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Author: Grafiati

Published: 26 July 2024

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1

Voltaire. Candide (Third Edition) (Norton Critical Editions). W. W. Norton & Company, 2016.

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2

Letellier, Robert. The English Novel, 1700-1740. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400646324.

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The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage, and the epistolary novel. This annotated bibliography includes entries for these works and for critical materials pertinent to them. The volume first seeks to establish the existing studies of the era, along with anthologies. It then provides entries for a wide-ranging selection of works which cover fictional, theoretical, historical, political, and cultural topics, to provide a comprehensive background to the unfolding and understanding of prose fiction in the early 18th century. This is followed by an alphabetical listing of novels, their editions, and any critical material available on each. The next section provides a chronological record of significant and enduring works of fiction composed or translated in this period. The volume concludes with extensive indexes.

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3

Candide CANDIDE by Voltaire (Author) on Mar-17-1991 Paperback. Candide (A Norton Critical Edition). W. W. Norton & Company, 1991.

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4

Robert M. Adams (Editor), Robert M. Adams (Translator) Voltaire. By Voltaire - Candide (Norton Critical Editions Series): 2nd (second) Edition. Norton, W. W. & Company, Inc., 1992.

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5

Hughes, Charlotte Bradford. John Crowne's Sir Courtly Nice: A Critical Edition. De Gruyter, Inc., 2015.

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6

Beethovens Eroica Sketchbook A Critical Edition. University of Illinois Press, 2013.

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7

Tale of Two Cities : the Study Edition: A Study Guide of the Charles Dickens Critical Essay on the French Revolution. Independently Published, 2017.

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8

Foley, Gaelen. Lord of Fire: A Novel. Ballantine Books, 2006.

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9

John, Donne. John Donne's Poetry (Norton Critical Edition). W. W. Norton, 2006.

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10

Voltaire. Candide : Large Print Edition: Classic Novel Reprint. Independently Published, 2019.

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11

Fitzgerald, F. Scott, and David Alworth. Great Gatsby, Norton Critical Editions, 1st Edition. Norton & Company Limited, W. W., 2021.

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12

Lamb, Lady Caroline, Baron George Gordon Byron Byron, and Isaac Nathan. Fugitive Pieces and Reminiscences of Lord Byron: Containing an Entire New Edition of the Hebrew Melodies, with the Addition of Several Never Before Published; the Whole Illustrated with Critical, Historical, Theatrical, Political, and Theological Remarks,. Creative Media Partners, LLC, 2018.

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13

Dickens, Charles. Tale of Two Cities (a Classics Novel by Charles Dickens)(Illustrated Edition). Independently Published, 2022.

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14

Dickens, Charles. Tale of Two Cities (a Classics Novel by Charles Dickens)(illustrated Edition). Independently Published, 2022.

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15

Cook, Daniel, James Morris, Valentina Bond, and Monica Burns. The Private Memoirs and Confessions of a Justified Sinner: The Dundee Edition. UniVerse, 2021. http://dx.doi.org/10.20933/100001190.

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Published anonymously in 1824, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor pushed the boundaries of genre. It has been called a Gothic novel, a psychological mystery, a religious satire, and an early example of modern crime fiction. The plot follows a staunch Calvinist, Robert Wringhim, who believes he is justified in killing those he believes are already damned by God. A masterclass of metafiction, many of the events are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself. Having sold poorly among its first readers, the novel suffered from a prolonged period of neglect. However, since the latter part of the twentieth century it has won greater critical interest and attention.

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16

Turcq, Pascasius Justus. On Gambling. Edited by William M. Barton. LYSA Publisher, 2022. http://dx.doi.org/10.54179/2201.

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Pascasius Justus Turcq was born in the Flemish town of Eeklo. As a young man, he travelled through Spain before devoting himself to the study of philosophy and medicine in Italy. On gaining his doctorate, he returned north and settled in Bergen-op-Zoom, where he worked as a physician and eventually became the city’s mayor. He attended to William the Silent as one of the physicians who worked to save the Prince’s life after the assassination attempt of 1582. Alongside tales of gambling princes and perceptive accounts of the mental suffering experienced by problem gamblers, Pascasius’ De alea is remarkable for its singular insights into 16th-century medical science. Basing himself on the authority of the ancient, late-antique and mediaeval traditions, Pascasius first fuses discrete theoretical systems into an innovative framework, allowing him to propose a novel description of compulsive gambling as a psychological disorder. Secondly, Pascasius articulates a series of pioneering cures. He describes this therapy in cognitive terms reminiscent of approaches to non-substance addiction in use today. On Gambling was routinely referenced in scholarship on gambling into the 18th century before disappearing almost entirely from view. Newly available here, with a critical Latin text and English translation, On Gambling epitomises the creative potential of 16th-century medical humanism.

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17

Koloski, Bernard, ed. The Historian’s Awakening. Praeger, 2018. http://dx.doi.org/10.5040/9798400663734.

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The Historian's Awakening is a full commentary on the text (included) that provides social and cultural history context, discussions of the author and her times as well as valuable insight into historical forces that shaped people's lives. Kate Chopin's classic novel about a modern woman who desires to break free from tradition endures, in part, due to its critical and thought-provoking themes about society. While many editions of Kate Chopin's classic novel are in print, only The Historian's Awakening deals exclusively with the 19th-century social and cultural environment from which the novel emerged. In The Awakening, Kate Chopin portrays a modern woman who seeks utonomy, subjected to intense social and cultural conventions that first draw her out of her lifelong solitude but ultimately leave her feeling even more alone. This newly annotated edition focuses on how 19th-century ideas about class, gender, ethnicity, and modernity affect a courageous woman’s life. Challenging prevailing scholarship by situating the novel within a rich historical context, it examines the social and cultural realities of the 1890s and explains how, in the novel, these forces combine with an emerging modernity to liberate and unsettle its female protagonist.

