Relevant bibliographies by topics / Novella criticism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Novella criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Novella criticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Novella criticism"

1

Bird, Sabrina R., and Siegfried Weing. "The German Novella: Two Centuries of Criticism." German Studies Review 18, no. 3 (October 1995): 542. http://dx.doi.org/10.2307/1431807.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Swales, Martin, and Siegfried Weing. "The German Novella: Two Centuries of Criticism." Modern Language Review 91, no. 3 (July 1996): 806. http://dx.doi.org/10.2307/3734191.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Morton, Michael, and Siegfried Weing. "The German Novella: Two Centuries of Criticism." South Atlantic Review 65, no. 2 (2000): 201. http://dx.doi.org/10.2307/3201830.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zhuravlev, Mikhail E., Irina V. Golovacheva, and Polina V. de Mauny. "What Issues of Literary Analysis Can Differential Equations Clarify?" International Journal of Applied Evolutionary Computation 6, no. 3 (July 2015): 49–63. http://dx.doi.org/10.4018/ijaec.2015070104.

Full text
Abstract:
The authors investigate to what extent differential equations can describe the dynamics of love relations in masochistic novellas. Unlike previous researchers, they base their analysis not only on psychological credibility. They relate their model to the ideas of literary criticism. The authors compare Ivan Turgenev's Torrents of Spring with the most famous masochistic novella Venus in Furs by Leopold von Sacher-Masoch. To prove that the dynamics of masochistic relationships differ from that of the other types of romance they also investigate the plot of the undoubtedly non-masochistic story by Anton Chekhov “The Lady with the Dog.” Instruments of literary criticism coupled with mathematical modelling allow the authors to reproduce the temporal and spatial dynamics of love plots in fiction more precisely and clearly than it was done in previous research.
APA, Harvard, Vancouver, ISO, and other styles
5

Roth, Marty. "Feminism and Alienated Labor: Rebecca Harding Davis's Life in the Iron Mills." Prospects 26 (October 2001): 239–50. http://dx.doi.org/10.1017/s0361233300000934.

Full text
Abstract:
As One of the primary works of American literature to be recovered by feminist archaeology, Life in the Iron Mills (1861) can also stand as the test of a theoretical blind spot of early feminist criticism – its inability to see “bad writing” – for Davis's novella is notably awkward in its conception and construction. An obvious reason for the lack is that this kind of judgment fulfills an assumption of patriarchy in regard to women's writing: “that the reason for the absence of women [in the literary canon] is that women have not written in the past – or that what they have written is not very good” (Spender, 1). In the older formalist critical dispensation, aesthetic defects had to be publicly identified and labeled, like Hester Prynne's badge of shame. I certainly do not mean to suggest that feminism (however constituted) has any obligation to reproduce this order of judgment, but not owning such effects has consequences. Davis's novella can temporarily resolve this dilemma by using feminism to expose the traditional aesthetics of judgment.
APA, Harvard, Vancouver, ISO, and other styles
6

Classen, Albrecht. "The Fourteenth-Century Verse Novella Dis ist von dem Heselin: Eroticism, Social Discourse, and Ethical Criticism." Orbis Litterarum 60, no. 4 (August 2005): 260–77. http://dx.doi.org/10.1111/j.1600-0730.2005.00837.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Zabihzadeh, Seyedeh Robabeh. "Engendered Violence Against Afghan Women in Atiq Rahimi’s A Thousand Rooms of Dream and Fear." English Language and Literature Studies 10, no. 2 (April 27, 2020): 57. http://dx.doi.org/10.5539/ells.v10n2p57.

