Relevant bibliographies by topics / Novelist-Journalist

Academic literature on the topic 'Novelist-Journalist'

Author: Grafiati
Published: 22 June 2024

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Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Journal articles on the topic "Novelist-Journalist":

1

Lennon, Michael. "Norman Mailer: Novelist, Journalist, or Historian?" Journal of Modern Literature 30, no. 1 (2007): 91–103. http://dx.doi.org/10.1353/jml.2006.0060.

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PAQUETTE, GABRIEL. "ROMANTIC LIBERALISM IN SPAIN AND PORTUGAL, c. 1825–1850." Historical Journal 58, no. 2 (May 11, 2015): 481–511. http://dx.doi.org/10.1017/s0018246x14000326.

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AbstractThis article examines Spanish and Portuguese liberal political thought in the period after the independence of Latin America (c. 1825–50). It argues that while Iberian liberalism undoubtedly reflected broader European and transatlantic debates and intellectual trends, it was distinguished by its robust engagement with literary romanticism. The article proceeds to describe and make a case for ‘romantic liberalism’ through the examination of texts by six politically engaged writers: Spanish statesman, poet and dramatist Francisco Martínez de la Rosa (1787–1862); Portuguese statesman, poet, novelist, and dramatist João Baptista da Silva Leitão de Almeida Garrett (1799–1854); Spanish poet and statesman Ángel de Saavedra (1791–1865), Duque de Rivas; Spanish parliamentarian and literary critic Antonio Alcalá Galiano; Spanish poet, journalist, and parliamentarian José de Espronceda (1808–42); and Portuguese historian, novelist, and journalist Alexandre Herculano (1810–77).
3

Ginn, Stephen. "The Quantity Theory of Insanity by Will Self." Advances in Psychiatric Treatment 19, no. 2 (March 2013): 132–34. http://dx.doi.org/10.1192/apt.bp.112.010413.

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SummaryThe Quantity Theory of Insanity is a short story by the English novelist and journalist Will Self. It is one of six stories in a collection of the same name. Its central conceit is that there is ‘only a fixed proportion of sanity available to any given society at any given time’. The story is a broad satire of academia, social science and our treatment and understanding of mental disorder.
4

Nazar, Shabana, and Abdul Rehman Saifee. "http://habibiaislamicus.com/index.php/hirj/article/view/147." Habibia Islamicus 4, no. 2 (December 16, 2020): 59–70. http://dx.doi.org/10.47720/hi.2020.0402a04.

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The Life History of “ Jurji Zaydan ”, His Personality and His landmark services in the Arabic Language and its Literature generally and History of Islam and Arabic Literature particularly are enlightened in this paper. He was a famous Arab Historian, Author, Writer, Novelist, Journalist, Linguist and Interpreter of Modern Period. His works of Arabic History and Arabic Literature were revolutionary. He is a great Novelist in this Modern Period. He wrote several books on History of Islam & Arabic Literature and a series of Novels on Big personalities of Islam, which serve the purpose of a resource and authentic materials. People from all walks of life can find his books as a resource to access due to the intellectual and authentic information they carry. He is not only a famous Historian, but He is a famous Writer and a great Novelist of 20th Century, Who wrote a series of Islamic Historical Novels. Thus, this paper is the depiction of Jurji Zaydan’s life history, his services, his books, Novels especially introduction of Novel ‘Azra-o-Quresh’ for the facilitation of upcoming researchers.
5

Shiffman, Dan. "A Better Pluralism? The Example of Louis Adamic." Prospects 25 (October 2000): 593–606. http://dx.doi.org/10.1017/s0361233300000776.

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For the Slovenian-born journalist, novelist and populist historian Louis Adamic, Ellis Island was as central to American civilization as Plymouth Rock. Throughout the 1930s and into the 1940s, Adamic dedicated himself to raising public awareness about the essential role of immigrants in the life of the nation. Adamic chronicled the stories and contributions of famous and not-so-famous immigrants from a variety of ethnic groups and challenged his adopted country to be true to its democratic ideals.
6

MANE, Youssoupha. "The Poiesis of Writing Culture: Ordained by the Oracle by Asare Konadu as an African Ethnographic Novel Unveiling the Asante’s Traditions." ALTRALANG Journal 4, no. 01 (June 30, 2022): 53–78. http://dx.doi.org/10.52919/altralang.v4i01.179.

