Academic literature on the topic 'Numinosum'

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Journal articles on the topic "Numinosum"

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Rossi, Ernest Lawrence. "The Numinosum and the brain: The weaving thread of consciousness." Psychological Perspectives 40, no. 1 (January 2000): 94–103. http://dx.doi.org/10.1080/00332920008403378.

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Rossi, Ernest Lawrence. "The Transcendent Function: The Numinosum in Gene Expression, Neurogenesis, and Healing." Psychological Perspectives 44, no. 1 (January 2002): 134–45. http://dx.doi.org/10.1080/00332920208402889.

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Krupa, Marlena. "Święty Jan od Krzyża, Wojtyła i Grotowski: Ku sztuce numinotycznej." Pamiętnik Teatralny 70, no. 2 (June 23, 2021): 37–53. http://dx.doi.org/10.36744/pt.578.

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W artykule postawiona została teza, że w sposobie myślenia o sztuce Karola Wojtyły i Jerzego Grotowskiego znaleźć można punkty wspólne, które łączą ich estetyczno-etyczne koncepcje z dziełem Jana od Krzyża. Autorka dowodzi, że ogniwem pośrednim w obu przypadkach mogły być teksty i poglądy zafascynowanych Janem od Krzyża twórców teatralnych – Juliusza Osterwy i Mieczysława Kotlarczyka. W analizie porównawczej wybranych aspektów pism Wojtyły, Grotowskiego i Jana od Krzyża, odsłaniającej podobieństwa i różnice w ich rozumieniu sztuki, uwypuklone zostały elementy charakterystyczne dla estetyki performatywności. Autorka interpretuje zbieżności terminologiczne w analizowanych tekstach, skupiając się na pojęciach dotyczących celu sztuki oraz metod osiągania tego celu. Stara się pokazać, że wszyscy trzej twórcy wykorzystywali na różne sposoby performatywność i epifaniczność sztuki dla eksploracji ludzkich doświadczeń związanych ze sferą numinosum.
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Kuca, Zoja. "TEMATYKA HAGIOGRAFICZNA I IDEA ŚWIĘTOŚCI STARORUSKIEJ W TWÓRCZOŚCI BORYSA ZAJCEWA." Forum Teologiczne 18 (October 12, 2017): 49–59. http://dx.doi.org/10.31648/ft.1667.

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Ideę świętości w twórczości Borysa Zajcewa można rozpatrywać na czterech płaszczyznach semantycznych: 1) świętość jako świętość, tzn. właściwość cechująca Boga i Jego wybrańców, której osiągnięcie jest dla nich możliwe w procesie theosisu (ubóstwienia); 2) świętość jako numinosum, czyli szczególny wymiar transcendencji, wywołujący w psychice ludzkiej określone przeżycia; 3) świętość jako sacrum, czyli wyższa sfera bytu, ontologiczna rzeczywistość, pierwotne realia objawiające się w hierofaniach; 4) świętość jako doskonałość, cnota moralna osiągana przez człowieka w trakcie osobistego rozwoju.Wszystkie te semantyczne płaszczyzny idei świętości obecne są w utworach B. Zajcewa w mniejszym lub większym stopniu. Świętość jako transcendentna właściwość Boga, dostępna w sakramencie theosisu, pojawia się u bohaterów, którzy przechodzą transformację świadomości religijnej. Świętość jako sacrum, w bardziej uogólnionym znaczeniu, również zajmuje istotne miejsce w analizowanych tekstach literackich. Chodzi tu zwłaszcza o sakralizację Rosji przez pryzmat idei Świętej Rusi, ponowne przemyślenie jej podstaw moralnych, przegląd duchowych tradycji. Świętość jako doskonałość człowieka jest obecna w każdym utworze emigracyjnym B. Zajcewa.
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Drozdowicz, Maksymilian. "Marlena Krupa, “W poszukiwaniu numinosum. Jan od Krzyża w polskiej kulturze XX wieku”, Kraków, TAiWPN Universitas, 2020, 350 pp." Estudios Hispánicos 29 (December 9, 2021): 197–201. http://dx.doi.org/10.19195/2084-2546.29.19.

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KARPIŃSKI, Piotr. "PHENOMENOLOGY AND HERMENEUTICS OF REVELATION. TWO-VOICE OF PAUL RICOEUR AND JEAN-LUC MARION." International Journal of Theology, Philosophy and Science 4, no. 7 (November 7, 2020): 20–38. http://dx.doi.org/10.26520/ijtps.2020.4.7.20-38.