Full text
Abstract:
The universal concern of domestic violence against women in its various manifestations came to the center of scholarly attention due to its harmful effects and consequences on the lives of thousands of women worldwide. This umbrella term that refers to any form of physical, sexual, and psychological abuse against women is the result of gender-based power imbalance and sexist inequalities in societies where patriarchal norms hold sway. However, the enormity and severity of the problem is more profound in third-world countries where governing policies are determined by traditional and religious doctrines. Afghanistan is one such third-world country where woman’s oppression and abuse originate from the reigning religious principles that dominate its culture, society and politics. Nevertheless, there is a recent trend among literary figures of the Afghan Diaspora in highlighting the plight of Afghan women in Afghanistan through the medium of fiction. This paper therefore intends to investigate the manifestations of domestic violence against women in the Afghan context through a reading of Atiq Rahim’s novella, A Thousand Rooms of Dream and Fear (2007). Rahimi’s novella narrates the story of a male protagonist named Farhad and simultaneously highlights the miserable living conditions of the Afghan people, particularly the lives of Afghan women during the turbulent period of the Soviet Invasion as well as the many internal political upheavals that followed soon after. Using feminist literary criticism, the present paper shall discuss the depictions of three prominent forms of domestic violence against women as experienced by the female characters in the novella, namely physical, sexual and psychological violence that have shaped them into oppressed, silenced and traumatized individuals.
APA, Harvard, Vancouver, ISO, and other styles
8

Doran, Michelle, and Georgina Nugent-Folan. "Digitized Beckett: Samuel Beckett’s Self-Translation Praxes Mediated through Digital Technology." Anglia 139, no. 1 (March 4, 2021): 181–94. http://dx.doi.org/10.1515/ang-2021-0009.

Full text
Abstract:
Abstract The Beckett Digital Manuscript Project (BDMP) brings together digital facsimiles of the manuscripts of Samuel Beckett’s works – documents currently held in over thirteen libraries and archives in Europe and North America – with the aim of furthering genetic criticism. Incorporating three of the eight modules available for researchers engaging with the BDMP website as of August 2020, together with one forthcoming monograph study whose corresponding digital module has yet to be made live on the site, this article will, in effect, make use of three novels and one novella, all in both their French and English iterations, in order to present concrete examples of the ways in which the exposition of idiosyncratic features of Beckett’s œuvre is being facilitated by this nascent digital archive.
APA, Harvard, Vancouver, ISO, and other styles
9

Arong, Marie Rose B. "Nick Joaquin’s Cándido’s Apocalypse: Re-imagining the Gothic in a Postcolonial Philippines." Text Matters, no. 6 (November 23, 2016): 114–26. http://dx.doi.org/10.1515/texmat-2016-0007.

Full text
Abstract:
Nick Joaquin, one of the Philippines’ pillars of literature in English, is regrettably known locally for his nostalgic take on the Hispanic aspect of Philippine culture. While Joaquin did spend a great deal of time creatively exploring the Philippines’ Hispanic past, he certainly did not do so simply because of nostalgia. As recent studies have shown, Joaquin’s classic techniques that often echo the Hispanic influence on Philippine culture may also be considered as a form of resistance against both the American neocolonial influence and the nativist brand of nationalism in the 1950s and 1960s. Despite the emergence of Gothic criticism in postcolonial writing, Joaquin’s works have rarely received the attention they deserve in this critical area. In this context, this paper explores the idea of the Gothic in Joaquin’s writing and how it relates to Joaquin being the “most original voice in postcolonial Philippine writing.” In 1972, the University of Queensland Press featured Joaquin’s works in its Asian and Pacific writing series. This “new” collection, Tropical Gothic (1972), contained his significant early works published in Prose and Poems (1952) plus his novellas. This collection’s title highlights a specific aspect of Joaquin’s writing, that of his propensity to use Gothic tropes such as the blending of the real and the fantastic, or the tragic and the comic, as shown in most of the stories in the collection. In particular, I examine how his novella (Cándido’s Apocalypse) interrogates the neurosis of the nation—a disconnection from the past and its repercussions on the present/future of the Philippines.
APA, Harvard, Vancouver, ISO, and other styles
10

Noletto, Israel A. C., and Sebastião A. T. Lopes. "Heptapod B and the Paradox of Foreknowledge: Confronting Literature and its Filmic Adaptation." arcadia 54, no. 1 (May 31, 2019): 86–100. http://dx.doi.org/10.1515/arcadia-2019-0003.

