Journal articles: 'Nostos'

1

Aber, Aria. "Nostos." Yale Review 107, no. 4 (2019): 16–17. http://dx.doi.org/10.1353/tyr.2019.0126.

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Miller, Sandra, and V. Penelope Pelizzon. "Nostos." Chicago Review 46, no. 2 (2000): 107. http://dx.doi.org/10.2307/25304509.

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Aber, Aria. "Nostos." Yale Review 107, no. 4 (October 2019): 16–17. http://dx.doi.org/10.1111/yrev.13549.

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Wlliamson, Alan. "Poetry: Nostos." Yale Review 88, no. 4 (October 2000): 139–40. http://dx.doi.org/10.1111/0044-0124.00458.

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Vilella, Eduard. "Nostos y Laberinto." Quaderns d’Italià 10 (November 3, 2005): 31. http://dx.doi.org/10.5565/rev/qdi.85.

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Gorodetzky, P. "NOSTOS – Spherical TPCs." Nuclear Physics B - Proceedings Supplements 151, no. 1 (January 2006): 410–13. http://dx.doi.org/10.1016/j.nuclphysbps.2005.07.073.

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Tirado, Fran. "Kleos, Aidos, Nostos, & Penthos." Iowa Review 46, no. 1 (March 2016): 32–34. http://dx.doi.org/10.17077/0021-065x.7683.

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Sturino, Franc. "Nostos, Nostalgia and Italian Migration." Italian Canadiana 35 (August 18, 2021): 63–70. http://dx.doi.org/10.33137/ic.v35i0.37217.

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The Italian immigrant experience in North America is discussed in relation to the concepts of nostos and nostalgia. The first term, normally referring to the return home from a sea voyage, is discussed comparing the foundational account of nostos, the Odyssey, with the early sojourn phase of Italian migration. By comparison, nostalgia, which can take the form either of homesickness or a longing for the past, is found in the permanent settlement phase, wherein the sense of homesickness predominates pre-World War II while that of longing for the past best defines the post-war period.

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Bancheri, Salvatore. "Un viaggio nel mio nostos. La comunità siciliana globale di Delia tra tradizioni, teatro, dialetto ed italiese." Italian Canadiana 35 (August 18, 2021): 129–51. http://dx.doi.org/10.33137/ic.v35i0.37223.

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L'articolo prende avvio da una riflessione privata sul sentimento del nostos che ha caratterizzato (e continua a caratterizzare) la vita di migliaia di italiani in emigrazione. La dimensione privata è però solamente un input per considerare il nostos e la sua valorizzazione anche da un punto di vista istituzionale e accademico, sia di ricerca letteraria che linguistica. Sono analizzate le opere in chiave migratoria della letteratura siciliana moderna e contemporanea, in particolare di due scrittori di Delia: Stefano Vilardo e Lina Riccobene. Sul piano linguistico è proposto un riferimento all’italiese come linguaggio creativo del nostos, una lingua a sé stante nello spazio linguistico italiano globale, capace di creare identità personale e sociale a gruppi di persone intragenerazionali.

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Canton, Licia. "Narratives of Nostos by Italian-Canadian Women." Italian Canadiana 35 (August 18, 2021): 201–14. http://dx.doi.org/10.33137/ic.v35i0.37228.

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We are privileged to read and write and share narratives of nostos that are inspired by our (grand)parents’ decision to emigrate. The return journey “home” shows a need to look to the past, towards one’s roots, in an attempt to better understand the present. This essay looks at representations of nostos in the Italian-Canadian literary community, with an emphasis on narratives by women who were born in Italy as well as those whose (grand)parents emigrated to Canada. To varying degrees, the discussion will touch on the works of established and emerging authors from Ontario, Quebec and Alberta.

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Solez, Kevin. "Traveling with Helen: The Itineraries of Paris and Menelaus as Narrative Doublets." Yearbook of Ancient Greek Epic Online 3, no. 1 (May 23, 2019): 67–87. http://dx.doi.org/10.1163/24688487-00301003.