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Revelation is a key category for both phenomenology and hermeneutics. The first domain deals with the possibility of revelation, while the second through its interpretation seeks to understand the reality. Hermeneutics of Paul Ricoeur is characterized by a focus on understanding the human ipseity (soi) and as such refers to phenomenology. Ricoeur is the author of the term 'hermeneutic phenomenology'. Initially, he emphasized the separation between the revelation of the sacrum and the verbal message of religious traditions. With time, however, he noticed that the religious word assumes the functions of numinosum, becoming a place of revelation. After all, Ricoeur remains on the content side of revelation, and therefore the phenomenology of Jean-Luc Marion, who treats revelation from a purely phenomenological point of view, is a valuable complement to this research. Revelation is the giving of the phenomenon as such, on its own initiative, starting from itself, independent from the subject, saturated phenomenon. From this two-voice of Ricoeur and Marion emerges a full picture of the philosophy of revelation, confirming at the same time the need for cooperation between phenomenology and hermeneutics
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Corbett, Lionel. "Is the Self other to the self? Why does the numinosum feel like another? The relevance of Matte Blanco to our understanding of the unconscious." Journal of Analytical Psychology 65, no. 4 (September 2020): 672–84. http://dx.doi.org/10.1111/1468-5922.12615.

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Zilles, Urbano. "Experiência do sagrado e do profano." Revista Eclesiástica Brasileira 74, no. 296 (October 18, 2018): 886–904. http://dx.doi.org/10.29386/reb.v74i296.453.

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A fenomenologia de Husserl motivou uma viragem da filosofia da religião, no século XX, através das obras Das Heilige de Rudolf Otto e O sagrado e o profano de M. Eliade. Ambos partem da experiência religiosa concreta, não de conceitos abstratos de Deus e de religião, para fundamentar a crença religiosa na natureza humana. Otto fala do mysterium tremendum et fascinans na experiência do numinoso e Eliade do homo religiosus e do homo profanus.Abstract: Husserl’s phaenomenology caused a revolution in the philosophy of religion in the twentieth century with the studies Das Heilige of Rudolf Otto and The holy and the profane of M. Eliade. Both authors depart from the concret religious experience, not from the abstract concepts of God and religion, to ground the religious belief in the human nature. Otto speaks about the mysterium tremendum et fascinans in the numinous experience and Eliade about the experience of homo religiosus and the homo profanus.Keywords: Religious experience. Numinous, Mysterium tremendum. Rudolf Otto. Mircea Eliade.
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von Gontard, Alexander. "Spiritualität in der Psychotherapie von Kindern." Spiritual Care 5, no. 4 (October 1, 2016): 293–301. http://dx.doi.org/10.1515/spircare-2016-0158.

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ZusammenfassungDie Spiritualität ist in der Psychotherapie von Kindern weniger berücksichtigt als bei Erwachsenen. Nach der analytischen Psychotherapie C.G. Jungs wird Spiritualität auch als Numinoses bezeichnet. Das Numinose wird durch Kontakt zu den Archetypen ausgelöst zu zeigt sich in Symbolen. Anhand der Sandspieltherapie von D. Kalff soll die Bedeutung der Spiritualität in der Psychotherapie von Kindern aufgezeigt werden. Dazu werden Beispiele aus Therapien gewählt, bei denen Kinder christliche Symbole, Symbole anderer Religionen oder eigener Naturreligionen wählen oder das Spirituelle unmittelbar und direkt ausdrücken. In Zukunft wäre zu wünschen, dass die Spiritualität als entscheidende Erfahrung und Wirkfaktor in der Psychotherapie von Kindern integriert und gewürdigt werden.
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Cantarela, Antonio Geraldo. "O SAGRADO NA CONSTRUÇÃO NARRATIVA DE MIA COUTO "The sacred on Mia Couto’s narrative construction"." PARALELLUS Revista de Estudos de Religião - UNICAP 5, no. 10 (December 30, 2014): 191. http://dx.doi.org/10.25247/paralellus.2014.v5n10.p191-206.