Full text
Abstract:
Abstract Ted Chiang’s Story of Your Life (1998) and its filmic adaptation Arrival (2016) both use Heptapod B, an artificial language from extra-terrestrial origin, capable of conferring on its speakers the ability of precognition, as a primordial narrative framework. Innovative as it is, it not only determines the way the stories are recounted, but also raises some very interesting philosophical issues. Focusing on that fantastical language, we promote a comparative analysis of the differing perspectives of the novella writer and the filmmakers regarding the free will and determinism dichotomy in connection with foreknowledge, and how these distinct views may have been influenced by the adaptation process. With the aim of providing a solid basis for such discussion, we collect and review the contributions of Linda Hutcheon, Brian McFarlane, George Bluestone, Linda Gualda as well as of others in relation to the plot developments in the literary text and its filmic adaptation. As a result, we point out what is prioritized or transformed in the adaptation process, thus offering a theoretical and philosophical criticism on the two stories and a comprehensive exegesis of the texts.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Novella criticism"

1

McDonnell, Tavish. "Plankwalk : a novella." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98558.

Full text
Abstract:
Plankwalk is a creative thesis in the form of a novella and critical afterword. The essay explains how the author makes use of a variety of sources, and how he shapes their effect according to an original conception of the form of the contemporary novella. There follows a discussion of this form and its relation to the confessional narratives of Vladimir Nabokov, and to cultural critics' views on the social role of criminals. The author demonstrates how the changing nature of criminality and confession is reflected in the works of de Sade, Poe, and Nabokov. The issues of the handling of irony, paranoia and the relation of crime to work emerge as the key elements. The author posits the fusion of confessional narrative with the literature of genre overdetermination, in which the expectations of genre dominate a character's interiority.
APA, Harvard, Vancouver, ISO, and other styles
2

Plouffe, Bruce. "The post-war novella in German language literature : an analysis." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74297.

Full text
Abstract:
This study examines the interpretive possibilities in the shorter fiction of Post-War German literature. The corpus includes works by Rolf Hochhuth, Friedrich Durrenmatt and Martin Walser. The historical framework of the theory of the novella and short story provides a basis for a discussion of genre, extended to include the coordinates of metaphor and metonymy. With the exception of one text designated as a novel, these works demonstrate interlocking and restricted motif complexes, repetitive and parallel structure and the integration of most narrative components. They project a tenor of hermetic plurality from a vehicle of abbreviated and truncated referential discourse. They use myth and intertextuality to show general principles to be extrapolated from specific contexts. Metafiction complements the theme of the subject not at one with itself. A partial resolution to the incertitude of existence, rendered according to Freud and Lacan, is offered through the emerging role of women as a stabilizing factor.
APA, Harvard, Vancouver, ISO, and other styles
3

Veciana, Romeu Maria del Mar. "La recepción crítica de la novela hispanoamericana en España (1927-1958)." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/401330.