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The paper specifically beams its searchlights on the incident of the ethnographic mode of narration in the crafting of the narrative fiction — Ordained by the Oracle (1969) by the Asare Konadu. The novel is scrutinized as an inventory of Asante customs, moral, social and religious philosophy. It becomes the art of thick descriptions, the intricate interweaving of plots and counterplots. Asare Konadu is labelled here as a journalist-novelist and ethnographer-novelist who has adhered strictly to social ethnographic facts as he pertained to the etched culture. Konadu has selected some Asante ethnographic data (funeral ritual performances, mythology, divination, chieftainship, etc. and woven them into a plot around imaginary Asante hero and heroine through a blurred writing genre—ethnographic fiction encompassing compelling events and useful ethnographic detail which advance the reader’s ability to understand the constrictions of circumstance on characters.
7

Gahan, Peter. "Bernard Shaw, New Journalist (1885–1898)." Shaw 41, no. 2 (November 1, 2021): 264–318. http://dx.doi.org/10.5325/shaw.41.2.0264.

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ABSTRACT As Shaw's authorized biographer Archibald Henderson put it in the second of three biographies: “While Shaw may have a dozen labels—art critic, music critic, drama critic, novelist, dramatist, rationalist, Socialist, publicist, harlequin, sage, statesman, prophet—he has only one profession: journalism.”1 Especially remembered now for his achievements as playwright, whether in the vanguard of the New Drama at the end of the nineteenth century or as the established dramatist of world fame throughout the first half of the twentieth, Shaw worked first and last as a journalist in a working life stretching seventy-five years. Dan H. Laurence devoted nearly three hundred pages of the second volume of Bernard Shaw: A Bibliography (1983) itemizing Shaw's contributions to newspapers and periodicals between 1875 and 1950, amounting to almost four thousand entries.2 For fourteen of those years, from 1885 to 1898, he led the career of a full-time journalist, mostly as a critic of the fine arts, but criticism was by no means the whole story of Bernard Shaw's fourteen-year career as a full-time journalist sketched out in what follows.
8

Ketterl, Simone. "Eine «einzige große Verzögerung». Die Exilliteratur Maria Lazars und ihre Rezeption." Studia austriaca 31 (June 17, 2023): 29–49. http://dx.doi.org/10.54103/1593-2508/20324.

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The Austrian novelist, essayist and journalist Maria Lazar (1895-1948), only recently rediscovered, who was a contemporary of Thomas Mann and an acquaintance of Bertolt Brecht, wrote many different types of texts. Considered a promising talent back in Vienna, the reception of her works decreased during Lazar’s years in exile. The following contribution aims to reconstruct the dynamics of her marginalization and takes a closer look at the socially critical dimension of No Right to Live and Die Eingeborenen von Maria Blut [The Natives of Maria Blood].
9

Heck, Dorota. "Moral Dilemmas of Poles Born in the Late Twenties: Reflections on the Drama Their Time, Short Stories, and Novels by Literary Critic Zbigniew Kubikowski." Perspektywy Kultury 26, no. 3 (October 1, 2019): 101–12. http://dx.doi.org/10.35765/pk.2019.2603.09.

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Zbigniew Kubikowski (1929-1984) was a literary critic, novelist, journalist, editor of monthly Odra in Wroclaw (Lower Silesia, Poland), and an activist of the Polish Writers’ Union. His biography seems to be representative for more or less independent intellectuals in the regime of communism. In spite of humiliation, persecutions, and invigilation he managed to preserve his ethical principles, although he was not able to achieve a full success as a man of letters. The ethics of his generation, so called “younger brothers” of war generation was founded on Polish independence and European existentialism.
10

Sarmah, Sunita. "Nirupama Borgohain and her novels." Linguistics and Culture Review 6 (March 6, 2022): 529–33. http://dx.doi.org/10.21744/lingcure.v6ns2.2174.