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A obra do escritor moçambicano Mia Couto apresenta grande número de construções discursivas que podem ser associadas ao âmbito da religião e do sagrado. Tais marcas certamente poderiam ser abordadas por leituras teológicas ou das ciências da religião. Fugindo a esses vieses, o artigo propõe-se a destacar o modo como as referências ao sagrado “visitam” o texto do escritor, constituindo-o no literário. Metodologicamente, far-se-á a leitura de uma cena do romance O outro pé da sereia em diálogo com as categorias de Otto sobre o numinoso. Em vista de complementar tal perspectiva de leitura, serão lidos também dois contos, em correlação com o conceito de realismo maravilhoso: O embondeiro que sonhava pássaros e O dia em que explodiu Mabata-bata. Sob o foco da crítica literária, conclui-se que as sacralidades e hierofanias que transitam pelo texto de Couto se entendem como encenação e recriação literária do sagrado. Nas considerações finais afirma-se que o fazer literário que assume as vozes dos marginalizados, ainda que pelo caminho da ficção, pode ser acolhido como objeto de leitura teológica.Palavras-chave: Numinoso. Realismo maravilhoso. Teologia. Literatura.AbstractThe work by Mozambican writer Mia Couto shows a great number of discursive constructions that may be associated with the field of religion and the sacred. These features could certainly be addressed by theology or religious studies texts. In an attempt to run away from these perspectives, the goal of this paper is to highlight the way in which references to the sacred “visit” the writer’s text, making it a literary one. Methodologically speaking a scene from the novel The Mermaid’s Other Foot will be read in a dialogue with Otto’s categories on the numinous. In order to complement this point of view of the reading, two other short stories will also be read in relation to the magical realism concept: The bird-dreaming baobab and the The day Mabata-bata exploded. Using the literary criticism approach, the conclusion is that the sacralities and hierophanies present on Couto’s text are understood as the staging and the literary recreation of the sacred. The concluding remarks state that the literary doing in the marginalized voices, although it is done through fiction, can be seen as an object of theological reading.Keywords: Numinous. Magical Realism. Theology. Literature.
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Dissertations / Theses on the topic "Numinosum"

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Hajo, Caroline, and Vanessa Cruz. "FUNDAMENTALISM UTIFRÅN ETT JUNGIANSKT PERSPEKTIV : En analys av den fundamentalistiska pastorn Steven L. Anderson utifrån det jungianska perspektivet." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-33215.

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There is a development of religious consciousness in nowadays modern societies, that seeks the divine on the individual internal plane, gradually getting rid of dogmas and traditions. This incites a strong opposition reaction on the part of fundamentalists, defenders of the traditional, so they see themselves as divine while seeing people outside congregation as profane. This work investigates a psychological aspect behind this opposition reaction of fundamentalists towards people outside the congregation, using Carl G. Jung's theory of deep psychology as a tool. In order to achieve this, we used the qualitative research method to carry out a study of scientific literature and the published fundamentalist ideology of Christian pastor Steven L. Anderson, who lives and has his congregation in the United States of America. The way in which the fundamentalist sees people outside the congregation has more to do with the fundamentalist’s own ego than with the other people: it’s derived from a psychic process and is called shadow projection, according to Jung’s theory.
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Souza, Humberto Araujo Quaglio de. "A experiência religiosa em kierkegaard sob a perspectiva do pensamento de Rudolf Otto." Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/1465.

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CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico
Experiência religiosa é um dos temas centrais na ciência da religião. O pensamento de Rudolf Otto possui particular importância para este tema, pois este teólogo alemão buscou alcançar a essência do fenômeno religioso ao propor suas ideias sobre o numinoso e a categoria do sagrado, e ao afirmar a precedência da experiência sobre o conceito. A filosofia de Søren Kierkegaard, por sua vez, é também importante para a ciência da religião devido, entre outros aspectos, à sua perspicaz análise comparativa entre o pensamento filosófico grego e o cristianismo, especialmente nas suas obras publicadas sob o pseudônimo Johannes Climacus. A presente pesquisa pretende propor uma leitura das ideias kierkegaardianas de Instante e Paradoxo Absoluto, desenvolvidas no livro Migalhas Filosóficas, como expressões de uma experiência religiosa, interpretando-as a partir do instrumental teórico encontrado nas obras de Otto, particularmente em O Sagrado.
Religious experience is one of the main themes in Religious Studies. Rudolf Otto’s thought has particular importance to this theme, for this German theologian sought to reach the essence of the religious phenomenon when he proposed his ideas about the numinous and the category of the holy, and when he stated the precedence of experience over concepts. The philosophy of Søren Kierkegaard, on the other hand, is also important to Religious Studies because, among other reasons, it proposes a discerning comparative analysis between Greek philosophical thought and Christianity, especially in its works published under the pseudonym Johannes Climacus. The present research intends to propose a reading of the kierkegaardian ideas of Moment and Absolute Paradox, in the way they are developed in the book Philosophical Fragments, as expressions of a religious experience, interpreting them using the theoretical tools found in Otto’s works, particularly in The Idea of the Holy.
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Simmons, Julian. "Numinous image as cosmological monograph." Thesis, Royal College of Art, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.565972.