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18

Raven, James, and Karen O’Brien. Production. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199574803.003.0001.

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This introductory chapter discusses the production history of the novel. The revolution in book production across all genres is dramatic. Before 1700 up to about 1,800 different printed titles were issued annually; by 1820 up to 5,500—and this is simply a crude title count that does not consider the huge increases in the edition sizes of certain types of publication, increases that escalated sharply after 1820. It was only in the 1810s that the production of literature, and notably the novel, temporarily faltered. The great majority of the new novels of 1819–20 carried either ‘novel’ or ‘tale’ in their title. Early nineteenth-century British reviewers and advertising booksellers accepted and promoted the ‘novel’ as a distinct literary category, even though it encompassed a great many narrative forms. By 1820, readers were able to enjoy an accumulation of critical studies of the novels and even accounts of their production history and domestic and foreign influences.

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19

Richardson, Samuel. Pamela in Her Exalted Condition. Edited by Albert J. Rivero. Cambridge University Press, 2012. http://dx.doi.org/10.1017/9781139033480.

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Pamela in Her Exalted Condition follows the heroine of Richardson's hugely popular first novel into married life. In the process, he explores both the experience of women beyond the stage of courtship and provides a fascinating insight into the social and cultural life of the mid eighteenth century. The first ever scholarly edition of the novel, this volume features a critically edited text, general and textual introductions, full annotations and textual apparatus. Appendices describe all the editions published in Richardson's lifetime as well as early nineteenth-century editions. The original illustrations from the popular octavo edition of 1742 and Richardson's index are reproduced. The publication of this novel in the Cambridge edition allows the sequel to Pamela to take its rightful place in the critical study of Richardson's development as a novelist.

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20

Richardson, Samuel. Pamela: Or, Virtue Rewarded. Edited by Albert J. Rivero. Cambridge University Press, 2011. http://dx.doi.org/10.1017/9780511975424.

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Pamela: Or, Virtue Rewarded is perhaps the most influential novel published in Britain in the eighteenth century. On its first publication in 1740, it became an immediate bestseller. Its epistolary structure, tight plotting and didactic message were praised, imitated, but also criticised and satirised. This new critical edition of Samuel Richardson's first novel features an authoritative text based on the first edition, general and textual introductions, extensive explanatory notes and textual apparatus. Appendices provide bibliographical descriptions of all lifetime editions as well as the editions of 1801 and 1810, Richardson's introduction to the second edition (fully annotated), and the illustrations and Richardson's index from the octavo edition. The publication of this volume heralds the first full scholarly edition of Richardson's complete works, a long-awaited event in eighteenth-century studies.

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21

Michalak-Pikulska, Barbara, Marek Piela, and Tomasz Majtczak, eds. Oriental Languages and Civilizations. Wydawnictwo Uniwersytetu Jagiellońskiego, 2021. http://dx.doi.org/10.4467/k7127.92/20.20.15519.

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The volume consists of six parts devoted to literature, languages, history, culture, science, religions and philosophy of the Eastern World. Its aim is to portray the present-day state of oriental studies, which are here understood predominantly as philologies of Asia and Africa, but also as a field of study including other, adjacent disciplines of the humanities, not neglecting the history of oriental research. The book’s multidisciplinary content reflects the multi- and often interdisciplinary nature of oriental studies today. Part 1 (Literature) offers new insights into belles-lettres written in Arabic, Hindi, Turkish, Urdu, Persian and Japanese. Part 2 (Linguistics) contains studies on Sanskrit texts (in a stylometric approach), Japanese nominals, Japanese poetry as a linguistic source, Arabic translations of the Bible, Arabic dialect of Morocco, Arabic culinary terms of Persian origin and Turkish vocabulary of the language reform era. Part 3 (History) investigates Napoleon’s campaign in the Middle East, Middle Eastern-Russian relations in the 18th century, the history of Seljuk Empire and the works of a Moroccan historian, Ǧaʿfar Ibn Aḥmad an-Nāṣīrī as-Salawī. Part 4 (History of Oriental Studies) deals with the history of oriental studies in Kraków and with the problems of a critical edition of the Quran. Part 5 (Culture and Science) examines the artistic achievements of Egyptian moviemaker Yūsuf Šahīn and possible influence of the Muslim science on medieval Polish scholars. Part 6 (Religion and Philosophy) explores some philosophical concepts of the Confucian ethics and the contribution of Karīma Bint Aḥmad Al-Marwaziyya to preservation and transmission of some religious traditions of Islam.

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22

Hogg, James. The Private Memoirs and Confessions of a Justified Sinner. Edited by Ian Duncan. Oxford University Press, 2010. http://dx.doi.org/10.1093/owc/9780199217953.001.0001.

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‘We have heard much of the rage of fanaticism in former days, but nothing to this.’ A wretched young man, ‘an outcast in the world’, tells the story of his upbringing by a heretical Calvinist minister who leads him to believe that he is one of the elect, predestined for salvation and thus above the moral law. Falling under the spell of a mysterious stranger who bears an uncanny likeness to himself, he embarks on a career as a serial murderer. Robert Wringhim's Memoirs are presented by an editor whose attempts to explain the story only succeed in intensifying its more baffling and bizarre aspects. Is Wringhim the victim of a psychotic delusion, or has he been tempted by the devil to wage war against God's enemies? Hogg's sardonic and terrifying novel, too perverse for nineteenth-century taste, is now recognized as one of the masterpieces of Romantic fiction. The first edition text of 1824 has been freshly considered for this new edition. A critical introduction explores the remarkable career of the novel's author and its historical, theological, and cultural contexts.

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