Relevant bibliographies by topics / Novelists

Academic literature on the topic 'Novelists'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Novelists"

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Domazet, Sanja. "SPORT IN THE LIFE AND ART OF NOVELISTS." SPORTS, MEDIA AND BUSINESS 8, no. 1 (December 31, 2022): 35–44. http://dx.doi.org/10.58984/smb2201035d.

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The idea of a connection between sports and literature sometimes does not seem intuitive. However, considering that it is said that literature gives another meaning to the reality, thus depicting social circumstances, sport is one of the topics that many novelists have dealt with. Apart from the role of sport in literature, this paper also examines the connection between the novelist and sport as such, especially through the life and works of Miloš Crnjanski. Although novelists are usually perceived as lonely utopians who rarely engage in everyday social activities, this paper’s findings show the opposite especially through the analysis of the persona and works of Miloš Crnjanski, who was one of the founders of a sports magazine "Sportista". Through sports, Miloš Crnjanski displayed his extremely adventurous life, but also his patriotism. Besides his rich legacy in literature, his role in sports in the Yugoslav society remains indelible. Therefore, this paper aims at showing the connection between sports and literature by examining one novelist’s life circumstances.
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Tomé, Mario. "La actual narrativa francesa (y II)." Estudios Humanísticos. Filología, no. 10 (December 1, 1988): 205. http://dx.doi.org/10.18002/ehf.v0i10.4352.

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<p>Presentación y breve comentario de la obra más significativa de los actuales novelistas franceses. Grandes figuras actuales: Michel Tournier, J.M.G. Le Clézio, Patrick Modiano. Premios literarios y éxitos editoriales: Romain Gary, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tris-tan, Héctor Bianciotti, Marguerite Duras, Yann Queffelec.</p><p>A short introduction of the most outstanding works of some recent French novelists. Top novelists: Michel Tournier, J.M.G. Le Clézio and Patrick Modiano. Literary Prizes and best-sellers: Emile Ajar, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tristan, Héctor Bianciotti, Marguerite Duras, Yann Queffélec.</p>
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Benchouiha, Lucie, and Efraim Sicher. "Holocaust Novelists." Modern Language Review 101, no. 2 (April 1, 2006): 509. http://dx.doi.org/10.2307/20466806.

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Rettberg, Scott. "Novelists' Elegy." American Book Review 29, no. 2 (2008): 29. http://dx.doi.org/10.1353/abr.2008.0047.

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Lamri, Mohammed. "Identity crisis of Algerians diaspora between self-culture and foreign language." مجلة قضايا لغوية | Linguistic Issues Journal 4, no. 2 (June 15, 2023): 85–98. http://dx.doi.org/10.61850/lij.v4i2.53.

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The Algerian novel, written in French, addressed various issues relating to Algerian man, as it was able to portray his reality and express his personality with creative artistic insights. However, the problems of identity and religious, ethnic and ideological affiliation continued to occupy the minds of Algerian immigrant novelists who lived away from the homeland and language. Hence, was the Algerian novelist able to overcome the identity crisis in his journey of searching for the Algerian self and expressing its cultural particularities in his literature? Or did the language barrier prevent it? The research therefore highlights the issue of proving national identity while writing in the language of the other among Algerian novelists such as Malek Haddad, who likened French language writings to exile.
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Nozen, Seyyedeh Zahra. "Femalization of the Genre of Literature; Novel Owners of the Novel." Khazar Journal of Humanities and Social Sciences 26, no. 4 (November 2023): 62–84. http://dx.doi.org/10.5782/2223-2621.2023.26.4.62.