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Abstract The journey of Paris from Sparta to Troy and the journey of Menelaus from Troy to Sparta are narrative doublets that feature in the Epic Cycle. Both men follow a typical and historical pattern of mobility between Greece and the Levant before reaching their destination. These similarities constitute a proleptic doublet, where Paris’s journey is a less elaborate iteration of a story pattern that appears again in the nostos of Menelaus. In our known epics, the doublets appear near the beginning of the Cypria and at the very end of the Nostoi.

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Loriggio, Francesco. "Appunti su nostos e letteratura (italo-canadese)." Italian Canadiana 35 (August 18, 2021): 43–62. http://dx.doi.org/10.33137/ic.v35i0.37216.

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Il ritorno è stato uno dei grandi temi della cultura occidentale, dall’antichità classica all’epoca moderna, ma è anche uno dei temi di fondo delle letterature dell'emigrazione, inclusa la letteratura italo-canadese. Che importanza dare, criticamente parlando, a queste coincidenze? In che modo illuminano la nozione di modernità? E, viceversa, in che modo incidono, o dovrebbero incidere, sul nostro atteggiamento verso letterature come quella italo-canadese? Sono queste le domande di base a cui il testo cerca di rispondere.

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Guma, Tullio. "Un nostos “diplomatico”: i miei tanti ritorni." Italian Canadiana 35 (August 18, 2021): 109–16. http://dx.doi.org/10.33137/ic.v35i0.37221.

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Il nostos era il ritorno degli eroi greci dai campi di battaglia. L'altra faccia della medaglia del nostos era la nostalgia per le persone care ed i luoghi di origine che non si vedevano da molti anni. Lo stesso struggente sentimento è provato dagli emigrati, dai rifugiati che desiderano un giorno ritornare al loro Paese. Anche Tullio Guma è per certi versi un emigrato avendo vissuto più anni all’estero che non in Italia: da bambino ed adolescente, durante i quarant'anni trascorsi in diplomazia, dopo il pensionamento. Egli infatti risiede tuttora a Toronto. Egli ha vissuto in molti Paesi ed ha effettuato tanti ritorni, mai definitivi. Mete dei suoi rientri in Italia sono stati Napoli e Roma. Ogni volta che a distanza di anni tornava in Italia, osservava i numerosi cambiamenti che erano nel frattempo intervenuti. È sempre felicissimo di tornare in Italia, ma anche in Canada e negli altri Paesi ove ho risieduto. Resta da vedere se Tullio Guma compirà un giorno il ritorno “definitivo”. Già, ma in Italia o in Canada?

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Adluri, Vishwa. "Plato’s Saving Mūthos: The Language of Salvation in the Republic." International Journal of the Platonic Tradition 8, no. 1 (February 10, 2014): 3–32. http://dx.doi.org/10.1163/18725473-12341272.

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Abstract This article discusses the Homeric background of the Republic with the aim of elucidating Plato’s critique of Homeric nostos. It argues that the Republic unfolds as a nostos voyage, with Socrates striving to steer the soul home. Even though Segal has already argued for seeing the Republic as an Odyssean voyage, this article suggests that Plato does more than simply borrow the idea of a voyage as a metaphor for the wanderings of the soul. Rather, there is an implicit critique of Homer as the “poet of Becoming” in the dialogue. Thus, reading the Republic in the context of other Platonic dialogues such as the Cratylus and Theaetetus where Socrates identifies Homer as the source of the view that Ocean is the origin of all things (Crat. 402b, Theaet. 180d) and that everything is in flux (Theaet. 180d) allows us to better appreciate Socrates’ critique of poets in the Republic. At stake in this critique is ultimately the question of the soul’s true nostos, which Plato identifies with a vertical ascent (Rep. 521c, 532b) to Being rather than with a temporary homecoming within Becoming. This article contributes to the elucidation of the Homeric and pre-Socratic background of Platonic philosophy. It undertakes a literary reading of the Republic against the background of the hero’s journey motif. Specifically, it argues that Plato critiques and emends the Odyssean nostos in order to make space for Parmenidean ontology, thus forging a new understanding of salvation.