Full text
Abstract:
La mayoría de estudios sobre la recepción de la literatura hispanoamericana en España se habían centrado en el finisecular Modernismo, en la figura de Rubén Darío, en el vanguardismo y, sobre todo, en el llamado boom de la novela hispanoamericana de los años 60. Sin embargo, el segundo tercio del siglo XX había sido con frecuencia olvidado, así como el peso que el contexto histórico, político, social y cultural podía tener en la interpretación de otras realidades culturales. Resultaba necesario examinar cómo la intelectualidad española había contemplado la narrativa de sus excolonias en un período especialmente inestable y turbulento del devenir español, siendo aún reciente el golpe moral de la pérdida definitiva de las últimas posesiones ultramarinas. Así pues, al analizar la recepción crítica de la novela hispanoamericana en España en el intervalo 1927-1958, la presente tesis viene a rellenar la ausencia de investigaciones exhaustivas y rigurosas sobre dicha materia y época. Nos interesaba rastrear, sistematizar e interpretar las figuraciones de lo americano en la Península y comprobar el poder performativo de los discursos culturales en la construcción de identidades nacionales, partiendo del estrecho vínculo entre literatura, nación y poder. En la época estudiada existió en la Península un interés patente por la realidad americana -y por fomentar las relaciones transatlánticas- que estuvo íntimamente ligado al origen y desarrollo del hispanoamericanismo español. El hispanoamericanismo, en su doble faceta de idea -como corriente y voluntad de acercamiento y de unión espiritual entre los pueblos hispánicos-, y en tanto que movimiento, es decir, agrupando las acciones concretas para afianzar dicha unión, empezó a postularse durante la Restauración. No obstante, adquirió especial importancia en el segundo tercio del siglo XX, instituyéndose como un elemento fundamental -vector- del nacionalismo español, cambios de gobierno incluido. Esta atención por América también englobaba a su narrativa, tal y como lo demuestra la edición de novelas hispanoamericanas, pero también las obras y estudios críticos, secciones literarias y reseñas en la prensa que se le dedicaron. Sin embargo, se trató de un interés parcial y paradójico: si bien se admitía un considerable desconocimiento de la literatura hispanoamericana, al mismo tiempo, la ex metrópoli se autopresentaba como autoridad competente para hablar y definir a Ultramar. Sus letras aparecían simplificadas –y en cierto modo encasilladas- en una serie de características y tópicos, como el protagonismo de la naturaleza, el mestizaje, la unidad continental y el vínculo hispánico, los cuales se reconocían y/o se aplicaban a los autores y obras más valorados y conocidos, un número relativamente escaso teniendo en cuenta la vasta producción americana. Estas ideas fueron igualmente preconizadas como rasgos propios desde América, sin embargo, en España, ostentaron un carácter reduccionista y, de algún modo, “determinista”. Tras nuestra investigación podemos concluir que la interpretación mayoritaria de la narrativa hispanoamericana en España entre 1927 y 1958 aparece íntimamente vinculada a la imagen que se tenía de Hispanoamérica, a las relaciones intercontinentales y, sobre todo, al discurso hispanoamericanista. Dicha recepción se mantuvo, -con ligeras disimilitudes y algunas excepciones-, sorprendentemente uniforme y constante a lo largo de todo el período, a pesar de los profundos sobresaltos y rupturas político-sociales: no respondía tanto a una voluntad o un planteamiento organizado y dirigido, sino al peso del hispanoamericanismo y de su sustrato ideológico. Esta visión colaboró a difundir una determinada imagen de Hispanoamérica, pero también de España, en tanto que Madre, hermana, guía, interlocutora, portavoz o tutora. Todo ello concordaba, en una época de claro retroceso y aislamiento internacional, con la voluntad de la Península de recuperar cierto prestigio en Europa y de ejercer influencia y hegemonía cultural en el Mundo Hispánico.
Our thesis intends to fulfill the lack of accurate and exhaustive studies, from a multidisciplinary and critical perspective, about the reception of Hispano-American Literature in Spain during the second third of the twentieth century. This period being a turbulent and unsteady time – with the setback caused by the recent loss of their last overseas possessions –, it seems necessary to analyze how the Spanish Intelligentsia attended the narratives of its ancient colonies, based on the premise of the intimate connection between literature, nation and power. During this time period, a patent interest for Hispano-America existed in Spain, as well as a desire to strengthen transatlantic relations. This concern was also expanded to its narrative, as proven by the edition of Hispano-American novels and the existence of critical works, literary sections and reviews about them. However, this attention was debatable and paradoxical since on the one hand, the Intelligentsia admitted an appreciable ignorance of Hispano-American Literature but, on the other, intellectuals were constantly defining it, and therefore categorizing it, within a series of features and topics, such as the importance of Nature, the Hispanic bond, hybridism and continental unity. They were recognized in and applied to the authors and novels known in the Peninsula, which constituted a relatively reduced corpus considering the extensive American production. Additionally, these ideas were also defended from overseas as American traits, but in Spain they acquired a reductionist, and in some way determinist, nature. In fact, the main interpretation of the Hispano-American narratives performed by the Spanish Intelligentsia from 1927 to 1958 appeared intimately connected to the image of Hispano-America itself, as well as to the intercontinental relations and, more interestingly, to the Hispano-Americanist discourse. This reception remained quite constant and uniform despite the breakdowns and socio-political changes of the period at study because it responded to the importance of Hispano-Americanism and the persistence of its ideological background, instead of being produced by an organised will or driven proposal. That perception contributed to spread a particular image of Hispano-America, as well as of Spain, considered as its mother, sister, guide, interlocutor or mentor; a vision that would allow Spain to exert a certain influence and cultural hegemony in the Hispanic world.
APA, Harvard, Vancouver, ISO, and other styles
4

King, Sophia Mary Hillan. "Explorations of fictional form : Michael McLaverty's stories, novels and criticism, 1932-1950." Thesis, Queen's University Belfast, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357452.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gregson, Michael Anthony O'Malley. "Victorian criticism of the Waverley Novels of Sir Walter Scott, 1832 to 1900." Thesis, Open University, 1992. http://oro.open.ac.uk/57391/.