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Unfairly female authors have been deprived of the title of “mothers” of English Novel and “fathers” have been taken as the sole male owners of the Novel. While not only the first professional novelist was a woman but the numbers of female novelists exceed that of the males. Female authors indefatigably undertook the process of femalization the genre of literature and the current study conducted through the qualitative research and text-analysis methods together with historical approach tried to put light to the fact that how female novelists contributed to the great genre of literature and strengthen it due to their fairness and their gender as well as their treatment of their subject. Aphra Behn penned Oroonoko of 1688 much earlier than Danial Defoe’s Robinson Crusoe of 1719. The purpose of this paper has, by no means, been to convert female writers from the lower novelists to higher ones. However, under the strict social conventions of the seventeenth and eighteenth century England, there had been buried some masterpieces of literary works which need to be delivered again to the world of literature, the negligence of which is a loss and the revival of which is a gain to both consumers and producers of literary works.
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Schuh, Melissa. "‘Which I Presume is Permitted, Since We Are Talking About A Writer.’ Lateness, Memory, and Imagination in Literary Autobiography." European Journal of Life Writing 9 (December 28, 2020): BE111—BE130. http://dx.doi.org/10.21827/ejlw.9.37328.

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In Summertime, a fictional biographer, Mr Vincent, conducts interviews with contemporaries of the novelist J.M. Coetzee for a biography of the late author. However, every claim made about the late Coetzee by the characters in Summertime is composed by the author himself, so the hidden, yet obvious presence of the novelist gives the book’s supposedly biographical outlook an autobiographical twist. Summertime’s Coetzee is distinctly both alive and dead. I propose to analyse works such as Summertime as literary autobiographies that employ narrative strategies otherwise found in fiction in order to creatively explore lateness, belatedness, and a sense of ending with regard to their writing life. Performative contradiction, as a deliberate stylistic manifestation of paradoxical contradictions, is a result of such narrative strategies. This enables a portrayal of memory and sincerity in autobiography that acknowledges the fraught nature of these notions. Drawing on autobiographical writing by novelists, such as Coetzee, Philip Roth, and Günter Grass, this article analyses the use of tense and fictionality to create performative contradiction. It shows how the novelist’s memory and imagination engage with the ever-present possibility of death to subvert traditional ideas of lateness as well as perceived limitations to the temporality of autobiographical writing.
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Menton, Seymour. "Cuba's Hegemonic Novelists." Latin American Research Review 29, no. 1 (1994): 260–85. http://dx.doi.org/10.1017/s0023879100035469.

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Davis, Robert Murray, and John Haffenden. "Novelists in Interview." World Literature Today 60, no. 3 (1986): 475. http://dx.doi.org/10.2307/40142309.

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Sankar, G., and L. Kamaraj. "SOCIAL REALISM AND PSYCHOLOGICAL TRANSFORMATION OF WOMEN PROTAGONIST IN NAYANTARA SAHGAL’S STORM IN CHANDIGARH AND A SITUATION IN NEW DELHI-A STUDY." Scholedge International Journal of Multidisciplinary & Allied Studies ISSN 2394-336X 5, no. 2 (February 28, 2018): 17. http://dx.doi.org/10.19085/journal.sijmas050201.

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The Research paper aims to focus on Nayantara Sahgal’s position in it as a novelist. It also discusses in detail a critical study of the social realism and Psychological Transformation with survival strategies of the woman protagonist in Nayantara Sahgal’s Storm in Chandigarh and A Situation in New Delhi. How Nayanara Sahgal’s writing was different from other Indian writers. During almost six decades of post-colonial history of Indian English fiction, a wide variety of novelists have emerged focusing attention on a multitude of social, economic, political, religious and spiritual issues faced by three conceding periods of human experience. With the turn of the century the Indian English novelists have surpassed their male counterparts outnumbering hem quantitatively as well as maintaining a high standard of literary writing, equally applauded in India and abroad, experimenting boldly with not only technique but also incorporating tabooed subject matters in their novels and short stories.
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Dissertations / Theses on the topic "Novelists"

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Spriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.

