Relevant bibliographies by topics / Novels

Academic literature on the topic 'Novels'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Novels"

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Forero Quintero, Gustavo. "La anomia en las novelas de crímenes en Colombia." Literatura y Lingüística, no. 24 (May 18, 2015): 33. http://dx.doi.org/10.29344/0717621x.24.96.

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ResumenEste artículo propone el análisis de algunas novelas colombianas escritas entre losaños 1990 y 2005 a partir de teoría de la anomia. Para ello, el autor ofrece una consideración de lo que es la anomia; en segundo lugar, explica la pertinencia del concepto para la literatura y, en tercer lugar, lo aplica a algunas de esas novelas. Finalmente, a partir de tal metodología, propone una caracterizaciónde lo que denomina la novela de crímenes en Colombia.Palabras clave: Novela de crímenes, Anomia, Novela colombiana The anomie in colombian crime novelsAbstractThis paper proposes an analysis of some Colombian novels written between1990 and 2005 based on anomie theory. From this sociological perspective,it defines the Crime Novel genre. Thus, the author provides a brief account ofwhat anomie is. Secondly, he explains this concept in literature and, third, heapplies it to contemporary Colombian novels. Finally, he proposes a characterizationof the Crime Novel.Keywords: Crime Novel, Anomie, Colombian Novel Este trabajo hace parte del proyecto de investigación “La anomia en la novela de crímenes enColombia (1990-2005)”, inscrito en la línea de investigación Novela de Crímenes del GrupoEstudios Literarios, GEL, que coordina el autor y que pertenece a la Vicerrectoría de Investigaciónde la Universidad de Antioquia.
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López Martínez, María Del Pilar. "Reinventando Centroamérica. La construcción del imaginario social a partir de la novela de ficción." LETRAS, no. 49 (June 12, 2011): 181–89. http://dx.doi.org/10.15359/rl.1-49.12.

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El estudio analiza el papel que la novela de ficción tiene en la constitución de imaginarios sociales en y sobre El Salvador y Guatemala, a partir de las novelas escritas después de los acuerdos de paz en Centroamérica. Apunta a la necesidad de profundizar en las investigaciones interdisciplinarias que vinculan esa generación de imaginarios con la producción, distribución y consumo de novelas y las nuevas temáticas y búsquedas estéticas de las obras literarias, con frecuencia determinadas por el mercado. This study addresses the role which fiction novels have in the formation of social imaginaries in and about El Salvador and Guatemala, based on the novels written after the peace agreements in Central America. It discusses the need to go into greater depth in interdisciplinary research linking that generation of imaginaries with the production, distribution and consumption of novels and the new themes and esthetic searches in literary works, as often determined by the market.
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Marín Colorado, Paula Andrea. "Perozzo y Fayad: dos tomas de posición antagónicas en el campo de la novela colombiana de los setenta." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 47–64. http://dx.doi.org/10.17533/udea.elc.9859.

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Resumen: El siguiente artículo es el resultado de una investigación sobre dos novelas colombianas: Juegos de mentes (1981), de Carlos Perozzo, y Los parientes de Ester (1978), de Luis Fayad. Desde una perspectiva sociocrítica, se busca dilucidar el estado del campo literario colombiano de la década del setenta, a través de las relaciones entre las posiciones ocupadas por los autores y las tomas de posición puestas en forma en sus novelas, articuladas con las condiciones económicas, sociales e históricas en las que se generan, publican y difunden. Descriptores: Novela colombiana de los setenta; Carlos Perozzo; Luis Fayad; Generación del Bloqueo y el Estado de Sitio; Frente Nacional, Sociocrítica. Abstract: The following article is the result of research about two Colombian novels: Juegos de mentes (1981), by Carlos Perozzo, and Los parientes de Ester (1978), by Luis Fayad. From a sociocritical perspective, the main purpose was to elucidate the status of Colombian literary field in the 1970s, by exposing the relations between the positions held by the authors and the ethical- aesthetic proposals developed in their novels along with the economic, social and historical conditions in which those novels were written, published and spread. Key words: Colombian novel in the 1970’s; Carlos Perozzo; Luis Fayad; Generación del Bloqueo y el Estado de Sitio; Frente Nacional; Sociocritical perspective.
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Silva Rodríguez, Manuel Enrique. "Las novelas históricas de Germán Espinosa." Estudios de Literatura Colombiana, no. 22 (August 22, 2013): 129–44. http://dx.doi.org/10.17533/udea.elc.16389.

