Journal articles on the topic 'Novels'
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Forero Quintero, Gustavo. "La anomia en las novelas de crímenes en Colombia." Literatura y Lingüística, no. 24 (May 18, 2015): 33. http://dx.doi.org/10.29344/0717621x.24.96.
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ResumenEste artículo propone el análisis de algunas novelas colombianas escritas entre losaños 1990 y 2005 a partir de teoría de la anomia. Para ello, el autor ofrece una consideración de lo que es la anomia; en segundo lugar, explica la pertinencia del concepto para la literatura y, en tercer lugar, lo aplica a algunas de esas novelas. Finalmente, a partir de tal metodología, propone una caracterizaciónde lo que denomina la novela de crímenes en Colombia.Palabras clave: Novela de crímenes, Anomia, Novela colombiana The anomie in colombian crime novelsAbstractThis paper proposes an analysis of some Colombian novels written between1990 and 2005 based on anomie theory. From this sociological perspective,it defines the Crime Novel genre. Thus, the author provides a brief account ofwhat anomie is. Secondly, he explains this concept in literature and, third, heapplies it to contemporary Colombian novels. Finally, he proposes a characterizationof the Crime Novel.Keywords: Crime Novel, Anomie, Colombian Novel Este trabajo hace parte del proyecto de investigación “La anomia en la novela de crímenes enColombia (1990-2005)”, inscrito en la línea de investigación Novela de Crímenes del GrupoEstudios Literarios, GEL, que coordina el autor y que pertenece a la Vicerrectoría de Investigaciónde la Universidad de Antioquia.
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López Martínez, María Del Pilar. "Reinventando Centroamérica. La construcción del imaginario social a partir de la novela de ficción." LETRAS, no. 49 (June 12, 2011): 181–89. http://dx.doi.org/10.15359/rl.1-49.12.
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El estudio analiza el papel que la novela de ficción tiene en la constitución de imaginarios sociales en y sobre El Salvador y Guatemala, a partir de las novelas escritas después de los acuerdos de paz en Centroamérica. Apunta a la necesidad de profundizar en las investigaciones interdisciplinarias que vinculan esa generación de imaginarios con la producción, distribución y consumo de novelas y las nuevas temáticas y búsquedas estéticas de las obras literarias, con frecuencia determinadas por el mercado. This study addresses the role which fiction novels have in the formation of social imaginaries in and about El Salvador and Guatemala, based on the novels written after the peace agreements in Central America. It discusses the need to go into greater depth in interdisciplinary research linking that generation of imaginaries with the production, distribution and consumption of novels and the new themes and esthetic searches in literary works, as often determined by the market.
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Marín Colorado, Paula Andrea. "Perozzo y Fayad: dos tomas de posición antagónicas en el campo de la novela colombiana de los setenta." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 47–64. http://dx.doi.org/10.17533/udea.elc.9859.
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Resumen: El siguiente artículo es el resultado de una investigación sobre dos novelas colombianas: Juegos de mentes (1981), de Carlos Perozzo, y Los parientes de Ester (1978), de Luis Fayad. Desde una perspectiva sociocrítica, se busca dilucidar el estado del campo literario colombiano de la década del setenta, a través de las relaciones entre las posiciones ocupadas por los autores y las tomas de posición puestas en forma en sus novelas, articuladas con las condiciones económicas, sociales e históricas en las que se generan, publican y difunden. Descriptores: Novela colombiana de los setenta; Carlos Perozzo; Luis Fayad; Generación del Bloqueo y el Estado de Sitio; Frente Nacional, Sociocrítica. Abstract: The following article is the result of research about two Colombian novels: Juegos de mentes (1981), by Carlos Perozzo, and Los parientes de Ester (1978), by Luis Fayad. From a sociocritical perspective, the main purpose was to elucidate the status of Colombian literary field in the 1970s, by exposing the relations between the positions held by the authors and the ethical- aesthetic proposals developed in their novels along with the economic, social and historical conditions in which those novels were written, published and spread. Key words: Colombian novel in the 1970’s; Carlos Perozzo; Luis Fayad; Generación del Bloqueo y el Estado de Sitio; Frente Nacional; Sociocritical perspective.
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Silva Rodríguez, Manuel Enrique. "Las novelas históricas de Germán Espinosa." Estudios de Literatura Colombiana, no. 22 (August 22, 2013): 129–44. http://dx.doi.org/10.17533/udea.elc.16389.
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Resumen: el artículo ofrece una síntesis de la tesis doctoral titulada Las novelas históricas de Germán Espinosa. En él se resumen las conclusiones más relevantes del análisis y la interpretación del tratamiento que la historia recibe en las novelas históricas de Espinosa. En principio se introducen los conceptos de historia y de novela histórica, claves para definir el corpus y realizar el estudio de las ficciones. Palabras clave: historia, historia de Colombia, novela histórica, novela histórica moderna y posmoderna, reescritura, Germán Espinosa, Colonia, mestizaje, catolicismo. Abstract: this paper offers a synthesis of the doctorate thesis Las novelas históricas de Germán Espinosa. The most relevant conclusions of the analysis and the manner the historic novels of Espinosa approach history are summarized. In the beginning, the concepts of ‘history' and ‘historical novel' are defined. They are fundamental to understand the corpus. Key words: history, history of Colombia, historical novel, modern and postmodern historical novel, rewriting, Germán Espinosa, Colonia, miscegenation, Catholicism.
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Selfa Sastre, Moisés. "La novela juvenil de autoría femenina en la literatura catalana del siglo XXI: autoras y títulos significativos. The youth novel of female authorship in Catalan literature of the 21st century: authors and significant titles." El Guiniguada 29 (2020): 65–74. http://dx.doi.org/10.20420/elguiniguada.2020.339.
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En este artículo presentamos una panorámica de la novela juvenil de autoría femenina escrita en lengua catalana y publicada en el siglo XXI. Citaremosescritoras que componen novelas de marcado carácter realista, en los que aparecen temas relacionados con el amor y los conflictos personales y sociales, y novelas fantásticas, en las que también caben las de ciencia-ficción. El recorrido presentado nos permite hablar del excelente estado de salud que en el siglo XXI goza este tipo de literatura, si consideramos la cantidad y calidad de las obras a las que nos referiremos. In this article we present an overview of the youth novel of female authorship written in Catalan and published in the 21st century. We will cite writers who compose novels of marked realistic character, in which it appear topics related to love and personal and social conflicts, and fantastic novels, whichalso fit science fiction. The presentation allows us to talk about the excellent state of health that this type of literature enjoys in the 21st century, if we consider the quantity and quality of the referred Works.
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Ezpeleta Aguilar, Fermín. "Sobre narrativa de colegios jesuitas en Pérez de Ayala y Miró." Lectura y Signo, no. 10 (December 29, 2015): 11. http://dx.doi.org/10.18002/lys.v0i10.1399.
