Relevant bibliographies by topics / Nullarbor

Academic literature on the topic 'Nullarbor'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Nullarbor"

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Wright, Catherine. "Nullarbor." Antipodes 33, no. 1 (June 2019): 138. http://dx.doi.org/10.1353/apo.2019.0019.

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Wright. "Nullarbor." Antipodes 33, no. 1 (2019): 138. http://dx.doi.org/10.13110/antipodes.33.1.0138.

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Lincoln, Tim. "Bounty beneath the Nullarbor." Nature 445, no. 7126 (January 2007): 377. http://dx.doi.org/10.1038/445377a.

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Heath, Philip, George Gouthas, Jonathan Irvine, Carmen Krapf, and Rian Dutch. "Microgravity surveys on the Nullarbor." ASEG Extended Abstracts 2018, no. 1 (December 2018): 1–7. http://dx.doi.org/10.1071/aseg2018abm3_2h.

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Cane, Scott. "The Nullarbor Project: An Outline." Australian Archaeology 28, no. 1 (June 1, 1989): 53–54. http://dx.doi.org/10.1080/03122417.1989.12093191.

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Barton, I. J., and A. J. Prata. "Storm tracks on the Nullarbor Plain." International Journal of Remote Sensing 18, no. 17 (November 1997): 3677–82. http://dx.doi.org/10.1080/014311697216874.

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Sesiano, Jean. "La Plaine de Nullarbor et son karst." Le Globe. Revue genevoise de géographie 135, no. 1 (1995): 121–29. http://dx.doi.org/10.3406/globe.1995.1345.

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Devillepoix, Hadrien A. R., Juraj Tóth, Pavol Matlovič, Martin Cupák, Martin C. Towner, Eleanor K. Sansom, Leonard Kornoš, Tomáš Paulech, and Pavol Zigo. "A Meteor Spectroscopic Survey in the Nullarbor." Research Notes of the AAS 6, no. 7 (July 19, 2022): 144. http://dx.doi.org/10.3847/2515-5172/ac81ce.

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Abstract We report the start of science operations of a meteor spectroscopic survey in the Nullarbor region, Western Australia. The observation program consists of well-proven observatories developed as part of the All-Sky Meteor Orbit System (AMOS) project. These comprise high-sensitivity all-sky imaging units, as well as spectroscopic instruments observing brighter meteors. They are co-located with Desert Fireball Network (DFN) instruments, which themselves provide high-resolution astrometry for fireballs. There are two goals for this program. One is to keep a constant watch on meteor activity by always having one AMOS sub-network in the dark. The second is to provide spectroscopic coverage for recovered meteorites by the DFN, establishing essential calibration points between meteoritic samples and fireball spectra.
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Bevan, A. W. R., P. A. Bland, and A. J. T. Jull. "Meteorite flux on the Nullarbor Region, Australia." Geological Society, London, Special Publications 140, no. 1 (1998): 59–73. http://dx.doi.org/10.1144/gsl.sp.1998.140.01.07.

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BENEDIX, G. K., K. KEIL, and J. Y. MURAKAMI. "Classification of ten new Nullarbor Region meteorites." Meteoritics & Planetary Science 34, no. 5 (September 1999): 813–15. http://dx.doi.org/10.1111/j.1945-5100.1999.tb01395.x.

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Dissertations / Theses on the topic "Nullarbor"

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com, rossetticreenplys@bigpond, and Sarah Jane Rossetti. "Enigmatic Pearls: Authorship and Representation: Competing Cultural Positions in Pilbara Pearl, Nullarbor Pearl and Shoalwater Pearl." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100316.114926.