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Christensen, Joel P. "Revising Athena’s Rage: Cassandra and the Homeric Appropriation of Nostos." Yearbook of Ancient Greek Epic Online 3, no. 1 (May 23, 2019): 88–116. http://dx.doi.org/10.1163/24688487-00301004.

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Abstract This article approaches the relationship between the Odyssey’s nostos and other Nostoi from the perspective of the epic’s treatment of Cassandra. In doing so, I emphasize two perspectives. First, rather than privileging either “lost” poems or our extant epic as primary in a “vertical” relationship, I assume a horizontal dynamic wherein the reconstructed poems and the Odyssey influenced each other. Second, I assume that, since little can be said with certainty about lost poems, references to other traditions attest primarily to the compositional methods and the poetics of our extant poem. After outlining the major narrative features of the story of Cassandra that were likely available to Homeric audiences, I argue that the suppression of her story in the Odyssey is both part of the epic’s strategy to celebrate Odysseus and Penelope and a feature of the enforcement of a male-dominated ideology.

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16

Rao, Eleonora. "“Home” and the Narrative of an Impossible Nostos." Commonwealth Essays and Studies 37, no. 2 (April 1, 2015): 27–34. http://dx.doi.org/10.4000/ces.5009.

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17

Anna Bonifazi. "Inquiring into Nostos and Its Cognates." American Journal of Philology 130, no. 4 (2009): 481–510. http://dx.doi.org/10.1353/ajp.0.0078.

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18

von Herrmann, Hans-Christian. "Odyssey without Nostos, or, From Globe to Planet." Zeitschrift für Medien- und Kulturforschung 9, no. 1 (2018): 147–56. http://dx.doi.org/10.28937/1000108100.

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We are witnessing a return of cosmology in 20th and 21st century thinking. It is cosmology in the ancient greek sense of the word which addressed the entirety of what surrounds and carries us. Another term for this ongoing transformation is the ›planetary‹ which isn’t simply a synonym for the ›global‹. The planetary means a kind of boundless pervasion based on science and technology and transposing planet earth and human life from a culture-historical to a cosmic scale.

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19

Clauss, James Joseph. "Hercules Unchained: Contaminatio, Nostos, Katabasis, and the Surreal." Arethusa 41, no. 1 (2008): 51–66. http://dx.doi.org/10.1353/are.2008.0007.

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20

Starovoytenko, Andrey. "The Revenge of Nostos: On Place in Nostalgia Studies." Inter 13, no. 2 (June 30, 2021): 41–53. http://dx.doi.org/10.19181/inter.2021.13.2.3.

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Nostalgia is generally understood by social sciences and humanities in temporal terms [Blunt, 2003] and as modernity’s by-product. It is argued that in face of the "global triumph of memory" [Nora, 2005] and the consumerist colonization of the past, looking at nostalgia through the lens of modern temporality is no longer understanding and explaining this complex of experiences. The article is an attempt at a critique of temporal-centered nostalgia by appealing to place. Place-sensitive nostalgia studies lend an opportunity for a less reductionist view of this fascinating and complex phenomenon.

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21

Giomataris, I., S. Aune, P. Colas, E. Ferrer, I. Irastorza, B. Peyaud, J. Dolbeau, et al. "NOSTOS experiment and new trends in rare event detection." Nuclear Physics B - Proceedings Supplements 150 (January 2006): 208–13. http://dx.doi.org/10.1016/j.nuclphysbps.2005.01.245.

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22

Niccoli, Gabriel. "Frammenti e digressioni sul nostos come ritualizzazione e culto della memoria ne Il sogno di Toloma di Nino Famà." Italian Canadiana 35 (August 18, 2021): 251–68. http://dx.doi.org/10.33137/ic.v35i0.37232.