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“Women of the Apocalypse: Feminist Afrospeculative Writers,” seeks to address the problematic ‘Exodus narrative,’ a convention that has helped shape Black American liberation politics dating back to the writings of Phyllis Wheatley. Novels by Zora Neale Hurston, Octavia Butler, and Alice Walker undermine and complicate this narrative by challenging the trope of a single charismatic male leader who leads an entire race to a utopic promised land. For these writers, the Exodus narrative is unsustainable for a number of reasons, not the least of which is because there is no room for women to operate outside of the role of supportive wives. The mode of speculative fiction is well suited to crafting counter-narratives to Exodus mythology because of its ability to place marginalized voices in the center from the stance of ‘What next?’ My project is a hybrid in that I combine critical theory with original poems. The prose section of each chapter contextualizes a novel and its author with regard to Exodus mythology. However, because novels can only reveal so much about character development, I identify spaces to engage and elaborate upon the conversation incited by these authors’ feminist protagonists. In the tradition of Black American poets such as, Ai, Patricia Smith, Rita Dove, and Tyehimba Jess, in my own personal creative work, I regularly engage historical figures through recovering the narratives of underrepresented voices. To write in persona or limited omniscient, spotlighting an event where the reader possesses incomplete information surrounding a character’s experience, the result becomes a kind of call-and-response interaction with these novels.
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Mothersole, Brenda. "Female philanthropy and women novelists of 1840-1870." Thesis, Brunel University, 1989. http://bura.brunel.ac.uk/handle/2438/4389.

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Many women writers between 1840 and 1870 were producing a particular form of social or "social protest" novel which is identified here as a "philanthropic novel", a form distinguishable in content and tone from social novels written by men of the same period. The philanthropic novel is a work which has as its main protagonist a philanthropic heroine who is modelled - perhaps more covertly than overtly but significantly so - on the great revolutionary female philanthropists and social campaigners of the day, such as Elizabeth Fry, Florence Nightingale and Josephine Butler. Despite the social and economic constraints imposed on women, the middle years of the nineteenth century saw an unprecedented upsurge of both women novelists and women philanthropists. A high proportion of women writers, including Elizabeth Gaskell and Charlotte Yonge, were philanthropists themselves; others, like Charlotte Bronte and George Eliot, admired the activities of eminent women philanthropists. Although, the majority of women novelists lacked the wider experience of politics, the law and commerce which was available to male writers, they now had available to them this new experience of philanthropy to draw upon for their novels. Notably, philanthropic heroines created by male authors, such as Charles Dickens, Benjamin Disraeli and Charles Kingsley, were more commonly depicted along conventional stereotyped lines as "ministering angels" : the male authors were less inclined to rely on actual women philanthropists as models even though they were personally acquainted with many of these revolutionary women. This analytical and psychological enquiry into the social history and novels of the period, reveals that the philanthropic novel not only played a crucial part in the developing literary tradition of women; it also led to a new, freer consciousness for women which assisted in a reappraisal of themselves and their worth to the wider community.
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Raw, David Garforth. "Compassion without compensation : the novelists and Baron Bramwell." Thesis, University of Newcastle upon Tyne, 2013. http://hdl.handle.net/10443/2275.

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My purpose in this thesis is to explore the work of Nineteenth Century Condition of England novelists and to identify how and to what extent they addressed issues of industrial safety and used their skills to identify problems. I looked at the developing law of negligence over the period 1830-1880 with particular reference to compensation for injured workpeople and to the role played by the common law judiciary. My researches revealed that one judge, Baron Bramwell, carried great influence but used the common law as a tool to prevent injured employees from recovering damages. I identified Charles Dickens, who was acquainted with Bramwell, as the novelist who had the skills and outlets to make the greatest impression in the fight for reform. I consider whether there was any common ground between Dickens and Bramwell and thus seek to use Literature as a comfortable adjunct to Legal History in telling the story of the law’s development over the period in the field of industrial safety and of the search for an humane compensation system.
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Darlington, J. A. "Contextualising British experimental novelists in the long sixties." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/31430/.