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This work is an inquiry into the creative pathways I have undertaken, as a screenplay author, when formulating a body of work, which interrogates issues of importance to me, as a Caucasian, Australian, multicultural, female author, writing within a fictional feature film script construct. It is an interdisciplinary investigation, punctuated by self consciousness. Mindful of my own subject position, I believe my negotiations through this, as reflected in the body of my past and present work, have created an original thesis which argues for the aesthetic, reconciliatory power of screenplays. In wishing to create a positive lead role for an Indigenous actress, I had to ultimately put aside reservations about my origins as a non-Indigenous screenwriter. As a screenplay author, I will demonstrate why I find it hard not to agree with Michel Foucault’s supposition that: “it is not enough to repeat the empty affirmation that the author has disappeared” (Foucault 101). The creative component of my thesis is a magic realist feature film script, entitled Shoalwater Pearl, written as a prequel to the two other enclosed film scripts largely written outside of this doctoral thesis, featuring the same lead character, Pearl. Pearl carries the weight of my self-consciousness, and through her, I reveal the creative pathways I simultaneously interrogate as I research theoretical issues of importance to me as a screenplay author. Faris could not have more aptly put it, regarding the magic realist aim, which I have adapted to my representation of Pearl, as, “a disturbing element, a grain of sand in the oyster of [. . .] realism” (Faris 168). The theoretical component of my thesis is interwoven with theories of Authorship and Representation including issues of Identity, Aboriginality, Multiculturalism and Gender to better document how my creative and theoretical pathways intertwine, followed by a short Conclusion, Bibliography and Filmography. The Chapter titles, ‘Authorship’ and ‘Representation’ are used advisedly, as it could be argued that they are controversial subjects. It will be revealed that none of these terms can be considered as stable or abiding. However, each chapter introduces its title as a methodological and normative term for a category or definition from which the chapter emerges. As a result of my interdisciplinary approach, I have posited an original pathway for other screenplay authors, who, whilst remaining mindful of marketplace interests, may also enter into identity politics or study social movements in order to create screenplays representing contentious aspects of cultural change in contemporary Australia, whilst paying homage to their own unresolved issues or unique life narratives.
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Rossetti, Sarah Jane. "Enigmatic Pearls: Authorship and Representation: Competing Cultural Positions in Pilbara Pearl, Nullarbor Pearl and Shoalwater Pearl." Thesis, Rossetti, Sarah Jane (2008) Enigmatic Pearls: Authorship and Representation: Competing Cultural Positions in Pilbara Pearl, Nullarbor Pearl and Shoalwater Pearl. PhD thesis, Murdoch University, 2008. https://researchrepository.murdoch.edu.au/id/eprint/1685/.

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This work is an inquiry into the creative pathways I have undertaken, as a screenplay author, when formulating a body of work, which interrogates issues of importance to me, as a Caucasian, Australian, multicultural, female author, writing within a fictional feature film script construct. It is an interdisciplinary investigation, punctuated by self consciousness. Mindful of my own subject position, I believe my negotiations through this, as reflected in the body of my past and present work, have created an original thesis which argues for the aesthetic, reconciliatory power of screenplays. In wishing to create a positive lead role for an Indigenous actress, I had to ultimately put aside reservations about my origins as a non-Indigenous screenwriter. As a screenplay author, I will demonstrate why I find it hard not to agree with Michel Foucault’s supposition that: “it is not enough to repeat the empty affirmation that the author has disappeared” (Foucault 101). The creative component of my thesis is a magic realist feature film script, entitled Shoalwater Pearl, written as a prequel to the two other enclosed film scripts largely written outside of this doctoral thesis, featuring the same lead character, Pearl. Pearl carries the weight of my self-consciousness, and through her, I reveal the creative pathways I simultaneously interrogate as I research theoretical issues of importance to me as a screenplay author. Faris could not have more aptly put it, regarding the magic realist aim, which I have adapted to my representation of Pearl, as, “a disturbing element, a grain of sand in the oyster of [. . .] realism” (Faris 168). The theoretical component of my thesis is interwoven with theories of Authorship and Representation including issues of Identity, Aboriginality, Multiculturalism and Gender to better document how my creative and theoretical pathways intertwine, followed by a short Conclusion, Bibliography and Filmography. The Chapter titles, ‘Authorship’ and ‘Representation’ are used advisedly, as it could be argued that they are controversial subjects. It will be revealed that none of these terms can be considered as stable or abiding. However, each chapter introduces its title as a methodological and normative term for a category or definition from which the chapter emerges. As a result of my interdisciplinary approach, I have posited an original pathway for other screenplay authors, who, whilst remaining mindful of marketplace interests, may also enter into identity politics or study social movements in order to create screenplays representing contentious aspects of cultural change in contemporary Australia, whilst paying homage to their own unresolved issues or unique life narratives.
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Rossetti, Sarah Jane. "Enigmatic Pearls: Authorship and Representation: Competing Cultural Positions in Pilbara Pearl, Nullarbor Pearl and Shoalwater Pearl." Rossetti, Sarah Jane (2008) Enigmatic Pearls: Authorship and Representation: Competing Cultural Positions in Pilbara Pearl, Nullarbor Pearl and Shoalwater Pearl. PhD thesis, Murdoch University, 2008. http://researchrepository.murdoch.edu.au/1685/.