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Questo saggio prende in esame, tra gli intrecci delle sue divagazioni, il modo in cui viene dispiegata la struttura topologica del nostos nel romanzo Il sogno di Toloma dello scrittore italocanadese Nino Famà. Mettendo a fuoco la figura del giovane protagonista del romanzo, italocanadese di terza generazione, lo studio intende analizzare le atipiche movenze di un nostos velatamente sui generis, di contagio, come verrà definito, in quanto intacca un ragazzo le cui memorie del “paese-villaggio” mediterraneo sono filtrate attraverso la lente prismatica del nonno. Orbitando intorno ad un mondo post-moderno sempre più immemore dei valori umanistici che ci hanno plasmato si snoda così una suggestiva variante migratoria sulla nostalgia e sull'impossibile ritorno, nonché sugli imprevedibili effetti che tali sentimenti possono provocare sui lontani discendenti della emigrazione.

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23

Christodoulou, Panos. "Les mythes fondateurs des royaumes chypriotes : le nostos de Teukros." Cahiers du Centre d'Etudes Chypriotes 44, no. 1 (2014): 191–215. http://dx.doi.org/10.3406/cchyp.2014.1547.

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24

Ward, Matthew. "GLORY AND NOSTOS: THE SHIP-EPITHET ΚΟΙΛΟΣ IN THE ILIAD." Classical Quarterly 69, no. 1 (May 2019): 23–34. http://dx.doi.org/10.1017/s0009838819000557.

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In the Iliad the Achaean ships play a prominent role in the narrative; they are foregrounded as Achilles sits by his vessels in anger and threatens to sail home; as the Trojans come close to burning them; and as Hector's body lies by Achilles’ ships until ransomed. Where not in the foreground, the ships remain a consistent background; without them the Achaeans would not have reached Troy; they are an essential component of the Greek encampment; and are the unrealized potential vehicle of the Achaean homecoming.

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Wilkinson, Caki. "A Supermarket in Memphis, and: One in Wins, and: Nostos." Sewanee Review 128, no. 1 (2020): 97–99. http://dx.doi.org/10.1353/sew.2020.0008.

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26

Terzian, Sylvia, and Veronica Austen. "Locating the Traveller: Genni Gunn and Nostalgia on the Move." Italian Canadiana 35 (August 18, 2021): 223–38. http://dx.doi.org/10.33137/ic.v35i0.37230.

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This paper analyzes the concept of nostos through a reading of Italian-Canadian writer Genni Gunn’s autobiographical travelogue Tracks: Journeys in Time and Place (2013) to show how its narratives of movement contest meanings of home and homecoming. Gunn initiates new ways of thinking about return by taking the migrant traveler as its central figure and envisioning home as a “practice of displacement” (Evelein 21) wherein “home” is not achievable through physical return, but through memory. Specifically, Gunn subverts traditional notions of home by reimagining Italy through her travels to foreign places, which ultimately serve as sites of return to her homeland via cartographies of memory. In Gunn’s exploration of nostalgia, her narrative presents her identity as an Italian-Canadian immigrant as no longer defined by national borders, but rather as a condition of movement. Gunn uses the framework of travel to link acts of homemaking and homefinding so that the meaning of nostos emerges as a kind of dwelling-in-displacement.

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Casini, Simone. "I media italiani all’estero: questioni linguistico-educative tra nostos, tradizione, identità e nuove generazioni." Italian Canadiana 35 (August 18, 2021): 285–306. http://dx.doi.org/10.33137/ic.v35i0.37234.