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Resumen: el artículo ofrece una síntesis de la tesis doctoral titulada Las novelas históricas de Germán Espinosa. En él se resumen las conclusiones más relevantes del análisis y la interpretación del tratamiento que la historia recibe en las novelas históricas de Espinosa. En principio se introducen los conceptos de historia y de novela histórica, claves para definir el corpus y realizar el estudio de las ficciones. Palabras clave: historia, historia de Colombia, novela histórica, novela histórica moderna y posmoderna, reescritura, Germán Espinosa, Colonia, mestizaje, catolicismo. Abstract: this paper offers a synthesis of the doctorate thesis Las novelas históricas de Germán Espinosa. The most relevant conclusions of the analysis and the manner the historic novels of Espinosa approach history are summarized. In the beginning, the concepts of ‘history' and ‘historical novel' are defined. They are fundamental to understand the corpus. Key words: history, history of Colombia, historical novel, modern and postmodern historical novel, rewriting, Germán Espinosa, Colonia, miscegenation, Catholicism.
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Selfa Sastre, Moisés. "La novela juvenil de autoría femenina en la literatura catalana del siglo XXI: autoras y títulos significativos. The youth novel of female authorship in Catalan literature of the 21st century: authors and significant titles." El Guiniguada 29 (2020): 65–74. http://dx.doi.org/10.20420/elguiniguada.2020.339.

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En este artículo presentamos una panorámica de la novela juvenil de autoría femenina escrita en lengua catalana y publicada en el siglo XXI. Citaremosescritoras que componen novelas de marcado carácter realista, en los que aparecen temas relacionados con el amor y los conflictos personales y sociales, y novelas fantásticas, en las que también caben las de ciencia-ficción. El recorrido presentado nos permite hablar del excelente estado de salud que en el siglo XXI goza este tipo de literatura, si consideramos la cantidad y calidad de las obras a las que nos referiremos. In this article we present an overview of the youth novel of female authorship written in Catalan and published in the 21st century. We will cite writers who compose novels of marked realistic character, in which it appear topics related to love and personal and social conflicts, and fantastic novels, whichalso fit science fiction. The presentation allows us to talk about the excellent state of health that this type of literature enjoys in the 21st century, if we consider the quantity and quality of the referred Works.
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Ezpeleta Aguilar, Fermín. "Sobre narrativa de colegios jesuitas en Pérez de Ayala y Miró." Lectura y Signo, no. 10 (December 29, 2015): 11. http://dx.doi.org/10.18002/lys.v0i10.1399.

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<p><strong>Resumen</strong></p><p>La novela lírica, que caracteriza la producción literaria de Ramón Pérez de Ayala y Gabriel Miró, sirve a estos autores como estructura que acoge sus iniciales novelas autobiográficas de colegios jesuitas, particularmente, <em>A.M.D.G. </em>y <em>Amores de Antón Hernando</em> (posteriormente, <em>Niño y grande</em>). Se trata en los dos casos de novelas de aprendizaje, que se acercan a la modalidad «de artista», en las que se impugna, mediante recursos como la parodia y la ironía, la pedagogía jesuita. Importa, más en Pérez de Ayala que en Miró, el hilvanado de cuadros estudiantiles con anécdotas académicas de tipos docentes y discentes, al modo de las novelas de costumbres universitarias del momento. Se evidencia en ambos autores cómo el nuevo modo de novelar sigue aprovechando elementos de la tradición realista y naturalista del siglo xix.</p><p>Palabras clave: Ramón Pérez de Ayala, Gabriel Miró, colegios jesuitas, novela lírica, novela de formación, novela de artista.</p><p> </p><p><strong>Abstract</strong></p><p>The lyrical novel, which characterizes the literary production of Ramón Pérez de Ayala and Gabriel Miró, these authors serves as a structure that welcomes their initial autobiographical novels of Jesuit schools, particularly <em>A.M.D.G. </em>and <em>Amores de Antón Hernando</em> (later <em>Niño y grande</em>). It is in both cases <em>Bildungsromane</em> that are close to the mode «artist», which is challenged by resources such as parody and irony Jesuit pedagogy. In these novels is important composition of student academic painting with stories as they appear in the novels of university customs of the moment. It is evident in how both authors romanticize the new mode continues to build elements of the realist tradition and naturalist of the nineteenth century.</p><p>Key words: Ramón Pérez de Ayala, Gabriel Miró, Jesuit schools, lyrical novel, <em>Bildungsroman</em>, <em>Künstlerroman</em>.</p>
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Henny-Krahmer, Ulrike. "Novelas originales y americanas." apropos [Perspektiven auf die Romania], no. 9 (December 13, 2022): 14–36. http://dx.doi.org/10.15460/apropos.9.1893.