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This work is an inquiry into the creative pathways I have undertaken, as a screenplay author, when formulating a body of work, which interrogates issues of importance to me, as a Caucasian, Australian, multicultural, female author, writing within a fictional feature film script construct. It is an interdisciplinary investigation, punctuated by self consciousness. Mindful of my own subject position, I believe my negotiations through this, as reflected in the body of my past and present work, have created an original thesis which argues for the aesthetic, reconciliatory power of screenplays. In wishing to create a positive lead role for an Indigenous actress, I had to ultimately put aside reservations about my origins as a non-Indigenous screenwriter. As a screenplay author, I will demonstrate why I find it hard not to agree with Michel Foucault’s supposition that: “it is not enough to repeat the empty affirmation that the author has disappeared” (Foucault 101). The creative component of my thesis is a magic realist feature film script, entitled Shoalwater Pearl, written as a prequel to the two other enclosed film scripts largely written outside of this doctoral thesis, featuring the same lead character, Pearl. Pearl carries the weight of my self-consciousness, and through her, I reveal the creative pathways I simultaneously interrogate as I research theoretical issues of importance to me as a screenplay author. Faris could not have more aptly put it, regarding the magic realist aim, which I have adapted to my representation of Pearl, as, “a disturbing element, a grain of sand in the oyster of [. . .] realism” (Faris 168). The theoretical component of my thesis is interwoven with theories of Authorship and Representation including issues of Identity, Aboriginality, Multiculturalism and Gender to better document how my creative and theoretical pathways intertwine, followed by a short Conclusion, Bibliography and Filmography. The Chapter titles, ‘Authorship’ and ‘Representation’ are used advisedly, as it could be argued that they are controversial subjects. It will be revealed that none of these terms can be considered as stable or abiding. However, each chapter introduces its title as a methodological and normative term for a category or definition from which the chapter emerges. As a result of my interdisciplinary approach, I have posited an original pathway for other screenplay authors, who, whilst remaining mindful of marketplace interests, may also enter into identity politics or study social movements in order to create screenplays representing contentious aspects of cultural change in contemporary Australia, whilst paying homage to their own unresolved issues or unique life narratives.
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GILLESPIE, LAURA. "Sedimentology of the Miocene Nullarbor Limestone; Southern Australia." Thesis, 2010. http://hdl.handle.net/1974/6257.

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The Miocene Nullarbor Limestone is the most recent formation in the Cenozoic Eucla Group and was deposited in the Eucla Basin, southern Australia, at ~38°S paleolatitude during the early to middle Miocene. The rocks form the modern surface of the vast, karsted Nullarbor Plain. Older Eucla Group marine carbonates (Eocene-earliest Miocene) are cool-water in nature and dominated by bryozoans and echinoderms. The Nullarbor Limestone is subtropical in composition and rich in coralline algae (rhodoliths and articulated types), large and small benthic foraminifera and molluscs. Diverse zooxanthellate corals are also present but not numerous. Deposition is interpreted to have taken place in three main paleoenvironments: rhodolith gravels, seagrass banks, and open seafloors. The Southern Ocean extended inboard ~450 km from the shelf edge during Nullarbor Limestone deposition. Interpreted paleodepths ranged from the top to the base of the photic zone, implying a small slope over a wide shelf. The Miocene Eucla platform is therefore interpreted to have been epeiric in nature. Paleoenvironment distribution is explained using epeiric platform sedimentation patterns and comparisons with modern environments. Open seafloor environments, the deepest settings, are thought to have been below fair-weather wave base. Rhodolith gravels accumulated at intermediate depths, where waves frequently swept the seafloor. Seagrass banks developed in the shallowest waters farthest inboard, where wave energy had been largely dissipated. Diverse corals, large benthic foraminifera and micrite envelopes inboard and in the western part of the basin support the notion of paleotemperatures generally above 20°C, the upper limit of subtropical carbonate accumulation. Although deposition occurred during the Miocene Climatic Optimum, a simple overall temperature increase cannot completely account for the subtropical nature of these sediments at mid-latitudes. Tropical components decrease from west to east, implying a temperature gradient, probably due to the warm proto-Leeuwin Current. Thus, these subtropical carbonates were deposited at mid-latitudes and their presence did not simply reflect a change in global climate.
Thesis (Master, Geological Sciences & Geological Engineering) -- Queen's University, 2010-12-23 16:05:47.981
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Miller, CODY. "CENOZOIC EVOLUTION OF THE NULLARBOR PLAIN PALEOKARST, SOUTHERN AUSTRALIA." Thesis, 2012. http://hdl.handle.net/1974/7319.