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THE 'COSMOLOGICAL MONOGRAPH' views the development of achromatic images within artistic practice as the most direct and inalienable approach to researching the dialectical substrata that supports the apparent world. The philosophical argument surrounding the a posteriori meanings of the Universal, the Individual and the Particular, or in other settings, Antithesis, Thesis and Synthesis, shall be replaced by a visual achromatic tonal palette - an a priori dialectic, as illustrated above. Establishing these tones as discrete layers or continuums, a rotation of this macrocosmic dialectic into a microcosmic orientation, shall present a structural monograph of nine intersections of manifestation. Through developing a precise appreciation of the fundamental tendencies of movement [centrifugal, centripetal, and rotational] by which each tone intrinsically is the method of manifesting itself, tone shall be presented as an undetermined device for visually addressing intersubjective and transcendental research. This study remaining rooted to this dialectic, is to be informed by a parallel co-ordination of the methods by which plants support their quintessential creations - their flowers of unfolding cosmological space; these supports being known as inflorescences. The identification of a visually counterbalanced symmetry within this co-ordination [the dialectic reflected into active and inactive modes], presents evidence for a second source of the Absolute Image - a second eidos - the other eidos. It shall be declared that it is to this inactive Image that the artist's work belongs. Exemplifying the implications of such a fundamental dialectic would be an infinite task if it were to be comprehensive. Thus through a constellation of achromatic observations, art as an approach to seeing incorporeal and 'unnatural' images shall be presented as the most powerful and timeless mode of cosmological communion.
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Dibo, Monalisa. "Prabhã - Mandala: os efeitos da aplicação do desenho da mandala no comportamento da atenção concentrada em adolescentes." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/2036.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The purpose of this study consists in the determination of whether the mandala's design improves concentrated attention in teenagers in a classroom, and if it presents symbols of religious connotation. This is a quantitative as well as a qualitative research project, focusing on the quantity and frequency of the meanings and processes under scrutiny. The tool used for the mensuratiion of concentrated attention in four high school groups, totalling 70 teenagers, was Test AC-15. In the concentrated attention test, groups B and C (mandala + test) showed results above the average, while groups D and E (test + mandala) came up with results below the average; thus attesting to the mandala's improvement of concentrated attention. The results also show that circular forms are the most frequent in the mandala's inwards, and that, in the quadrature of the circle, flower and star shapes prevail among the themes found. In the verification and analysis of the groups, it is possible to observe that the drawings, in their majority, are center-aligned, which indicates that the subjects of this research are well-adjusted individuals, with a tendency to be more self-driven and self-centered. The characteristics of drawing styles and pressure, reflecting emotional and mental balance, appear to be normal. Also, the drawings present mostly average aesthetic results, showing signs of intelligence, aptitude for spatial abstraction, and emotional equilibrium. Therefore, it can be said that, in this study, the mandala presented an enriching activity for individuals' psychic life, enhancing concentrated attention in the subjects, and bringing moments of improvement in the inner contact with order and harmony, leading to emotional integration
O objetivo deste estudo consiste em verificar se o desenho da mandala melhora a atenção concentrada em adolescentes em sala de aula e se o mesmo apresenta símbolos de conotação religiosa. É uma pesquisa qualitativa e quantitativa, que privilegia os significados e processos mensurados em termos de quantidade e freqüência. O instrumento utilizado para medir atenção concentrada em quatro turmas do Ensino Médio, que totalizaram 70 adolescentes, foi o Teste AC-15. As turmas B e C (Mandala + Teste) que representa a aplicação do desenho da mandala e depois o teste AC15 apresentaram índice superior à média no teste Atenção Concentrada, enquanto as salas D e E (Teste + Mandala) manifestaram um índice inferior à média; comprovando, assim, que a mandala proporciona maior atenção concentrada. Os resultados mostram, também, que as formas circulares são as mais freqüentes no interior da mandala e que, na quadratura do círculo, entre os temas encontrados, há o predomínio de flor e estrela. Na verificação e análise das turmas, é possível observar que os desenhos, em sua maioria, estão centralizados, indicando que os sujeitos desta pesquisa estão ajustados; mostram-se mais auto-dirigidos e auto-centrados. A caracterização do traço e a pressão, que significa equilíbrio emocional e mental, se apresentam normais. Os desenhos também, em grande parte, são medianos, demonstrando inteligência, capacidade de abstração espacial e equilíbrio emocional. Portanto, podemos dizer que a mandala nesse estudo foi uma atividade enriquecedora para a vida psíquica, aumentando a atenção concentrada dos sujeitos e proporcionando momentos à melhora na integração emocional de contato interior de ordem e harmonia, o que pode levar, à integração
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Isherwood, Philip. "Numinous connections : poetry in the hospice." Thesis, University of Bolton, 2015. http://ubir.bolton.ac.uk/730/.