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Il contributo prende in esame il ruolo educativo che i media hanno esercitato nella storia linguistica italiana e internazionale, tracciando un profilo semiotico sulle implicazioni che questi hanno avuto nel determinare il paradigma del nostos in contesto estero e migratorio. A fronte di una prima ricognizione sui processi linguistico-educativi italiani per i quali è risultato evidente il ruolo dei mezzi di comunicazione nella definizione del processo di unificazione linguistica nazionale, l’analisi propone una riflessione sui media italiani in Canada, affrontandone le dinamiche in chiave linguistico educativa con una prospettiva intergenerazionale che sostenga il ruolo del nostos entro le diverse generazioni di utenti. L'analisi si conclude con una indagine sociolinguistica e con una riflessione che guarda ai media come fattore di una rete articolata di elementi in grado di cooperare per arginare il processo di diminuzione della presenza della lingua italiana in contesto straniero sui piani della formazione e del generale uso linguistico.

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Luzi, Alfredo. "Spazialità e nostos in La festa del ritorno di Carmine Abate." Cahiers d’études italiennes, no. 7 (May 15, 2008): 91–100. http://dx.doi.org/10.4000/cei.913.

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29

Mueller, Melissa. "Re-Centering Epic Nostos: Gender and Genre in Sappho’s Brothers Poem." Arethusa 49, no. 1 (2016): 25–46. http://dx.doi.org/10.1353/are.2016.0004.

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30

Schironi, Francesca. "A Hero Without Nostos: Ulysses’ Last Voyage in Twentieth-Century Italy." International Journal of the Classical Tradition 22, no. 3 (March 11, 2015): 341–79. http://dx.doi.org/10.1007/s12138-014-0367-6.

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31

Cauchi-Santoro, Roberta. "Nostos and Nineteenth-Century Italian-Canadian Immigration: Mapping the Earliest Latin Quarters." Italian Canadiana 35 (August 18, 2021): 71–77. http://dx.doi.org/10.33137/ic.v35i0.37218.

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In this article, I examine the formation of the first Latin Quarter in London (ON) at the end of the nineteenth century, and thus at the dawn of modernity. I analyse how these first (mostly Southern) Italian immigrants attempted to soothe their need for a sense of belonging, how they negotiated their collective nostos and, concomitantly, how they dealt with the palpable nostalgia for a return to their Mediterranean homeland.

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Cadel, Francesca. "Italian Heritage and the Experience of Migration and Nostos in Canadian Poetry." Italian Canadiana 35 (August 18, 2021): 215–22. http://dx.doi.org/10.33137/ic.v35i0.37229.

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The article addresses the theme of nostos by referring to the journeys of three authors of Italian heritage: Pier Giorgio Di Cicco, Mary di Michele, and Gianna Patriarca. Their poetry allows the possibility to revisit their journeys and to consider migration as a source of knowledge, and positive change, despite the many challenges involved in the mutation process, and the difficult hermeneutic of losses, necessary to reach awareness and a new sense of belonging.

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33

Morano, Rocco Mario. "EROS, SATIRA SOCIALE, ULISSISMO E NOSTOS NELLA MUSA SILVESTRE DI MICHELE PANE." Forum Italicum: A Journal of Italian Studies 27, no. 1-2 (March 1993): 33–82. http://dx.doi.org/10.1177/001458589302700103.

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34

Mackay, Marina. "Imagining Ithaca: Nostos and Nostalgia Since the Great War by Kathleen Riley." James Joyce Quarterly 59, no. 3 (March 2022): 549–51. http://dx.doi.org/10.1353/jjq.2022.0017.

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35

Grech, Victor. "WASP (Write a Scientific Paper): Kleos aphthiton , eternal glory and renown, or nostos ?" Early Human Development 122 (July 2018): 54–55. http://dx.doi.org/10.1016/j.earlhumdev.2018.04.005.

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36

Niccoli, Gabriel. "And My Immigrant Ship Sails On: Returning on Deck with Ricci’s Lives of the Saints Trilogy." Italian Canadiana 35 (August 18, 2021): 153–64. http://dx.doi.org/10.33137/ic.v35i0.37224.