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The Nullarbor Plain in southern Australia is an uplifted succession of Cenozoic marine carbonates whose surface has been exposed for ~14 m.y. This succession of limestones, particularly in the surfical middle Miocene Nullarbor Limestone, hosts a complex and prolonged record of meteoric diagenesis. Alteration took place through 3 broad phases of diagenesis encompassing 8 stages that are interpreted to have taken place over a dramatic regional climate change. Phase 1 diagenesis occurred under a humid middle Miocene climate and involved mineralogical equilibration with meteoric fluids, calcite cementation, widespread microkarst, and regional lacustrine and palustrine sedimentation producing copious amounts of ooids. These ooids are interpreted to have formed via microbial secretions and sediment aggradation over multiple seasons of changing rainfall and soil hydration states. Cortical laminations are proposed to represent microbial mucus envelopes during wet seasons alternating with dehydration during dry seasons and precipitation of fibrous clay minerals and CaCO3 that preserve the pre-existing microbial fabrics. Phase 2 alterations took place under a more temperate climate from the late Miocene to Pliocene with a later pronounced humid interlude. This phase encompassed ~8 m.y. and was dominated by karst process where deep cave dissolution occurred at depressed water tables related to globally low sea levels and later shallow caves developed during a Pliocene sea level highstand. Phase 3 has occurred since the late Pliocene and is indicative of the onset of modern semi-arid climatic conditions. This final phase involved the creation of subsoil hollows filled with blackened limestone lithoclasts, deep and shallow dolines, and indurated pedogenic calcrete that now forms much of the surface of the Nullarbor Plain. Blackened limestone clasts have been shown to form at the B-C boundary in soil profiles where roots have their cellular structures calcified and during this process incorporate trapped organics that ultimately produce the distinctive black colouration. The importance of this comprehensive diagenetic record is its direct applicability to the understanding of ancient subaerial exposure surfaces.
Thesis (Ph.D, Geological Sciences & Geological Engineering) -- Queen's University, 2012-07-16 12:09:35.842
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Poore, Megan Frances. "Being Ceduna : survival on the far west coast of South Australia." Phd thesis, 2001. http://hdl.handle.net/1885/8142.

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This thesis is about survival in the Far West Coast town of Ceduna, South Australia. In particular, the idea of ‘being Ceduna’ is discussed in the context of the survival ethic which permeates, and forms a prevailing condition for, sociality in the town. I have aimed at producing a substantial ethnography about white people living in rural and remote South Australia which can be used as a basis for comparison with other culture. The work describes various classifications of person in Ceduna (ranging from old local, New locals, new person, newcomer and blow-in) and shows how the town’s survival ethic is promulgated through various forms of Ceduna Person. Issues relating to being Ceduna are tackled, for it is essential for a person to display particular behaviours to show their Cedunaness and that they contribute to the town’s survival ethic in specific ways. This can lead to acceptance which is essential to being Ceduna but comes with a flip-side: rejection. The importance of joining groups to being Ceduna is likewise described. Groups are seen to encourage survival because they force people to come together for the good of the community. The thesis also depicts and analyses Ceduna People’s ambivalent feelings towards their physical environment. In a way, the entire thesis leads towards the final chapter, wherein Ceduna People’s emotional responses to their country are drawn out. The relationship that Ceduna People have with their surrounds feeds into, and is fed by, the survival ethic, which then manifests itself in people’s love and respect for the landscape. On a more general level, the thesis attempts, through ethnographic descriptions and analysis, to supply a critique of occidentalised views of Western society as a whole, and of rural people in particular. It does this via discussions of, for instance, Ceduna People’s responses to individualism and landscape, demonstrating the conventional anthropological understandings of western sociality are very different from Ceduna’s ethnographic reality.
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Books on the topic "Nullarbor"