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This thesis focuses upon five novelists – B.S. Johnson, Eva Figes, Alan Burns, Ann Quin, and Christine Brooke-Rose – whose works during the 1960s and early 1970s (Marwick’s “Long Sixties”) represent a unique approach to formal innovation; an approach contemporaneously labelled as “experimental”. A number of attempts have been made to categorise and group these texts with varying levels of success. Utilising new archive research, this thesis aims to unpack for the first time the personal relationships between these writers, their relationship to the historical moment in which they worked, and how these contextual elements impacted upon their experimental novels. The thesis is broken into six chapters; a long introductory chapter in which the group is placed in context and five chapters in which each writer’s career is reassessed individually. The B.S. Johnson chapter focuses upon how shifting class formations during the post-war era impact upon the writer’s sense of class consciousness within his texts. The Eva Figes chapter encounters her novels through the consideration of her contribution to feminist criticism and the impact of the Second World War. The Alan Burns chapter investigates the impact of William Burroughs upon British experimental writing and the politics of physical textual manipulation. The Ann Quin chapter engages with experimental theatre and new theories of being appearing in the Sixties which palpably inform her work. The Christine Brooke-Rose chapter reassesses her four novels between 1964 and 1975 in relation to the idea of “experimental literature” proposed in the rest of the thesis in order to argue its fundamental difference from the postmodernism Brooke-Rose practices in her novels after 1984. Overall, by presenting the “experimental” novelists of the Sixties in context this thesis argues that a unity of purpose can be located within the group in spite of the heterogeneity of aesthetics created by each individual writer; overcoming the primary challenge such a grouping presents to literary scholars.
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Kickham, Lisbet. "Protestant women novelists and Irish society, 1879-1922 /." Lund : Lund university, 2004. http://catalogue.bnf.fr/ark:/12148/cb41128080m.

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Hand, Richard James. "Self-adaptation : the stage dramatisation of fiction by novelists." Thesis, University of Glasgow, 1996. http://theses.gla.ac.uk/1912/.

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The stage dramatisation of fiction is a common and increasingly popular practice. Normally, a dramatist will take a novelist's work and adapt it, but there are cases dating back to at least the sixteenth century where novelists themselves have attempted to dramatise their own fiction. In the context of British theatre, it was not until the 1911 Copyright Act that novelists had copyright over the dramatisation of their original work. For this reason, novelists were obliged to adapt their own fiction to protect it against unauthorised dramatisation. Several authors, however, adapted their novels for more than reasons of copyright. The glamour of the West End and the potential for financial reward lured the novelists into adaptation. In the numerous adaptations of Henry James the language of the fictional narrator invades his scripts, in the form of stage directions or forced into the mouths of the characters. James is fascinated by the technical aspect of drama and he did make a substantial effort to rewrite Daisy Miller to make it suitable for the dramatic genre, but this includes a disappointing use of stage clichés as part of the mechanics of stagecraft (such as melodramatic techniques and the "happy ending"). Thomas Hardy was enthusiastic about the stage in his youth and had some innovative ideas for the stage but never fully realised his concepts. The adaptation of Tess of the D'Urbervilles has some evocative imagery but is more like a medley of dramatic highlights separated by major ellipses than the panoramic and inexorable vision of the novel. In the adaptation of The Secret Agent, Conrad sustains a loyalty to the novel which mars the play with too many characters and an excess of exposition. Conrad's decision to be chronological in the adaptation strips the story of its sophistication and creates an uncompromising, even shocking, play. This could be seen as a merit as are Conrad's expressionistic touches and his treatment of heroism and insanity. Indeed, the play is a compulsive experience and claims that it is ahead of its time are perhaps justified.
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González, María Carmen. "Toward a feminist identity : contemporary Mexican-American women novelists /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu148769438939502.

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Wenzel, Jennifer Ann. "Promised lands : J.M. Coetzee, Mahasweta Devi, and the contested geographies of South Africa and India /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Meech, Deborah. "Contradictions and ambiguity : characterization and identities in Jean Rhy's novels /." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472856.

