Relevant bibliographies by topics / Nouveaux designs

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nouveaux designs'

Author: Grafiati
Published: 25 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Nouveaux designs"

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Richeval, C., V. Clin, L. Humbert, T. Nefau, J. M. Gaulier, and D. Allorge. "Le retour des comprimés d’ecstasy : nouveaux designs, nouveaux dosages…" Toxicologie Analytique et Clinique 28, no. 2 (June 2016): S36—S37. http://dx.doi.org/10.1016/j.toxac.2016.03.061.

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Cabanes, Benjamin, Pascal Le Masson, and Benoît Weil. "Organiser la création de connaissance pour l’innovation de rupture." Revue Française de Gestion 46, no. 288 (April 2020): 35–60. http://dx.doi.org/10.3166/rfg.2020.00420.

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À partir d’une étude cas longitudinale chez STMicroelectronics, cette recherche s’intéresse aux processus de création de nouvelles connaissances pour l’innovation de rupture. L’article propose d’introduire le concept de société proto-épistémique d’experts pour mettre en évidence les modalités organisationnelles permettant le renouvellement des connaissances scientifiques et techniques, et l’émergence de nouveaux dominant designs.
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Harvey, Pierre-Léonard. "La connaissance au-delà du savoir à l’ère des inforoutes : de la diffusion de l’information à la création du sens dans les bibliothèques virtuelles." Documentation et bibliothèques 48, no. 1 (May 15, 2015): 5–9. http://dx.doi.org/10.7202/1030467ar.

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Le concept de gestion du savoir, knowledge management, n’est pas nouveau dans l’univers de la pratique de la conception des systèmes d’information. Cependant, des changements radicaux dans l’environnement social, économique et technologique suggèrent qu’il y ait des limites importantes à la vision traditionnelle des systèmes d’information qui influencent la gestion du savoir. Le travail du documentaliste et du bibliothécaire n’y échappe pas. Car nous réalisons que la nature heuristique de l’approche qui sous-tend de tels systèmes est inadéquate dans le design des nouveaux environnements éducatifs, d’enseignement, d’apprentissage, de documentation dédiés à l’amélioration des connaissances humaines. Le nouvel environnement socio-économique n’est pas seulement caractérisé par le changement, mais aussi par la nature discontinue de ce changement. L’environnement des bibliothèques et des centres de documentation est également caractérisé par ce changement discontinu qui demande que l’on reconceptualise la gestion du savoir telle qu’elle a été comprise depuis 20 ans et surtout depuis le début des années 1990, c’est-à-dire comme des systèmes d’information et non comme support à la création de sens. Le présent article propose une reconceptualisation du modèle de la diffusion du savoir qui prévaut dans nos milieux de documentation, modèle fortement tributaire du courant des systèmes d’information des entreprises et de l’informatique. Nous devons réfléchir et opérationnaliser un modèle de la création du sens dans la gestion de l’information et du savoir pour faire face aux nouveaux usages et aux nouveaux comportements des personnes et des communautés d’apprentissage dans le contexte de la convergence. L’auteur de cet article expliquera le besoin de reconceptualiser l’approche de la diffusion de l’information dans les nouveaux environnements et organisations d’apprentissage et il montrera les valeurs et les assomptions qu’elle sous-tend.
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Krastins, Janis. "Architecture of Charles Carr in Liepāja." Landscape architecture and art 15 (March 23, 2020): 31–37. http://dx.doi.org/10.22616/j.landarchart.2019.15.03.

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Contribution of civil engineer Charles Carr to the development of Liepāja's Art Nouveau architecture is analysed in the article. Art Nouveau in Liepāja is one of the greatest values of architectural heritage of the city. Buildings of this style determine the cityscape in many places, but data on Liepāja's Art Nouveau architects until recent past were extremely sparse. Ch. Carr was known only as the author of the design of the building at Graudu iela 45. Two more his designs, including the one for the building at Graudu iela 44, were found during research. Analysis of planning principles, methods of artistic composition and architectural detailing of these works allowed identifying several other notable Liepāja Art Nouveau buildings as possible creations of Ch. Carr and to determine the place of this personality in the history of Latvian culture.
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Pascu, Nicoleta Elisabeta, Victor Adir, and George Adir. "Art and logo design." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 81–86. http://dx.doi.org/10.18844/prosoc.v7i4.5792.

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This paper aims to present a research study concerning the graphics and symbols in logo design exhibited in an art program dubbed ‘Golden Ages of Art Nouveau and Art Deco’. It was important for us to understand these trends, their characteristics and graphics, to create many times beautiful masterpieces of art. We have noticed a lot of differences between these two art movements related to symbols, signs and colours which were used. It was ‘a special art travel’ to study, theoretically and practically, the field of logo design connected to these ages. Starting from our research study, we have tried to make ‘a basket’ of features which characterises each trend. We have tried to explain the diversity of elements used as an art graphic design focused on logos. And, of course, we have tried to create logos using the features of Art Nouveau and Art Deco. Keywords: Art Nouveau, Art Deco, logo design, feature, symbols, colours.
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Baudin, Fernand. "EMIGRE, les « nouveaux Primitifs » du graphic design." Communication et langages 89, no. 1 (1991): 61–72. http://dx.doi.org/10.3406/colan.1991.2317.

