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Journal articles on the topic 'Northeastern History and criticism'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Owen, Thomas C. "Chukchi Gold: American Enterprise and Russian Xenophobia in the Northeastern Siberia Company." Pacific Historical Review 77, no. 1 (February 1, 2008): 49–85. http://dx.doi.org/10.1525/phr.2008.77.1.49.

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During the gold rush in Nome, Alaska, neither Russians nor Americans found significant quantities of gold on the Chukchi Peninsula, across the Bering Strait from the Seward Peninsula. Despite its failure, the documents of the Northeastern Siberian Company (1902––1914) and the memoirs of its managers and employees illuminate important contrasts between the political and cultural perspectives of its founders in St. Petersburg and those of its agents in Seattle. The Russian criticisms of American managers of the company also place the Soviet government's antipathy to American capitalism in historical context. Despite many differences between the tsarist and Marxist-Leninist ideologies, the hostile stereotypes of Americans expressed by tsarist officials and Russian capitalists in St. Petersburg persisted into the Soviet and post-Soviet periods.

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2

Solbonovich, Ochirov Ts. "«(Великая) культурная революция» в приграничных к СССР районах КНР: ХулунБуир, провинция Хэйлунцзян (1966–1976 гг.)." Desertum Magnum: studia historica Великая степь: исторические исследования, no. 1 (December 18, 2020): 127–34. http://dx.doi.org/10.22162/2712-8431-2020-9-1-127-134.

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The research of the problems of the contemporary history of the NorthEastern China including the analysis of ideological and political campaigns of the second half of the XX century is one of the high-potential fields of the Oriental studies in our country. The article focuses on the period of the (Great) ‘Cultural Revolution’ (1966–1976) at bordering USSR Chinese regions — Heilongjiang province and Khulun-Buir aimak of the autonomous region of Inner Mongolia. The goals of the study are set in concurrence with chronological order of the events: the ‘cultural revolution’ in the above mentioned regions had two stages. The study is based on the works of the Chinese historians. The given research highlights the specific features of the initial stage of the “cultural revolution” including the criticism of the party officials, establishment of revolution committees and running a political campaign ‘vasu’; considers the Soviet-Chinese conflict at the Daman island in 1969 to be a factor in the following political stabilization of the bordering territories; examines the movement for restoration of the party apparatus and the boost in the industrial development in 1970s of the last century.

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3

Niroo, Wolayat Tabasum. "Nurturing Masculinity, Resisting Patriarchy: An Ethnographic Account of Four Women's Folk Songs from Northeastern Afghanistan." Afghanistan 4, no. 2 (October 2021): 170–92. http://dx.doi.org/10.3366/afg.2021.0077.

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Western literature has presented the condition of Afghan women as either empowered or helpless. Their stories have been overlooked, romanticized, or seen as an outcome of tribalism, patriarchy, and war. Women's ability to articulate their personal experiences, grief, happiness, gender roles, and capacity to imagine an alternative has been missing. This article argues that through their folk songs women in northeastern Afghanistan criticize the behavior of husbands in their families while supporting their brothers, fathers, and sons. These women nurture and dismantle masculinity to their advantage. In singing space, women support but also bargain with patriarchy. The article concludes with recommendations for future research.

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4

Aripova, Feruza, and Janet Elise Johnson. "The Ukrainian-Russian Virtual Flashmob against Sexual Assault." Journal of Social Policy Studies 16, no. 3 (September 29, 2018): 487–500. http://dx.doi.org/10.17323/727-0634-2018-16-3-487-500.