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Relationships between literary texts, identity constitution, and genre are explored in this digital analysis of 19th century Spanish American novels from Mexico, Argentina, and Cuba, of their subgenres, and their function in the formation of collective identities, starting from references to identity which were found in the subtitles of the novels. In particular, the label “novela original”, as well as identity references that can be subsumed under the terms “novela americana”, “novela mexicana”, “novela argentina”, and “novela cubana” are analyzed. It is found that each type of identity novel, that is, novels with explicit references to a linguistic, cultural, or national context in their subtitle, has its own characteristics. There is not the one genre, theme, or style that serves to represent and constitute identity, but there are forms that are specific for each case, a result which corresponds with findings from memory studies on group-defining stories.
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Bonilla, María. "El lugar imposible de las mujeres en seis novelas centroamericanas contemporáneas." LETRAS, no. 49 (April 18, 2011): 79–94. http://dx.doi.org/10.15359/rl.1-49.7.

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Se estudia la relación entre la búsqueda de la identidad, específicamente en las sociedades centroamericanas, con respecto a los lugares o espacios vitales que delimitan su existencia. De un corpus de sus novelas centroamericanas contemporáneas (2000-2010), se extraen relaciones significativas que hacen del espacio (real, buscado o imaginado) un punto de referencia existencial, moral o social. En cada novela se pone en entredicho el arraigado sistema de exclusión, de procedencia patriarcal. The relationship between the search for identity, specifically in Central American societies, is addressed with regard to those vital places or spaces which define their existence. Based on a corpus of contemporary Central American novels (2000-2010), significant relations are identified concerning their space (be it real, sought or imagined) from an existential, moral or social perspective. The existing system of exclusion with patriarchal roots is questioned in each of the novels.
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Murray, Sabina. "The Order of the Novel." Massachusetts Review 65, no. 2 (June 2024): 166–74. http://dx.doi.org/10.1353/mar.2024.a930474.

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Abstract: An essay exploring the time organization of novels. The idea of space and time when reading novels and how it can be interpreted is examined thoroughly. It further questions and investigates the notions of probabilities, entropy, superposition, and disorder, in conjunction with the functions and structure of novels. The analyzing of an interpretation of the reader’s view of the novel’s place in time allows for new perspectives and ideas to be formulated.
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Escamilla Rivera, José Luis. "Desterritorializado, híbrido y fragmentado: el protagonista en la novela centroamericana de posguerra." LETRAS, no. 49 (February 27, 2011): 51–62. http://dx.doi.org/10.15359/rl.1-49.3.

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La novela centroamericana se escribe desde las referencias históricas, políticas y culturales de la denominada etapa de posguerra. A diferencia de etapas previas se trata de una propuesta discursiva con rasgos particulares bien identificables. En este estudio se analiza un corpus de novelas de Guatemala, El Salvador y Nicaragua, publicadas entre 1990 y 2002. Se concentra en la configuración del personaje protagonista, y se señalan los procedimientos de una elaboración novelística, procedimientos que se apartan de otras manifestaciones anteriores, especialmente de la literatura testimonial. The Central American novel is based on historical, political and cultural references of the so-called postwar stage. Different from earlier stages, this discourse option has easily identifiable features. A corpus of Guatemalan, Salvadoran and Nicaraguan novels published between 1990 and 2002 has been analyzed here. The focus is on the configuration of the main character and procedures used when writing these novels, procedures which differ from those used previously, in particular those of the testimonial novel.
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Dissertations / Theses on the topic "Novels"

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Kang, Kyoung-Lae. "Novel genres or generic novels considering Korean movies adapted from amateur Internet novels /." Connect to this title online, 2008. http://scholarworks.umass.edu/theses/96/.