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Piponnier, Anne, Anne Beyaert-Geslin, and Stéphanie Cardoso. "Projet et design, nouveaux mots d’ordre, nouveaux slogans de l’action et des pratiques sociales ?" Communication et organisation, no. 46 (December 1, 2014): 5–14. http://dx.doi.org/10.4000/communicationorganisation.4695.

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Liu, Jingjing. "Anatomy of Gaudi's Curve Architectural Language." Journal of Arts and Humanities 6, no. 7 (July 20, 2017): 33. http://dx.doi.org/10.18533/journal.v6i7.1204.

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<p>Gaudi was a unique architectural designer at the aspect of architectural design in Art Nouveau. His architectural design has a unique line design, including the external shape curve of Casa Mila being representative. The external shape design of Casa Mila had subverted the external design of traditional architectures. The wave shape of its vertical wall had broken the contemporary traditional aesthetic consciousness of architectures. Thus, the reasons and effects for the curved shape in the external shape design of Casa Mila showing incisively and vividly how subversive and disruptive Casa Mila being are the source of studying its external curve design. During the same period, many architectural designs were also applied to curves in the external shape of the buildings. Therefore, the external shape of curves on Casa Mila is how its architectural design curves standing out are contrasted by curve design applied to other contemporaneous architectures in the period of Art Nouveau. The view of this paper expounds the reason that the curvilinear design of Casa Mila is different from that of other architectures, and the influence of the curvilinear design of Casa Mila in the period of Art Nouveau. This paper starts with the analysis of the architectural curve of Casa Mila. By comparative analysis of curve profile and its curvature in external modeling of "House of the People" and Tassel Hotel, this paper reveals that Gaudi's architectural features have an unique external modeling and conveys that the architectural curve of external shape more abounds in using natural elements of imitation.</p>
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BHOGAL, GURMINDER KAUR. "Debussy’s Arabesque and Ravel’s Daphnis et Chloé (1912)." Twentieth-Century Music 3, no. 2 (September 2006): 171–99. http://dx.doi.org/10.1017/s1478572207000448.

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AbstractJust as arabesque carries a range of visual and literary associations, this ornament assumes a diverse presence in music scholarship, where it characterizes a wide repertoire and assortment of techniques. Despite its conceptual breadth, this essay shows that arabesque upheld a specific musical identity for Debussy and Ravel. This is reflected in their simulation of art nouveau’s intricate and fluid designs through melodic gestures that emphasize irregular rhythms and dissonant metres. Also in keeping with art nouveau is the tendency of these composers to privilege musical arabesque’s structural appearance and expressive capacity. These observations are explored with reference to Ravel’s Daphnis et Chloé, a ballet that critics admired for its arabesque qualities. An analysis of four dances will reveal how the distinct rhythmic and metric profiles of arabesque melodies portray characters and their narratives. In challenging preconceptions of ornament as marginal and meaningless, this essay shows how arabesque became endowed with structural and expressive significance at the début du siècle.
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McLean Knapp, Sarah. "Design Studies in Canada?" RACAR : Revue d'art canadienne 40, no. 2 (March 3, 2016): 22–26. http://dx.doi.org/10.7202/1035393ar.

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Dans ce bref article, nous traçons l’histoire de l’enseignement du design au Canada pendant les quarante dernières années et la comparons avec celle au Royaume-Uni, où l’on a assisté à une croissance significative des études du design et des programmes d’histoire du design. Nous soutenons qu’il est impératif de créer de nouveaux programmes d’études du design au Canada afin, d’une part, de renforcer l’éducation pratique en design et, de l’autre, de retenir les jeunes chercheurs et chercheures.
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Dissertations / Theses on the topic "Nouveaux designs"

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Perrin, Flore. "Proposition d'une démarche d'intégration denouvelles méthodes en conception : éléments pour la définition du rôle de l'intégrateur "méthodes"." Paris, ENSAM, 2005. http://www.theses.fr/2005ENAM0023.