Full text
Abstract:
This thesis examines the phenomenon of Sir Walter Scott's extraordinary Victorian popularity. Focussing on criticism of his Waverley Novels between 1832 - the year of his death - and the end of the century, the thesis plots the development and terms of Scott's eminence. An introductory chapter sets out principal areas of study, being followed by a section leading up to 1832. Then follow analyses of critical work on Scott by, respectively, Harriet Martineau, Thomas Carlyle, Walter Bagehot, John Ruskin, Leslie Stephen, Richard Hutton and Julia Wedgwood. The thesis concludes with an epilogic section covering critics of the late nineteenth century, including Frederic Harrison and Andrew Lang. In each instance the context of each critic's wider work figures prominently. The thesis contends that large elements of Scott's achievement received relatively little attention in Victorian criticism. These are Scotti,s Enlightenment interests in speculative history and detailed, almost sociological, methods of composition, as well as the 'experimental' character of his work. By contrast, much was made in criticism of what may be summarised as his 'health' and 'beneficial effects'. It is claimed that the construction of such consensual critical notions about the merits of Scott's very popular work had a great deal to do with the buttressing and underpinning of some Victorian attitudes. While these varied with critics' own preoccupations - and Scott's 'malleability' is remarkable - Scott's role was so significant in Victorian culture that his employment, within what was still a relatively eclectic and formally undisciplined critical practice, constituted significant ideological manoeuvring. Specifically, Scott's remit in Victorian criticism was most usually to represent and validate some kind of opposition to the present. This both excluded much of his achievement, and also narrowed the terms of his appraisal so as to permit a revealing coalescence of literary with social, political and even racial arguments. This thesis traces the increasing definition of such a pattern within Victorian criticism of the Waverley Novels.
APA, Harvard, Vancouver, ISO, and other styles
6

Moeketsi, Solomon Monare. "Space and characterization in Sesotho novels." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53060.