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Nirupama Borgohain is one of the most prominent female voices of Assam. She has contributed more than thirty books to Assamese literature. Her novels are mainly based on realism where she has consciously dealt with the problem of inequality that exist men and women in society. She always highlights the plight of women and their protest against patriarchal values. She is an Indian journalist and novelist in the Assamese Language. She is a Sahitya Akademi Award winner and best known for her novel 'Abhiyatri'. She was a recipient of the Assam Valley Literary Award.
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You might also be interested in the extended bibliographies on the topic 'Novelist-Journalist' for particular source types:
Journal articles

Dissertations / Theses on the topic "Novelist-Journalist":

1

Biswell, Andrew. "Conflict and confluence : Anthony Burgess as novelist and journalist." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2671/.

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The overall argument of this thesis is that Anthony Burgess’s literary journalism enables us to make a nuanced reading of his own Catholic novels. My definition of ‘journalism’ is necessarily wide: it takes in television and radio work, as well as published book reviews and interviews. Although previous commentators have established useful connections between Burgess’s novels, his journalism has been consistently overlooked and undervalued. As a result of this neglect, there is no published study of Burgess’s journalistic writing. This is also the first thesis to make extensive use of Burgess’s manuscripts, letters, diaries and other archival materials. The Worm and the Ring (1961), Tremor of Intent (1966) and Early Powers (1980) offer useful examples of ‘confluence’ between fiction and journalism. These novels pick up and develop a variety of material - often, but not exclusively ‘Catholic’ - which Burgess engages with elsewhere, in essays and reviews. The act of reviewing is seen to be crucial part of the process of fiction-writing, and Burgess’s journalism (on Greene, on spy fiction, and on the idea of the Catholic novel) appears to flow into these blocks in a fairly straightforward way. The ‘conflict’ of my title refers to A Clockwork Orange and Burgess’s subsequent journalistic statements about it. His post factum prefaces and other journalistic articles on the novel’s composition are shown to be at variance and typescript evidence. The theological implications of the variant endings are examined carefully, with reference to Burgess’s writings about the theological dispute between Saint Augustine and Pelagius.
2

Tsai, Shu-Fen. "Ruth Adam (1907-1977), novelist, journalist, broadcaster, biographer, social historian : a representative English feminist writer?" Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262721.

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Bloodworth, Jenny. "Clotilde Graves : journalist, dramatist and novelist : writing to survive in the late nineteenth and early twentieth century." Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/28013.

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Katherine Newey, in her study of nineteenth century female playwrights, has written of those, ‘who routinely worked for money, in theatres where the takings were as important as aesthetic achievement or legitimacy’. While Joanne Shattock, in a study of women authors, acknowledges that earnings were the key to a woman’s professionalism. With her short hair, masculine style of dress and her penchant for cigarettes, Clotilde Graves (1863-1932) epitomised the vigorous New Woman of the fin de siècle. Drawing on previously unused material from Graves’s case file, held in the Royal Literary Fund Archive, this thesis charts her progress as a writer to explore both the motivational force of economics on her literary career, and its impact on her various discourses as a journalist, playwright and novelist. The study, divided into three sections, explores a number of key themes including: sexual abuse, marriage, the fallen woman, and the maternal ideal, to assess Graves’s development as both a writer and an advocate of social purity feminism. The thesis exposes the precarious nature of the writer’s profession, especially for a woman, and reveals the demands on Graves to balance personal beliefs against the immediate need to earn a living. Though she died penniless her extensive output included innumerable articles, twenty plays, nine compilations of short stories, and fifteen novels. The thesis appraises Graves’s adoption of male aliases and her employment of autobiographical material, which is contextualised against the production of her most popular novel, The Dop Doctor. This work shows that compromise was often a prerequisite and confirms that commerciality did not necessarily translate into financial achievement, nor did it provide economic security. This recovery of a forgotten female writer, of the late Victorian and Edwardian eras, contributes to the growing body of work in this field.
4

Loughlin, M. Clare. "Charles Dickens as novelist, journalist and editor : the relationships among the constituent texts of 'Household Words' and 'All the Year Round'." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324776.

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Alfonso, Mathey Mercedes. "Constance et évolution d'une écriture engagée : l'oeuvre de Carmen de Burgos journaliste, essayiste et romancière." Thesis, Dijon, 2016. http://www.theses.fr/2016DIJOL017/document.