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This thesis offers a distinctive approach to writing poetry which has been developed within the context of the author’s/researcher’s observations of, and participation in, end of life care. It will be argued that poetry can have a unique role in supporting patients within a hospice setting. It emerges that there may be a further role of the poem as ‘memorial art’. The practical base to the research has been writing poetry based on conversations with, and the creative artwork of, hospice patients throughout a period of over three years. These working methods have enabled the author to produce a substantial collection of poetry, presented at the start of the thesis, as the prime evidence of the value of the approach. In this research context the ‘numinous’ is interpreted from its extended definition as relating to transcendence, wonder and otherness. Particular components of the writing practice have formed a ‘numinous poetics’. The numinous as a focus in this research has emerged through careful and scholarly reading and reflection as part of the author’s response to the perceived qualities and value of the poems as they were written. Seeking for the ‘numinous’ was not a prelude or prescription for the research but a consequence of it. It encompasses cognitive, linguistic and literary components, and further draws from the often numinous experience of a poem’s inception whilst talking with an individual patient. The numinous is argued to be of particular value to inform the creative representation of a patient’s life at a time when a more simplistic presentation of meaning and understanding may prove inadequate. The research details the poetics of the various components, and documents the writing experience to demonstrate the potential to other writers choosing to work in hospice settings. Following the Creative Work of 93 poems beginning the thesis, Chapters 1 and 2 introduce the numinous approach and outline components of numinous poetics. Chapter 3 details the development of particular techniques and skills by specific examples, and then Chapter 4 fully explains the practice and key learning points gained as a hospice poet. Chapters 5 and 6 deal with further key issues regarding the role of the poet and the case for this approach to be integrated within the end of life care aims regarding a ‘good death’.
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Leguizamón, Russi Juan Nicolás. "El concepto de Das Geistige en la obra da Vasili Kandinsky: Posmedievalismo como posmodernismo." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/669992.

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Lo “espiritual” comparece hoy como concepto sobreentendido, lo cual conduce a una frecuente subutilización de la expresión. El equívoco se deriva a partir de la sistemática que planteó la metafísica del Idealismo alemán en la que lo espiritual convoca al perfeccionamiento humano como su contenido, y cuyo objeto axiológico se identifica con el modelo de razón como entelequia. En vista del aspecto determinante de ese modelo para la Filosofía posterior, la conceptualización de “espiritual” desconoce una parte de su historia, atravesada por tradiciones culturales y religiosas. El caso de Kandinsky funciona aquí como nodo que ata implicaciones filosóficas del Idealismo alemán y del Idealismo religioso ruso, de manera que lo estético post-kantiano se enmarca en el influjo de lo religioso cristiano en su personalidad. Un análisis fenomenológico-hermenéutico del caso resulta en la formación de un concepto de das Geistige que convoca la noción de espiritual relativa a lo numinoso.
The “spiritual” appears today as a hypothecated concept leading to a frequent underuse of the expression. To an extent, the equivocal derives from the systematics granted by the German Idealism metaphysics, in which the spiritual calls for human perfecting as its own content, and of which the axiological object is identified as the model of Reason as entelechy. Observing at the determining aspect of such model for later Philosophy, the conceptualization of the “spiritual” disavows part of its history, which undergoes through the development of cultural and religious traditions. The case of Kandinsky works here as a node to which philosophical implications of both, German Idealism and Russian religious Idealism, arrive, therefore the post-kantian aesthetical gets framed by the Christian religious influence over his personality. A phaenomenological-hermeneutical analysis of the case succeeds informing a concept of das Geistige that calls that notion of “spiritual” which is relative to the numinous.
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Walter, Bruno Eduardo Procopiuk. "Uma leitura psicanalítica da vivência religiosa do numinoso." Universidade Estadual de Maringá, 2010. http://repositorio.utfpr.edu.br/jspui/handle/1/340.