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Feruza Aripova – PhD Candidate in World History, Northeastern University; Center Associate, Davis Center for Russian and Eurasian Studies, Harvard University; Visiting Scholar, Jordan Center for the Advanced Study of Russia, New York University, USA. Email: aripova.f@husky.neu.edu Janet Elise Johnson – Professor of Political Science and Women’s & Gender Studies, Brooklyn College, City University of New York; Visiting Scholar, Center for European and Mediterranean Studies at New York University, New York, USA. Email: Johnson@brooklyn.cuny.edu This article examines the 2016 Ukrainian-Russian virtual flashmob that took on the issues of sexual assault, including childhood sexual abuse, sexual harassment, and rape. Begun by a Ukrainian activist on Facebook, the flashmob resulted in more than ten thousand original posts and led to a broader discussion on violence against women in Ukrainian and Russian. Many women (and some men) for the first time publicly disclosed excruciating details of physical and psychological coercion and the lasting trauma they suffered. The commonalities across the posts and the public visibility of the flashmob directly confronted the stigma attached to the topic of sexual violence. The media reactions to the flashmob ranged from empathy toward the victims and condemnation of the perpetrators to criticism of female promiscuity and victim blaming. The flashmob had concrete results: criminal cases were opened against teachers at one of Moscow’s prominent public schools and a series of initiatives were directed against sexual violence in Ukraine. This article provides the first systematic documentation and analysis of these posts as well as their reception in mass media and the impact so far of the flashmob, situating this flashmob as the same kind of activism that was seen in the bigger 2017 #MeToo campaign. In these ways, we contribute to what little social scientists know about violence against women in the post-Soviet region and assess this new tactic of feminist activism. Unsurprisingly, such activism does not change societies in one fell swoop, but the Ukrainian-Russian flashmob shows how virtual activism can nudge towards progressive change.

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5

McH., B., and Dominick LaCapra. "History and Criticism." Poetics Today 7, no. 3 (1986): 594. http://dx.doi.org/10.2307/1772526.

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6

Docherty, Thomas. "Criticism, history, Foucault." History of European Ideas 14, no. 3 (May 1992): 365–78. http://dx.doi.org/10.1016/0191-6599(92)90214-w.

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7

Walker, Lawrence D., and Dominick Lacapra. "History and Criticism." American Historical Review 91, no. 2 (April 1986): 359. http://dx.doi.org/10.2307/1858142.

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8

Leach, Andrew, and Antony Moulis. "History, Criticism, Judgment, Project." Architectural Theory Review 15, no. 3 (December 2010): 298–311. http://dx.doi.org/10.1080/13264826.2010.524305.

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9

Shiff, Richard. "On Criticism Handling History." History of the Human Sciences 2, no. 1 (February 1989): 63–87. http://dx.doi.org/10.1177/095269518900200104.

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10

Siegel, Katy. "Art, History, and Criticism." Art Journal 71, no. 1 (March 2012): 5–7. http://dx.doi.org/10.1080/00043249.2012.10791077.

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11

Botstein, Leon. "On Criticism and History." Musical Quarterly 79, no. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.

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12

Gotera, V. "Practical Criticism." Radical History Review 1994, no. 58 (January 1, 1994): 171–74. http://dx.doi.org/10.1215/01636545-1994-58-171.

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13

Griffith, R. Drew, and George A. Kennedy. "The Cambridge History of Literary Criticism. 1: Classical Criticism." Phoenix 46, no. 2 (1992): 170. http://dx.doi.org/10.2307/1088477.

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14

Green, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/26421422.

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Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.

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15

Green, Joel B. "Rethinking "History" for Theological Interpretation." Journal of Theological Interpretation 5, no. 2 (2011): 159–73. http://dx.doi.org/10.2307/jtheointe.5.2.0159.

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Abstract In recent years, theological interpretation of Christian Scripture has often been distinguished by its wholesale antipathy toward history and/or to historical criticism. Working with a typology of different forms of "historical criticism," this essay urges (1) that historical criticism understood as reconstruction of "what really happened" and/or historical criticism that assumes the necessary segregation of "facts" from "faith" is inimical to theological interpretation; (2) that this form of historical criticism is increasingly difficult to support in light of contemporary work in the philosophy of history; and (3) that contemporary theological interpretation is dependent on expressions of historical criticism concerned with the historical situation within which the biblical materials were generated, including the sociocultural conventions they take for granted.

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16

Gibert, John C., and George A. Kennedy. "The Cambridge History of Literary Criticism: Volume I: Classical Criticism." Classical World 84, no. 6 (1991): 514. http://dx.doi.org/10.2307/4350972.

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17

Peradotto, John, and George A. Kennedy. "The Cambridge History of Literary Criticism, Volume I: Classical Criticism." American Journal of Philology 113, no. 3 (1992): 473. http://dx.doi.org/10.2307/295476.

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18

Ignatova, Irina, and Elena Zubarkina. "Media Criticism in Germany: History and Theory." Theoretical and Practical Issues of Journalism 8, no. 3 (July 16, 2019): 512–23. http://dx.doi.org/10.17150/2308-6203.2019.8(3).512-523.