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This article addresses the theme of nostos and of immigrant journeying by locating the author and his memories on the very liner Saturnia that brought, in an eerily fanciful quirk of fate, Ricci’s young protagonist and his mother to Canada. The writer frames his reading of Ricci’s Lives of the Saints with a testimonial to the authenticity of the world the novel evokes, the world of the author’s own childhood and adolescence. The essay that follows traces the convergent lines of critical insight, memory and the imagination.

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BOTERO CAMACHO, Manuel, and Miguel RORDÍGUEZ PÉREZ. "The Storyteller’s Nostos: Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s Never Let Me Go." Atlantis. Journal of the Spanish Association for Anglo-American Studies 40, no. 1 (June 18, 2018): 97–115. http://dx.doi.org/10.28914/atlantis-2018-40.1.05.

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38

Piraro, Sergio. "Dal Mediterraneo all’Atlantico: ricordi di migrazione nella Montréal del secondo dopoguerra." Italian Canadiana 35 (August 18, 2021): 117–28. http://dx.doi.org/10.33137/ic.v35i0.37222.

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Seguendo il percorso migratorio di una donna messinese nel Canada francofono del secondo dopoguerra, vengono esplorati i temi della memoria, dell'identità, dell'emigrazione e del nostos. L'abbandono degli affetti, degli amici, della propria terra e la speranza di un ritorno nella propria patria è quello che traspare dalle pagine di questo contributo. L’approdo in terra straniera, la dura realtà che si presenta ai migranti, la difficoltà di comprensione linguistica non impediranno loro di avere una perfetta integrazione nella terra di accoglienza ma anche di pensare costantemente ad un ritorno nella terra natìa.

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Brunot, Chantal. "Vers une esthétique du non grandir : de la souffrance du désir au désir du nostos." Topique 93, no. 4 (2005): 73. http://dx.doi.org/10.3917/top.093.0073.

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40

Eisenbichler, Konrad. "“And if Fiume were to Call?” The Impossible Return of Gianni Angelo Grohovaz." Italian Canadiana 35 (August 18, 2021): 239–50. http://dx.doi.org/10.33137/ic.v35i0.37231.

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While most Italian emigrants can return to their hometown whenever they wish, Italians from Istria, Fiume and Dalmatia (areas that were ceded by Italy to Yugoslavia in the wake of World War Two) do not have that luxury. When they return home, they find that their hometown has changed dramatically and is no longer Italian. For them, a return “home” is, at best, a bitter return to a foreign reality and, at worst, an impossible return. By using the poetry of Gianni Angelo Grohovaz (Fiume, 1926—Little Township 1988) as a case study, this article examines Julian-Dalmatians expatriates as exiles for whom nostos is a dream and not a possibility.

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Iacobucci, Gabriella. "Il lungo viaggio di Ricci: vicende di una traduzione." Italian Canadiana 35 (August 18, 2021): 183–89. http://dx.doi.org/10.33137/ic.v35i0.37226.

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Dopo trent'anni circa dall'uscita della versione italiana di Lives of the Saints, il primo romanzo dello scrittore canadese Nino Ricci, questo articolo intende fare un bilancio di quello che ha significato per l’Autrice tradurre la trilogia di uno scrittore di origine molisana diventato poi uno degli autori più importanti della letteratura italocanadese. In esso si ripercorrono i momenti salienti di questa sua avventura letteraria e umana, spiegando quello che ha compreso, nel frattempo, a proposito della traduzione e del “ritorno”. Lo studio sottolinea inoltre, citando alcuni passi della versione italiana, con quanta originalità di invenzione poetica Ricci sia riuscito a raccontare i sentimenti racchiusi nella voce Nostos.

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42

Rees, William. "Home or Away: Homecoming, Glory, and the Good Death in Homer's Odyssey." CounterText 6, no. 1 (April 2020): 102–15. http://dx.doi.org/10.3366/count.2020.0184.