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Esta pesquisa versa sobre a temática do religioso, mais especificamente do fenômeno do numinoso que foi proposto e descrito pelo teólogo Rudolf Otto. A partir de um referencial psicanalítico, em especial da Teoria da Sedução Generalizada, procurou-se ampliar a compreensão desta vivência que se caracteriza, segundo Otto, pelo mysterium tremendum et fascinans – o divino que se mostra enigmático e, ao mesmo tempo, angustiante e sedutor. Partiu-se da explicitação do desamparo físico e existencial, já que estes são considerados causas da construção da religião pelo humano, segundo Freud. É ao analisar a passividade/desamparo da criança frente ao adulto que se constata a presença da sexualidade inconsciente deste. O resultado desta interação, que é desigual, é a vivência traumática e o recalcamento originário. A criança passiva frente ao excesso implantado pelo adulto consegue metabolizar apenas parte desta sexualidade, sendo que o resto torna-se o recalcado originário. Propôs-se que, na vivência do numinoso, é este resto que retorna transbordando no eu. A percepção do enigmático (mysterium) do numinoso foi, desta forma, considerado como sendo de ordem sexual, esta alteridade interna não metabolizada que demanda ligação ao eu. Assim, a vivência da angústia numinosa estaria relacionada ao retorno das mensagens enigmáticas que não puderam ser integradas ao eu. Já na vivência do fascínio numinoso estaria em jogo justamente um primeiro movimento na tentativa de traduzir e elaborar estas mensagens.
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Armando, Marilena Dreyfuss. "Calatonia e religiosidade: uma abordagem junguiana." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/15613.

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The aim of this study was to investigate Calatonia, a method of relaxation developed by Pethö Sándor, as a means to contact the numinous. An account of Pethö Sándor s life was presented, as well as a description of the method which he created, namely Calatonia. Numinous is the term which Carl Gustav Jung chose to refer to what he understands as religiosity, which, according to him, is the transforming experience of contact with archetypes; a momentously dynamic effect that does not depend on one s will. In order to develop this study, qualitative research was preferred as a method of investigation and interpretation once it focuses on the understanding of phenomena. Eleven psychologists, ranging from 26 to 58 years of age, participated in this research, which started off from the observations made by two participants. Such observations were interpreted in the light of Jung s constructive method, and the resulting data was analyzed through the application of Forghieri s method. It has been c oncluded that Calatonia may facilitate contact with the numinous, seeing that some evidence of this contact was detected in the two cases analyzed. It is possible to deduct thereof that the lowering of ego activity facilitated by Calatonia may promote the emergence of images charged with numinosity, which, once integrated to a structured ego, may lead to a transformation orientated to a repositioning which ultimately proves favorable to a change of attitude towards life
Esse trabalho teve como objetivo estudar a Calatonia, método de relaxamento desenvolvido por Pethö Sándor, como via de acesso para o contato com o numinoso. Foi relatada a vida de Pethö Sándor, assim como foi feita a descrição do método criado por ele, a Calatonia. Numinoso foi o termo escolhido por Carl Gustav Jung para designar o que ele entende por religiosidade, que é a experiência vivida e transformadora do contato com o arquétipo, um efeito dinâmico impactante e que independe da vontade. Para a realização deste estudo foi privilegiado como método de investigação e de interpretação a pesquisa qualitativa por centrar sua atenção na compreensão do fenômeno. Participaram desta pesquisa onze psicólogos com idades variando de 26 a 58 anos. Tomou-se por base as observações de duas participantes, observações essas que foram interpretadas à luz do método construtivo de Jung. Os dados obtidos foram analisados mediante o método fenomenológico de Forghieri. Concluiu-se que a Calatonia pode favorecer o contato com o numinoso, tendo-se percebido indícios desse contato em dois dos casos observados. É possível se deduzir que o rebaixamento da atividade do ego favorecido pela Calatonia possa promover o surgimento de imagens carregadas de numinosidade que, integradas a um ego estruturado, podem levar a uma transformação orientada para um reposicionamento favorável a uma mudança de atitude frente à vida
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Louw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.