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Bastin, Nina. "World games : constructing and configuring the worlds of Queneau's novels." Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324341.

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Prévost-Levac, Caroline. "Defining graphic novels : the contentious case of wordless novels." Master's thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/29545.

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Malgré la longue et riche histoire des bandes dessinées, leur définition continue de stimuler le débat parmi les experts. Ces derniers ne parviennent toujours pas à s’entendre sur la composition d’une bande dessinée, certains choisissant de mettre l’emphase sur l’usage de phylactères ou de lignes de mouvement, tandis que d’autres insistent plutôt sur la présence d’éléments à la fois graphiques et narratifs. Une définition impeccable est peut-être improbable, mais un problème mérite toutefois d’être adressé: il s’agit bien sûr de la constante exclusion des romans graphiques sans texte. Cette catégorie d’œuvres est parfois mentionnée, mais se révèle plus souvent ignorée par les experts. En effet les définitions courantes persistent à représenter les bandes dessinées comme un indéniable mélange de texte et d’images. Ce mémoire cherche donc à démontrer la nécessité de définitions plus inclusives, afin d’incorporer les romans graphiques sans texte. D’abord, en explorant l’histoire du médium et le rôle du texte dans la création et la lecture des romans graphiques, nous réfuterons les idées préconçues qui ont apporté à l’élément textuel de la bande dessinée une allure de nécessité. Puis, à travers l’analyse des romans graphiques sans texte The Arrival de Shaun Tan et The System de Peter Kuper, nous rendrons évidente la nature facultative du texte dans le processus de création d’une histoire de bande dessinée. Finalement, avec le support d’exemples provenant des romans graphiques The System de Peter Kuper et Asterios Polyp de David Mazzucchelli, nous analyserons le rôle de l’image dans le développement de la complexité narrative d’une histoire de bande dessinée, afin de prouver qu’une image n’est pas intrinsèquement plus simpliste qu’un extrait de texte. Les romans graphiques sans texte méritent tout autant l’attention académique reçue par les bandes dessinées avec texte, et devraient ainsi être reconnus dans les définitions courantes du médium.
In spite of comics’ long and rich history, their definition remains today a significant source of contention in the field. Scholars cannot seem to agree on what constitutes comics, with some of them stressing the importance of conventions such as speech balloons or motion lines, and others focusingon the pictorial and narrative elements of the form. A perfect definition may be impossible, but one issue that needs tobe addressed is the current exclusion of wordless graphic novels. While occasionally acknowledged, these works remain mainly ignored, as most working definitions present comics as a combination of text and image. This thesis intends to show that there is a need for more inclusive definitions of the medium, in order to incorporate wordless graphic novels. By first exploring the wordless ancestry of the medium and the role of text in creating and reading graphic novels, this thesis refutes the foundationally baseless assumptions about the form that have made text so widely accepted as a defining element. Then, through an analysis of Shaun Tan’s The Arrival and Peter Kuper’s The System, both of which are wordless graphic novels, this thesis demonstrates the superfluous nature of text when it comes to narrative in this medium. Finally, through readings of Peter Kuper’s The System and David Mazzucchelli’s Asterios Polyp, the thesis considers the contribution of the image to the complexity of graphic novels with and without text, in order to prove that images are not more simplistic in nature than text. The case is thereby made that wordless novels are as worthy of academic attention as graphic novels with text, and deserve acknowledgement in definitions of the medium.
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Hernandez, Fisher Carlos. "The design process of The Legend of Wild Man Fischer /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2353.