Full text
Abstract:
Thesis (PhD)--University of Stellenbosch, 2002.
ENGLISH ABSTRACT: This study examines space and characterization in Sesotho novels focussing on three main categories such as the space of travelling characters; the space of migrating characters; and the space as an abstraction. CHAPTER 1 introduces the aims of study as well as the theoretical framework which forms the basis on which the study is analysed. The notions of space and character are discussed within the theoretical framework of structuralism, and the focus is placed on narratology. CHAPTER 2 studies the travelling characters, focus is on Mofolo's novels, Moeti wa botjhabe/a and Pitseng which depict two types of space where one space is presented as traditional, and the other as a westernized space. The traditional and westernized spaces are symbolized by means of bad and good characters respectively. The good characters are depicted as angels, and the bad characters as monsters. CHAPTER 3 examines the space of migrating characters that leave their rural spaces for the urban spaces. Their characters are shown by means of changes that they experience at different spaces. In most of the novels examined, characters are motivated by certain desires to act in a particular way, and the change in them is the result of a crucial situation in life, hence we say characterization and space in those novels are reconciled in an appropriate way. CHAPTER 4 deals with the space as an abstraction which shows how the characters' personalities are affected by the political, psychological and socio-economic factors. Characterization in these novels is good except in Makappa's novel, Thatohatsi. In CHAPTER 5 we look as to whether the novels are good or bad in terms of literary appreciation and conclusion is drawn to the effect that it is not heredity that makes up a character, but the social environment. This is achieved through the literary aspects such as the way conflict is handled, types of characters and the portrayal of the space in which the characters live.
AFRIKAANSE OPSOMMING: Die navorsing wat hierdie proefskrif gedoen is het die soeklig op ruimte en karakterisering in Sesotho novelles laat val. Klem is op drie hoof-kateqorie gele. uimte wat deur rondreisende karakters ingeneem word, die ruimte wat deur nomadiese of rondtrekkende karakters beslaan word, en ruimte as n bepaalde begrip. Hoofstuk 1 stel die leser voor aan die doelwitte van die navorsing, sowel as die teoretiese raamwerk wat die grondslag waarop die studie berus, vorm. Die begrippe 'ruimte' en 'karakter' word binne die teoretiese raamwerk van die strukturalisme bespreek en die fokus word in hierdie geval op die vertelkunde geplaas. Hoofstuk 2 Ie klem op rondreisende karakters en ondersoek Mofolo se novelles Moeti wa botjhabela en Pits eng waarin twee soorte ruimtes uitgebeeld word; naamlik, tradisionele ruimte en verwesterse ruimte. Tradisionele en verwesterse ruimtes word onderskeilik deur slegte en goeie karakters versinnebeeld. Die goeie karakters word as engele uitgebeeld, terwyl die slegte karakters as monsters voorgestel word. In Hoofstuk 3 word die ruimte van die nomadiese karakters wat hulle plattelandse ruimte vir 'n stedelike ruimte verruil, ondersoek. Hierdie karakters word deur middel van veranderinge wat in verskillende ruimtes plaasvind, voorgestel. In die meeste novelles wat ondersoek is, het die karakters op n sekere manier opgetree omdat hulle deur bepaalde begeertes daartoe gedryf is. Die verandering in die lewens van hierdie karakters as gevolg hiervan, kan dan beskou word as die direkte gevolg van sekere deurslaggewende gebeurtenisse. Karakteriseering en ruimte word dus in hierdie novelles op n geskikte wyse met mekaar verbind. Hoofstuk 4 neem die begrip 'ruimte' onder die loep om sodoende aan te dui hoe die karakters se persoonlikhede deur politieke, sielkundige en sosio-ekonomiese faktore beinvloed word. Karakterisering in hierdie novelles is geslaagd, behalwe in Makappa se novelle Thatohatsi. In Hoofstuk 5, word aandag geskenk aan die beoordeling van die novelles in terme van die hulle literere waarde en daar word tot die gevolgtrekking gekom dat dit nie oorerflike eienskappe is wat gestalte aan 'n bepaalde karakter gee nie, maar veel eercer sy omgewing. Oit word veral duidelik as gelet word op bepaalde literere aspekete soos die manier waarop konflik uitgebeeld word, asook die beskrywing van die ruimte waarin die karakters hulle bevind.
APA, Harvard, Vancouver, ISO, and other styles
7

Pérez, López Ana María. "El discurso amoroso en la novela de la Restauración: las novelas de Benito Pérez Galdós." Doctoral thesis, Universidad de Murcia, 2006. http://hdl.handle.net/10803/10954.

Full text
Abstract:
El objetivo de esta Tesis Doctoral ha sido el estudio de las concepciones amorosas que están presentes en la novela española de la Restauración (tomando como punto de referencia la obra de Benito Pérez Galdós), sobre todo, en lo que respecta a una visión idealista, y en una doble vertiente: 1,- La importancia del discurso amoroso para la conformación estructural y temática de estas obras, por tratarse de un componente esencial en la configuración sentimental, moral e intelectual de los personajes protagonistas de las mismas.2,- Las ideologías subyacentes que, a través de la exégesis y comentario de los textos pertinentes podemos detectar, en su relación con las concepciones amorosas de los autores de la época. Nos hemos fijado en las influencias de las grandes corrientes de pensamiento de finales del siglo XIX (Idealismo, Positivismo, Pragmatismo y Espiritualismo), y su plasmación y desarrollo en la novela de la Restauración española.
The aim of this Doctoral Thesis has been the study of the amorous conceptions which are present in the spanish novel of the Restoration period (taking Benito Pérez Galdós works as a point of reference), especially regarding an idealistic point of view, and considering the following two aspects:1.The importance of amorous speech for the structural and thematic constitution of these works, since it is an essential component in the sentimental, moral, and intellectual configuration of their protagonists.2.The underlying ideologies which can be discovered through the exegesis and the analysis of the relevant texts in their relation to amorous conceptions of the authors of that time. We have focused on the influence of the most important schools of thought at the end of the XIX th. century (Idealism, Positivism, Pragmatism and Spirituality), and on their reflection and development in the Spanish novel in the Restoration period.
APA, Harvard, Vancouver, ISO, and other styles
8

