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Relevant bibliographies by topics / Northern Irish poetry; Criticism

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Academic literature on the topic 'Northern Irish poetry; Criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Northern Irish poetry; Criticism"

1

Wolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (December 9, 2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.

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This paper is part of my PhD thesis. It examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet’s work. The author’s critical evaluation of existing ideologies and identities and his attempt to respond to them will also be analyzed. Four poems from three different collections are investigate. Paulin’s poems function as testimonies, denouncement and criticism of the Irish history.

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Stubbs, Tara. "Northern Irish poetry: the American connection." Irish Studies Review 24, no. 3 (May 29, 2016): 381–83. http://dx.doi.org/10.1080/09670882.2016.1190124.

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3

Holdridge, Jefferson. "Northern Irish poetry and theology; Yeats and Modern Poetry." Irish Studies Review 24, no. 1 (November 19, 2015): 116–22. http://dx.doi.org/10.1080/09670882.2015.1112542.

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Alexander, Neal, Shane Alcobia-Murphy, and Richard Kirkland. "Sympathetic Ink: Intertextual Relations in Northern Irish Poetry." Canadian Journal of Irish Studies 33, no. 2 (2007): 80. http://dx.doi.org/10.2307/25515695.

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Stuart, Maria. "Strange English: Emily Dickinson and Northern Irish Poetry." Emily Dickinson Journal 21, no. 1 (2012): 79–97. http://dx.doi.org/10.1353/edj.2012.0009.

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Kearney, Kirsten. "Northern Irish Poetry and Theology. By Gail McConnell." Literature and Theology 30, no. 1 (July 13, 2015): 118–20. http://dx.doi.org/10.1093/litthe/frv027.

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Makarova, E. A. "The Book Publishing in the Pre-revolutionary Irkutsk: On the “Cultural Nest” Problem." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 50–62. http://dx.doi.org/10.25205/2410-7883-2019-1-50-62.

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The paper focuses on the literary and publishing situation in Irkutsk in the second half of the 19th – early 20th centuries viewed as the combination of factors that gave grounds for N. K. Piksanov to introduce the concept of “cultural nest” into the academic parlance. The concept conjugates three stable elements: “a certain group of actors, constant activity and disciples.” The Irkutsk literary and art collections are analyzed from an interdisciplinary perspective that allows direct transfer of research methods from one academic field to another. In this case, historical and literary criticism aims at identifying sociocultural “era slices” in historical, cultural, and publishing context, which makes it possible to relate the development paradigm of almanac literature to the dynamics of social development and processes in related areas of book culture. The literary history of Irkutsk, as well as of the entire Siberian region, begins with the publication of N. S. Shchukin’s Siberian Tales, compiled and published by in 1862. In the mid-1870s, the controversy around the local press, closely monitored in the metropolitan media, resulted in the scholarly and literary collection of the “Sibir’” newspaper published in St. Petersburg in 1876. In fact, the first Siberian literary anthology was the collection of poems Siberian Motifs, published by a famous Irkutsk activist and philanthropist I. M. Sibiryakov. The most successful and longlasting publishing project of the last decades of the 19th century was Siberian Collections, published as a scholarly and literary supplements to Yadrintsev’s newspaper “Vostochnoe Obozrenie” in 1885 in St. Petersburg, and later, from 1888 to 1906 in Irkutsk. In the early 20th century, the first purely commercial book publishing enterprise in Irkutsk was “Irisy” Publishing House founded by the Stozhs. The most successful literary projects were the collections Baikal in Poetry and Prose. Part 1 and Siberian Poets and Their Works, edited by a well-known journalist, literary critic, Marxist and publisher N. Chuzhak-Nasimovich. Among other Irkutsk editions of the first decades of the 20th century the most typical were the student collections The First Snowdrop and Northern Dawns, as well as the anthology Irkutsk Evenings, published by a group of poets led by Konstantin Zhuravsky, who also edited the collection. As a result, the proposed interdisciplinary approach made it possible to correlate the development paradigm of almanac literature with the dynamics of social development and the processes occurring in related areas of the book culture in the pre-revolutionary Irkutsk.

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Obert, Julia C. "Northern Irish Poetry and Domestic Space by Adam Hanna." New Hibernia Review 20, no. 3 (2016): 155–57. http://dx.doi.org/10.1353/nhr.2016.0051.

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Wheatley, David. "?That Blank Mouth?: Secrecy, Shibboleths, and Silence in Northern Irish Poetry." Journal of Modern Literature 25, no. 1 (September 2001): 1–16. http://dx.doi.org/10.2979/jml.2001.25.1.1.