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<p><strong>Resumen</strong></p><p>La novela lírica, que caracteriza la producción literaria de Ramón Pérez de Ayala y Gabriel Miró, sirve a estos autores como estructura que acoge sus iniciales novelas autobiográficas de colegios jesuitas, particularmente, <em>A.M.D.G. </em>y <em>Amores de Antón Hernando</em> (posteriormente, <em>Niño y grande</em>). Se trata en los dos casos de novelas de aprendizaje, que se acercan a la modalidad «de artista», en las que se impugna, mediante recursos como la parodia y la ironía, la pedagogía jesuita. Importa, más en Pérez de Ayala que en Miró, el hilvanado de cuadros estudiantiles con anécdotas académicas de tipos docentes y discentes, al modo de las novelas de costumbres universitarias del momento. Se evidencia en ambos autores cómo el nuevo modo de novelar sigue aprovechando elementos de la tradición realista y naturalista del siglo xix.</p><p>Palabras clave: Ramón Pérez de Ayala, Gabriel Miró, colegios jesuitas, novela lírica, novela de formación, novela de artista.</p><p> </p><p><strong>Abstract</strong></p><p>The lyrical novel, which characterizes the literary production of Ramón Pérez de Ayala and Gabriel Miró, these authors serves as a structure that welcomes their initial autobiographical novels of Jesuit schools, particularly <em>A.M.D.G. </em>and <em>Amores de Antón Hernando</em> (later <em>Niño y grande</em>). It is in both cases <em>Bildungsromane</em> that are close to the mode «artist», which is challenged by resources such as parody and irony Jesuit pedagogy. In these novels is important composition of student academic painting with stories as they appear in the novels of university customs of the moment. It is evident in how both authors romanticize the new mode continues to build elements of the realist tradition and naturalist of the nineteenth century.</p><p>Key words: Ramón Pérez de Ayala, Gabriel Miró, Jesuit schools, lyrical novel, <em>Bildungsroman</em>, <em>Künstlerroman</em>.</p>
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Henny-Krahmer, Ulrike. "Novelas originales y americanas." apropos [Perspektiven auf die Romania], no. 9 (December 13, 2022): 14–36. http://dx.doi.org/10.15460/apropos.9.1893.
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Relationships between literary texts, identity constitution, and genre are explored in this digital analysis of 19th century Spanish American novels from Mexico, Argentina, and Cuba, of their subgenres, and their function in the formation of collective identities, starting from references to identity which were found in the subtitles of the novels. In particular, the label “novela original”, as well as identity references that can be subsumed under the terms “novela americana”, “novela mexicana”, “novela argentina”, and “novela cubana” are analyzed. It is found that each type of identity novel, that is, novels with explicit references to a linguistic, cultural, or national context in their subtitle, has its own characteristics. There is not the one genre, theme, or style that serves to represent and constitute identity, but there are forms that are specific for each case, a result which corresponds with findings from memory studies on group-defining stories.
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Bonilla, María. "El lugar imposible de las mujeres en seis novelas centroamericanas contemporáneas." LETRAS, no. 49 (April 18, 2011): 79–94. http://dx.doi.org/10.15359/rl.1-49.7.
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Se estudia la relación entre la búsqueda de la identidad, específicamente en las sociedades centroamericanas, con respecto a los lugares o espacios vitales que delimitan su existencia. De un corpus de sus novelas centroamericanas contemporáneas (2000-2010), se extraen relaciones significativas que hacen del espacio (real, buscado o imaginado) un punto de referencia existencial, moral o social. En cada novela se pone en entredicho el arraigado sistema de exclusión, de procedencia patriarcal. The relationship between the search for identity, specifically in Central American societies, is addressed with regard to those vital places or spaces which define their existence. Based on a corpus of contemporary Central American novels (2000-2010), significant relations are identified concerning their space (be it real, sought or imagined) from an existential, moral or social perspective. The existing system of exclusion with patriarchal roots is questioned in each of the novels.
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Murray, Sabina. "The Order of the Novel." Massachusetts Review 65, no. 2 (June 2024): 166–74. http://dx.doi.org/10.1353/mar.2024.a930474.
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Abstract: An essay exploring the time organization of novels. The idea of space and time when reading novels and how it can be interpreted is examined thoroughly. It further questions and investigates the notions of probabilities, entropy, superposition, and disorder, in conjunction with the functions and structure of novels. The analyzing of an interpretation of the reader’s view of the novel’s place in time allows for new perspectives and ideas to be formulated.
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Escamilla Rivera, José Luis. "Desterritorializado, híbrido y fragmentado: el protagonista en la novela centroamericana de posguerra." LETRAS, no. 49 (February 27, 2011): 51–62. http://dx.doi.org/10.15359/rl.1-49.3.
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La novela centroamericana se escribe desde las referencias históricas, políticas y culturales de la denominada etapa de posguerra. A diferencia de etapas previas se trata de una propuesta discursiva con rasgos particulares bien identificables. En este estudio se analiza un corpus de novelas de Guatemala, El Salvador y Nicaragua, publicadas entre 1990 y 2002. Se concentra en la configuración del personaje protagonista, y se señalan los procedimientos de una elaboración novelística, procedimientos que se apartan de otras manifestaciones anteriores, especialmente de la literatura testimonial. The Central American novel is based on historical, political and cultural references of the so-called postwar stage. Different from earlier stages, this discourse option has easily identifiable features. A corpus of Guatemalan, Salvadoran and Nicaraguan novels published between 1990 and 2002 has been analyzed here. The focus is on the configuration of the main character and procedures used when writing these novels, procedures which differ from those used previously, in particular those of the testimonial novel.
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Garrido Ardila, Juan Antonio. "Las rutas del «Quijote» por la novela inglesa del siglo XVIII." Cuadernos de Estudios del Siglo XVIII, no. 26 (October 27, 2017): 17. http://dx.doi.org/10.17811/cesxviii.26.2016.17-31.
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RESUMENEste artículo sopesa las principales derrotas en las investigaciones en torno a la presencia, recepción e influjo del Quijote en la novela inglesa del siglo XVIII. Se parte aquí de la distinción establecida entre novelas inglesas dieciochescas de temática quijotesca (las denominadas Quixotic fictions) y aquellas cuyas características formales se inspiran en el Quijote (las Cervantean novels). Respecto de las primeras se subraya la escasez deestudios y las muchas posibilidades que estas brindan al estudioso que quiera indagar en el tratamiento satírico de la compleja sociedad que las inspiró. De las Cervantean novels se destaca su engarce con la literatura de los dos siglos precedentes. La influencia cervantina en autores del Dieciocho como Fielding, Smollett y Sterne, en contraposición a la influencia picaresca en el Diecisiete, se explica aquí por razón de la necesidad, enla primera mitad del XVIII, de dotar la narrativa inglesa de las características formales de la novela moderna, lo cual hallaron en el Quijote.PALABRAS CLAVECervantes en Inglaterra, Quijote, novela inglesa del siglo XVIII, ficción cervantina, ficción quijotesca. TITLE«Don Quixote’s» sallies in eighteenth-century english fictionABSTRACTThis article is a critique of the mainstream strands in the research into Don Quixote’s reception in England and its influence on eighteenth-century English fiction. It offers a survey of the fictional narratives with a quixotic theme (the so-called Quixotic fictions) and those which deploy formal features taken from Don Quixote(known as Cervantean novels). The discussion of Quixotic fictions notes they have attracted little critical attention, and suggests the need for future studies of their intriguing satirical scope. This article also pinpoints the need to study Cervantean fictions of the eighteenth century in relation to seventeenth-century English fiction. This article notes that whilst Spanish picaresque novels were the main foreign influence on English fiction of the seventeenth century, the great writers of the eighteenth century, namely Fielding, Smollett and Sterne, preferred Don Quixote since Cervantes’ novel provided them with the formal features of the modern novel, at a time when these authors sought to establish canon of modern fiction in the English language.KEY WORDSCervantes in England, Don Quixote, eighteenth-century English novel, Cervantean fiction, Quixotic fiction.