Carosella, Maria A. (Maria Angelica). "Le novelle dell'Orlando furioso : struttura e tradizione." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63248.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Nordby, Wernø Johanne. "Engaged encounters : fiction as art writing - a practical investigation of the borders of art criticism." Thesis, Konstfack, Institutionen för Interdisciplinära Studier (IS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2859.

Full text
Abstract:
The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its main components are one of practice and one of theory: a fiction text – Transatlantic Journeys – which I am publishing as a small book in an edition of 200 and exhibiting at Konstfack´s Spring Show, and the present reflective essay. In the essay, I identify the central elements of the current «crisis of art criticism» and ask what impact experimental writing modes can have on the practice and its alleged crisis. I give an account of fields of contemporary writing where the text is acting with or through, rather than being about, art. I find that a common view is that the crisis, real as it might be, can serve as a possibility to re-envision art writing. The fiction text, a two-part short story, is a critical response to my one month internship at Henie Onstad Art Centre. A character is extracted from a chosen artwork of the then current exhibition and "cast" in the narrative opposite the history of the art institution. In the fiction as well as in the essay, I treat the «engaged encounter», the face to face meeting with the other. This is the aspect of art criticism I at present find to be most pertinent: criticism as an encounter between work and viewer, a reciprocal addressing analogous to the risky business of face-to-face human relations. The Norwegian word henvendelsen (approximately approach, address) is the key term used to denote this relation. The insights of the linguist Benveniste and the philosopher Levinas are important references.
WIRE, Critical Writing and Curatorial Practice
APA, Harvard, Vancouver, ISO, and other styles
10

Duce, Cristy Lee. "In love and war : the politics of romance in four 21st-century Pakistani novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/3127.

Full text
Abstract:
Writers of fiction have long since relied on love, romance, and desire to drive the plots of their work, yet some postcolonial authors use romance and interpersonal relationships to illustrate the larger political and social forces that affect their relatively marginalized experiences in a global context. To illustrate this literary strategy, I have chosen to discuss four novels written in the twenty-first century by Pakistani authors: Tbe Reluctant Fundamentalist by Mohsin Hamid, Trespassing by Uzma Aslam Khan, The Wasted Vigil by Nadeem Aslam, and Burnt Shadows by Kamila Shamsie. With the geographical origin of these writers as a common starting place from which to compare and contrast their perspectives on global politics, their understandings of gender, and their perceptions of how the public and the private constitute and intersect each other, I will use postcolonial theory to dissect the treatment of romance in their respective novels.
v, 85 leaves ; 29 cm
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Novella criticism"

1

The German novella: Two centuries of criticism. Columbia, SC, USA: Camden House, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Televizionnai͡a︡ novella. Moskva: "Iskusstvo", 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hózsa, Éva. A novella Vajdaságban. Újvidék: Vajdasági Magyar Felsőoktatási Kollégium, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hózsa, Éva. A novella Vajdaságban. Újvidék: Vajdasági Magyar Felsőoktatási Kollégium, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hózsa, Éva. A novella Vajdaságban. Újvidék: Vajdasági Magyar Felsőoktatási Kollégium, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Briffa, Charles. In-novella Maltija: Xi perspettivi fuq l-iżvilupp tan-novella bil-Malti. Pjetà, Malta: Pubblikazzjonijiet Indipendenza, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Guglielminetti, Marziano. Sulla novella italiana: Genesi e generi. Lecce: Milella, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Novella, Guillem Augier. Il trovatore Guillem Augier Novella: Edizione critica. Modena: Mucchi, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Erzsébet, Petényi. Novella és drámaelemzések válogatott bibliográfiája. 2nd ed. Tatabánya: József Attila Megyei Könyvtár, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Nessi, Angelo. Ambienti lombardi: Ricordi, ritratti e una novella. Balerna (Svizzera): Ulivo, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Novella criticism"

