Dissertations / Theses on the topic 'Nouvelliste'
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Fei, Han. "Baudelaire nouvelliste." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54169.
Full textArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Vendet-Chu, Sylvie. "Le Clézio nouvelliste." Paris 3, 2000. http://www.theses.fr/2000PA030051.
Full textBuisson, Françoise. "Faulkner nouvelliste : tradition et modernité." Bordeaux 3, 1997. http://www.theses.fr/1997BOR30070.
Full textWilliam faulkner's short stories, which he regarded as pot-boilers, reveal his attachment to literary traditions, especially to the genre's conventions, to the realistic and oral traditions. Still, he deceitfully subverts these traditions and these plays with the intertext show his modernity. This modernity pervades the faulknerian text : the narrative technique, the representation of inner life mirror the chaos of modern times. Besides, the short fiction oscillates between shapelessness and formal compactness. Faulkner is yearning for the unity of a total work and his short stories constitute self-referential and intertextual constellations. By revising some myths, he wants to turn fiction into a new cosmos and to transcend the nothingness generated by modernity. In fact, although the structures and the style of his experimental short stories are definitely modern, historical modernity, which destroys nature and reifies men, is criticized by the writer. The latter is submitted to some economic constraints which lead him to denounce the dangers of materialism and mass culture. The description of the antebellum south is tinged with irony but also testifies to his conservatism, for he laments over the collapse of the chivalric tradition and a lot of characters feel nostalgic. Modern heroes and antiheroes wander in a divided world where woman often symbolizes evil. Yet, faulkner, though obsessed by purity, highlights the excesses of puritanism. Actually, this idealist rejects the nihilism that will characterize postmodernity and strives to find a code adapted to the modern world and based on the traditional values inherited from the christian and pioneer traditions
Proot, Helene. "Arland nouvelliste, poétique du recueil." Thesis, Lille, 2018. http://www.theses.fr/2018LIL3H045.
Full textThe aim of this study is to enlighten the topic of « Whole of short stories » within the Marcel Arland’s works. Awarded with the « Prix Goncourt » thanks to his novel L’Ordre, this author abandoned this literary genre, chose instead of it the « shortstory » one and finally claimed the « collectionwhole ». Using a corpus which he himself considered as a triptych composing a stained glasswindow : ʺLes plus beaux de nos Joursʺ, ʺIl faut de tout pour faire un Mondeʺ et ʺLes Vivantsʺ, we will intertwine the narratological, onomastic and receptive approaches in order to uncover the recurrences which are forged from short-story to shortstory. These are unobtrusive and they don’t use the return of an identifiable main character. Intermingling biographical traumas and fictional narrative, Arland invites his reader to discover the moments of grace that humble characters, with, often, morbid existences, are living. Under a faultless classical quill, Arland instils irony and tragedy within his shortstories in order to let the attentive reader glimpse a world that time at last soothes. The « collectionwhole » allows Arland to build a world in which the living and the dead become united in a common singing
Lozes, Jean. "Joseph Sheridan Le Fanu : romancier et nouvelliste anglo-irlandais : 1814-1873." Toulouse 2, 1987. http://www.theses.fr/1987TOU20018.
Full textThe tragedy of the political and religious clash between Ireland and England is responsible for Le Fanu's work. The latter is first an historical, then a mythical vision of the conflict. The study of the confrontation soon results in an absolute hesitation, in the impossibility to find a solution. Le Fanu's art consists in conveying this hesitation and this impossibility via two literary modes used jointly. As an expression of man's moral confinement, incomprehensible predestination and inexorable fate, the fantastic genre - that most adequately translates the original fear perpetuated throughout history - gives Le Fanu an ideal means of unveiling the hideous spectra of a world in which any journey is a deceitful initiation, any desire for understanding a frightening open road to distress, nightmares, the duality of all things, and death. As an expression of man's attempt to rationalize human existence and to clarify the intricacies of earthly situations, the detective genre also provides Le Fanu with the necessary contribution of reason, thus enabling him to demonstrate the vanity of our expectations in that field
Lozes, Jean. "Joseph Sheridan Le Fanu, romancier et nouvelliste anglo-irlandais, 1814-1873." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376075264.
Full textVan, Besien Hugues Dureau Jeanne-Marie Didelot Maurice. "Bibliographie des romans feuilletons du Nouvelliste de Lyon entre 1879 et 1914 /." [Villeurbanne] : [ENSB ], 1985. http://catalogue.bnf.fr/ark:/12148/cb410300994.
Full textHamzaoui, Abdelfettah. "Interférences entre histoire et autobiographie dans l'œuvre de Marguerite Yourcenar." Tours, 1995. http://www.theses.fr/1998TOUR2013.
Full textVauthier, Élisabeth. "L'Image du héros chez les nouvellistes syriens et israéliens depuis 1967." Lille 3 : ANRT, 1992. http://catalogue.bnf.fr/ark:/12148/cb37610519c.
Full textVauthier, Élisabeth. "L'image du héros chez les nouvellistes syriens et israëliens depuis 1967." Paris 4, 1987. http://www.theses.fr/1987PA040390.
Full textThe comparative study of the image of heroism in literature between two countries in conflict, Syria and Israel, reveals, beyond the description of the person of the fighting man, how the writers consider the conflict, its legitimacy and the ways to find an answer to it
Boudreau, Caroline G. "Étude de la réception critique de l'oeuvre nouvellière de Maurice Henrie." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28432.
Full textRosidor, Djelassi Mohamed Samy. "Les valets de chambre nouvellistes comédie inédite en cinq actes et en prose, écrite à Stockholm vers 1701 /." Uppsala : Stockholm, Suède : [Université d'Uppsala] ; Distributed by Almqvist & Wiksell International, 1988. http://catalog.hathitrust.org/api/volumes/oclc/18717145.html.
Full textBlais, Mélanie. "Une plume pour écrire, une feuille à envoyer les nouvellistes à la main à Paris au XVIIIe siècle." Mémoire, Université de Sherbrooke, 2002. http://savoirs.usherbrooke.ca/handle/11143/2316.
Full textGuillemay, du Chesnay Claude-Ferdinand Djelassi Mohamed Samy. ""Les valets de chambre nouvellistes" : comédie inédite en cinq actes et en prose, écrite à Stockholm vers 1701 /." Stockholm : Almqvist och Wiksell, 1988. http://catalogue.bnf.fr/ark:/12148/cb355110758.
Full textMunnick, James. "Romans et nouvellistes noirs en afrique du sud, de 1948 a 1986 : exploitation litteraire de la vie des gens de couleur." Toulouse 2, 1992. http://www.theses.fr/1992TOU20046.
Full textThis thesis is an analysis of writings in english between 1948 and 1986 by south african authors of colour (defined as africans, coloureds and indians). 1948 was the year of the official institution of the appartheid policy which aimed at permently separating whites and blacks. The study starts from an analysis of their short stories, novels and other writings which changes, reflecting the attitudes of blacks which were modified in the course of the same generation from passive defence to active resistance. The themes of alienation and the raising of political consciousness are considered, as are historical, sociological, psychological, economic and other political factors. The study terminates in 1986, the tenth anniversary of the soweto uprising
Charland, Anne-Marie. "La machine à broyer les petites filles de Tonino Benacquista : de la mécanique nouvellière à l'hybridité du sous-genre criminel." Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/6496.
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