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The article is dedicated to the study of the history and theory of media criticism in Germany and the importance of the phenomenon of media criticism for the development and successful functioning of the mass media in German-speaking countries. The theoretical preconditions for the development of media criticism in Germany and its historical stages play an important role in understanding the modern institution of media criticism and the mechanisms of its impact on the recipient. Media criticism has existed since the media themselves appeared, and the existence and emergence of new media is always accompanied by positive or negative feedback on them. The development of the media inevitably leads to their criticism. The article considers media criticism as a global criticism of the media and as a study of individual specific phenomena in the media environment. The estimated role of media criticism is recognized by German-speaking researchers as one of the main functions. And it must be understood that media criticism provides an opportunity for a reasoned discussion about the media, without which neither the existence of the media, nor indeed the society as a whole is possible. Media criticism generates an open discussion and thereby contributes to the enlightenment of society. To some extent, setting norms and standards for the quality of journalism, it forms ethical boundaries of communication, both for journalists and for the audience. The stages of development of media criticism in Germany, described in the article, cover the period from the late 1980s to the present. The main subsystems of mass media are considered: television media criticism, media criticism on the radio, in print media, media criticism in the Internet space. Thanks to this, we get a full picture of the formation and development of media criticism in Germany.

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19

KUPRIYANOV, A. "WESTPHALIAN MYTH: HISTORY AND CRITICISM." Analysis and Forecasting. IMEMO Journal, no. 3 (2019): 37–50. http://dx.doi.org/10.20542/afij-2019-3-37-50.

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20

Williams, Joyce. "Design discourse: History/theory/criticism." Journal of Social and Evolutionary Systems 15, no. 3 (January 1992): 327–31. http://dx.doi.org/10.1016/1061-7361(92)90014-5.

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21

Triggs, Teal. "Writing Design Criticism into History." Design and Culture 5, no. 1 (March 2013): 33–38. http://dx.doi.org/10.2752/175470813x13491105785505.

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22

Cunningham, Stuart. "Docker: Criticism, History and Policy." Media Information Australia 59, no. 1 (February 1991): 27–30. http://dx.doi.org/10.1177/1329878x9105900104.

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23

Adair-Toteff, Christopher. "Capitalism and criticism." History of the Human Sciences 26, no. 1 (February 2013): 128–39. http://dx.doi.org/10.1177/0952695113476565.

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24

Martin, Phyllis M. "Sources and Source-Criticism." Journal of African History 29, no. 3 (November 1988): 537–40. http://dx.doi.org/10.1017/s0021853700030619.

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25

Korchagin, P. A. "RIVERS AND WORDS,OR CRITICISM OF CRITICAL CRITICISM." Вестник Пермского университета. История, no. 1 (56) (2022): 184–95. http://dx.doi.org/10.17072/2219-3111-2022-1-184-195.

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Thearticle is a response to the criticism of the author's work in the article by Yu.A.Shkuratok and contains both an analysis of her specific comments on the hydronyms Chesnokovka, Serebryanka and toponymic series in ukht-, and an analysis of fundamental methodological differences in the work with toponyms of linguists, geographers and historians. It is emphasized that for historians, the etiology (origin of the phenomenon) is much more important than the etymology (origin of the word)

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26

Hornsby, Joseph, and David Aers. "Medieval Literature: Criticism, Ideology and History." South Atlantic Review 53, no. 1 (January 1988): 107. http://dx.doi.org/10.2307/3200408.

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27

Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (October 1989): 917. http://dx.doi.org/10.2307/3731173.

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28

Trimpi, Wesley. "The Cambridge History Of Literary Criticism." Ancient Philosophy 12, no. 2 (1992): 505–22. http://dx.doi.org/10.5840/ancientphil199212235.

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29

Cain, William E., and Vincent B. Leitch. "Writing the History of Literary Criticism." College English 51, no. 3 (March 1989): 320. http://dx.doi.org/10.2307/377724.

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30

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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31

Farkas, Zoltán. "Literary criticism in Psellus’ short history." Acta Antiqua Academiae Scientiarum Hungaricae 48, no. 1-2 (January 2008): 187–92. http://dx.doi.org/10.1556/aant.48.2008.1-2.21.