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Sabbah, Youssef. "Philosophical history in Scott's Waverley novels." Thesis, Bangor University, 2003. https://research.bangor.ac.uk/portal/en/theses/philosophical-history-in-scotts-waverley-novels(a69912b9-af58-4bbc-9e27-ffb6e7eb6433).html.

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This study explores Scott's vision of historical progress and how its impact on various aspects of human life is reflected in his Scottish novels. Central to this study are civic and heroic virtues in the contexts of religion, family, nationalism, politics, economy, law and justice . It falls into an introduction, six chapters and a conclusion. The introduction sets these concerns in the context of Scottish philosophy and history and argues that Scott rejects Burke's absolutism but looks for a more flexible and rational evolution of the institutions and principles that make for social cohesion. The first chapter argues that Scott's historicism is not the product of a mixture of Romantic and Enlightenment attitudes, of sympathy or nostalgia and rationalism or progressivism. Rather it is derived from the so-called "philosophical" historians of the Scottish Enlightenment. For these writers the individualism of modern commercial society had been a problematic development, since unchecked individualism might ultimately undermine social cohesion necessary for all human flourishing. Scott is thus the inheritor of a rationalist, progressive philosophy of history, but one with well-defined reservations about progress and modernity. The second chapter questions the traditional reading of Waverley as a mixture of Romantic nostalgia and Enlightenment skepticism about "primitive" societies. Scott's Highlanders, I argue, function not simply as colourful quasi-Romantic primitives, but as the embodiment of civic and heroic virtues, which renders the novel a Scottish Enlightenment parable on the indispensability of "civic virtue". The third chapter deals with Old Mortality, a novel now often read as a sort of Hobbesian critique of the seventeenth-centut British civil wars. Indeed, the civic virtue of the parties involved in the conflict is displayed in such a light that selfIsh individualism might seem preferable. But on comparing the novel's treatment of the civil wars to that of David Hume's History of England, I show that Old Mortality is a profound meditation on the fundamentally social constitution of human nature, and that it defends rather than belittles public-spiritedness. In the fourth chapter I show how Scott undercuts the political conflict in Rob Roy by reducing it to a sort of clash of cullures which nevertheless share certain values. Using J.G.A. Pocock's seminal work, Virtue, Commerce, and History, I suggest that Scott calls for an updating of civic virtue. Chivalric Honour mutates into Credit to meet commercial needs, and to define social relationships. Also, Scott attempts a synthesis of the otherwise antagonist principles of Burke and Paine concerning family affairs. The virtue of paternal piety, as a cohesive force, is redefined as mutual understanding rather than dictatorship. Scott recognizes the law of inheritance but submits it to civil law. The fifth chapter deals with The Heart of Midlothian. The novel, I argue, gives civic virtue a religious dimension by making it providentially recognized. Skeptical of secular values in establishing the genuine civil society, the novel legitimizes a moral autonomy that derives from rational and progressive religion. Moral autonomy in this sense defines actions of mundane authority in whatever capacity, domestic, political, economical and judicial. Updating religion in one of its aspects, I show, aims at asserting Scottish national and cultural identity, given the fact that historically the Kirk has always been one of its crucial components. On the other hand, the novel attempts to define the tense relationship between Scotland and England within the Union in terms of moral values. Taken in the context of colonization, the novel focuses on vices infiltrating into English commercial society, which in a similar manner are transferred into Scottish society, and threaten the morality of the British nation at large. The sixth chapter on Redgauntlet focuses on Scott's treatment of loyalty as a civic virtue in more than one context. In the context of law and justice, loyalty is modified to operate under the rubric of personal integrity and civil courage. In the political context it is defined in terms of national consensus. In the economic context, it supports advancement as long as it operates within communal interest. The concluding chapter uses Guy Mannering, The Antiquary and The Bride of Lammermoor to support the thesis that Scott's fictional dealings with history in the "Scottish" novels is directed to an accommodation of ancient virtues with present forms of society and nationhood.
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Phelps, Valarie L. "Pedagogy of Graphic Novels." TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.