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Carmen de Burgos est morte en 1932, laissant derrière elle une œuvre écrite considérable : des milliers d’articles publiés dans différents journaux, des essais, des romans et des centaines de novelas cortas. L’œuvre et le souvenir de cette militante pour les droits de la femme furent condamnés à l’oubli pendant la dictature franquiste. C’est à la redécouverte et à l’analyse de cette œuvre, dans ses divers aspects, qu’est consacrée cette thèse. Nous y avons cherché les constantes mais aussi les évolutions. Carmen de Burgos a, en effet, évolué dans sa conception du rôle de la femme et des droits qu’elle devait conquérir. Au départ elle centrait plutôt son combat sur l’obtention de droits juridiques et sociaux plus égalitaires. Elle revendiquait une meilleure éducation pour les filles, éducation qui permettrait de travailler dignement et d’acquérir ainsi une indépendance économique. Elle militait pour le droit au divorce. Néanmoins, très vite elle comprendra que le changement ne pourra se faire qu’à travers les urnes et prendra donc très ouvertement des positions en faveur du suffrage féminin, allant jusqu’à organiser la première manifestation de rue en faveur du vote. Les fictions qu'elle a écrites ont été en général considérées comme de la littérature militante, sans grand intérêt littéraire. C'est pourquoi, après avoir étudié en quoi les intrigues, les dénouements et la construction des personnages étaient au service de la cause défendue, nous avons cherché à évaluer la qualité littéraire, qui ne nous a pas paru négligeable, de cette œuvre. Nous avons aussi voulu déterminer si son œuvre de fiction n’était qu’un outil au service des causes qu’elle défendait ou si elle offrait de réelles qualités littéraires
Carmen de Burgos died in 1932, leaving behind a considerable amount of written material: thousands of articles published in different newspapers, essays, novels and hundreds of “novelas cortas”. The works and the memory of this women’s rights activist were doomed to oblivion during Franco’s dictatorship. This thesis aims to rediscover and analyse these works from its various perspectives. We have been looking for the constant trends but also the evolutions. Carmen de Burgos has indeed evolved in her conception of the woman’s role and of the rights she had to acquire. In the early stages of her fight, she had been mainly focusing on the acquisition of equalitarian legal and social rights. She claimed a better education for girls; education that would allow them to work with dignity and gain economical independence. She was campaigning for the right to divorce. Nevertheless, she soon understood that change could only occur through the ballot boxes and would thus very openly stood in favour of women’s right to vote, up to the point of organising the first street demonstration in favour of women’s vote. The fictions she wrote were, in general, considered activist literature, without a great literary interest. That’s why after having studied in which ways the plots, the denouements and the construction of the characters were serving the cause of women, we tried to evaluate the literary quality of the work, which appeared to us to have some significance. We also wanted to determine if her fiction work was just a tool serving the causes she was defending or if it offered some really good quality literature

Books on the topic "Novelist-Journalist":

1

Crittenden, Victor. John Lang: Australia's larrikin writer : barrister, novelist, journalist, and gentleman. Canberra, ACT: Mulini Press, 2005.

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Clarke, Patricia. Pioneer writer: The life of Louisa Atkinson, novelist, journalist, naturalist. Sydney: Allen & Unwin, 1990.

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Julien, Rawson Claude, ed. Henry Fielding (1707-1754): Novelist, playwright, journalist, magistrate : a double anniversary tribute. University of Delaware Press: Newark, 2008.

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Chandalia, Hemendra Singh. Ethos of Khwaja Ahmad Abbas, novelist, film-maker, and journalist: A study in social realism. Jaipur: Bohra Prak[a]shan, 1996.

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Wilding, Michael. Marcus Clarke: Novelist, Journalist and Bohemian. Australian Scholarly Publishing Pty, Limited, 2021.

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Rawson, Claude. Henry Fielding : Novelist, Playwright, Journalist, Magistrate: A Double Anniversary Tribute. Rowman & Littlefield Publishers, Incorporated, 2008.

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(Editor), Claude Rawson, and Claude Julien Rawson (Other Contributor), eds. Henry Fielding (1707-1754): Novelist, Playwright, Journalist, Magistrate a Double Anniversary Tribute. University of Delaware Press, 2008.