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32

Jarvie, I. C. "Criticism and the History of Science." International Studies in Philosophy 31, no. 2 (1999): 111–13. http://dx.doi.org/10.5840/intstudphil199931218.

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33

Marshall, I. Howard. "Book Review: History, Criticism and Theology." Expository Times 116, no. 2 (November 2004): 67–68. http://dx.doi.org/10.1177/001452460411600217.

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34

Andrew, Dudley. "Historical Critique and History as Criticism." Camera Obscura: Feminism, Culture, and Media Studies 6, no. 3 (September 1, 1988): 127–36. http://dx.doi.org/10.1215/02705346-6-3_18-127.

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35

Stern, Kimberly J. "A History of Feminist Literary Criticism." Women's Writing 16, no. 1 (May 2009): 173–76. http://dx.doi.org/10.1080/09699080902854503.

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36

Martins, Estevão C. de Rezende. "Crisis and criticism of contemporary history." Revista Estudos do Século XX, no. 10 (2010): 85–100. http://dx.doi.org/10.14195/1647-8622_10_5.

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37

PYKETT, L. "Literary History and Criticism: General Works." Year's Work in English Studies 63, no. 1 (January 1, 1985): 1–23. http://dx.doi.org/10.1093/ywes/63.1.1.

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38

DAVISON, P. "Literary History and Criticism: General Works." Year's Work in English Studies 64, no. 1 (January 1, 1986): 1–30. http://dx.doi.org/10.1093/ywes/64.1.1.

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39

McConkey, Matthew. "John Clare: nature, criticism and history." Textual Practice 32, no. 2 (January 8, 2018): 361–64. http://dx.doi.org/10.1080/0950236x.2017.1420602.

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40

Grishechko, O. S., A. S. Akopova, and E. G. Grishechko. "English linguistic purism: history, development, criticism." Proceedings of Southern Federal University. Philology, no. 4 (2015): 185–92. http://dx.doi.org/10.18522/1995-0640-2015-4-185-192.

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41

Gunderson, Robert G. "Reflections on history and rhetorical criticism." Communication Education 35, no. 4 (October 1986): 408–10. http://dx.doi.org/10.1080/03634528609388367.

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42

Dancer, Thom. "Literary Criticism: A Concise Political History." Comparative Literature 71, no. 1 (March 1, 2019): 117–21. http://dx.doi.org/10.1215/00104124-7217100.

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43

PAPERNO, IRINA. "BEYOND LITERARY CRITICISM*." Canadian-American Slavic Studies 19, no. 2 (1985): 178–86. http://dx.doi.org/10.1163/221023985x00314.

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44

FOCANT, C. "The Synoptic Gospels: Source Criticism and the New Literary Criticism." Ephemerides Theologicae Lovanienses 68, no. 4 (December 1, 1992): 494–508. http://dx.doi.org/10.2143/etl.68.4.556051.

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45

Beardslee, Michael D. "The Dogma of History." Religion & Theology 24, no. 3-4 (2017): 295–320. http://dx.doi.org/10.1163/15743012-02403006.

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This essay considers the role of historiography in doctrinal criticism from a hermeneutical perspective and in light of postcolonial and postmodern criticisms. First, historiography is defined using a Gadamerian typology, providing the basis for an analysis of Kenneth Scott Latourette’s well-respected essay on Christian historiography. This reading of Latourette illuminates the dogmatic nature of the prejudices informing Christian historical scholarship. Finally, these insights are applied to doctrinal criticism, arguing that the relationship between doctrine and historiography is dialectical, rather than one element having dominance over the other. It concludes by suggesting a chastened, “two-tiered” approach to doctrinal criticism capable of responding to the charges mentioned and to current trends in global Christianity.

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46

Barnett, Clive. "Criticism as self-analysis." History of the Human Sciences 35, no. 2 (March 18, 2022): 219–28. http://dx.doi.org/10.1177/09526951211070934.

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47

Gearhart, Suzanne, and Dominick LaCapra. "History as Criticism: The Dialogue of History and Literature." Diacritics 17, no. 3 (1987): 56. http://dx.doi.org/10.2307/464835.

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48

Busia, Abena P. A., and Kirsten Holst Petersen. "Criticism and Ideology." African Economic History, no. 19 (1990): 196. http://dx.doi.org/10.2307/3601914.

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49

Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

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Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

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50

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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