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Hoyos Mazuera, María Ximena. "Sexualidad y control social en la novela colombiana del siglo XIX." La Manzana de la Discordia 7, no. 1 (March 18, 2016): 81. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v7i1.1575.
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Resumen: Se estudia la sexualidad vigilada delas mujeres en la sociedad colombiana del siglo XIXmediante el análisis de dos novelas decimonónicascolombianas: Manuela (1854) de Eugenio Díaz Castroy Tránsito (1880) de Luís Segundo Silvestre. Se observandos discursos amorosos para los dos tipos de mujeresque cortejaban los varones de la burguesía: un discursovelado y casto para la mujer con la que se casaba y por lotanto, paría los hijos de la nueva patria, y otro discursoadornado y seductor para las mujeres subalternas a lasque podían acceder sexualmente. Se establecen algunascomparaciones con la novela Entre primos (1897) deJosé Manuel Marroquín, donde se advierte la tendenciaa la endogenia en las familias santafereñas pudientes.Finalmente, se observa que en las novelas estudiadasel supuesto romance entre el hombre blanco y rico, y lacampesina pobre, no se consuma para evitar que se sigapropagando la mezcla de razas. El romance aquí quedarelegado a nivel de posibilidad frustrada en el espacioidílico y ficcional de la novela costumbrista colombianadel siglo XIX.Palabras clave: sexualidad, clase social, novelasdecimonónicas colombianas, Manuela, TransitoSexuality and Social Control in the XIXth CenturyColombian novelAbstract: This paper studies the supervised sexualityof women in the XIXth Century Colombian society bymeans of the analysis of two Colombian novels: EugenioDíaz Castro’s Manuela (1854) and Luís SegundoSilvestre’s Tránsito (1880). Two discourses of love aredetected for two types of women courted by bourgeoismales: a veiled and chaste discourse for women theymight marry and a flowery and seductive one for womenof lower clases who could be sexually available. Somecomparisons are established with Manuel Marroquin’snovel Entre primos (1897), where we find the tendencyto endogenics among wealthy Santa Fe de Bogotafamilies. Finally, it is observed that in the novels studiedthe supposed romance between a wealthy white man anda poor peasant female is not consummated in order todiscourage racial mingling. Their romance is relegated tothe level of frustrated possibility in the idyllic and fictinalspace of the costumbrista XIXth Century Colombiannovel.Key Words: sexuality, social class, XIXth CenturyColombian novels, Manuela, Transito
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Hansen, Hans Lauge. "Modos de representación literaria de la zona gris. Una lectura de dos novelas chilenas." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 1 (October 6, 2018): 150–66. http://dx.doi.org/10.5617/myn.6061.
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Este artículo realiza una lectura de dos novelas chilenas, El desierto de Carlos Franz (2005) y La vida doble de Arturo Fontaine (2010). Ambas novelas aplican la perspectiva del victimario en la represión violenta de la izquierda política después del golpe de estado de Augusto Pinochet en 1973, pero de forma muy diferente. El artículo contextualiza las dos novelas en relación a un ‘giro victimario’ internacional y la subsiguiente desconstrucción de los patrones narrativos utilizados para representar un pasado violento, y propone un enfoque modal en el análisis comparativo de las dos novelas. El concepto de la "banalidad del mal" de Hannah Arendt y las dos diferentes versiones descritas por Maria Torgovnick, "Eichmann está en todos nosotros" y "todos podríamos ser Eichmann", se aplicarán para describir las diferentes formas con que las novelas conceptualizan y contextualizan las categorías morales. This article engages with a comparative reading of two contemporary Chilean novels, El desierto by Carlos Franz (The desert, 2005) and La vida doble by Arturo Fontaine (The double life, 2010). Both novels include the perspective of a perpetrator in the violent suppression of the political Left following Augusto Pinochet’s coup d’etat in 1973, but they do so in very different ways. The article contextualizes the novels in relation to a broader, international ‘perpetrator turn’ and the subsequent deconstruction of hegemonic narrative templates used in the representation of the conflicts of the past, and proposes to apply a modal approach to the analysis of the differences between the novels. Hannah Arendt’s concept of the "banality of evil" and Maria Torgovnick’s interpretation of its different possible applications, "Eichmann is in all of us" and "Anyone could be Eichmann", are used to describe the different ways in which the two novels engage with moral categories and social contextualization of ‘evil’.
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Cho, Kap Chun, and Jae Shin Lee. "The Effects of Design Suitability and Usage Motivation on Web-Novel Usage: Focusing on the Moderative Role of User Age." Korean Publishing Science Society 108 (October 31, 2022): 27–50. http://dx.doi.org/10.21732/skps.2022.108.27.
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This study tried to investigate the effect of web novel usage motives on usage amount, focusing on the snack culture characteristics and the ‘visual novels' characteristics of web novels of web novels. For this reason, the snack culture characteristics were analyzed by the usage motives, which were divided into ritual motives and instrumental motives, ‘visual novels' characteristics were analyzed by the design suitability. In addition, it was analyzed by the regulating role of age that the motive for using web novels may vary according to age. As a result of the analysis, it was found that the ritual motive is the most important factor in using web novels and has an absolute influence on the amount of use. Instrumental motivation was found to have an effect on usage as well. However, design suitability did not significantly affect usage. Also, it was found that age interacts with instrumental motivation and affects usage. These results met the purpose of identifying the snack culture characteristics of web novels, but did not match the purpose of identifying the reinforcement of the web novel's ‘visual novels' characteristics. In addition, it was confirmed that the age that previous studies paid attention had an effect on the use of web novels.
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Ruíz Cáceres, Rocío. "Moda y literatura. un caso paradigmático: Juan Valera." Monteagudo 24 (October 23, 2019): 179–99. http://dx.doi.org/10.6018/monteagudo.400241.