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Marklew, Naomi. "The future of Northern Irish poetry: Fragility, contingency, value and beauty." English Academy Review 31, no. 2 (July 3, 2014): 64–80. http://dx.doi.org/10.1080/10131752.2014.965419.

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Dissertations / Theses on the topic "Northern Irish poetry; Criticism"

1

Buxton, Rachel. "The influence of Robert Frost on Seamus Heaney and Paul Muldoon." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391013.

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Horton, Patricia. "Romantic intersections : romanticism and contemporary Northern Irish poetry." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337039.

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McConnell, Gail Florence. "For a words sake : Theological aesthetics in contemporary Northern Irish poetry." Thesis, Queen's University Belfast, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534658.

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Lavery, Ian. "Rewritings, appropriations, deformations : aspects of intertextuality in contemporary Northern Irish poetry." Thesis, University of Stirling, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319808.

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Redmond, John Plunket. "Aspects of the interrelationship of British and Northern Irish poetry : 1960-1994." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365622.

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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Cremin, Kathleen Mary. "Women, domesticity and Irish writing : foundations for a new kitchen?" Thesis, University of York, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313905.

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8

Sperry, Amanda N. ""Emblems of adversity" W. B. Yeats's poetics of violence and contemporary Northern Irish poetry /." Winston-Salem, NC : Wake Forest University, 2009. http://dspace.zsr.wfu.edu/jspui/handle/10339/41353.

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Haworth, Simon. "Fast enough : poems and places where a thought might grow : culture, liminality and the Troubles in Derek Mahon's Lives (1972) and The Snow Party (1975)." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/fast-enough-poems-and-places-where-a-thought-might-grow-culture-liminality-and-the-troubles-in-derek-mahons-lives-1972-and-the-snow-party-1975(a0aee0c1-7887-49e2-aaed-62ced953fffa).html.

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Fast Enough is a collection of poems that plays on the potential implications of its title when thinking about history, time, place, nationality, religion and culture. These things are always in flux, there are no fixed systems, no solutions can be endorsed. There is a nagging anxiety and sense of being overwhelmed by these forces as the poems negotiate and come into contact with them. Formally the poems are interested in the possibility of the stanza, a controlled but arbitrary use of line and rhyme, the use of enjambment and variations in tone or delivery, from the colloquial to the intellectual. They use both urban and bucolic imagery, interspersing this to disorientate and confuse. The collection aims to unsettle, to propose and reject when thinking about the relationship of poetry to historical and contemporary pressures; the result is an unattached individualism. The poems offer a critique and inform. Distance and detachment are important elements for these poems as they move between England, Ireland, America and Europe. This is both a search for subject matter, and a signal of their interest in peripherality, the margins, the interstices and an angular or askance approach to place. Often a composed outsiderliness can be sensed in the subject matter, or in alienated but open speakers who are strangers in their own country or another, and existentially aware (or alert – alert to the dangers of past, present and future events/selves) observers. The critical element of this thesis, Places Where a Thought Might Grow: Culture, Liminality and the Troubles in Derek Mahon’s Lives (1972) and The Snow Party (1975), is a long piece of academically engaged literary criticism that assesses Mahon’s second and third collections of poetry. Using a theoretical filter of liminality, the work argues that Mahon strategically or deliberately writes the liminal into his poetry as a form of dissent against the cultural fixity apparent in Northern Ireland in the early 1970s. This derives from a profound sense of alienation from his Northern Irish, Protestant/Presbyterian inheritance and a reluctance to assume a role akin to that of a communal spokesperson. To do so the work considers important and specific poems from both collections. These are contextualised around the Troubles, an era when unique and overwhelming political and religious extremes decisively and long lastingly impacted Mahon’s poetry. It reads these collections as a two-part project in which Mahon implements liminal, peripheral and interstitial ideas (through the use of place, objects, subject matter and form) to interrogate absolutism and tribalism in the province. The work also argues that Mahon’s poems, influenced by existentialism, millenarianism and postcolonialism, are liminal zones where identity and subjectivity can be freely re-conceptualised and the unwieldy, prescriptive influence of such things as nationalism and history broken down. The poetry of some of Mahon’s Northern Irish contemporaries (notably Seamus Heaney, Michael Longley and Paul Muldoon) is considered. The study also proposes that the influence of the writers Samuel Beckett and Louis MacNeice (key literary catalysts in Mahon’s divorce from his Northern Irish origins) are simultaneously at work in both collections, creating unresolvable tensions and paradoxes in these poems.

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Kruczkowska, Joanna. "The role of contemporary northern Irish poetry in the context of the conflict in Ulster." Paris 3, 2003. http://www.theses.fr/2003PA030134.