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Gunby, Ingrid Jennifer. "Postwar Englishness in the fiction of Pat Barker, Graham Swift and Adam Thorpe." Thesis, University of Leeds, 2002. http://etheses.whiterose.ac.uk/2806/.

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The widely-recognised crisis of Englishness in the 1980s and 1990s has generally been explained as a response to the end of empire. If the place of memories of the First and Second World Wars in this crisis has been considered at all, these have generally been assumed to support a nostalgic version of English or British national identity. Taking three contemporary British novelists-Graham Swift, Pat Barker and Adam Thorpe-as examples, however, this thesis argues that the late-twentiethcentury memory of these conflicts is strikingly ambivalent, and that the contemporary crisis of Englishness must be understood not only as postcolonial, but also, in a strong sense, as postwar. The Introduction sets out the parameters of critical discussion of latetwentieth-century Englishness to date and explains my use of the term 'postwar', as marking the continuing cultural legacy of the world wars, and the process of interrogative re-reading of that legacy undertaken in the contemporary fiction I discuss. It also challenges the assumption that 'nostalgia' and a 'healthy' attitude to the past can necessarily be easily distinguished, through a discussion of postFreudian psychoanalytic approaches to mourning and melancholia. Chapter One considers three writers of the early to mid-twentieth century, Siegfried Sassoon, J. B.Priestley, and Elizabeth Bowen, in order to suggest the nature of the questions about Englishness, war and violence which re-emerge with the breakdown of Britain's postwar social and political consensus from the mid-1970s onward. Chapter Two then discusses Graham Swift's early novels, The Sweet Shop Owner, Shuttlecock and Waterland, arguing that critical attention to his metafictional concerns in Waterland has meant that his interest in suburban English life as encrypting memories of war has been overlooked. Chapter Three proceeds to Pat Barker's The Regeneration Trilogy, charting a two-way process of haunting through which contemporary concerns with violence are read back into the historical and literary record of the First World War, and simultaneously seem to re-emerge in the present as the return of the violence underpinning a melancholic cultural attachment to the very English narrative of 'doomed youth'. My discussion in Chapter Four of Adam Thorpe's novels Ulverton, Still and Pieces of Light emphasises their exploration of the violence at the heart of the 'deep England' evoked in heritage representations of Englishness. I suggest, however, that Thorpe's attempts to find appropriate fictional forms for ambivalence and melancholia are at times closer to paralysed repetitions than to interrogations of Englishness. My argument concludes with a reading of Swift's Last Orders, which I contend enacts the beginnings of a movement beyond the wartime end of a certain England and Englishness. Its misreading by critics as parochial and nostalgic, I suggest, indicates the extent of critical misunderstanding of the troubled memory of the world wars in contemporary Britain. It also testifies to the difficulty and the necessity of the creative and critical work on postwar Englishness undertaken by the writers considered in this study.
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Books on the topic "Novelists"

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Simon, Adams. Novelists. London: Franklin Watts, 2007.

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Childs, Peter. Contemporary Novelists. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4.

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Francis, David. Portsmouth novelists. Portsmouth: Portsmouth City Council, 2006.

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Neil, Schlager, and Lauer Josh, eds. Contemporary novelists. 7th ed. New York: St. James Press, 2001.

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1963-, Henderson Lesley, and Watson Noelle, eds. Contemporary novelists. 5th ed. Chicago: St. James Press, 1991.

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Hunter, Nigel. Twenty novelists. Hove: Wayland, 1988.

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Hunter, Nigel. Twenty novelists. New York: M. Cavendish, 1988.

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L, Kirkpatrick D., and Vinson James 1933-, eds. Contemporary novelists. 4th ed. London: St. James, 1986.

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Efraim, Sicher, ed. Holocaust novelists. Detroit: Gale, 2004.

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Williams, Merryn. Six Women Novelists. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18979-3.

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Book chapters on the topic "Novelists"

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Childs, Peter. "New Novelists." In Contemporary Novelists, 288–303. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_15.

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Childs, Peter. "Introduction: The Novel Today and Yesterday." In Contemporary Novelists, 1–23. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_1.