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Hartley, Jenny. Charles Dickens: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198714996.001.0001.

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Charles Dickens is credited with creating some of the world’s best-known fictional characters, and is widely regarded as the greatest novelist of the Victorian age. Charles Dickens: A Very Short Introduction explores the key themes running through his corpus of works, and considers how they reflect his attitudes towards the harsh realities of 19th-century society and its institutions. It considers Dickens’s multiple lives and careers: as magazine editor for much of his working life, as travel writer and journalist, and his work on behalf of social causes. Finally, it discusses what is meant by the use of the term ‘Dickensian’ today, and the enduring impact of his work.
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McDonald, Peter D. ‘Independence, Dependence, and Interdependence Day’. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198725152.003.0004.

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This chapter begins by reflecting on various reactions Joyce’s Finnegans Wake provoked during its long gestation, looking in detail at H. G. Wells, T. S. Eliot, Eugene Jolas, and C. K. Ogden. After explaining why it is important to consider the Wake’s place in intellectual history, it focuses on three traditions from which Joyce derived inspiration: the political thinking of the late nineteenth century, reflected in the writings of the Russian anarchist Léon Metchnikoff (1838–88); the linguistic thinking of the early twentieth century, as manifest in the work of the Danish linguist Otto Jespersen (1860–1943); and the philosophical thinking also of the early twentieth century, associated with the Austro-Hungarian journalist, novelist, and philosopher Fritz Mauthner (1849–1923). The chapter concludes by considering the Wake’s various lessons in reading, the centrality it accords to writing, and the bearing this has on how we think about language, culture, community, and the state.
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Smith, Gary Scott. Mark Twain. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894922.001.0001.

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Mark Twain is one of the most fascinating figures in American history. His literary works have intrigued, illuminated, inspired, and irritated millions from the late 1860s to the present. Twain was arguably America’s greatest writer from 1870 to 1910. In an era of mostly lackluster presidents and before the advent of movie, radio, television, and sports stars, Twain was probably the most popular person in America during the 1890s and competed with only Theodore Roosevelt for the title in the 1900s; his celebrity status exceeded that of European kings. Twain’s varied experiences as a journeyman printer, riverboat pilot, prospector, journalist, novelist, humorist, businessman, and world traveler, combined with his incredible imagination and astonishing creativity, enabled him to devise some of American literature’s most memorable characters and engaging stories. Twain was mesmerized, perplexed, frustrated, infuriated, and inspired by Christianity. He strove to understand, critique, and promote various theological ideas and insights. Twain’s religious perspective was complex, inconsistent, and sometimes even contradictory and constantly changed. While many scholars have ignored Twain’s strong focus on religious matters, others disagree sharply about his religious views, with most labeling him a secularist, an agnostic, or an atheist. The evidence indicates, however, that throughout his life he engaged in a lover’s quarrel with God. Twain was an entertainer, a satirist, novelist, and reformer, but he also functioned as a preacher, prophet, and social philosopher. He tackled universal themes with penetrating insight and wit including the character of God, human nature, sin, providence, corruption, greed, hypocrisy, poverty, racism, and imperialism. Moreover, Twain’s life provides a window into the principal trends and developments in American religion from 1865 to 1910.

Book chapters on the topic "Novelist-Journalist":

1

Pykett, Lyn. "The Novelist as Journalist in Hard Times, 1850–7." In Charles Dickens, 122–55. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1919-9_5.

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Olivieri, Claudia. "Москва на рубеже истории. О “топонимической встряске” и не только." In Biblioteca di Studi Slavistici, 243–55. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.21.