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Cette thèse a pour but de démontrer que le conflit en Irlande du Nord impose aux poètes de jouer certains rôles. Les méthodes d'approches du conflit ainsi que les divers modes de descriptions utilisés par les poètes dont l'œuvre est analysée dans cette thèse reflètent la situation en Irlande du Nord et le sentiment d'identité des poètes en question. Ces méthodes d'approches et modes de description constituent un 'prisme' au travers duquel ils peuvent rendre compte d'une manière adéquate des émotions et des évènements, et essayer de comprendre les mécanismes sous-jacents du conflit. Les poètes étudiés en détail sont Tom Paulin et Michael Longley. Le dernier chapitre, consacré aux relations entre la poésie nord-irlandaise et la poésie polonaise contemporaine, abordera également certains aspects de l'œuvre de Seamus Heaney
The aim of this dissertation is to demonstrate that the situation of the Northern Irish conflict necessitates taking roles by poets, even if they claim having no 'public' role to perform in this context. The poets' approaches to the conflict and modes of description analysed in this work reflect the situation in the North and the poets' sense of identity. Those attitudes and modes serve to find a 'mirror' through which to convey emotions and events in an appropriate way and try to understand mechanisms behind the conflict. The poets discussed in detail are Michael Longley and Tom Paulin, two poets of the Ulster Protestant background. The last chapter, devoted to the links between Northern Irish and Polish contemporary poetry considers also some aspects of Seamus Heaney's work. It is based on Paulin's and Heaney's reading of Polish poetry and on the convergences between history and literature of both countries

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Books on the topic "Northern Irish poetry; Criticism"

1

Robert Frost and Northern Irish poetry. Oxford: Oxford University Press, 2004.

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2

Buxton, Rachel. Robert Frost and Northern Irish poetry. Oxford: Clarendon Press, 2004.

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3

Improprieties: Politics and sexuality in Northern Irish poetry. Oxford: Clarendon Press, 1993.

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4

Heaney, Seamus. Place and displacement: Recent poetry of Northern Ireland. [Grasmere, Westmorland?]: Trustees of Dove Cottage, 1985.

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5

Peter, McDonald. Mistaken identities: Poetry and Northern Ireland. Oxford: Clarendon Press, 1997.

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McDonald, Peter. Mistaken identities: Poetry and Northern Ireland. Oxford: Clarendon Press, 2002.

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7

Poetry and translation in Northern Ireland: Dislocations in contemporary writing. Basingstoke [England]: Palgrave Macmillan, 2009.

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8

Rui Manuel G. de Carvalho Homem. Poetry and translation in Northern Ireland: Dislocations in contemporary writing. New York: Palgrave Macmillan, 2010.

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9

Hufstader, Jonathan. Tongue of water, teeth of stones: Northern Irish poetry and social violence. Lexington: University Press of Kentucky, 1999.

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10

Poetry and peace: Michael Longley, Seamus Heaney, and Northern Ireland. Notre Dame, Ind: University of Notre Dame Press, 2010.

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Book chapters on the topic "Northern Irish poetry; Criticism"

1

Kennedy-Andrews, Elmer. "Transnational Poetics." In Northern Irish Poetry, 1–26. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_1.

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Kennedy-Andrews, Elmer. "John Montague: ‘Circling to Return’." In Northern Irish Poetry, 27–58. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_2.

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Kennedy-Andrews, Elmer. "Seamus Heaney: ‘the Appetites of Gravity’." In Northern Irish Poetry, 59–98. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_3.

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Kennedy-Andrews, Elmer. "Derek Mahon: ‘Resident Alien’." In Northern Irish Poetry, 99–127. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_4.

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Kennedy-Andrews, Elmer. "Paul Muldoon: Expatriate Transnationalism." In Northern Irish Poetry, 128–97. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_5.

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Kennedy-Andrews, Elmer. "Ciaran Carson: Indigenous Transnationalism." In Northern Irish Poetry, 198–224. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_6.

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Kennedy-Andrews, Elmer. "Conclusion: a Widening Circle." In Northern Irish Poetry, 225–57. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137330390_7.

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Heaney, Seamus. "Place and Displacement: Reflections on Some Recent Poetry from Northern Ireland." In Contemporary Irish Poetry, 124–44. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-80425-2_7.

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Craig, Patricia. "History and its Retrieval in Contemporary Northern Irish Poetry: Paulin, Montague and Others." In Contemporary Irish Poetry, 107–23. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-80425-2_6.

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McConnell, Gail. "Introduction." In Northern Irish Poetry and Theology, 1–23. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137343840_1.

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