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Los novelistas españoles del siglo XIX conceden gran importancia a la moda, a la forma de vestir como distinción social. El tema del «quiero y no puedo», entre otros, será un aspecto que dicte la conducta de numerosos personajes de ficción en la novela realista-naturalista. En el presente estudio se analiza la presencia de la moda en las novelas de Valera desde una doble óptica: la epistolar, correspondiente a sus cartas en las que se refleja la moda, y la narrativa, fundamentalmente sus novelas Pepita Jiménez, Doña Luz, Las ilusiones del doctor Faustino, Juanita la Larga y Genio y figura Spanish novelists from the 19th century give great importance to the fashion, the way of dressing as a social distinction. the issue of «I would like to, but I’m not able to», among others, it will be an aspect that dictate the behavior of many fictional characters in the realist-naturalist novel. this research analyses the presence of fashion in Valera’s novels from a double perspective: the epistolary, corresponding to his letters in which fashion is reflected, and the narrative, mainly his novels Pepita Jiménez, Doña Luz, Las ilusiones del doctor Faustino, Juanita la Larga and Genio y figura.
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Ardila J., Clemencia, and Grupo Especialización en Hermenéutica Literaria. "Los impostores de Santiago Gamboa: el juego de la escritura." Estudios de Literatura Colombiana, no. 13 (October 28, 2013): 121–38. http://dx.doi.org/10.17533/udea.elc.17271.
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Este artículo desarrolla un análisis hermenéutico y semiótico de la novela Los impostores del escritor Santiago Gamboa, y parte del presupuesto de entenderla como novela policíaca. Se analiza en especial el papel del héroe, la acción del espía y la impostura.Descriptores: Novela policíaca; Los impostores; Gamboa, Santiago; Pöppel, Hubert; La impostura.Abstract: This article develops a hermeneutic and semiotic analysis of Los impostores, a novel by Santiago Gamboa and bases its analysis in the understanding of the novel as detective novels. The special role of the hero, the action of the spy and the imposture are analyzed.Key words: Detective novels; Los impostores; Gamboa, Santiago; Pöppel, Hubert; Imposture.
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Alexandre Dos Santos, Armando. "Na sequência da Cançó de l´Orifany, a queda moral do herói." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 13 (June 27, 2019): 45. http://dx.doi.org/10.7203/scripta.13.15475.
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Resumo: Análise textual, contextual e psicológica de um episódio colateral, mas de grande importância da novela de cavalaria Curial e Guelfa (século XV): a Canção do Elefante e a queda moral do herói.
Palavras-chave: Curial e Guelfa, literatura catalã, cavalaria, novelas de cavalaria, queda moral
Abstract: Textual, contextual and psychological analysis of a collateral but important episode of the novel of chivalry Curial and Guelfa (15th. century): the «Song of the Elephant» and the hero´s moral decadence.
Keywords: Curial and Guelfa, Catalan literature, chivalry, novels of chivalry, moral decadence
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Derlatka, Tomasz. "Z Przewodnika po powieści Słowian Zachodnich (1945-1995)." Slavia Occidentalis, no. 74/2 (December 10, 2018): 161–84. http://dx.doi.org/10.14746/so.2017.74.30.
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This article contains a selection of notions from the Guidebook to the Novels of the West Slavs (a working title). The Guidebook is addressed predominantly at researchers involved in comparative studies of the literatures of the West Slavs and it will cover fifty years (1945–1995) of novels written by West Slavic authors: Kashubian, Polish, Slovak (from Slovakia and the so-called Lower Land), Czech as well as Upper and Lower Lusatian, and how they changed. Each entry will consist of a brief presentation of a novel’s content, bibliographical information (the subsequent editions, possible translations; reception in the other languages will be limited exclusively to the West Slavs area), interpretation, a novel’s significance to a writer’s achievements, specific national literature and, finally, the West Slavs’ novels as a whole, a selection (maximum five items) of the most important literature on the subject.
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Sánchez Zapatero, Javier. "Eugenio Fuentes y la (re)creación del género policiaco." Epos : Revista de filología, no. 28 (January 1, 2012): 215. http://dx.doi.org/10.5944/epos.28.2012.12272.
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El artículo analiza las obras que integran la serie de novelas negras protagonizadas por el detective Ricardo Cupido, escritas por Eugenio Fuentes durante las décadas de 1990 y 2000. Además de centrarse en diversos aspectos narratológicos, el artículo reflexiona sobre el modo en que las novelas respetan y a la vez subvierten las características básicas del género.The paper analyzes the crime novels by Ricardo Cupido, featuring the private detective Ricado Cupido (1990s-2000s). The paper studies some narratological aspects and reflects how these novels respect and subvert the basic features of crime stories.
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Pisa Cañete, María Teresa. "Des stéréotypes des hommes et de femmes noirs dans "Brin d’amour" et "Histoire de la femme cannibale", entre continuité et désir de changement." Anales de Filología Francesa 28, no. 1 (October 23, 2020): 169–200. http://dx.doi.org/10.6018/analesff.429951.
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El objetivo de este artículo es estudiar, desde una perspectiva contrastiva, los estereotipos de los negros y de las negras en las novelas Brin d’amour y Histoire de la femme cannibale, de Raphaël Constant y Maryse Condé, dos escritores antillanos contemporáneos. Tras la presentación del marco metodológico, el análisis muestra los elementos que componen esos estereotipos, como las acciones y los pensamientos de los personajes, así como las relaciones entre ellos. Además, los personajes de cada novela representan actitudes opuestas sobre la realidad representada, lo que da lugar a una antítesis ideológica. Esto también ocurre entre las protagonistas de las dos novelas: Lysiane y Rosélie. La primera, desde el principio, simboliza la indignación y la revuelta contra las condiciones de la mujer, mientras que la segunda se identifica con la inseguridad y la sumisión. Sin embargo, al final las dos lucharán por la libertad. Estas dos novelas pueden ser consideradas como actos literarios de oposición a la discriminación de las personas negras y de las mujeres. The purpose of this paper is to study, from a comparative perspective, the stereotypes of Black People and Black Women in the novels Brin d’amour and Histoire de la femme cannibale, by Raphaël Constant and Maryse Condé, two Antillean contemporary writers. After having introduced the methodological frame, the analysis will show the elements those stereotypes consist of, such as the actions and thoughts of characters and their relationships. Besides, characters of each novel will represent opposite views of the depicted reality, which results in an ideological antithesis. This is also the case between the main character of the two novels: Lysiane and Rosélie. The first, from the beginning, symbolises indignation and revolt against women conditions, white the second identifies herself with lack of confidence and submission. However, in the end both characters will fight for freedom. These two novels can be considered as literary acts opposed to discrimination against black people and women.
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Plumer, Gilbert. "On Novels as Arguments." Informal Logic 35, no. 4 (December 11, 2015): 488. http://dx.doi.org/10.22329/il.v35i4.4333.