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This article examines the overlapping themes of the good death ( euthanasia), glory ( kleos), and homecoming ( nostos) as they are deployed in Homer's Odyssey. On both a thematic and a structural level, I argue that the text stages a confrontation between homecoming and glory – between death at home and death in battle – and that this tension is a sustaining force throughout the text. In contrast to the received interpretation that sees the Odyssey as a straightforward tale of nostalgia, I argue that in Homer's epic the relation to homecoming turns out to be surprising and complex – an event that is at once painfully desired and perpetually deferred.

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43

Principal, Jordi, Núria Molist Capella, and José Miguel Gallego Cañamero. "El cinturón sabélico-samnita de El Turó del Montgròs (El Brull, Barcelona): ¿evidencia y crónica de un nostos ausetano?." SPAL. Revista de Prehistoria y Arqueología de la Universidad de Sevilla, no. 31.2 (2022): 95–122. http://dx.doi.org/10.12795/spal.2022.i31.21.

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En el presente trabajo se propone la identificación de una pieza singular hallada hace más de 30 años en el oppidum ibérico de El Turó del Montgròs (El Brull, Barcelona) como un cinturón sabélico-samnita. El contexto de aparición permite vincular la pieza con un ritual de exposición de spolia hostium. Su presencia en el oppidum ausetano se relaciona con la actividad mercenaria de las poblaciones iberas.

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Süssekind, Pedro. "As metamorfoses de Proteu." Viso: Cadernos de estética aplicada 9, no. 17 (December 18, 2015): 70–87. http://dx.doi.org/10.22409/1981-4062/v17i/206.

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O tema deste comentário é a temporalidade que se constitui nos episódios da Odisseia em que o herói assume a função de narrador e relata seu nostos, seu retorno para casa, na condição de navegante por mares e ilhas desconhecidos. Para estudar esse tema, tomo como referência o trecho do Canto IV em que Menelau narra sua aventura com Proteu, o ancião do mar. Destaco (seguindo indicações de Irene De Jong) alguns paralelos entre esse trecho e a narrativa feita por Ulisses na corte dos feácios, do canto IX ao XII. Por fim, com base em uma metáfora formulada por Adorno, proponho uma leitura alegórica da narrativa de Menelau que ressalta a relação entre o narrador-herói, a verdade e o tempo.

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Calame, Claude. "Pour une anthropologie historique des mythes grecs: Formes poétiques et pragmatique rituelle." Nordlit, no. 33 (November 16, 2014): 3. http://dx.doi.org/10.7557/13.3189.

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In contrast to any fiction in the usual sense of the term, the huge narrative domain now marked off as (Greek) ‘mythology’ deserves no charter of semantic independence or of structural(ist) closure. Coupled with the perspective of social and cultural anthropology required by the construction of possible worlds depending on cultural representations and by the poetic forms they assume in collective and ritual performances, our reading of (Greek) myths requires a pragmatic opening-up: it takes into account the specific ritual situations they are accommodated to, with their aesthetic creativity and their poetic polysemy, in a broader social, religious, and cultural context. This can be demonstrated through the example of a fragmentary cultic poem by Sappho introduced by an address to Hera and staging a particular version of the <em>nostos</em> of the Atreidai.

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Costa, Patrícia Rosalba Salvador Moura, Felipe Bruno Martins Fernandes, and Mariângela Moreira Nascimento. "2020: o ano que (des)construiu nossas perspectivas, nossas vidas, nossos lutos." Cadernos de Gênero e Diversidade 6, no. 3 (January 26, 2021): 4. http://dx.doi.org/10.9771/cgd.v6i3.43204.

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Bečejski, Mirjana M. "ONE NOSTALGIC COUNTER-NARRATIVE:THANK YOU EVER SO MUCHBY MARKO VIDOJKOVIĆ." PHILOLOGICAL STUDIES 18, no. 1 (2020): 262–77. http://dx.doi.org/10.17072/1857-6060-2020-18-1-262-277.