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Childs, Peter. "Salman Rushdie: A Long Geographical Perspective." In Contemporary Novelists, 186–208. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_10.

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Childs, Peter. "Zadie Smith: Searching for the Inescapable." In Contemporary Novelists, 209–28. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_11.

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Childs, Peter. "Graham Swift: Past Present." In Contemporary Novelists, 229–49. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_12.

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Childs, Peter. "Irvine Welsh: Sex and Drugs and Violence." In Contemporary Novelists, 250–68. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_13.

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Childs, Peter. "Jeanette Winterson: Boundaries and Desire." In Contemporary Novelists, 269–87. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_14.

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Childs, Peter. "Conclusion." In Contemporary Novelists, 304–12. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_16.

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Childs, Peter. "Timeline." In Contemporary Novelists, 24–35. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_2.

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Childs, Peter. "Martin Amis: Lucre, Love, and Literature." In Contemporary Novelists, 36–58. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-27229-4_3.

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Conference papers on the topic "Novelists"

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Sudaryanto, M., M. Rohmadi, and C. Ulya. "What do Indonesian Novelists Think About?" In Proceedings of the 2nd International Conference on Local Wisdom, INCOLWIS 2019, August 29-30, 2019, Padang, West Sumatera, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.29-8-2019.2289111.

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Diana, R. Rachmy, Fuad Nashori, and H. Adam Anshori. "The Creative Process of Indonesian Muslim Novelists." In Annual International Conference on Social Sciences and Humanities (AICOSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200728.034.

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Constanceanu, Veronica-Alina. "The Dramaturgy of Some Prose Writers." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.05.

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The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, but the text was not never performed on a stage.
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Perot, Shwana. "An Eco-Critical Study of James Hilton’s Lost Horizon and Random Harvest." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.955.

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Eco-criticism is an environmentally focused literary study that seeks to uncover the root causes of environmental problems. It emerged as a revolt against human being’s anthropocentric attitude of destruction, and suppression toward nature. James Hilton is one of the novelists whose writings unravel one of the vilest acts of human being. The devastating effects of warfare on humankind and environment are a key theme in his works. Hilton, in Lost Horizon and Random Harvest, depicts a world where war and armed conflicts have wreaked havoc on civilization and the ecosystem. Hilton expresses his concern about the destructive ways that humans treat the planet and emphasizes that destroying the environment will lead to the extinction of humanity. Through the critical lenses of eco-criticism, this study sought to examine the disastrous effects of warfare and armed conflict on humans and nature in the aforementioned novel.
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Burns, Karen, and Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.

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Over the last forty years feminist historians have commented on the under-representation or marginalisation of women thinkers and makers in design, craft, and material culture. (Kirkham and Attfield, 1989; Attfield, 2000; Howard, 2000: Buckley, 1986; Buckley, 2020:). In response particular strategies have been developed to write women back into history. These methods expand the sites, objects and voices engaged in thinking about making and the space of the everyday world. The problem, however, is even more acute in Australia where we lack secondary histories of many design disciplines. With the notable exception of Julie Willis and Bronwyn Hanna (2001) or Burns and Edquist (1988) we have very few overview histories. This paper will examine women’s contribution to design thinking and making in Australia as a form of cultural history. It will explore the methods and challenges in developing a chronological and thematic history of women’s design making practice and design thinking in Australia from 1870 – 1920 where the subjects are not only designers but also journalists, novelists, exhibiters, and correspondents. We are interested in using media (exhibitions and print culture) as a prism: to examine how and where women spoke to design and making, what topics they addressed, and the ideas they formed to articulate the nexus between women, making and place.
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Sinha Roy, Swagata, and Kavitha Subaramaniam. "READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.051.