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Graphic texts, or graphic novels, have spent many years on shelves with comic books about superheroes and adventurers. They officially gained notoriety in 1992 with Art Spiegelman’s Maus, and at this time, critics and scholars began to take notice. However, graphic novels have not been fully adapted by academia. Graphic novels have the ability to offer new levels of instruction and learning in upper-level classrooms.The following is a study in the multitude of uses of graphic text in academia. Chapter 1 looks at the history of graphic text to understand the present and future of graphic novels. Chapter 2 focuses on literacy issues to develop a basis for the use of graphic novels in the classroom. Chapter 3 offers a method of using graphic novels to broaden a students’ understanding of plays. Chapter 4 moves on to a study of graphic novels as works of literature. Through this look of historical data and an analysis and discussion of the modern form of graphic novels, we will come to the conclusion that graphic novels can be useful assets in the classroom when they are taken from the shelf of comic books and used to their full potential.
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Villeneuve, Philippe. "The early Nabokov novels." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27739.

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Comments made by Vladimir Nabokov concerning both his fiction and literature in general have helped determine the critical attitude of his most influential readers. The consensus among them is that his novels are meticulously self-contained artifacts that are meant to be "investigated" according to his precepts. As a result, his early novels have garnered relatively little critical attention because it is assumed that they were written at a time when he had not yet arrived at a full mastery of the principles that would inform his more carefully crafted art in later years. This thesis will show how three early novels actually benefit from the kind of close reading critics have reserved for later ones. In order to do this, however, it engages with the sort of theorists that Nabokovians, encouraged by the Master's dismissive comments, have tended to avoid.
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Blumberg, Jane. "Mary Shelley's early novels." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305729.

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麥雅琳 and Ngah-lam Elaine Mak. "Eugenics in dystopian novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31226516.

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Mak, Ngah-lam Elaine. "Eugenics in dystopian novels /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23595954.

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Books on the topic "Novels"

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Saavedra, Miguel de Cervantes. Exemplary novels =: Novelas ejemplares. Edited by Ife B. W. Warminster, England: Aris & Phillips, 1992.

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Inc, Teacher Created Materials, ed. Novel assessments for novels. Westminster, CA: Teacher Created Materials, Inc., 2003.

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Dixon, Stephen. Gould: A novel in two novels. New York: Henry Holt, 1997.

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Wharton, Edith. Novels. New York, N.Y: Library of America, 1985.

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McCullers, Carson. Complete novels. New York: Library of America, 2001.

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Novelas Bogotanas / Bogotanian Novels. Alfaguara, 2005.

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Novels, Histories, Novel Nations. Helsinki: Finnish Literature Society / SKS, 2019.

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Novelas Ejemplares II / Novels II. Jorge Mesta Editores, 2004.

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Yeager, Graham. The Spirits Within: A Millersburg Novel (Millersburg Novels) (Millersburg Novels). Stone Acres Publishing Company, 2006.

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Wilkie, Collins. Little Novels: Novels. Independently Published, 2019.

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Book chapters on the topic "Novels"

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Price, Fiona. "Novels." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-11945-4_20-1.

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Markovits, Stefanie. "Novels." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–7. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_25-1.

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Markovits, Stefanie. "Novels." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1174–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_25.

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Guynes, Sean, and Gerry Canavan. "Novels." In The Routledge Handbook of Star Trek, 176–84. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429347917-29.

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Price, Fiona. "Novels." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-11945-4_20-2.

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Eaton, Laurie Stolmack. "Novels." In Creative Curriculum Extenders, 43–51. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233909-5.

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Law, Graham, and Jenny Bourne Taylor. "Novels." In E.S. Dallas in The Times, 219–29. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003433613-27.

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Shattock, Joanne. "Novels." In The Selected Works of Margaret Oliphant, Part I Volume 1, 369–96. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513155-40.

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Shattock, Joanne. "Novels." In The Selected Works of Margaret Oliphant, Part I Volume 1, 317–34. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513155-34.

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Price, Fiona. "Novels." In The Palgrave Encyclopedia of Romantic-Era Women's Writing, 1–9. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-030-11945-4_20-3.

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Conference papers on the topic "Novels"

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Zeng, Siyi. "NOVELTY AND VARIETY — ON THE DREAM NOVELS OF STRANGE STORIES FROM A CHINESE STUDIO." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.09.