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Relying on the virtual narrative theory and the theory ofpossible worlds as a basis for interpreting narrative multiverses, this paper focuses on Marko Vidojković’s Thank You Ever So Much as a nostalgic counter-narrative in which the idea of nostos is realized by creating an alternative history. The events thatthe hero narrates/ writes in the first person take place in two parallel universes, “upward” (the world of the ideal SFRY, from which he comes) and “downward” (the world modelled after is the existential reality of the divided Yugoslav states) namely in the narrative present. At the diachronic level, the time axes, depicted in the form of the hero’s memories or dialogue, multiply backwards only until June 3, 1989, when the splitting of the universe(s) occurred. Further regressing introduces a motif of shared history and, through a wealth of details, reveals the position of the Yugo-nostalgic author of the narrative (Mirko Šipka or Marko Vidojković?), who avoids pathos with the help of irony, parody and vulgarisms while narrating us his anguish over all losthistorical possibilities to create the best country in the world, and his inability to return to his desired homeland.

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Nudelman, Jorge. "El espacio del exilio." A&P Continuidad 4, no. 6 (March 13, 2018): 122–33. http://dx.doi.org/10.35305/23626097v4i6.35.

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Se propone analizar el rol de la nostalgia, entendida ésta como un estado de angustia provocada por la lejanía. El carácter espacial y visual de las heridas abiertas por exilios y migraciones, hacen de la nostalgia un motor de creatividad con el que parece que los desterrados pretenden una reconstrucción de los lugares abandonados. A través de la literatura, en el arte y finalmente en la arquitectura, algunas obras de Alejo Carpentier, José Pedro Díaz, Joaquín Torres García y Antonio Bonet son analizadas para rastrear el poder heurístico del dolor –algia-, provocado por la distancia al hogar –nostos-. Si bien en los escritores hallamos una contención que se expresa en ironía y decepción, en el caso del pintor Torres García la reconstrucción del pasado se expresa en su obra sin tapujos ni límites, y en las pretensiones de reproducir su casa catalana en Montevideo, que transfiere a sus arquitectos, Juan Menchaca y Ernesto Leborgne, que continúan su proyecto estético, mediterráneo. Antonio Bonet, a su vez, trata de reconstruir su pasado barcelonés (moderno y vernáculo), pero choca con el folclore andaluz de sus clientes, Rafael Alberti y Rosa León.

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Haesbaert, Rogerio. "ABOUT CONTEMPORARY URBAN IN-MOBILITIES." Mercator 14, no. 4 (December 23, 2015): 83–92. http://dx.doi.org/10.4215/rm2015.1404.0006.

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Gunaratne, Anjuli I. "Gregson Davis and the Katabasis of Translation." CLR James Journal 27, no. 1 (2021): 169–87. http://dx.doi.org/10.5840/clrjames20222295.

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The focus of this paper are the themes and principles informing Gregson Davis’s innovative 2017 translation of Aimé Césaire’s, Cahier d’un retour au pays natal. For long, the poem’s title was translated as Notebook of a Return to the Native Land, but Davis renders it as Journal of a Homecoming. To understand this and other highly nuanced changes, I argue that it is necessary to keep in mind at least five crucial aspects that guide Davis’s translation. First is the open-ended nature of his approach to translating this particular poem. This approach is necessary because the poem is about the unfinished and still ongoing process of decolonization. Second, is the principle of committed listening, which is a mode of reading and translating that involves a complex series of returns, revisions, and re-evaluations. Third, is the motif of katabasis or the journey to the underworld, which for Davis is an important metaphorical frame operating in the poem. Fourth, is nostos or a homecoming, because the journey to the underworld requires a homecoming. These classic archetypal themes introduce a vertical dimension to the journey back from the underworld that makes a spiral out of the linearity of historical/postcolonial time. Fifth, is granularity. A granular translator must keep re-evaluating what to prioritize as a new translation of a word must open up spaces for new images to appear in the poem. This is indeed the granularity of Davis’ thought-provoking translation. Taken together, these aspects account for the excellence of Davis’s translation.

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Journal articles on the topic 'Nostos'

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