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If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local people in Chinese folklore and myth in war torn Malaysia in the 1930s and after. Many of the places mentioned in these two novels should be considered places to visit by tourists local and international. Although these Malaysian novelists live away from Malaysia, they are clearly ambassadors of the Malaysian cultural and regional heritage. In this paper, a few of the places in the novel will be looked at as potential spots for the coming decade. The research questions considered here are i) what can be done to make written narratives the new trend to pave the way for Visit Malaysia destinations? ii) how could these narratives be promoted as guides to the history and culture of Malaysia? The significant destinations and the relevant cultural history of the regions will be discussed in-depth to come to a relevant conclusion.
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Permiakova, Kristina. "VLADIMIR NABOKOV � A NOVELIST-BILINGUAL ACROSS COLOUR COLLOCATIONS WITH COMPONENT �GREY�." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s14.108.

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Pramono, Dedi, Faruk Faruk, and Aprinus Salam. "APPLIED OF STRATEGIES IN THE FIELDS OF POWER BY NOVELIST : HABIBURRAHMAN EL SHIRAZY." In Proceedings of the 2nd International Conference on Language, Literature and Education, ICLLE 2019, 22-23 August, Padang, West Sumatra, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.19-7-2019.2289489.

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Malashevskaya, Maria. "SHIBA RYOTARO AND HIS CONCEPT OF NOMADIC CIVILIZATION IN MONGOLIA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.41.

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The paper deals with analysis of concept of history of nomadic civilization in the steppes of Mongolia, appeared in the essays by prominent Japanese novelist Shiba Ryotaro. This approach made great impact towards the popular view of Asian and Eurasian history among Japanese readers. The author aims to identify, analyze and present main ideas of Shiba’s concept of history of nomadic civilization in Mongolia and Great Steppe. Sources for analysis of these ideas are two essays and travel notes by novelist, Mongolian Travel Notes (1974) and Steppe Notes (1992). The article shows ties between civilizational approach of A. Toynbee and concept by Shiba Ryotaro in relation to nomadic civilizations and demonstrates essential features of its development. Texts by Shiba Ryotaro present a new understanding of nature of Asia within the Japanese social and historical thought in the post-war period.
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Dilhac, J. M. "Edouard Estaunié, electrical engineer, novelist and teacher, the man who coined the term telecommunications." In 2008 IEEE History of Telecommunications Conference - "From Semaphone to Cellular Radio Telecommunications". IEEE, 2008. http://dx.doi.org/10.1109/histelcon.2008.4668709.

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Reports on the topic "Novelists"

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Galenson, David. A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists. Cambridge, MA: National Bureau of Economic Research, January 2004. http://dx.doi.org/10.3386/w10213.

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Maltese, Louis. For the Hard of Hearing: A Catholic Novelist Confronts Modernity. Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.88.

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Angel, Albalucía. Out of Silence. Inter-American Development Bank, April 1998. http://dx.doi.org/10.18235/0007928.

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Savater, Fernando. Education and Citizenship in the Global Era. Inter-American Development Bank, October 2003. http://dx.doi.org/10.18235/0007949.

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Garmendia, Salvador. A Country, A Decade. Inter-American Development Bank, September 1998. http://dx.doi.org/10.18235/0007932.

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Escoto, Julio. Downtown Paradise: Reflections on Identity in Central America. Inter-American Development Bank, January 2002. http://dx.doi.org/10.18235/0007947.

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D'Aguiar, Fred. Made in Guyana. Inter-American Development Bank, November 1998. http://dx.doi.org/10.18235/0007934.

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Muñoz Molina, Antonio. Cervantes and the Art of Storytelling. Inter-American Development Bank, May 2005. http://dx.doi.org/10.18235/0007955.

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Ferrer de Arréllaga, Renée. Contemporary Paraguayan Narrative: Two Currents. Inter-American Development Bank, March 1994. http://dx.doi.org/10.18235/0007909.

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Carrier, Roch. Bringing the Rainbow into the House: Multiculturalism in Canada. Inter-American Development Bank, February 2001. http://dx.doi.org/10.18235/0007943.

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You might also be interested in the extended bibliographies on the topic 'Novelists' for particular source types:
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