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If novels can be arguments, that fact should shape logic or argumentation studies as well as literary studies. Two senses the term ‘narrative argument’ might have are (a) a story that offers an argument, or (b) a distinctive argument form. I consider whether there is a principled way of extracting a novel’s argument in sense (a). Regarding the possibility of (b), Hunt’s view is evaluated that many fables and much fabulist literature inherently, and as wholes, have an analogical argument structure. I argue that a better account is that some novels inherently exhibit a transcendental argument structure.
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Mociño González, Isabel. "La (re)construcción de la identidad en la narrativa juvenil gallega. Entre la épica y la memoria histórica." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 23 (January 26, 2015): 118. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2015231001.
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En este trabajo se hace un recorrido por el tratamiento que autores gallegos de narrativa juvenil hicieron en sus obras de los elementos de carácter identitario. En un primer momento a través de novelas en las que priman los elementos épicos y mitológicos; más tarde en novelas que se centran en la recuperación de la memoria histórica. Tanto unos como otros se inscriben en paradigmas identitarios y buscan la reflexión de los jóvenes sobre la identidad cultural, tanto individual como colectiva. In this paper we will discuss about how Galician writers deal with elements of character identity in their young adult novels. At first we will study novels containing epic and mythological elements and then we will deal with novels focused on the recovery of historical memory. All writers fit in paradigmatic identity systems and seek youth reflection on cultural identity both individual and collective.
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Piqueras Flores, Manuel. "Enhebrar o encuadrar: la narrativa áurea frente a sí misma." JANUS. Estudios sobre el Siglo de Oro, no. 12 (December 11, 2023): 323–32. http://dx.doi.org/10.51472/jeso20231225.
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RESUMEN: Introducción al monográfico La novela corta interpolada en el Renacimiento y primer Barroco. Se sintetizan las formas de difusión de la narrativa breve a lo largo del Siglo de Oro español y se estudian los diferentes grados de integración de las novelas cortas en obras de mayor extensión. Al hilo de este análisis, se ponen de manifiesto las principales aportaciones de cada una de las contribuciones al monográfico. ABSTRACT: Introduction to the monograph La novela corta interpolada en el Renacimiento y primer Barroco. The forms of diffusion of the short narrative throughout the Spanish Golden Age are synthesized and the different degrees of integration of short novels in larger works are studied. Following this analysis, the main contributions of each of the insights to the monograph are highlighted.
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Sammons, Jeffrey L., Wilhelm Raabe, and Volkmar Sander. "Novels." Die Unterrichtspraxis / Teaching German 18, no. 1 (1985): 205. http://dx.doi.org/10.2307/3530022.
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EG, Jithin Jenner, and Noble Jebakumar A. "Enhancing language skills through English novel instruction." International Journal of Multidisciplinary Research and Growth Evaluation 4, no. 6 (2023): 498–502. http://dx.doi.org/10.54660/.ijmrge.2023.4.6.498-502.
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The use of literature, particularly novels, is crucial in English-as-Foreign-Language (EFL) classrooms for language skill development. Education today emphasizes holistic learning, fostering independence, and personality development. This approach requires rethinking traditional teaching methods and considering interdisciplinary aspects. English holds a pivotal role in creativity and communication fields, making it essential for fostering intercultural competence, identity development, altered perspectives, and tolerance. Literature greatly contributes to these goals. The study focuses on the impact of teaching novels in EFL classrooms, determining suitable texts for language learning. Novels are unanimously recognized as an effective tool for instilling reading habits in students. The primary objective of this study is to investigate the novel's potential to enhance students’ language skills, focusing on vocabulary expansion and grammatical structure acquisition. Additionally, the study aims to identify shortcomings in current teaching methods employed for novels in classrooms. Through statistical analysis of tests conducted, this research successfully demonstrates that when novels are methodically and earnestly integrated into linguistic instruction, they significantly contribute to learners’ language development. Despite the importance of novels in language education, their full potential remains untapped due to inadequate teaching approaches. The study reveals a notable disparity between students’ pre-test and post-test scores, highlighting the impactful role of comprehensive and effective novel-based language teaching methods.
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Wandansari, Rifky Aulia, and Valentina Widya Suryaningtyas. "Portrayals of Power in Suzanne Collins’ The Hunger Games and Veronica Roth’s Divergent Novels." Applied Linguistics, Linguistics, and Literature (ALLURE) Journal 2, no. 1 (January 31, 2022): 10–25. http://dx.doi.org/10.26877/allure.v2i1.10383.
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Abstract. This research aims to compare power aspects portrayed by the main character in The Hunger Games and Divergent novels and see the similarities and differences between those two novels. The object of this research is Suzanne Collins’ The Hunger Games and Veronica Roth’s Divergent Novels. The researcher uses descriptive qualitative as the method of the study. The researcher used Karlberg's (2005) theory to conduct this research. The researcher classified the characteristic of power into Power as Domination (there are 5 types) and Power as Capacity (there are 4 types) to get the data. The other elements that help the researcher easier to collect the data that can be compared are using the novel's intrinsic elements. The result shows Katniss (The Hunger Games) and Tris (Divergent) as the main character, they have power on some points. Some points of the power from those novels have similar portrayals such as Power as Domination in Position, Power as Domination in Knowledge, Power as Domination in Experience, Power as Domination in Gender, Power as Capacity in Anger, Power as Capacity in Bravery, and Power as Capacity in Disappointed. Few points show if those two books have different portrayals, such as the point of Power as Domination in Age and Power as Capacity in Worrying. So, based on the research and the result shown, The Hunger Games and Divergent are thought of as the same novels because some power portrayals from those novels are similar.Abstract. This research aims to compare power aspects portrayed by the main character in The Hunger Games and Divergent novels and see the similarities and differences between those two novels. The object of this research is Suzanne Collins’ The Hunger Games and Veronica Roth’s Divergent Novels. The researcher uses descriptive qualitative as the method of the study. The researcher used Karlberg's (2005) theory to conduct this research. The researcher classified the characteristic of power into Power as Domination (there are 5 types) and Power as Capacity (there are 4 types) to get the data. The other elements that help the researcher easier to collect the data that can be compared are using the novel's intrinsic elements. The result shows Katniss (The Hunger Games) and Tris (Divergent) as the main character, they have power on some points. Some points of the power from those novels have similar portrayals such as Power as Domination in Position, Power as Domination in Knowledge, Power as Domination in Experience, Power as Domination in Gender, Power as Capacity in Anger, Power as Capacity in Bravery, and Power as Capacity in Disappointed. Few points show if those two books have different portrayals, such as the point of Power as Domination in Age and Power as Capacity in Worrying. So, based on the research and the result shown, The Hunger Games and Divergent are thought of as the same novels because some power portrayals from those novels are similar.
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Gutiérrez, José Ismael. "Ross MacDonald y la "Hollywood novel"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (February 2, 2018): 435–54. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018291702.