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There are almost 500 novels included in Pu Songling’s tale collection Strange Stories from a Chinese Studio, of which more than 70 relate to dreams. However, nearly 30 novels can be called dream novels in a formal sense, such as Mural, Becoming Immortal and Fengyang Scholar. The main features of dream novels are novelty and variety. On the basis of inheritance from the previous Chinese dream novels, Pu’s dream novels have innovated in some ways with new changes or development of the theme. Further, novelty in artistic forms lies in the bold and innovative narrative techniques. Also, Pu’s dream novels are more diverse and vary in the content and form which have broken through the plainness of the previous. The content covers a wide range of topics, among which society, love and philosophy are the top three. In the form of writing dreams, there are multiple forms such as whole dreams, intermittent dreams, dreams within dreams, repeated dreams, daydreams, etc.
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Connick, Eleri. "‘Novels of Witness’: Palestinian Novels as Acts of Witnessing the Everyday." In AHM Conference 2022: ‘Witnessing, Memory, and Crisis’. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557578/ahm.2022.006.

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BIAN, YI-DUO. "THE ANALYSIS OF NARRATIVE EXPRESSION FORMS IN CONTEMPORARY CHINESE NOVELS." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35677.

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As an important part of literary form, novels have a wide audience. Novels play an important role in recording and reflecting the changes of history, society and people's spiritual consciousness. The novel has various forms of expression, and its narrative methods and techniques have been fully developed. Through the interpretation of the narrative expression of the novel, we can find that: with the development of the times, the change of social background, the change of people's spiritual ideology, the expression forms and methods of the novel also show diversity. Mining and refining the epitome of historical development from novels also reflects its importance as a literary carrier.
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Kim, Allen, and Steve Skiena. "Chapter Ordering in Novels." In Proceedings of the 2022 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.emnlp-main.253.

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Moteyunaite, I. "INTERTEXTUALITY IN THE NOVELS BY E. KATISHONOK." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3689.rus_lit_20-21/37-40.

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The article analyzes the novelistic work of E. Katishonok. In her novels the author adheres to his own aesthetic program, essentially realistic and postmodern in form. Katishonok, in the spirit of postmodernist trends, affirms the reality of consciousness that transforms life “close to the text,” which becomes clearer in the endings of novels, in which the image of the subject of speech / “a creative person” appears. References to previous texts become markers of aesthetic convention and at the same time serve to destroy it. In addition, the genre-specific dynamics of the texts on which the author relies (fairy tale - epic - novel), reflecting the process of individualization of the subject of speech in the narrative over the centuries, coincides with the evolution of the image of the narrator in her novels.
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Hettinger, Lena, Martin Becker, Isabella Reger, Fotis Jannidis, and Andreas Hotho. "Genre Classification on German Novels." In 2015 26th International Workshop on Database and Expert Systems Applications (DEXA). IEEE, 2015. http://dx.doi.org/10.1109/dexa.2015.62.

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Gifu, Daniela, and Mihaela Onofrei. "Detecting Bridge Anaphora in Novels." In 2017 21st International Conference on Control Systems and Computer Science (CSCS). IEEE, 2017. http://dx.doi.org/10.1109/cscs.2017.84.

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Ilina, O. V. "Possible worlds of the novels." In INNOVATIVE ASPECTS OF THE DEVELOPMENT OF PHILOLOGICAL SCIENCES. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-311-8-37.

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Coll Ardanuy, Mariona, and Caroline Sporleder. "Structure-based Clustering of Novels." In Proceedings of the 3rd Workshop on Computational Linguistics for Literature (CLFL). Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-0905.

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Hasegawa, Sho, and Masashi Yamada. "A Statistical Analysis of History of Japanese Light Novels." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002996.