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Moscow at the turn of history. About the “toponymic upheaval” and not only. The article digs into the urban (and political) geography of Moscow and how this is perceived in Italy in the aftermath of the collapse of the Soviet Union. In particular, the investigation will focus on a number of volumes related to the late Soviet era that were published in Italy between the late 1980s and the mid-1990s. The authors are mainly newspaper and TV correspondents: Vittorio Zucconi (1944-2019, Il Corriere della sera, Si fa presto a dire Russia); Demetrio Volcic (1931-2021, RAI, Mosca. I giorni della fine); Enrico Franceschini (1956, La Repubblica) who is both a journalist (La fine dell'impero. Ultimo viaggio in URSS) and a novelist (La donna della Piazza Rossa). However, the texts index also includes a politician, Giulio Andreotti (L’URSS vista da vicino. Dalla guerra fredda a Gorbaciov), and a comic character, Mickey Mouse, who, in an October 1988 issue number, shows how in the years of perestroika people looked at the nascent (dying) country with both fear and curiosity. All the authors, regardless of their profession and orientation, have the feeling that they are also witnessing history through urban geography; it is no coincidence that all the texts analyzed, to varying extents, “photograph” buildings, streets, monuments... that is to say , “places,” which may be “old,” i.e. inherited from previous travelers or the result of historical, political or literary reminiscences, or “new” places, where a new path of history is being written.
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Miller, Ann. "Joe Sacco, Graphic Novelist as Political Journalist." In The Cambridge History of the Graphic Novel, 389–404. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781316759981.024.

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"22. Ian Fleming (1908–64), Novelist And Journalist." In Britain and Japan: Biographical Portraits, Vol. VI, 245–57. Global Oriental, 2008. http://dx.doi.org/10.1163/ej.9781905246335.1-448.166.

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Smith, Paul Julian. "Modern Times: Francisco Umbral's Chronicle of Distinction." In The Moderns, 9–22. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198160007.003.0002.

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Abstract If, in Vattimo’s apparent tautology, ‘modernity’ is that time in which ‘the modern’ is the highest or only value, then the Spain of the 1980s is surely the most modern of societies. And the journalist and novelist Francisco Umbral is its arbiter of elegance: both a commentator on and a contributor to social and aesthetic manners.
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Rock, Lene. "Roth, Joseph (1894–1939)." In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2012-1.

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Joseph Roth was an Austrian-Jewish journalist and novelist. He was born in the shtetl of Brody, near Lemberg (Lviv, Lvov) in Galicia, in the easternmost part of the Austro-Hungarian Empire. Quitting his studies in philosophy and German literature in Lemberg and Vienna, he volunteered for the army in 1916. During military service he started reporting for various periodicals. After moving to Berlin in 1920, he achieved success as a socially engaged journalist, occasionally writing as ‘Der rote Roth’. He wrote for Die neue Berliner Zeitung, the Berliner Börsen-Courier, the social democratic newspaper Vorwärts, and the renowned liberal Frankfurter Zeitung, for which he reported from all over Europe.
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"Wilma Dykeman." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd, 285–96. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0041.

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As a journalist, historian, essayist, novelist, and short story writer in the mid-twentieth century, Wilma Dykeman was in the vanguard of the new Appalachian studies movement. Dykeman was born in Asheville, North Carolina, where her mother’s family had lived for generations. After graduating from Northwestern University in 1940, she married James Stokely Jr., a poet and son of an East Tennessee canning company magnate, with whom she reported on the civil rights movement in the 1950s....
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Baldick, Chris. "Modern Authorship." In The Modern Movement, 36–56. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198183105.003.0003.

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Abstract In a magazine article in 1911, H. G. Wells, the son of humble shop- keepers but now a successful journalist and novelist, declared that The literary life is one of the modern forms of adventure. Success with a book, even such a commercially modest success as mine has been, means in the English-speaking world not merely a moderate financial independence, but the utmost freedom of movement and intercourse. One is lifted out of one’s narrow circumstances into familiar and unrestrained inter- course with a great variety of people. One sees the world.
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"Carl Seelig." In Kurt Gödel, edited by Solomon Feferman, John W. Dawson, Warren Goldfarb, Charles Parsons, and Wilfried Sieg, 247–54. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198500759.003.0020.

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Abstract Carl Seelig (1894-1962) was a Swiss editor, critic, journalist, novelist and poet who wrote and edited several volumes about Einstein. Gödel’s letters to Seelig, apparently, were written in response to an initial inquiry from the writer about Gödel’s associations with Einstein, and a subsequent invitation to expand on his remarks. (Seelig’s half of the correspondence is no longer extant.) Seelig was planning a new third edition of his “documentary biography” of Einstein at the time, and long quotations from both of Gödel’s letters appear in it (Seelig 1960, pp. 421-423).
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Cooke, Roderick. "Henry Céard Reads the Dreyfus Affair." In The Dreyfus Affair's Literary Politics, 215–64. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802077988.003.0007.