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Les recherches menées dans le cadre de cette thèse visent à améliorer les performances des équipes de conception par l'usage de nouvelles méthodes. Selon nous, le faible taux actuel d'utilisation des méthodes en conception est essentiellement lié à une faiblesse dans la conception des processus d'intégration de ces méthodes. Nous pensons que la définition d'une stratégie d'intégration d'une méthode en conception, en amont de son introduction dans l'entreprise, permet d'augmenter progressivement le taux de réussite des projets d'importation de ces méthodes. Un état de l'art a permis de dégager les trois aspects fondamentaux de l'intégration de nouvelles méthodes en conception. Ils ont constitué la base de nos hypothèses et de la démarche 3D qui leur est associée. Ainsi, nous avons supposé que la mise en œuvre d'une stratégie de Définition de l'outil provoque l'Appropriation individuelle, que la mise en œuvre d'une stratégie de Démonstration génère une Valorisation de la méthode et enfin que la mise en œuvre d'une stratégie de Diffusion permet l'Harmonisation des pratiques collectives sur l'ensemble de l'organisation. Notre démarche a été expérimentée au cours de deux projets d'intégration de nouvelles méthodes chez Bourjois : l'intégration de nouveaux modèles de brief de l'Offre et l'intégration de l'analyse fonctionnelle. A l'issue de ce travail, nous nous sommes attachés à traduire la démarche 3D " théorique et abstraite " en un tableau de bord " concret et opérationnel ", destiné à l'intégrateur de nouvelles méthodes. Ce tableau de bord a pour fonction d'accompagner l'intégrateur dans la construction de la stratégie d'intégration d'une nouvelle méthode en conception
Research done in this thesis aims to improve the performance of design teams by the use of new methods. In our opinion, the present low rate of use of existing design methods as a primary link to a weakness in the definition of the integration process of these methods. We believe that the definition of an integration strategy of a design method, built upstream in the introduction to a firm, allows a gradual increase in the success rate of implementation projects of these methods. A state-of-the-art analysis presents three fundamental dimensions to new design-methods integration. Therein, we build the basis of our hypotheses and its linked strategy: the 3D process. Then, we propose (1) that the implementation of a Definition's tool strategy causes the individual appropriation, (2) that the implementation of a Demonstration strategy creates a validation of the method, and (3) that the implementation of a Diffusion strategy permits a Harmonization of collective practices in the whole organization. Our process has been to test two integration projects of new methods in Bourjois: integration of new models of the “Offer” brief and integration of Functionnal Analysis. In the last part of this document, we have concentrated on turning the 3D process “theoretical and abstract” into a dashboard “practical and operational”, for the integrator of the new methods. The main function of this dashboard is to guide the integrator in the definition of the integration strategy of the new design method. It has been used by Bourjois to simulate the integration of a new method of risks analysis
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Chadha, Kush. "Improvement of water management in PEM fuel cells using water balance and electrochemical noise analysis." Thesis, Poitiers, 2021. http://www.theses.fr/2021POIT2251.

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Cette thèse s’inscrit dans une démarche d’optimisation des performances des piles à combustibles PEMFC, à travers le développement de nouveaux designs de plaque d’alimentation. Des outils tel que le bilan hydrique et l’analyse des bruits électrochimiques ont été utilisés comme diagnostic de la gestion de l’eau au sein d’un mono-cellule PEMFC. Une gestion optimale du transport d’eau permet une augmentation des performances et de la durée de vie des piles à combustible. Le bilan hydrique a été utilisé pour mesurer et encadrer la valeur du coefficient de diffusion effectif de l’eau au sein des membranes de piles à combustibles. De nouvelles géométries de plaque d’alimentation ont été développées et caractériser par des mesures classiques de courbes de performance et des mesures de pression. La technique du bruit électrochimique a été utilisée pour détecter des phénomènes liés au comportement de l’eau lors du fonctionnement de la pile pour chaque géométrie développée. Le bruit électrochimique enregistré pendant ces expériences a été associé à des mécanismes sources grâce à une démarche expérimentale et à un traitement de signal approprié basé sur l’analyse fréquentielle et temporelle. Les résultats des descripteurs obtenus par l’analyse temporel et fréquentiel ont permis de d’obtenir la signature dans un fonctionnement normal de pile à combustible utilisant une géométrie classique de canaux en serpentin. Cette signature a été comparée aux nouveaux designs développés permettant de caractériser l’influence de ces nouvelles géométries sur le transport d’eau. Enfin, de manière à compléter l’approche expérimental effectuée sur le coefficient de diffusion de l’eau au sein des membranes de piles à combustibles PEMFC, une modélisation de la courbe de polarisation prenant en compte ce coefficient a été développé et comparé aux courbes de performances expérimentales. En termes d’ouverture, l’impact des nouvelles géométries développées a été étendu à leur utilisation en stack et un modèle de pronostic basé sur les réseaux de neurones artificiels a été proposé
This thesis deals to optimize the performance of PEMFC fuel cells, through the development of new flow-field plate designs. Tools such as water balance and electrochemical noise analysis have been used to diagnose water management within a PEMFC single cell. Optimal management of the water transport enables an increase of the performance and durability of fuel cells. Water balance method was used to measure and frame the value of the effective water diffusion coefficient within the membranes of fuel cells. New flow-flied plate geometries have been developed and characterized by conventional polarization curve and pressure measurements. The electrochemical noise technique was used to detect phenomena related to the behavior of water during fuel cell operation for each geometry developed. Electrochemical noise measurements have been associated with source mechanisms through an experimental approach and an appropriate signal processing based on frequency and time analysis. The descriptors obtained by time and frequency analysis shows that it possible to obtain the signature in normal operation of a fuel cell using a classical serpentine. This signature was compared to the new developed designs allowing to characterize the influence of these new geometries on the water transport. Finally, to complete the experimental approach carried out on the water diffusion coefficient within the membranes of PEMFC fuel cells, a model based on polarization curve, considering this coefficient, was developed and compared to the experimental curves of performances. In perspective, the impact of the new developed geometries has been extended in a stack utilization and a prognosis model based on artificial neural networks has been proposed
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Brabez, Nabila. "Design, synthèse et étude de nouveaux ligands multimériques : vers de nouveaux marqueurs de cellules tumorales." Paris 6, 2012. http://www.theses.fr/2012PA066153.