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La novela negra ha revelado una versatilidad que le ha permitido establecer una relación de ósmosis con otros géneros. Uno de ellos es la conocida como «novela de Hollywood». En la narrativa de Ross MacDonald, uno de los maestros de la novela negra norteamericana, se producen abundantes cruces entre las historias de detectives herederas de la ficción hard-boiled y la novela que utiliza el mundo de Hollywood como trasfondo o tema principal de las tramas. El presente artículo trata de mostrar cómo ese diálogo intergenérico se traduce en la incorporación al relato de imágenes de naturaleza cinematográfica o que enfatizan el aspecto fílmico de la realidad que representan. Asimismo, las novelas y cuentos de MacDonald perfilan un universo, unos ambientes y unos personajes vinculados o cercanos a la industria del cine americano dominados por la pérdida de valores éticos, la delincuencia y el crimen. The noir novel has generated a versatility that has allowed it to establish a relationship of osmosis with other genres, with one of these being the so-called «Hollywood novel». In narrative of Ross MacDonald, one of the masters of the American noir novel, we can find abundant overlaps between the detective stories deriving from the hard-boiled fiction tradition and those novels that use the world of Hollywood as their fictional background or as main element in their plots. The present article attempts to show how this intergeneric dialogue is achieved by the incorporation of cinematographic images in the story or by others that emphasize the filmic aspect of the reality they represent. Likewise, MacDonald's novels and short stories define a universe, settings and characters linked to or in reflection of the American film industry and dominated by the loss of ethical values, delinquency and crime.
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Albaladejo Mayordomo, Tomás. "Mariano Baquero Goyanes sobre Francisco Ayala: creación, crítica, analogía." Monteagudo, no. 28 (May 10, 2023): 31–44. http://dx.doi.org/10.6018/monteagudo.562651.
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This article deals with the preface written by Mariano Baquero Goyanes for the edition of a volume containing Francisco Ayala’s novels Muertes de perro and El fondo del vaso. The preface is studied as a text of literary criticism where Mariano Baquero carries out an analysis and an explanation of the main issues and features of both novels, like their relationship of complementarity and the role of different points of view in narrating the same reality. Mariano Baquero’s preface is key for understanding and enjoying these novels, and thence it is not viewed and explained as a paratext but as a creative metatext. Este artículo se ocupa del prólogo escrito por Mariano Baquero Goyanes para la edición de un volumen que contiene las novelas Muertes de perro y El fondo del vaso de Francisco Ayala. Se estudia el prefacio como un texto de crítica literaria donde Mariano Baquero lleva a cabo un análisis y una explicación de los principales asuntos y rasgos de ambas novelas, como su relación de complementariedad y la función de diferentes puntos de vista al narrar la misma realidad. El prólogo de Mariano Baquero es clave para comprender y disfrutar de estas novelas, y por lo tanto no es visto y explicado como un paratexto, sino como un metatexto creativo.
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Koenigs, Thomas. "A “Wild and Ambiguous Medium”: Democracy, Interiority, and the Early American Epistolary Novel." American Literary History 35, no. 1 (February 1, 2023): 8–22. http://dx.doi.org/10.1093/alh/ajac160.
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Abstract This essay argues that early American novelists’ sustained commitment to epistolary fiction reflects their recognition that the mediated access it offered to inner life made it a potent vehicle for highlighting the limits of our ability to decipher the concealed interiorities of other people. Faced with the question of how novels might best prepare readers for republican social and political life, novelists such as Charles Brockden Brown and Susanna Rowson turned to this increasingly outmoded form because it foregrounded the uncertainties inherent in reading inner life. Eschewing third-person fiction’s fantasy of direct access to another mind, these novels foster an epistemological humility regarding other interiorities that would be valuable in negotiating civic life in the early republic. While early American novels have long been regarded as encouraging sympathetic identification as a means of establishing political union, novels such as Brown’s Clara Howard and Rowson’s Sincerity instead harness the epistolary novel’s partial, uncertain revelations of interiority to highlight our inability to access fully someone else’s thoughts or feelings. These novels warn readers that successfully navigating the epistemological challenges of this new democratic social order requires resisting the fantasy that another person’s true feelings can ever be fully known.Rowson and Brown saw epistolary novels as a means of not just teaching Americans how to read inner life, but also of cautioning them that they could never do so with certainty.
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Wu, Yutong. "The Color Words in Eileen Chang’s Novels." International Journal of Education and Humanities 6, no. 2 (December 15, 2022): 33–36. http://dx.doi.org/10.54097/ijeh.v6i2.3340.
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The mastery of color words is a highlighted point in Eileen Chang’s novels, from which we can catch a glimpse of Eileen Chang’s language technique. Eileen Chang's Novels are like painting with words instead of monotonously depicting of life. She expresses her exquisite and unique perception of life through the deconstruction of cultural meanings of color words. She blended different colors in the clothes of her novel’s characters and scenes, using different rhetorical devices such as synesthesia, analogy, hyperbole in the narration of psychology of the characters and events description. The color words, used as special symbols, have been an indispensable part of her novels. At the same time, the color words often play a lead role in touching the novel theme.
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Álvarez Martínez, Luis Gustavo. "An Annotated Bibliography on the Rabbit Novels by John Updike." LETRAS, no. 39 (January 30, 2006): 161–82. http://dx.doi.org/10.15359/rl.1-39.8.
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Se presenta un registro comentado de los principales estudios, libros y artículos sobre la serie narrativa del novelista estadounidense John Updike, conocida bajo el título común de novelas sobre Conejo (Corre, Conejo; El regreso de Conejo; Conejo es rico, etc.).
This annotated bibliography includes a brief introduction to the Rabbit novels and comments on the main studies, books and articles on these novels by the U.S. writer John Updike (Rabbit, Run; The Redux of Rabbit; Rabbit Is Rich, etc.).
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Andersen Kraglund, Rikke. "Karaktermord, angreb og selvanklager omkring Knausgårds Min kamp." Rhetorica Scandinavica, no. 82 (September 1, 2021): 106–22. http://dx.doi.org/10.52610/nruu9167.
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This article studies the effects of the ambiguous accusations around Karl Ove Knausgaard’s novel in six parts, My struggle (2009-11). The novel’s portrait of a number of named individuals and family members brought the relationship between artistic freedom and defamation, responsibility, guilt and shame up for discussion, and initiated negotiations of collective norms and values in connection with autobiographical novels. An analysis of the rhetorical strategies behind the family’s accusations at the time of the publication, initially illuminates the ethical dilemmas the family helped to raise in the public debate. Next, the accusations in the novels themselves are studied and the article shows a need to consider how differently the accusations appear in and outside the novels, because the autobiographical novel establishes an ambiguous statement that is not found in the media coverage
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Mehran Ahmad, Aamer Shaheen, and Muhammad Asif Khan. "Evolution of Hispanic Crime Fiction in Fernanda Melchor's Hurricane Season and Paradais." International Journal of Linguistics and Culture 3, no. 1 (June 20, 2022): 227–41. http://dx.doi.org/10.52700/ijlc.v3i1.102.