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Chapter 5 examines the case of Henry Céard (1851-1924). A reluctant novelist and prolific journalist, Céard went from being one of Zola’s closest friends and collaborators, providing innumerable documents that Zola used in creating the Rougon-Macquart novels, to breaking with him both socially and intellectually. He moved to the right politically and disowned Zola’s late fiction, meaning that when the Dreyfus Affair arose, Céard was in a unique position. He used his insider knowledge of Zola’s literary ideas and private life in a lengthy sequence of articles that attempted to undermine the older man’s Dreyfusard campaign. Céard treated the Affair as a text, to which he applied a range of techniques of literary interpretation, from the historical to the rhetorical. His anti-Dreyfusism underlines the profoundly literary nature of many figures’ political engagements in the Affair, while also providing a glimpse of the realignment of the French right through the eyes of a middle-ranking journalist.

Conference papers on the topic "Novelist-Journalist":

1

Galay, K. "THE FORGOTTEN EHRENBURG IN THE CONTEXT OF THE FRENCH MEDIA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3749.rus_lit_20-21/303-307.

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I.G. Ehrenburg was a writer, poet, publicist, whose creative legacy can be called an important asset of Russian literature of the twentieth century. The writer, who lived for a long time both in Russia and abroad, was also known in France - his figure was quite significant for the French readers and he was mentioned in various French weeklies. Moreover, he was invited as a journalist, wrote articles himself and gave interviews to French newspapers and magazines. A huge interest in the personality of Ilya Ehrenburg appeared during the Second World War: he was spoken of as a “combat writer”, as a supporter of Franco-Soviet relations, and as a great traveller. And, of course, the French media could not miss Ehrenburg's novel “The Fall of Paris”. In the 90s of the twentieth century, various biographical books about Ehrenburg are published, in which he, from one point of view, was called “a mediocre novelist”, “a weak writer”, but “the embodiment of the era”, and from another point of view - “a travelling Jew” and “a man of conviction”, “a nomad of the world” and “a missionary of culture”. In modern times, we only encounter references to the name of Ilya Ehrenburg as an outstanding journalist, a writer from the 'first wave' of emigration, who stood as a symbol of his era.
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Levitskaia, Tatiana. "THE FORGOTTEN WAR: WORKS BY N. A. LUKHMANOVA ABOUT MANCHURIA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.28.

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Nadezhda Lukhmanova (1841–1907) was a novelist, playwright, publicist, lecturer. Today her name is almost forgotten, but at the turn of the 19th–20th centuries she was well-known throughout Russia: her artistic and dramatic works were widely in demand, she gave lectures in the capital and abroad, worked as a journalist in the leading St. Petersburg newspapers. At the age of 62, she took part in the Russian-Japanese war as a nurse of the Red Cross and war correspondent (Peterburgskaia gazeta, Yuzhniy Krai). During her stay in the war and later in Japan, Lukhmanova wrote not only travel notes and articles for newspapers, but also short plays, stories based on real events (Shaman, Black stripe, Tree in the Palace of Chizakuin, Li-Tun-Chi), stylization of Chinese and Japanese fairy tales (The Only Language Clear for a Woman, Human Soul, Typhoon, Golden Fox). The writer raised a variety of topics: the place and role of women in the war, the organization of hospitals, unjustified victims of war and the problem of moral choice, as well as ethnographic sketches devoted to the traditions and mode of life of Manchuria and Japan. And if its early records resemble ethnographic sketches, filled with wariness towards the local population and a lack of understanding of Chinese customs, then later, in fairy tales and diary sketches, the sense of guilt before the Chinese people for the bloody slaughter taking place on their land becomes more clearly apparent. The works of the writer were undeservedly forgotten for more than a hundred years and are just beginning their return to literary memory.

Reports on the topic "Novelist-Journalist":

1

Angel, Albalucía. Out of Silence. Inter-American Development Bank, April 1998. http://dx.doi.org/10.18235/0007928.

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2

Muñoz Molina, Antonio. Cervantes and the Art of Storytelling. Inter-American Development Bank, May 2005. http://dx.doi.org/10.18235/0007955.

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