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Longeras, Olympe. "Design et compréhension de nouveaux solvants eutectiques profonds." Thesis, Université Clermont Auvergne‎ (2017-2020), 2020. http://www.theses.fr/2020CLFAC048.

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Les solvants eutectiques profonds (DES) forment une nouvelle famille de solvants qui a émergé ces dernières années. Les DES sont de plus en plus étudiés de par leur faible coût, leur faible toxicité et leurs propriétés qui devraient leur permettre de remplacer des solvants toxiques utilisés dans de nombreux domaines de la chimie. Lors de ma thèse, un premier travail a permis d’établir les diagrammes de phases solide-liquide de trois DES partiellement biosourcés. Par la suite, une comparaison entre ces DES et des mélanges idéaux a permis d’établir que ces systèmes peuvent être considérés comme solvants eutectiques « profonds ». Au cours de mes travaux, un premier solvant aqueux possédant une température de solution critique inférieure a été mis en évidence et l’origine de cette propriété remarquable a été élucidée. Au-delà des travaux sur la compréhension des DES, ces solvants ont été testés pour deux applications : le captage du dioxyde de carbone et l’extraction liquide-liquide de colorants
Deep Eutectics Solvents (DES) is a new class of solvent which has emerged during the last decades. DES have been increasingly studied because of their low cost and low toxicity. Because of these properties, DES could potentially replace toxic solvents used in large area of chemistry. To reach this goal, a broader knowledge of these new systems has to be acquired. Therefore, in the first work of this thesis, solid-liquid phase diagrams of three partially renewable DES have been established. The comparison of these diagrams to an ideal mixing model is showing a negative deviation that allows to considered them as “deep” eutectics solvents. Following this work on the binary mixture, water was added to these DES. A first aqueous - DES mixture with a lower critical solution temperature (LSCT) has been highlighted and the origin of this remarkable property has been elucidated. To complete the initial work aiming to get a deeper understanding of these new DES, these solvents have also been tested for two applications: carbon dioxide capture and liquid-liquid extractions of dyes
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Dubuc, Dominique. "Philosophie de la conception avec les nouveaux outils informatiques." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69772.

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To arrive at a definition of the new CAD, the thesis is divided into four chapters, accompanied by a conclusion, permitting an analysis of the current CAD situation and the technology available today or in the near future. This analysis leads to the definition of a work station adapted to design so as to bridge the existing gaps.$ sp4$
The first chapter consists of an introduction which illustrates the approaches that were used to complete this thesis. Several methods and analyses support the development of approaches upon which future research into the philosophy of design using new computer tools should be based.
The second chapter lists the computer peripherals which determine the features of a computer work station. Without its peripherals, the computer is simply a giant calculator. It is therefore important to address this subject in depth when creating a work station adapted to design.
The third chapter covers the description of current CAD and the manner in which the data are classified according to their use. Following a summary of the history of CAD and the evolution of generations of systems, this chapter describes today's CAD from the point of view of the user, that is, by the data he uses.
The fourth chapter of the thesis describes the progress of a project using the process of continuous design. This chapter looks at the interrelation that exists between the stages in order to show the usefulness of the computer as a design tool. Significant interest has been shown in a new stage: the formalization of the project, which makes the link between the drawing stage and the preproject stage.
The conclusion of this thesis puts the current CAD situation into perspective in order to pave the way for the development of new CAD, better adapted to architects and designers and allowing them to finally conceive their projects on computer.
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Bogdan, Niculina Daniela. "Design, synthèse, analyse structurale et réactivité de nouveaux cyclophanes." Rouen, 2006. http://www.theses.fr/2006ROUES030.

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Nous avons réalisé la synthèse et l'analyse structurale de [7. 7]pyridinophanes, [4. 4]cyclophanes diéthers et [4. 4]cyclophanes diesters possédant des cycles 1. 3-dioxaniques et quelques mono et dicétones dérivées. L'analyse structurale a été élaborée par diffraction des rayons X, RMN, spectométrie de masse et modélisation moléculaire. Nous avons étudié le comportement conformationnel de ces molécules. La rotation des cycles aromatiques, des [7. 7]cyclophanes et de certains [4. 4]cyclophanes, a permis d'assimiler ces composés à des rotors moléculaires. Nous avons mis en évidence la formation d'agrégats supramoléculaires comportant des macrocycles et des molécules de solvant, des interactions (π-stacking, CH-π and C=O-π) intra et intermoléculaires et la formation de canaux qui incluent (ou non) des molécules de solvant
We reported here the synthesis and the structural analysis of [7. 7]pyridinophanes, [4. 4]cyclophanes diethers and [4. 4]cyclophanes diesters which exhibit 1. 3-dioxanes rings and mono and di ketones. The structural analysis was carried out using X-ray diffractometry, NMR and mass spectrometry. These investigations revealed the conformational behaviour of the molecules. Due to their dynamics the [7. 7]cyclophanes and some of the [4. 4]cyclophanes were considered molecular rotors. The formation of supramolecular aggregates for some of the macrocycle compounds with molecules of solvent, the intra and intermolecular interactions (π-stacking, CH-π and C=O-π) and the formation of the channels which embed (or not) molecules of solvents was also revealed
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Endara, Diana. "« Design » et approche prédictive de nouveaux oxyphosphates de bismuth." Thesis, Lille 1, 2012. http://www.theses.fr/2012LIL10011/document.

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Ce travail a consisté, en appliquant une approche prédictive originale, à prédire et à élaborer de nouveaux composés inorganiques dans le système Bi2O3-P2O5-MOx (M est un cation ou un mélange de cations de natures diverses). La rationalisation systématique des structures déjà existantes a permis de déduire que ces phases résultaient d’un point de vue structural, de l’organisation d’unités structurales basées sur des tétraèdres O(Bi, M)4 formant des rubans ou des colonnes. Il s’agissait de diversifier les unités de construction, taille et arrangement de façon à élargir les possibilités d’assemblage. Des règles empiriques ont été établies permettant la prédiction réelle et rationnelle de nouvelles structures inorganiques complexes. Parmi celles-ci, des matériaux non centro-symétriques ont été obtenus. La présence de la paire libre de Bi3+ dans ces composés induit de fortes propriétés d’optique linéaires qui ont été testées. Ce travail inclut la description, la validation, l’élaboration, la structure et les propriétés des nouveaux oxyphoshates de bismuth
This work consisted in applying an original predictive approach, to predict and develop new inorganic compounds in the ternary system Bi2O3-P2O5-MOx (where M is a cation or a mixture of cations of different types). The systematic rationalization of already existing structures permits to infer from a structural point of view that these phases were the result of the organization of building units (Bus) based on tetrahedrons O(Bi,M)4 connected to form ribbons or columns. This work deals with the diversification of the building units, their size and their arrangement to expand the possibilities of assemblies. Empiric rules have been established for a real and rational prediction of new complex inorganic structures. Non-centro-symmetric materials (NCS) were obtained. The presence of Bi3 + lone pair in these compounds induced strong linear optical properties that have been tested. This work includes the description, validation, development, structure and properties of new bismuth oxo-phoshates
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Chénard, Sylvain. "Design et synthèse de nouveaux modèles de canaux anioniques artificiels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0001/MQ43800.pdf.

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Mouhsine, Hadley. "Développement de nouveaux inhibiteurs du TNFα identifiés par Drug Design." Thesis, Paris, CNAM, 2012. http://www.theses.fr/2012CNAM0842/document.

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Les anticorps monoclonaux ont constitué une révolution dans le traitement desmaladies inflammatoires chroniques, mais ils présentent des inconvénients majeurs (effetssecondaires, coûts élevés, résistances).Notre équipe développe des inhibiteurs du TNFα par deux approches : immunisationactive contre des peptides de cytokine pour générer des anticorps neutralisants et petitesmolécules chimiques pouvant inhiber directement le TNFα.J’ai évalué in vitro les meilleurs composés d’un criblage de chimiothèque in silico, etnotamment identifié une petite molécule qui a protégé les animaux dans deux modèles demaladies in vivo (choc septique et colite au DSS). J’ai aussi réalisé l’analyse d’analogueschimiques des meilleurs composés identifiés in vitro.J’ai également évalué l’immunogénicité de plusieurs peptides de TNFα mais lesanticorps générés n’étaient pas neutralisants in vitro et nous n’avons donc pas testé lespeptides in vivo.Mon travail s’est situé à l’interface de la bioinformatique, de la chimie, et de labiologie et m’a permis de bien comprendre les enjeux du développement moderne dumédicament
Monoclonal antibodies have been a revolution for the treatment of chronicinflammatory diseases but present several drawbacks (secondary effects, prohibitive costs,resistance)Our team develops TNFα inhibitors using two approaches : active immunizationagainst cytokine peptides and small compounds having a direct inhibition on TNFα.I have evaluated in vitro the best compounds selected after in silico screening of achemical library and I have identified a small molecule which was protective in two animalmodels (septic shock and DSS induced colitis). I have also analyzed chemical analogues ofthe best compounds found in vitro.I have also tested the immunogenicity of TNFα peptides but they did not yieldneutralizing antibodies in vitro, and we thus did not test them in vivo.My work was at the interface of bioinformatics, chemistry and biology, and this hasenabled me to understand the key issues in the modern development of drugs
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Pierrot, David. "Etude de nouveaux agents antipaludiques innovants : design, synthèse et bioactivité." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM4365.

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La spéciophylline (ou Uncarine D) est une molécule extraite d’une plante africaine endémique Mitragyna inermis qui présente une activité antipaludique contre la souche chloroquinorésistante W2 de Plasmodium falciparum, un des parasites responsables du paludisme. Son mode d’action est encore inconnu et des quantités plus importantes de produit naturel sont nécessaires pour poursuivre les études d’activité biologiques. Ces quantités ne peuvent être fournies par extraction des feuilles de Mitragyna inermis. Les objectifs de ce travail ont été d’établir une méthodologie de synthèse énantiosélective du motif spiranique de la spéciophylline pour en réaliser la synthèse totale, d’étudier l’activité antiplasmodiale de sous-structures afin de déterminer le pharmacophore de la spéciophylline et de fournir des quantités suffisantes de spéciophylline pour continuer l’étude du mode d’action de cette molécule
Speciophyllin (or Uncarine D) is a natural product extracted from the endemic African plant Mitragyna inermis. It is active against Plasmodium falciparum’s chloroquine-resistant strain W2 which is one of the malaria responsible parasites. Speciophyllin’s action pathway remains unknown and more important amounts that cannot be provided by plant extraction are required to go on with the biologic activity studies. The aims of this work were to develop an enantioselective synthetic methodology to access speciophyllin’s spiranic core to be able to achieve its total synthesis. Through substructures synthesis and antiplasmodial activity evaluation we could study speciophyllin’s pharmacophore
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Books on the topic "Nouveaux designs"

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Boillot, Joseph. Joseph Boillot, Nouveaux pourtraitz et figures de termes pour user en l'architecture. [Paris]: Klincksieck, 1995.

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1841-1917, Grasset Eugène, ed. Art Nouveau floral designs. New York: Crescent Books, 1988.

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Grasset, Eugène. Art nouveau floral designs. Wakefield, R.I: Moyer Bell, 1997.

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Grasset, Eugène. Art nouveau floral designs. London: Bracken, 1988.

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Art nouveau patterns and designs. New York: Crescent Books, 1988.

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Beauclair, R. Art nouveau: Patterns and designs. London: Bracken, 1988.

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Art nouveau designs: 39 renderings. New York: Dover Publications, 1985.

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Bellati, Nally. Le nouveau design Italien. Paris: Pierre Terrail, 1991.

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Charayron, A. Art nouveau stencil designs in color. Mineola, N.Y: Dover Publications, 2009.

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Dufrène, Maurice. 305 authentic Art Nouveau jewelry designs. New York: Dover Publications, 1985.

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Book chapters on the topic "Nouveaux designs"

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"Designers and manufacturers." In Art Nouveau. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350061187.0010.

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"Art Nouveau." In The Visual Dictionary of Graphic Design, 29. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. AVA Publishing (UK) Ltd., 2007. http://dx.doi.org/10.5040/9781474293761.0016.

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Lasc, Anca I. "Epilogue: The presentness of historicism: the Musée centennal du mobilier et de la décoration and the legacy of proto-interior designers." In Interior decorating in nineteenth-century France, 227–34. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526113382.003.0007.

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The Epilogue charts the career of Georges Rémon, artistic grandchild of Pierre-Luc Cicéri. Rémon was an inventor of interior designs that took the historicist, themed aesthetic to a new level. Equally well-versed in revivalist and Art Nouveau interiors, Rémon also invented interior decorating schemes that paid lip service to the more recent political regimes of the nineteenth century (Second Republic style, Louis-Philippe style, Napoléon III style) as well as decorative settings in what would later become the Art Deco style. His workshop designed not only period rooms for the 1900 universal exhibition but also interiors of several ocean liners that brought the French aesthetic to America. His career is thus a perfect example of how the artistic output of upholsterers, cabinet-makers, architects, stage designers, illustrators, collectors and department store managers, directed towards the private interior, invented a “system,” which saw that unity and harmony, as expressed through one main theme and coordinated by the same person, would guide the design of each interior. Without the invention of this “system,” the twentieth-century profession of the interior designer might never have been born.
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"Art Nouveau." In The Visual Dictionary of Interior Architecture and Design, 28. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. English Language Support Office, 2009. http://dx.doi.org/10.5040/9781350088719.0015.

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Boutin, Anne-Marie. "Chapitre 4. De la promotion du design au développement du design." In Les nouveaux régimes de la conception, 67–77. Hermann, 2014. http://dx.doi.org/10.3917/herm.hatch.2014.01.0067.

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Carlos, Filipe Serra. "Desafios da Divulgação do Património Arte Nova em Portugal." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural, 168–91. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a8.

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As soon as it was replaced by new architecture practice and decoration design taste, Art Nouveau fell into the limbo of past fashions, becoming so depreciated that many works of art were destroyed. Like the international movement that rescued Art Nouveau, in Portugal its reappreciation begun with the first Art History studies made since the 50’s and became stronger after the listing of Art Nouveau buildings started in the 70’s. Since, Art Nouveau has come a long way that allowed it to escape the academic and official institutes instances and that gave this heritage the opportunity to become known by a wider public. In this chapter, we aim to portray how diffusion and promotion of Art Nouveau related heritage has been done. Listing the initiatives that have been implemented as well as which entities were decisive in those processes are among this portrayal’s main aspects. The relevance of knowing this evolution lies on the contribution it brings to the comprehension of how Art Nouveau is appreciated in Portugal nowadays by both responsible entities and society. It also allows identifying some lingering misconceptions about Art Nouveau, thus underlining the importance of its promotion and, also, of improving the Art Nouveau knowledge.
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Carlos, Filipe Serra. "Desafios da Divulgação do Património Arte Nova em Portugal." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural, 168–91. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a8.

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As soon as it was replaced by new architecture practice and decoration design taste, Art Nouveau fell into the limbo of past fashions, becoming so depreciated that many works of art were destroyed. Like the international movement that rescued Art Nouveau, in Portugal its reappreciation begun with the first Art History studies made since the 50’s and became stronger after the listing of Art Nouveau buildings started in the 70’s. Since, Art Nouveau has come a long way that allowed it to escape the academic and official institutes instances and that gave this heritage the opportunity to become known by a wider public. In this chapter, we aim to portray how diffusion and promotion of Art Nouveau related heritage has been done. Listing the initiatives that have been implemented as well as which entities were decisive in those processes are among this portrayal’s main aspects. The relevance of knowing this evolution lies on the contribution it brings to the comprehension of how Art Nouveau is appreciated in Portugal nowadays by both responsible entities and society. It also allows identifying some lingering misconceptions about Art Nouveau, thus underlining the importance of its promotion and, also, of improving the Art Nouveau knowledge.
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Edwards, Clive. "[Anon], ‘Pillory: L’art Nouveau at South Kensington’." In Nineteenth-Century Design, 251–54. Routledge, 2021. http://dx.doi.org/10.4324/9780429279492-37.

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"Chapter 1. Art Nouveau and the Age of Attractions." In Cinema by Design, 39–70. Columbia University Press, 2017. http://dx.doi.org/10.7312/fisc17502-004.

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"Chapter 5. Art Nouveau, Patrimony, and the Art World." In Cinema by Design, 175–202. Columbia University Press, 2017. http://dx.doi.org/10.7312/fisc17502-008.

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Conference papers on the topic "Nouveaux designs"

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Silva, Vania Myrrha de Paula e. "ART NOUVEAU: HIBRIDISMO ESTÉTICO DA NATUREZA." In 12º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-ped2016-0054.

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Vieira, Filipa, and Helena Barbosa. "New Routes for Art Nouveau in Aveiro and Ílhavo." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0125.

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Falcão, Larissa Casteliani Marinho. "O ESTILO GRÁFICO DO ART NOUVEAU NOS JORNAIS DOS IMIGRANTES JAPONESES NO BRASIL." In 12º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-ped2016-0318.

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Ni, Xin. "Research on Inheritance and Development Path of Architectural Form in Style of Art Nouveau Movement in Harbin." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.189.

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Li, Nan. "The Interaction Between Artist and Poster Design Taking the Lithograph Poster During Art Nouveauq Movement in France as an Exampleq." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.34.

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Cova Morillo, Miguel Angel De la. "Des-montaje de la maqueta de la propuesta para el Palacio de los Soviets de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.725.

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Resumen: Desde las páginas de L'Esprit Nouveau y al calor del cine, Elie Faure bautizará como "cineplástica" la consecución de imágenes al ritmo de la música, en un discurso paralelo al del método Dalcroze en la danza. Le Corbusier, Albert Jeanneret y Pierre Chenal propondrán dos experiencias fílmicas relacionadas con dicha denominación: "Batir" y "L'Architecture d'aujourd´hui", para las que se realizarán varias maquetas ex-profeso cuyas cualidades estaban pensadas para su visión en la pantalla. Esta especificidad se hará más compleja en el filme del modelo de la propuesta para el Palacio de los Soviets. Le Corbusier mostrará un proceso cinético consistente en el des-montaje del objeto, un recorrido inverso al de la construcción real, lo que permite al espectador poder familiarizarse desde el comienzo con el conjunto terminado. A partir de ahí, como si de un "ecorché" se tratara, se mostrarán sus entrañas: una lección de anatomía arquitectónica que finaliza con el vacío del solar del Salvador dominado por los brillos del gran arco de acero soviético-"stal" en ruso- reflejado en el Moskva. Este recurso cinético emparenta con las teorías del "montaje como conflicto" de Sergei Eisenstein, a través de una maqueta que se presenta, además, como comprobación de la efectividad de la forma ante las ondas acústicas, en la línea de las realizadas por ingenieros como Gustave Lyon. Se consigue así conjugar, a través de la maqueta, espacio, movimiento y sonido. El germen de una arquitectura acústica. Abstract: From the pages of L'Esprit Nouveau and inspired by films, Elie Faure coined the term "cineplástique" to refer to the combination betweenimages and music, similarly to theMethode Dalcroze in dancing. Le Corbusier, Albert Jeanneret and Pierre Chenal proposed two filmic experiences related to this new concept- "Batir" and "L'Architecture d'aujourd´hui". Several models were made specifically for these films and designed to be viewed on screen. This feature became more complex in the film of the proposal model for Palace of Soviets. Le Corbusier displayed a process consisting onthede-montageof the object, reversing thus the path to the actual building, which allows the viewer to become familiar from the start with the finished piece. Thereafter ,as if it was an "écorché", their insides are displayed, featuring an architectural anatomy lesson which ends with the empty site of Salvador, where the brightness of the large steel arch ("Stal" in Russian)is reflected in the Moskva River. This filming resource is related to Sergei Eisenstein's theories of " montage as conflict", illustrated by a scale model that also verifies the effectiveness of form with respect to acoustic waves, in line with those made by engineers such as Gustave Lyon. Therefore, the combination of movement, space and sound is achieved through the architectural model. That is the seed of acoustic architecture. Palabras clave: maqueta; Chenal; filme; cineplástica; Palacio de los Soviets; acústica. Keywords: architectural model; Chenal; film; cineplastique; Palace of Soviets; acoustic DOI: http://dx.doi.org/10.4995/LC2015.2015.725
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Pérez Rodríguez, Marta. "HABITAR EL AIRE." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.668.

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Resumen: Existen en las ideas enunciadas por Le Corbusier dos caminos que partiendo aparentemente de mundos paralelos y opuestos, terminarán convergiéndo en un mismo lugar. Con la construcción del Pavillon de l’Esprit Nouveau, en 1925, se define el nuevo espacio exterior vinculado a la vida moderna. Éste, se dará simultáneamente desde lo colectivo, el immeuble-villa, y desde lo individual, la villa, aunque ambos, se suceden como procesos coexistentes. A este vacío, Le Corbusier lo denominará jardin suspendu, y el orden con el cuál se definirá, será el mismo con el que se constituirá todo el sistema. Desde dentro, este jardin, dejará de ser un exterior para concebirse desde las mismos mecánismos que operan dentro de la casa. Entonces ¿Qué es este espacio?. Simplemente, lo que Le Corbusier trazó, una rica dualidad espacial. Al otro lado, y opuesto a la casa, surge siempre un exterior, como extensión infinita de lo natural. ¿De qué forma ordenarlo?¿cómo vincularlo de nuevo al hombre?. Sólo existe una respuesta posible, un único gesto, el arquitectónico, surgido con la construcción de un plano. Con él, asoma la vertical y la horizontal: Aquellas líneas que vinculan de nuevo al hombre con sus leyes. Con ello, el vacío ya no existe, se ha transformado, constituyendo un nuevo espacio. ¿Qué es este espacio?. De nuevo, una rica ambigüedad. Abstract: Into the ideas enunciated by Le Corbusier there are two paths starting apparently from parallel and opposite worlds, but finally coming to converge in a same place. With the construction of the “Pavillon de l’Esprit Nouveau”, in 1925, it is defined the new outside space linked to modern life. This is given simultaneously from the collective with the “immeuble-villa”, and from the individual, la villa, although both succeed as coexistent processes. This emptiness was called by Le Corbusier “jardin suspendu”, and the order to define it, will be the same used to build the whole system. From inside, this garden will fail to be an outside to be conceived from the same mechanisms that work into the house. So, what is this space? It is simply what Le Corbusier designed, a rich space duality. In the other side, and opposite the house, an outside emerges always, like a boundless extent of the natural. Which way can it be arranged? How can it be linked again to the human? It exists only one possible answer, one unique gesture, the architectonic one, which emerges with the construction of a plan. With it, vertical and horizontal positions arise: those lines that link again the man with his laws. With it, this emptiness doesn’t exists anymore, it has changed becoming in a new space. What is this space? Again, a rich ambiguity. Palabras clave: immeuble-villa, jardin suspendu, interior, exterior, dualidad especial. Keywords: immueble-villa, jardin suspendu, inside, outside, space duality. DOI: http://dx.doi.org/10.4995/LC2015.2015.668
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Campo-Ruiz, Ingrid. "Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.893.

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Abstract: Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently developed in Sweden and influenced by Le Corbusier’s ideas and projects also impacted on the international architectural scene. This research analyses how the study of Le Corbusier’s works affected projects in Sweden from the 1920s to the 1970s and how they also became an international standard. Le Corbusier’s works provided a kind of prototype, with which Swedish architects experimented in alternative ways. During the 1920s, Le Corbusier’s Pavilion de l’Esprit Nouveau and the Stuttgart Weissenhofsiedlung impressed influential Swedish architect, including Uno Åhrén, Gunnar Asplund and Sven Markelius, who later became proponents of modernism in Sweden. The 1930 Stockholm Exhibition marked a breakthrough for functionalism in Sweden. After 1930, urban plans for Stockholm and its suburbs reflected some of Le Corbusier’s ideas, such as the urban plan by Sven Markelius, and Vällingby’s town centre by Leif Reinius and Sven Backström. After 1950, Léonie Geisendorf , Ralph Erskine, Sigurd Lewerentz and Peter Celsing placed considerable emphasis on rough texture in poured concrete. Lewerentz, who admired the works of Le Corbusier, designed the churches of Markuskyrkan in 1956 and St Peter’s in Klippan in 1966, with a wider international impact. Reyner Banham included several works by Le Corbusier and also Markuskyrkan Church by Lewerentz in his book The New Brutalism: Ethic or Aesthetic? in 1966. Keywords: Sweden, twentieth-century architecture, urban planning, prototype, architectural experiment, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.893
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