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Exploiting Glen S. Close’s study (2008), this paper attempts to explicate the position Fernanda Melchor occupies on the Hispanic literary scene: how her novels Hurricane Season and Paradais fit in the packed ranks of Hispanic crime fiction, the novela negra; how they are beholden to their antecedents and the differences they have with said antecedents. Amply endowed with the grim workings of the novela negra, both novels are quite comparable with their contemporaries. In the long line of novela negra authors, Melchor is a rare female, delving into crime and showing it to the world through the eyes of a woman, highlighting the addictions, the violence, the corruption, the debauchery endemic in Mexican society and the misogyny underlying most of them. Locked in an incessant battle of survival, her characters are mirthless, helpless, and ruthless, breeding vicious and virulent violence against each other and themselves.
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Sindawi, Khalid. "Intertextuality of Traditions on Šīʿī Imams and the Prophet in Contemporary Arabic Novels." Oriente Moderno 103, no. 2 (December 27, 2023): 296–321. http://dx.doi.org/10.1163/22138617-12340322.
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Abstract This study discusses the presence of allusions to ḥadīṯs on Šīʿī imams and the Prophet in contemporary Arabic novels. The religious texts most frequently alluded to in the novels examined in the study contain reports on the Prophet, ʿAlī ibn Abī Ṭālib, the fourth imam ʿAlī ibn al-Ḥusayn, the sixth imam Ǧaʿfar al-Ṣādiq, and the twelfth imam, the awaited Mahdī. No ḥadīṯs concerning other imams were traced in Arabic novels. The themes addressed in the texts in question range from questions concerning actions that are permissible, forbidden and desirable, to questions of education and ethics, asceticism, cognition and more. Arab novelists tend to take two approaches to the texts in question: Either they use them in conformity with their original linguistic structure and meaning, or they give them a meaning that is at variance with the original one out of esthetic or semantic considerations. The use of ḥadīṯs is at times associated with the novel’s protagonist and sometimes with the novel’s aims. In either case, artistic and esthetic considerations are always present, whether or not the novelist introduces changes in the original ḥadīṯs text.
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Pawłowska, Maja. "Jean-Pierre Camus : la moralisation d’un genre immoral est-elle possible ?" Quêtes littéraires, no. 3 (December 30, 2013): 32–39. http://dx.doi.org/10.31743/ql.4601.
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Camus complements his novels with long peritexts, thus using his ecclesiastic authority to legitimise their moral and didactic value. In these peritexts he juxtapposes the licentious novels with his own devout works of fiction, which are, in his own words, not only valuable and worth recommending, but also capable of saving the readers’ souls, put in danger by other texts. In any case, a close reading of these peritexts reveals a view which challenges the idea of the novel’s insidiousness and which bears witness to Camus’s great fascination with this officially condemned literary genre.
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Orrego Arismendi, Juan Carlos. "Del solio a la selva: lo indígena en cinco novelas de Felipe Pérez." Estudios de Literatura Colombiana, no. 25 (August 9, 2011): 61–78. http://dx.doi.org/10.17533/udea.elc.9808.
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Resumen: Felipe Pérez (1836-1891), autor de las novelas de tema indígena Huayna Capac (1856), Atahuallpa (1856), Los Pizarros (1857), Jilma (1858) y Los jigantes (1875), es el escritor colombiano más prolífico en este subgénero en el siglo xix. Este artículo explora las fuentes que nutrieron dichas obras así como algunas circunstancias de época, y establece la transición que habría, en este corpus, entre dos modalidades de personaje indígena. Descriptores: Pérez, Felipe; novela sobre el indio; novela histórica; siglo XIX; incas; Conquista; Independencia. Abstract: Pérez, Felipe (1836-1891) author of the native thematic novels Huayna Capac (1856), Atahuallpa (1856), Los Pizarros (1857), Jilma (1858) and Los jigantes (1875), is the most prolific Colombian writer in this subgenre in the nineteenth century. This article explores the sources that nourished those works as well as some contemporary circumstances; it also establishes the transition that existed, in this corpus, between two categories of native characters. Keywords: Pérez, Felipe; novel about natives; historic novel; nineteenth century; Incas; Conquest; Independence.
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Labad Arias, Marta. "Trabajos de verdad. Un acercamiento a la precariedad, la exclusión social y los futuros en baja resolución desde cuatro novelas gráficas contemporáneas." Arte y Políticas de Identidad 27 (December 30, 2022): 13–30. http://dx.doi.org/10.6018/reapi.552591.
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The following essay traces a journey through a series of recent graphic novels, published in Spain between 2011 and 2019, which portray how young people move through life and work, placing precariousness at centre, contingency and the lack of a clear future. The first part of the essay analyses the graphic novel Tu futuro empieza aquí (Rosa, Mikko, 2011), underlining depression, flexibility, social exclusion, and lack of expectations, as the major feature affecting this group. The second part of the essay explores the ambivalences of creative work through two graphic novels by Alberto Madrigal, Un trabajo de verdad (Madrigal, 2013) and Todo va bien (Madrigal, 2016). The last part of the essay analyses bits of the graphic novel Wage slaves (Bogdanska, 2019) and reflects on precariousness, contingency, unrest, inequality or (de)valuation of time. It also highlights the power of solidarity as a tool for avoiding social exclusion. El siguiente ensayo traza un recorrido por una serie de novelas gráficas recientes, publicadas en España entre 2011 y 2019, que retratan las diferentes formas que una serie de jóvenes tienen de moverse por la vida y el trabajo, poniendo el foco en la precariedad, la contingencia y la falta de expectativas. La primera parte del ensayo se articula en torno a la figura de un joven “nini”, a partir del análisis de la novela gráfica Tu futuro empieza aquí (Rosa y Mikko, 2011), subrayando la parálisis, la flexibilidad, la pixelación del futuro o la exclusión social que afectan a este colectivo. La segunda parte explora las ambivalencias del trabajo creativo a partir de las novelas gráficas Un trabajo de verdad (Madrigal, 2013) y Todo va bien (Madrigal, 2016). La tercera parte analiza fragmentos de la novela gráfica Esclavos del trabajo (Bogdanska, 2019) para traer al frente la precariedad, la contingencia, el malestar, la desigualdad o la (des)valorización de tiempos que sigue aconteciendo hoy, así como la potencia de la solidaridad como forma de evitar la exclusión social.
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TÖTÖSY de ZEPETNEK, Steven. "Peripheralities: "Minor" Literatures, Women’s Literature, and Adrienne Orosz de Csicser’s Novels." Cultura 18, no. 1 (January 1, 2021): 123–38. http://dx.doi.org/10.3726/cul012021.0009.
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Abstract: In "Peripheralities: 'Minor' Literatures, Women’s Literature, and Adrienne Orosz de Csicser’s Novels" Steven Tötösy de Zepetnek discusses events surrounding Adrienne Orosz de Csicser’s (1878-1934) work. For the contextualization of the events Tötösy de Zepetnek employs his own framework of "comparative cultural studies" here applied to "minor literatures" (i.e., peripheral) and women’s literature and Shunqing Cao’s "variation theory." While Orosz’s novels are not considered exceptional, the author achieved notoriety after locked up in a mental institution. In addition to three published novels, in an unpublished novel (excerpts of which she read at various literary and social gatherings) Orosz narrates her love affair with a Roman Catholic bishop. Knowledge about her novel’s contents resulted in the bishop orchestrating Orosz’s commitment to a mental hospital. The context in which Orosz’s texts are located in is the socio-political situation in Hungarian society prior to and shortly after the First World War.