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In recent years, cool Japan anime, video games and manga have been recognized as important export-oriented merchandise in Japan. Another recent Japanese genre is light novels. Light novels are one of the genres of novels and construct a part of recent Japanese pop culture. In Japan recently, the anime, manga and live-action films have been adapted from the original light novels. Light novels were chiefly read by high and junior-high school student previously, but the range of the readers has been expanding widely in recent years. However, light novels have not been statistically studied yet. In the present study, 533 titles of popular light novels published in 2004-2020 were investigated to clarify the trends in the genre.Numbers were counted for each of 129 items, data of published year, publisher, label, platform first appeared on, length of time from the first publication to the release of the anime adaptation, length of time from the first publication to the manga adaptation and so on for each year. And a 17 x 129 cross-tabulation table was constructed. Then it was analyzed by correspondence analysis and cluster analysis.The results of the correspondence analysis showed a three-dimensional solution with a cumulative contribution ratio of 64 %. Each year was plotted on the three-dimensional space, then cluster analysis was performed on the plots with Ward’s method. The results of the cluster analysis showed that the plots could be divided into four periods; 2004-005, 2006-2015, 2016-2017 and 2018-2020.The results showed that KADOKAWA’s labels were popular between 2004 and 2014, but the other publishers’ labels which collect novels appearing in individuals’ private home pages or posted on web-sites became popular in recent years. The most important part of the business strategy of light novels is mass-production, which means a large number of works and writers are needed. As such, it stands to reason that internet novel submission sites have become an important source for publishers.The results also showed that it only took one or two years to produce anime for many titles between 2006 and 2014, but in recent years, the period of time has increased to four years and the number of cases where no anime was produced has also increased. Additionally, manga based on the light novels tends to be published within one year. This suggests that the center of the multimedia strategy of light novels has shifted from anime to manga. Since the mid-2010s, tablet devices and e-comics applications have rapidly developed. This has enabled publishers to rapidly produce and publish manga based on the original light novels. Moreover, it now takes longer to produce anime, because the quality of frames and productions costs have increased. Therefore, anime studios tend to select an original work of light novel carefully, observing the sales of the e-manga adaptation.
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Reports on the topic "Novels"

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OSETROVA, O., A. STOKOLYAS, and D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.

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Peculiarities of translating romance novels are considered in the article. Examples from the novel by Kristan Higgins “Too good to be true” are given in order corresponding to their manifestation in the book. Special attention is given to the translation of realities. The main translation techniques used are transliteration and transcription, calquing, and combinations (concerning onomastic realities), descriptive translation and approximation (concerning everyday realities and associations). Besides, it is mentioned, that gender dimension is extremely pragmatically valid in the context of other stylistic and grammatical aspects of the text. The authors make a conclusion of dynamic changes in speech stereotypes towards blurring gender lines between masculine and feminine speech behavior. It is important to consider this fact when translating romance novels.
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Speerstra, Jane. Landscape and change in three novels by Theodor Fontane. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5713.

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Elia, Catherine. Medieval Christocentric Imagery in Selected Novels by Georges Bernanos. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6900.

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Brooks, Adam, Mary Tabit, John Cacciola, Kimberly Kirby, Lawrence Schoen, Alvin Kingcade, and David Gastfriend. Using Graphic Novels when Choosing Treatment for Alcohol Use Disorder. Patient-Centered Outcomes Research Institute (PCORI), July 2020. http://dx.doi.org/10.25302/07.2020.cdr.131007308.

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Fattah, Nadia. James Baldwin's Search for a Homosexual Identity in his Novels. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7103.

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Donoso, José. Houses, Voices and Language in Latin America. Inter-American Development Bank, March 1993. http://dx.doi.org/10.18235/0007906.

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Edgell, Zee. Belize: A Literary Perspective. Inter-American Development Bank, September 1994. http://dx.doi.org/10.18235/0007913.

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Hawkins, Benjamin. Exploring Realism and Magical Realism in Slum Novels of the Global South. Portland State University Library, January 2013. http://dx.doi.org/10.15760/honors.6.

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Kerin, James R., and Jr. Remembering Limited War: Reflections of the Korean War in Selected American Novels. Fort Belvoir, VA: Defense Technical Information Center, April 2000. http://dx.doi.org/10.21236/ada378213.

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Armstead, Charity Calvin. Cutwork Ginseng: Translating the Novels of Gene Stratton-Porter into a Period Corset. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8807.

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