], and Anna [Akademischer Betreuer] Marciniak-Czochra. "Uniform Shadow Limit Reduction for Reaction-Diffusion-ODE Systems / Chris Kowall ; Betreuer: Anna Marciniak-Czochra." Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1233788086/34.
Full textWalker, Tammy. "The Human Body is Not Designed for Ambivalence: Odes." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5112/.
Full textHerges, Udo S. "Qualitative and quantitative analysis of ODE and PDE models of chemical reactions involving Arrhenius temperature dependence." Thesis, Brunel University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260483.
Full textReis, M?nica Karina Santos. "Uma ode ao livro: a educa??o, o bibliotec?rio, a forma??o para a vida." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br/handle/123456789/19951.
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A disserta??o defende a tese de que o livro, na forma como o conhecemos, n?o acabar?. Prop?e de uma forma geral fazer o que denominamos de um manifesto em louvor a este artefato das palavras no ?mbito da literatura e da cultura cient?fica. Ao utilizar o m?todo como estrat?gia, elege como operador cognitivo o livro N?o contem com o fim do livro, de Umberto Eco e Jean-Claude-C?rriere. Apresenta em seus cap?tulos um breve hist?rico sobre a evolu??o dos suportes informacionais e narra uma hist?ria do livro constru?da em bases complexas; destaca o car?ter contempor?neo do livro na concep??o da palavra defendida por Giorgio Agamben (atemporal, longe de vis?es determin?sticas cronol?gicas-causais) em detrimento dos ef?meros suportes informacionais tecnol?gicos; elege o livro como ferramenta do aprendizado da ci?ncia e da cultura, na concep??o de literatura e romance preconizada por Edgar Morin; e, por fim, constr?i, a partir das narrativas de dois intelectuais e amantes do livro, uma ode ao livro. De natureza bibliogr?fica, recorro a fil?sofos da ci?ncia e da cultura, como Edgar Morin, Maria da Concei??o de Almeida, Ilya Prigogine, Giorgio Agamben, Vandana Shiva, Pierre Levy, Umberto Eco, Roger Chartier, para a constru??o do referencial te?rico. A disserta??o se situa na interface entre literatura, complexidade e educa??o.
This dissertation argues that the book as we know it will not cease to be. It is somehow a manifesto praising the artifact of words in the scope of literature and scientific culture. The present work chooses Umberto Eco and Jean-Claude-C?rriere?s book N?o contem com o fim do livro (2010) as cognitive operator. It presents a brief overview of the evolution of the informational supports and narrates a history of the book as constructed by complex bases; it also highlights the permanent and current state of the book having in mind the concept of contemporary as proposed by the Italian philosopher Giorgio Agamben, as opposed by the ephemeral character of the technological informational supports; moreover, it elects the book as a tool for the learning of Science and Culture, as a school for life, as put by Edgar Morin when referring to the Romance genre, in some of his works regarding Education; it presents as supporting evidence, two interviews with book-lover scholars from the Federal University of Rio Grande do Norte. Science thinkers like Edgar Morin, Maria da Concei??o de Almeida, Ilya Prigogine, Giorgio Agamben, Pierre Levy, Umberto Eco, Roger Chartier, among others are used as sources of theoretical references. The dissertation places itself in the interface between Literature, Complexity and Education.