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From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been somewhat unorthodox in attempting to combine several disciplines, especially since I cannot claim to be a specialist in the areas concerned. However, I felt it necessary to approach the subject from a number of points of view, and to see to what extent the results could be said to converge on some sort of central "truth". When I have despaired of being able to do justice to a particular aspect within the imposed limits, I have sometimes found comfort in the words of Alan Sinfield (The Language of Tennyson's "In Memoriam", p.211): "We can only endeavour continually to approach a little closer to the central mystery; the ma j or advances will be infrequent, but most attempts should furnish one or two hints which others will develop. "
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Johannsen, Dirk. "Das Numinose als kulturwissenschaftliche Kategorie : norwegische Sagenwelt in religionswissenschaftlicher Deutung /." Stuttgart : Kohlhammer, 2008. http://d-nb.info/988810379/04.

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Books on the topic "Numinosum"

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Caruso, Marcelo. Numinoso. Bs. As. [i.e. Buenos Aires]: Corregidor, 1996.

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The numinous universe. New York: Paulist Press, 1989.

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Willenborg, Hanno. Das Heilige zwischen Gefühl und Emotion: Die klassischen Emotionstheorien von Charles Darwin, Wilhelm Wundt, William James und William McDougall im Vergleich zu Rudolf Ottos gefühlszentrierter Religionstheorie des Numinosen. Leipzig: Edition Kirchhof & Franke, 2011.

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Haunted presence: The numinous in Gothic fiction. Tuscaloosa: University of Alabama Press, 1987.

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Samadhiu: Numinous and cessative in Indo-Tibetan yoga. Albany: State University of New York Press, 2005.

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Frasca, Rosella. L' uomo e il numinoso: L'educazione religiosa a Roma. Lecce: Argo, 1995.

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Marzán, Julio. The numinous site: The poetry of Luis Palés Matos. Madison [N.J.]: Fairleigh Dickinson University Press, 1995.

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Mok, Daniël. Rudolf Otto; Een kleine biografie: Het kwetsbare leven van de liberale politicus en theoloog, filosoof en godsdienstkenner in het fin de siècle en interbellum. Amsterdam: Uitgeverij Abraxas, 2012.

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Instinct and revelation: Reflections on the origins of numinous perception. Amsterdam: Gordon and Breach, 1997.

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Instinct and revelation: Reflections on the origins of numinous perception. Australia: Gordon and Breach, 1997.

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Book chapters on the topic "Numinosum"

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Casement, Ann. "Numinosum." In Encyclopedia of Psychology and Religion, 1226–29. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_466.

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Gleig, Ann, Thomas James O’Connor, Meredith Lisagor, Daniel Burston, Ann Gleig, Benjamin Beit-Hallahmi, Jeffrey B. Pettis, James H. Stover, Hillary S. Webb, and Ann Casement. "Numinosum." In Encyclopedia of Psychology and Religion, 629–32. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_466.

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Casement, Ann. "Numinosum." In Encyclopedia of Psychology and Religion, 1–4. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-642-27771-9_466-5.

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Laurikainen, Kalervo V. "Numinosum." In The Message of the Atoms, 115–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60560-4_11.

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Casement, Ann. "Numinosum." In Encyclopedia of Psychology and Religion, 1622–25. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_466.

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Coggan, Sharon L. "Numinous/Numinosity." In Encyclopedia of Sciences and Religions, 1540. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_201258.

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Levin, Christoph. "Numinose Nomina." In Ein Freund des Wortes, 212–33. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666571404.212.

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Ruggiero, Vincenzo. "Numinous terror." In Visions of Political Violence, 159–76. 1 Edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429291463-10.

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Stein, Leslie. "The numinous experience." In Working with Mystical Experiences in Psychoanalysis, 22–50. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429449093-2.

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Wintle, Christopher. "The Numinous in Gotterdammerung." In Reading Opera, edited by Arthur Groos and Roger Parker, 200–234. Princeton: Princeton University Press, 1988. http://dx.doi.org/10.1515/9781400859597.200.

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Conference papers on the topic "Numinosum"

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LUIZ ARAUJO GILA, RICARDO, and Juracy Marques dos Santos. "Aspecto numinoso da alma." In XXIV International Conference of the Society for Human Ecology. ,: Even3, 2022. http://dx.doi.org/10.29327/xxivshe.423654.

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