1

Page, Norman. "Samples of Criticism." In Thomas Hardy: The Novels, 183–93. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-4039-9038-9_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Peck, John, and Martin Coyle. "The novel." In Literary Terms and Criticism, 107–31. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-13155-6_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘Novelty Theatre’." In Literary and Cultural Criticism from the Nineteenth Century, 370–71. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-70.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘Novelty Theatre’." In Literary and Cultural Criticism from the Nineteenth Century, 368–69. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-69.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Punter, David. "Postmodernism, Criticism and the graphic novel." In Authorship in Context, 131–44. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206120_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘Modern English Novels’." In Literary and Cultural Criticism from the Nineteenth Century, 381–88. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199922-52.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dave, Jagdish Chandra. "Hardy’s Criticism of the Platonic Mysticism of Beauty." In The Human Predicament in Hardy’s Novels, 89–92. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07646-8_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, John Z. Ming, and Yuhua Ji. "Out of the Ivory Tower: Sociopolitical Solution and Criticism?" In Marxism and 20th-Century English-Canadian Novels, 251–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46350-5_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Seager, Nicholas. "New Criticism to The Rise of the Novel, 1924–57." In The Rise of the Novel, 24–45. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28495-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Robertson, P. J. M. "Introduction: the Leavises and Criticism of the Novel." In The Leavises on Fiction, 1–11. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09670-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Novella criticism"

1

Wang, Lina. "Research on Formalism and New Criticism of Dickens' Novels." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.135.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Samuilova, Maria. "Elizabeth Von Arnim’s Early Novels In The Light Of Eco-Criticism." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.59.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Dewi, Ratna Sari, and Masdalifah. "Mythological Criticism Analysis in Novel Ronggeng Dukuh Paruk by Ahmad Tohari." In Eighth International Conference on Languages and Arts (ICLA-2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200819.053.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Setiawan, Andry, and Joesana Tjahjani. "A Claim against Destiny as Criticism of Javanese Philosophy in Indonesian Novel." In Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2286800.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jerita, Refvia, Nila Oktami, and Nurrizati Nurrizati. "Sosial Criticism of Minangkabau Cultural in The Persiden Novel by Wisran Hadi." In Proceedings of the 2nd International Conference on Language, Literature and Education, ICLLE 2019, 22-23 August, Padang, West Sumatra, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.19-7-2019.2289524.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Basid, Abdul, M. Faisol, Zahrah Nida' Rosyida Assulthoni, and Muassomah. "Portrait of Pegaten Society in the Novel “Kubah” Based on Marxist Literary Criticism Theory." In Proceedings of the 2nd Internasional Conference on Culture and Language in Southeast Asia (ICCLAS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icclas-18.2019.57.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Andalusia, Astri, Harris Thahar, and Ngusman Manaf. "SOCIAL CRITICISM ON FORMAL EDUCATION SYSTEMS IN INDONESIA IN CHILDREN'S NOVEL SERIES MATA, OKKY MADASARI." In Proceedings of the 2nd International Conference on Language, Literature and Education, ICLLE 2019, 22-23 August, Padang, West Sumatra, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.19-7-2019.2289484.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Zhang, Lele. "A Comparative Study of Natsume Soseki's Novels and Lu Xun's Novels From the Perspective of Criticism and “Yuyu” Thoughts." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.130.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Grisoni, Michela Marisa. "Il piano regolatore di Tripoli (1930-1936). La consapevolezza del passato." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11534.

Full text
Abstract:
Tripoli town plan (1930-1936). The consciousness of the pastThe paper recalls the well known urban facts of Tripoli during the Italian colonialism to eventually deepen the theme of the preservation of the past and not only of the Roman one, as well of the city walls. The town plan has been analyzed not only as it has been approved but also as it has been argued, not only through the drawings but also by the debate. A few letters between the professionals involved (especially Alberto Alpago Novello) and some authoritative exponents of the contemporary architecture culture and criticism (like, Gustavo Giovannoni) have assured an original source to underlines the critical background and to reveal a purpose of touristic and commercial development.
APA, Harvard, Vancouver, ISO, and other styles
10

"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Novella criticism' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography