Relevant bibliographies by topics / Notebooks of Malte Laurids Brigge

Academic literature on the topic 'Notebooks of Malte Laurids Brigge'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Notebooks of Malte Laurids Brigge"

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Braden, Dennis. "Rilke's the Notebooks of Malte Laurids Brigge." Explicator 45, no. 2 (January 1987): 43–45. http://dx.doi.org/10.1080/00144940.1987.9938650.

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Гнездилова, Елена Валерьевна. "EKPHRASTIC DISCOURSE IN R. M. RILKE “THE NOTEBOOKS OF MALTE LAURIDS BRIGGE”." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(111) (July 7, 2021): 38–45. http://dx.doi.org/10.37972/chgpu.2021.111.2.005.

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В статье рассматривается экфрастический дискурс в романе Р. М. Рильке «Записки Мальте Лауридса Бригге» (1910), который является единственным прозаическим произведением австрийского поэта.При создании собственного художественного мира поэт активно обращается к предшествующей культуре: это и библейская философская, и поэтическая традиция, средневековые мотивы и образы, философские идеи немецких и датских философов, французская литературная и изобразительная традиция, русская духовная культура и поэзия. Особое место в формировании поэтического мира Р. М. Рильке занимают произведения изобразительного и декоративно-прикладного искусства. Экфрастический дискурс является основой для философских и поэтических размышлений, отправной точкой в исследовании проблемы творчества.Анализируя роман «Записки Мальте Лауридса Бригге», автор статьи обращается к особенностям концепции «вещи» в художественном универсуме поэта и прослеживает взаимосвязь и влияние изобразительного искусства на формирование концепции «вещи», а также выявляет функцию экфрастического дискурса в поэтике романа. Экфрастический дискурс, обращение к произведениям изобразительного и декоративно-прикладного искусства, в романе основан на аллюзиях и реминисценциях, он служит воплощению главной темы произведения, связанной с внутренними поисками главного героя. Произведения искусства, таким образом, являются в романе важнейшими смыслообразующими элементами. Кроме того, обращаясь к реально существующим произведениям искусства прошлых столетий, автор романа придает внутренним поискам героя вневременной, универсальный характер. The article examines the ekphrastic discourse in the novel by R. M. Rilke «The Notebooks of Malte Laurids Brigge» (1910), which is the only prose work of the Austrian poet. When creating his own artistic world, the poet actively turns to the previous culture: this is the biblical philosophical and poetic tradition, medieval motives and images, and the philosophical ideas of the German and Danish philosophers, French literary and visual tradition, Russian spiritual culture and poetry. A special place in the formation of the poetic world of R.M. Rilke is occupied with the works of fine and decorative arts. Ekphrastic discourse is the basis for philosophical and poetic reflections, the starting point in the study of the problem of creativity. Analyzing the novel «The Notebooks of Malte Laurids Brigge», the author of the article refers to the peculiarities of the concept of «thing» in the artistic universe of the poet and traces the relationship and influence of fine art on the formation of the concept of «thing», and also reveals the function of ekphrastic discourse in the poetics of the novel. Ekphrastic discourse, an appeal to works of fine and decorative-applied art in the novel fulfill the roles of both allusions and reminiscences, and serves as the embodiment of the main theme of the work, connected with the inner searches of the protagonist. Thus, works of art are the most important sense-forming elements in the novel. In addition, referring to real-life works of art of the past centuries, the author of the novel gives the hero’s inner search a timeless, universal character.
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Tobias, Rochelle. "Rilke's Landscape of the Heart: On The Notebooks of Malte Laurids Brigge." Modernism/modernity 20, no. 4 (2013): 667–84. http://dx.doi.org/10.1353/mod.2013.0102.

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Macleod, Jock. "Writing as Paradox in Rilke's Notebooks of Malte Laurids Brigge." MFS Modern Fiction Studies 38, no. 2 (1992): 403–25. http://dx.doi.org/10.1353/mfs.0.1061.

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Sherstneva, E. S. "TRANSLATORS’ STRATEGIES: FROM DOMESTICATION TO FOREIGNIZATION." Juvenis scientia, no. 10 (2018): 57–60. http://dx.doi.org/10.32415/jscientia.2018.10.12.

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Translator’s role as a mediator of intercultural communication is viewed in the article in connection with strategies he employs in the process of translation. The author studies approach of Russian and foreign theorists of translation to the opposition of covert and overt translation. The analysis of strategies of translators who worked on the English translation of R. M. Rilke’s novel “The Notebooks of Malte Laurids Brigge” is performed. As a result, it is concluded that translators’ pendulum movement gradually goes form translation which is at some distance from the original and is aimed at the culture and language of the translation to the translation which moves to ultimate reconstruction of structural and semantic parameters of the original.
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Cavanna, Andrea Eugenio, Maria Grazia Pattumelli, Tiziana Quarto, Fizzah Ali, and Hugh Rickards. "The “imprisoned illness:” Motor tic disorder in Rainer Maria Rilke's Notebooks of Malte Laurids Brigge." Movement Disorders 25, no. 12 (July 28, 2010): 1980–82. http://dx.doi.org/10.1002/mds.23203.

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Lim, Wesley. "Bridging Gesture, Gesticulation, and Early Modern Dance: Rilke's Veitstänzer in The Notebooks of Malte Laurids Brigge." Dance Chronicle 39, no. 3 (September 2016): 279–98. http://dx.doi.org/10.1080/01472526.2016.1221755.

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Stables, Wayne. "“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’s The Notebooks of Malte Laurids Brigge." New German Critique 48, no. 3 (November 1, 2021): 165–98. http://dx.doi.org/10.1215/0094033x-9305533.

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Sushko, S. "INTERTEXTUAL PALLETTE IN WILLIAM HOWARD GASS’S “THE TUNNEL”: RAINER MARIA RILKE’S LITERARY PARALLELS IN THE NOVEL." Studia Philologica, no. 12 (2019): 120–26. http://dx.doi.org/10.28925/2311-2425.2019.12.18.

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The given article presents an overview and initial analysis of the manifold influences of R. M. Rilke’s poetry and prose on William H. Gass’s “The Tunnel”. The American writer and literary scholar W. H. Gass repeatedly acknowledged Rilke’s profound impact on his novel. Undertaking our research of the particular manifestations of Rilke’s “presence” in “The Tunnel”, we are naturally guided, and motivated, by a challenging task of specifying those fragments and chunks of the text as well as underlying ideas and concepts which were borrowed from Rilke, which could be traced back to his works. Our opening research into the problem specified has brought forth the following results. Intertextual links of “The Tunnel” are manifold, the Rilkean parallels being profound, versatile and fruitful. The core of Rilkean influence is formed by sharing much from the poetics of Rilke’s novel “The Notebooks of Malte Laurids Brigge” — an artist’s vision, forms of delineating things (Dinge), some plot lines and narratives, a device of inserted stories, auto fictionality, philosophically charged, reflexive prose writing, autobiographical narrative. Besides, “The Tunnel” features dozens of parallels with Rilke’s poetical works.
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Pedneault-Deslauriers, Julie. "Webern’s Angels." Journal of Musicology 32, no. 1 (January 1, 2015): 78–114. http://dx.doi.org/10.1525/jm.2015.32.1.78.

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Anton Webern’s Two Songs, Op. 8 on Poems by Rainer Maria Rilke (1910-1926) stand at the intersection between the composer’s spiritual ideals involving a fascination for angels, his personal circumstances at the time of the songs’ composition, and the literary influences of Weininger, Balzac, and especially Rilke. The Lieder absorb the Rilkean notions of transcendence and “intransitive love,” themes developed in the novel The Notebooks of Malte Laurids Brigge, the source of Webern’s texts. According to Rilke, lovers access the higher spiritual realm of angels by forsaking (rather than yearning for) proximity and possession. This concept resonates with the relationship Webern crafts between the chamber orchestra and the vocal line, one that eludes the goals it projects and expresses quasi-intangible motivic connections that dematerialize as soon as they form. The Op. 8 songs represent a turning point that reverberated throughout Webern’s personal and spiritual life: the promise of transcendence that Rilke’s poems held was couched in terms that echoed the hardships and rewards of his relationship with his future wife and, at the same time, resonated with the composer’s religious and artistic morals.
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Dissertations / Theses on the topic "Notebooks of Malte Laurids Brigge"

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Macleod, N. J. "Fictions of authenticity : Dostoevsky's Notes from Underground, Rilke's Notebooks of Malte Laurids Brigge, and Sartre's Nausea." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233571.

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Wahlberg, Andreas. "Klaus Kinski : Erster Liebhaber und Lebenskünstler." Thesis, Stockholms universitet, Avdelningen för tyska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104065.

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This study examines the relationship between sexuality and actorial artistic creation in the autobiographic writings of the German actor Klaus Kinski (1926-1991). Departing from Socrates’ appraisal of Eros in the Platonic dialogue Symposion, the text confronts two classic theories on sexuality and art: Christoph Wilhelm Hufeland’s book on macrobiotics and vital power (Lebenskraft), The Art of Prolonging Human Life, and Sigmund Freud’s texts on sublimation. Plato, Hufeland and Freud have in common that they see art and sexuality, representing spiritual and carnal life, as rivals. Hence, artistic production has to rely on a renunciation of physical love, either through abstinence or transformation of sexual energy into spiritual creative power. The case of Klaus Kinski is particularly important, since his literary works seems to resist sublimation of any kind. While devoting himself to libertinage – which he renders in detail – he still succeeds in creating works of art, as an actor and as a writer. The artistic conditions for Kinski the actor, being an active force in control of theatrical objects and means, in contrast to the passive-receptive actor in Rainer Maria Rilke’s The Notebooks on Malte Laurids Brigge, further adds to this particularity. Kinski’s refusal to recognise a rivalry between love and art has its roots in Constantin Stanislavski’s method of acting, in which the task of the actor is to give life to the role by giving it both spiritual and bodily life, having body and mind working together towards the higher aim of theatrical performance. Yet this paradigm of incarnation, as opposed to inspiration, does not apply exclusively to theatrical and performing arts, where the work of art is constituted by the actor’s body. In a text from 1927 about the rhyme, the Austrian writer Karl Kraus proposes an „erotics of language”, in which the ideal Paarung (coupling or mating) implies both the physical act of reproduction, and sonorous combination of two rhyming words, uniting distant spheres or entities. In this sense, Kinski’s ideal coupling can be understood as a joint venture between mind and body, art and sexuality, theatre and life, enabling him to enjoy a frivolous love life without abandoning artistic creation.
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Martins, Renata de Freitas. "A experiência do estranho no romance Die Aufzeichnungen des Malte Laurids Brigge, de Rainer Maria Rilke." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-03122012-123751/.

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Inserida nos estudos da Germanística Interdisciplinar no Brasil, a presente dissertação, A experiência do estranho no romance Die Aufzeichnungen des Malte Laurids Brigge, de Rainer Maria Rilke, tem como objetivo analisar na mencionada obra literária, considerada o primeiro romance moderno em língua alemã do século XX, o conceito do estranho. Os diversos elementos ficcionais que compõem cada um de seus setenta e um fragmentos permitem ao protagonista-narrador, Malte Laurids Brigge, ter acesso à abrangente configuração da semântica do estranho que se apresenta aqui por meio de três vertentes: a experiência de vida em uma metrópole estrangeira com a qual ele não se identifica, mas que, dialeticamente, lhe serve como uma ponte para a descoberta de seu mundo interior; a revelação de recordações de sua infância, até então não manifestadas, e regidas por acontecimentos particulares que reconstituem a busca precoce por sua identidade; e a afirmação de seu Eu através de leituras de narrativas alheias que projetam camufladamente sua identidade. Com esse conjunto semântico multifacetário, Rilke logra articular com a experiência do estranho diversas possibilidades e tentativas de Malte Laurids Brigge em buscar e redefinir sua identidade.
Inscribed within Interdisciplinary Germanic Studies in Brazil, the objective of this thesis, The Foreigners/Stranger´s Experience in Rainer Maria Rilkes Die Aufzeichnungen des Malte Laurids Brigge, is to analyze the concept of the foreigner/stranger in said text, considered to be the German languages first 20th Century modern novel. The diverse fictional elements comprising each one of the seventy one fragments of the work grant the central character/narrator access to the configuration of the semantics of the foreigner, presented in three strains: the experience of living in a foreign metropolis with which he does not identify yet serves him as a bridge to discovering an inner world in dialectic terms; the revelation of memories not manifested during his childhood and governed by particular occurrences that reconstruct his search for identity; and the projection of his ego through readings of narratives by others. With this group of elements and by way of the foreigners experience, Rilke manages to articulate the most diverse possibilities of Malte Laurids Grigges search for identity.
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Stuber, Regina. "Die Ästhetik in Rilkes "Aufzeichnungen des Malte Laurids Brigge" und ihre Wirkung auf Pasternaks "Doktor Jivago"." Nancy 2, 1994. http://www.theses.fr/1994NAN21025.

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Witzleben, Brigitte von. "Untersuchungen zu Rainer Maria Rilkes "Aufzeichnungen des Malte Laurids Brigge" Studien zu den Quellen und zur Textüberlieferung /." Vaasa : Universität Vaasa, Institut für Deutsche Sprache und Literatur, 1996. http://catalog.hathitrust.org/api/volumes/oclc/35919808.html.

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NAKAMURA, Yasuko. "Die Sehnsucht nach dem nie gewesenen Leben : Die Aufzeichnungen von Anatol Ludwig Stiller und Malte Laurids Brigge." School of Letters, Nagoya University, 2006. http://hdl.handle.net/2237/8452.

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Paradis, Swann. "Revenir dans l'espace Eurydicial, Les cahiers de Malte Laurids Brigge comme centre d'irradiation du mythe d'Orphée dans la poésie de Rainer Maria Rilke." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65386.pdf.

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Jongy, Béatrice. "L'écriture de soi au tournant du siècle : une quête ontologique, chez Rilke (les carnets de Malte Laurids Brigge), Kafka (Le journal) et Pessoa (le livre de l'intranquillité)." Paris 3, 2004. http://www.theses.fr/2004PA030071.

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Les trois diaristes vivent au tournant du XXe siècle, dans un monde en pleine mutation. La crise des valeurs religieuses, du langage et de l'identité, l'anonymat de la grande ville engendrent un profond malaise. L'écriture, dans ces journaux, est celle d'une perte et d'une quête de soi visant à réparer la scission ontologique. Les diaristes cherchent, jour après jour, à se mettre au monde, dans une écriture hantée par la solitude existentielle et la pensée de la mort. Aussi le journal devient-il le théâtre de leur autogenèse. Mais la fictionnalisation de soi conduit le sujet à une multiplication destructrice, une traversée des limbes où la mélancolie côtoie la mort et la folie. La quête ontologique est déviée vers la fondation d'une nouvelle forme de lyrisme, que caractérisent la mort du sujet et un bouleversement de la conception de l'œuvre et de la littérature. Le sujet s'anéantit dans une œuvre-vie. C'est l'écriture de la modernité, voire de la postmodernité, qui émerge ici
The three diarists live at the beginning of the twentieth century, in a changing world. The crisis of religious values, language and identity, the anonymity of the big city generate a profound uneasiness. In these diaries, the writing is one of a loss and of a search of oneself which aims at mending the ontological scission. Day after day, the diarists try to bring themselves to the world, through a writing which is haunted by existential solitude and the thought of death. The diary becomes the scene of their self-genesis. But the self-fictionalisation leads the subject to a destructive multiplicity, a journey through limbo where melancholy is always close to death and insanity. The ontological quest becomes the foundation of a new form of lyricism which is characterized by the subject's disappearance, and by a complete change in the conception of literature. The subject vanishes completely in his work and turns his life into a work of art. Here emerges the writing of modernity, and even of postmodernity
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Liebich, Jens. "Poetik der Interaktion." Thesis, Nantes, 2019. http://www.theses.fr/2019NANT2031.

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Selon Rilke lui-même, l'évolution de Malte ne mène pas nécessairement à la « béatitude >>, mais peut tout aussi bien finir en « naufrage ». À partir de cette polarité, nous montrons comment Les Cahiers de Malte Laurids Brigge forment un texte structurellement ambivalent. À l'intérieur du roman, le persoimage ne parvient pas à accomplir la transformation qu'il esquisse sur le plan théorique; en revanche, la forme du roman accomplit ces transformations sur le plan poétologique par les innovations apportées aux procédés d'écriture et par le montage ouvert du récit. Malte lui-même anticipe cette évolution dans ses remarques sur « la genèse de la poésie » au fragment 14. Il se livre à une introspection approfondie, examinant les conditions d'émergence de ses poèmes, et fondant par là-même la trame narrative qui, oscillant entre décomposition et recomposition, insufflera aux Cahiers leur dynamique, Cette énergie porte le sujet écrivant, le contenu et la forme même du roman. Ainsi assiste-t-on à la fragmentation et au naufrage du sujet traditionnel de la littérature, tandis qu'en se réfugiant dans I'« unité » de Part, Malte se constitue par le processus d'écriture en « sujet dialogique »d'un« dialogue ouvert» (P. Zima). C'est pourquoi l'évolution de Malte ne mène ni à la béatitude, ni au naufrage: elle est plutôt le commencement d'une transformation infinie du sujet et de son monde
Rilke's Notebooks has always given rise to the question whether Malte's development could be interpreted as a decline or an apotheosis, leading to the thesis of a "double readability' of the text. Following this thesis, a text-immanent interpretation displays the fundamental ambivalent structure of the novel. lt becomes evident that the evolution of the text at a formal level remains unattainable to the protagonist in terms of content. The development of Notebooks is foreshadowed by Malte himself in the fourteenth chapter, where he reflects in detail on the genesis of poetry. Concerning this, it is an indispensable prerequisite to accept all adversities and experiences of life - without exception or selection. With this understanding, Malte creates the decisive foundation for the narrative style, which defines Notebooks by a 'wave-like' movement of decomposition and recomposition, thus influencing the writing subject, the content, and the form of the text. Even though this could have meant the decline of the subject - just as one would have inferred until the release of Notebooks - Malte, by taking refuge, in the 'wholeness' of art, became himself a "dialogical subject" in an "open dialog" (P. Zima) through the process of writing. As such, Matte's development is neither a decline nor an apotheosis; it is the beginning of an infinite modification of the subject and his world
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Nurmi-Schomers, Susan. "Visionen dichterischen "Mündigwerdens" : poetologische Perspektiven auf Robert Musil, Rainer Maria Rilke und Walter Benjamin /." Tübingen : Niemeyer, 2008. http://d-nb.info/991497120/04.