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Bencomo, Anadeli. "Carlos Fuentes's Readings on Literary Traditions: From the New to the Great Latin American Novel." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 698–701. http://dx.doi.org/10.1632/pmla.2013.128.3.698.
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Carlos Fuentes, like many other writers of the Boom, discussed his peers' unprecedented renovation of Latin American narrative forms—specifically, the novel (e.g., Donoso; Vargas Llosa). In La nueva novela hispanoamericana (1969; “The New Spanish American Novel”), Fuentes reviews the most influential novels of the 1960s after presenting some of the founders of the literary modernity that preceded the Boom: Jorge Luis Borges, Juan Rulfo, Miguel Angel Asturias, and Alejo Carpentier. Fuentes focuses on the Boom's protagonists—Mario Vargas Llosa, Gabriel García Márquez, and Julio Cortázar—to highlight his ideas about the groundbreaking contributions of these novels.
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Alshhre, Ali. "World Literature Representation via Video Games." Arab World English Journal For Translation and Literary Studies 7, no. 1 (February 24, 2023): 101–14. http://dx.doi.org/10.24093/awejtls/vol7no1.7.
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This article aims to answer the following question: can video games be a dynamic medium for globalizing an adapted work of literature to be later played and received by gamers who might learn and increase their literary and cultural knowledge? World literature scholarship, gamer-response theory, game studies research, and my experience of playing Assassin’s Creed (2007) were used to explore how video games can globalize world literature to increase readership. The video game Assassin’s Creed (2007), adapted from Bartol’s Alamut (1938), was used to both discuss how world literature can be transmitted via video games and demonstrate how video game adaptations can be beneficial for learning and increasing global readership among gamers. The process of globalizing Alamut via Assassin’s Creed is shown by focusing on how the game employs different themes taken from the novel, its narrative, and some actual historical characters and places, such Acre, Jerusalem, Damascus, and Masyaf castle. Using literary novels and adapting them as video games can be adequate for incorporating those novels into world literature because the novel’s narrative is transmitted and exposed to gamers worldwide, thereby facilitating the transmission process of the novel’s content. Thus, it is recommended that the possibility of expanding world literature should be explored via adaptations of novels into video games.
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Saje, Natasha. "Reading Novels." Feminist Studies 17, no. 3 (1991): 469. http://dx.doi.org/10.2307/3178283.
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Bawer, Bruce. "Nordic Novels." Hudson Review 56, no. 3 (2003): 439. http://dx.doi.org/10.2307/3852681.
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Gonzalez, Shawn. "Counter-Novels." CLR James Journal 24, no. 1 (2018): 89–105. http://dx.doi.org/10.5840/clrjames2018112153.
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Peck, John, and Lennard J. Davis. "Resisting Novels." Comparative Literature 43, no. 3 (1991): 285. http://dx.doi.org/10.2307/1770665.
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ESTEVE, M. "Panic Novels." Novel: A Forum on Fiction 40, no. 1-2 (March 1, 2006): 197–200. http://dx.doi.org/10.1215/ddnov.040010197.
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Stephens, S. A. "READING NOVELS." Classical Review 50, no. 2 (October 2000): 472–74. http://dx.doi.org/10.1093/cr/50.2.472.
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Hester, Diarmuid. "Quiet Novels." Cambridge Quarterly 48, no. 3 (September 1, 2019): 269–73. http://dx.doi.org/10.1093/camqtly/bfz005.
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Merritt Moseley. "Ordinary Novels." Sewanee Review 118, no. 1 (2010): 154–60. http://dx.doi.org/10.1353/sew.0.0211.
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HERMANN, Labou, and Issacar NGUENDJO. "Didáctica de las lenguas en Issubu; Rebeldía; Mam’enying ; Cuando el cielo y la tierra se confabulan ; Nativas de Inongo-vi-Makome y." Langues & Cultures 4, no. 01 (June 15, 2023): 112–28. http://dx.doi.org/10.62339/jlc.v4i01.170.
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La presencia de varias lenguas en las obras de Inongo-vi-Makome y François Cheng está al servicio de la narración. En un contexto de encuentros y solapamientos culturales, los autores recurren cada vez más a varias lenguas en sus novelas. Hemos realizado una búsqueda de algunas novelas de Inongo-vi-Makome y François Cheng. ¿Qué papel desempeñan las lenguas? ¿Cuáles son sus aportaciones específicas en el texto? El objetivo aquí es demostrar que más allá de una simple interferencia, existe en ambos autores, un objetivo quizás inconfesado, el de didáctica implícita de las diferentes lenguas a través de diferentes mecanismos. Mediante el método contrastivo y el enfoque epistemocrítico, destacamos el conocimiento lingüístico-cultural que se difunde a través de las novelas de estos dos autores. Es un proceso que enriquece las novelas y les confiere una nueva dinámica. Abstract The presence of several languages in the works of Inongo-vi-Makome and François Cheng serves the narrative. In a context of cultural encounters and overlaps, authors are increasingly using several languages in their novels. We have studied a number of novels by Inongo-vi-Makome and François Cheng: What role do languages play? What specific contributions do they make to the text? The aim here is to show that over and above a simple interference, both authors have perhaps unacknowledged aim of implicitly teaching different languages through different mechanisms. Using the contrastive methodand an epistemocritical approach, we highlight the linguistic-cultural knowledge that is disseminated in the novel of these two authors. The process enriches the novels and gives them a new dynamic.
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Sparks, Tabitha. "Reading the Women’s Sentimental Novel: A Romance." Victorian Popular Fictions Journal 5, no. 1 (July 3, 2023): 3–20. http://dx.doi.org/10.46911/flwg9098.
Full textAbstract:
In “Reading the Women’s Sentimental Novel: A Romance,” Tabitha Sparks considers a large and diffuse body of mass-market fiction written by and for Victorian women. She argues that the author-focused interpretive approach that underwrites the study of the canon neglects the attraction of formula fiction, and even the robust recovery efforts of Victorian scholars have largely avoided a taxonomic reading of these novels. In an effort to uncover their objectives and appeal, Sparks reads periodical reviews and discussions of the professional woman writer to better understand the commercial – not artistic – standards assigned to the prosaic “lady’s novel.” She examines a subset of novels by Annie S. Swan, Sarah Doudney, Emily Jolly, and Adeline Sergeant to uncover a repeated subplot in which these novels’ heroines become best-selling authors. The complete elision of the content of their best-sellers reveals and confirms the sentimental novel’s self-conscious withdrawal from the literary caste wars of the day.