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Cairo, Laney. Running the Nullarbor. Round Rock, TX: Torquere Press Publishers, 2008.

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Collins, Neville C. The Nullarbor Plain: A history. Woodside, S. Aust: Neville Collins, 2008.

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When grass was gold: South Australia's reach to the Nullarbor. Port Lincoln [S. Aust.]: J. Casanova, 1996.

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Gifford, Peter. Black and white and in between: Arthur Dimer and the Nullarbor. Victoria Park, W.A: Hesperian Press, 2002.

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L, Dyer Colin, ed. A Frenchman's walk across the Nullarbor: Henri Gilbert's diary, Perth to Brisbane, 1897-1899. Carlton: Melbourrne University Press, 2000.

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Wolfenberg, Peter S. Nullarbor Project. Books on Demand GmbH, 2009.

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Collins, Peter G. West of the Nullarbor. Serendipity, 2004.

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Whitfield, Douglas. Wundarra-Bilyana, Eagle of the Nullarbor. Austin Macauley Publishers Ltd., 2020.

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Whitfield, Douglas. Wundarra-Bilyana, Eagle of the Nullarbor. Austin Macauley Publishers Ltd., 2020.

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Gilleland, Ray. Nullarbor Kid: Stories from My Trucking Life. Allen & Unwin, 2015.

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Book chapters on the topic "Nullarbor"

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Short, Andrew D. "Nullarbor Region." In Australian Coastal Systems, 969–95. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14294-0_29.

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James, Julia M., Annalisa K. Contos, and Craig M. Barnes. "Nullarbor Caves, Australia." In Encyclopedia of Caves, 761–68. Elsevier, 2019. http://dx.doi.org/10.1016/b978-0-12-814124-3.00092-3.

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James, Julia M., Annalisa K. Contos, and Craig M. Barnes. "Nullarbor Caves, Australia." In Encyclopedia of Caves, 568–76. Elsevier, 2012. http://dx.doi.org/10.1016/b978-0-12-383832-2.00084-0.

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Webb, John A., and Julia M. James. "Karst evolution of the Nullarbor Plain, Australia." In Perspectives on Karst Geomorphology, Hydrology, and Geochemistry - A Tribute Volume to Derek C. Ford and William B. White. Geological Society of America, 2006. http://dx.doi.org/10.1130/2006.2404(07).

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Magee, Paul. "The Nullarbor Actually Has Trees In It 1." In Rethinking Marxism, 135–37. Routledge, 2020. http://dx.doi.org/10.4324/9781003060901-13.

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James, Julia M. "Corrosion par mélange des eaux dans les grottes de la plaine de Nullarbor, Australie." In Karsts et évolutions climatiques, 333–48. Presses Universitaires de Bordeaux, 1992. http://dx.doi.org/10.4000/books.pub.10985.

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Conference papers on the topic "Nullarbor"

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Mathers, Katrina. "Nullarbor." In ACM SIGGRAPH 2011 Computer Animation Festival. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2019001.2019058.

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Reports on the topic "Nullarbor"

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Fraser, G. L., and N. L. Neumann. Under the Nullarbor: New SHRIMP U-Pb zircon ages from the Coompana, Madura and Albany-Fraser Provinces, and Officer Basin, western South Australia and eastern Western Australia: July 2014-June 2015. Geoscience Australia, 2016. http://dx.doi.org/10.11636/record.2016.016.

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