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Books on the topic "Notebooks of Malte Laurids Brigge"

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: Vintage Books, 1985.

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: W.W. Norton, 1992.

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. Champaign: Dalkey Archive Press, 2009.

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. London: Pan Books, 1988.

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. [New York]: Limited Editions Club, 1987.

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Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: Vintage Books, 1990.

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Macleod, Norman James. Fictions of authenticity: Dostoevsky's "Notes from underground", Rilke's "Notebooks of Malte Laurids Brigge", and Sartre's "Nausea". Norwich: University of East Anglia, 1988.

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Rilke, Rainer Maria. Die Aufzeichnungen des Malte Laurids Brigge. Frankfurt am Main: Suhrkamp, 1996.

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1875-1926, Rilke Rainer Maria, and Vidali Valerio 1983 illustrator, eds. Die Aufzeichnungen des Malte Laurids Brigge. Recanati, Italien: ELI, S.r.L., 2014.

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Naumann, Helmut. Gesammelte Malte-Studien: Zu Rilkes "Aufzeichnungen des Malte Laurids Brigge". Rheinfelden: Schäuble, 1993.

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Book chapters on the topic "Notebooks of Malte Laurids Brigge"

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Reynolds, Nicholas Carroll. "Learning to See: The Notebooks of Malte Laurids Brigge, First Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 149–77. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_5.

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Boos, Sonja. "Allegory, Modernity, Learning to See: Cytoarchitectonics in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge." In The Emergence of Neuroscience and the German Novel, 157–82. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82816-5_7.

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Reynolds, Nicholas Carroll. "Transformation: Malte Laurids Brigge, Second Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 179–212. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_6.

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Lauterbach, Dorothea. "Rilke, Rainer Maria: Die Aufzeichnungen des Malte Laurids Brigge." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19029-1.

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Molder, Maria Filomena. "Le fond doré. À propos des Cahiers de Malte Laurids Brigge." In Aesthetics and Philosophy of Art, 353–62. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5069-5_18.

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Wagner-Egelhaaf, Martina. "Ekstatisches Schreiben: Rainer Maria Rilke, “Die Aufzeichnungen Des Malte Laurids Brigge” (1910)." In Mystik der Moderne, 62–107. Stuttgart: J.B. Metzler, 1989. http://dx.doi.org/10.1007/978-3-476-03282-9_4.

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van Laak, Lothar. "Rauschen, Klang und Stille. Zur Musikalität von Literatur am Beispiel von Rilkes Aufzeichnungen des Malte Laurids Brigge." In Rilkes Musikalität, 103–12. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010320.103.

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Petersen, Jürgen H. "Der Leser als Souverän: Rainer Maria Rilkes »Die Aufzeichnungen des Malte Laurids Brigge« und Carl Einsteins »Bebuquin oder die Dilettanten des Wunders«." In Der deutsche Roman der Moderne, 68–98. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03380-2_4.

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Huyssen, Andreas. "The Notebooks of Malte Laurids Brigge." In The Cambridge Companion to Rilke, 74–79. Cambridge University Press, 2010. http://dx.doi.org/10.1017/ccol9780521879439.006.

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LAVAGETTO, ANDREINA. "The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910)." In The Novel, Volume 2, translated by Michael F. Moore, 871–79. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv27tctsx.54.

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Conference papers on the topic "Notebooks of Malte Laurids Brigge"

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SHERSTNEVA, Ekaterina S. "Rhythm of Artistic Prose as an Element of Stylistic Originality of the Work (Based on the Original and Translations of the Novel by R. M. Rilke "Notes of Malte Laurids Brigge")." In III International theoretical and practical conference “The Crossroads of the North and the East (methodologies and practices of regional development)”. SibAC, 2020. http://dx.doi.org/10.32743/nesu.cross.2020.201-206.

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