Academic literature on the topic 'Norbert Elias'

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Journal articles on the topic "Norbert Elias"

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Oliveira Costa, André. "Norbert Elias." Politiques de communication N° 8, no. 1 (2017): 85. http://dx.doi.org/10.3917/pdc.008.0085.

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INUKAI, Yuichi. "Norbert Elias." Annual review of sociology 1995, no. 8 (1995): 119–30. http://dx.doi.org/10.5690/kantoh.1995.119.

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Heinich, Nathalie. "Norbert Elias, l'inclassable." Sciences Humaines N° 276, no. 12 (December 1, 2015): 26. http://dx.doi.org/10.3917/sh.276.0026.

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Pines, Malcolm. "Professor Norbert Elias." Group Analysis 23, no. 4 (December 1990): 432. http://dx.doi.org/10.1177/0533316490234018.

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Landini, Tatiana Savoia, and Andréa Borges Leão. "INDIVÍDUO E INDIVIDUALISMO EM NORBERT ELIAS." Sociologia & Antropologia 11, no. 3 (December 2021): 891–911. http://dx.doi.org/10.1590/2238-38752021v1137.

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Resumo O ensaio, de cunho teórico, discute os conceitos de indivíduo e individualismo em Norbert Elias. Para tanto, três objetivos são perseguidos: - partindo das obras A sociedade de corte, O processo civilizador e A sociedade dos indivíduos, discutimos o conceito de figuração, solução conceitual eliasiana para o par antitético indivíduo e sociedade; - Mozart, sociologia de um gênio é utilizado como estudo de caso em que o gênio é visto em suas figurações, relações de interdependência e constrangimentos sociais; - por fim, pensando com e a partir de Elias, colocamos à frente o entendimento do individualismo como habitus individual e social, formulação que indica a radicalidade do conceito de figuração, a qual afirma a sociedade como formação de indivíduos interdependentes, a despeito da percepção individual ou social de uma possível autonomia, constituindo a interdependência questão empírica e ontológica.
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Fournier, Martine. "Le cas Norbert Elias." Sciences Humaines N°194, no. 6 (June 1, 2008): 26. http://dx.doi.org/10.3917/sh.194.0026.

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FONTENELLE E SILVA, Marcelo. "Para ler Norbert Elias." Revista Sem Aspas 6, no. 1 (June 1, 2017): 26–40. http://dx.doi.org/10.29373/semaspas.v19n1.2017.9820.

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Goudsblom, Johan. "Norbert Elias, 1897-1990." Theory, Culture & Society 7, no. 4 (November 1990): 169–74. http://dx.doi.org/10.1177/026327690007004014.

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Brown, Dennis. "Conversation with Norbert Elias." Group Analysis 30, no. 4 (December 1997): 515–24. http://dx.doi.org/10.1177/0533316497304007.

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Olick, Jeffrey K., Johan Goudsblom, Stephen Mennell, Stephen Mennell, and Johan Goudsblom. "The Norbert Elias Reader." Contemporary Sociology 28, no. 1 (January 1999): 112. http://dx.doi.org/10.2307/2653917.

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Dissertations / Theses on the topic "Norbert Elias"

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Delzescaux, Sabine Enriquez Eugène. "Norbert Elias : civilisation et décivilisation /." Paris ; Budapest ; Torino : l'Harmattan, 2002. http://catalogue.bnf.fr/ark:/12148/cb39049532m.

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Delzescaux, Sabine. "La theorie du lien social selon nobert elias." Paris 7, 2000. http://www.theses.fr/2000PA070036.

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C'est en tant que theoricien des processus d'evolution sociale a long terme que le sociologue allemand norbert elias (1897-1990) nous invite a reconsiderer la polarisation conceptuelle instituee dans les sciences sociales entre l'individu et la societe, une polarisation qui, parce qu'elle credite une conception de l'homme comme homo clausus, barre la voie a une nouvelle comprehension des processus d'interdependance sociale a l'oeuvre dans les rapports sociaux. Reposant la question du << socius >> et des modalites de son institution, c'est precisement vers l'elucidation de l'articulation entre les transformations des structures sociales et les transformations de la structure de la personnalite des individus que s'oriente son projet sociologique, la problematique pour le moins nodale du processus de formation de l'habitus social des individus occupant, des lors, une place centrale dans sa pensee. Ambitieux, ce projet appelle une redefinition du cadre theorique et conceptuel que se donne la sociologie, ainsi qu'un ajustement continu entre recherche empirique et construction theorique, l'etude diachronique et synchronique du changement social exigeant une approche socio- et psychogenetique des << faits sociaux >> devant permettre de ressaisir, dans son occurrence historique et dans son interdependance, cette double transformation dont la sociologie se doit de rendre compte.
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Fletcher, Jonathan. "Violence and civilization in the work of Norbert Elias." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284000.

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Stebbins, Andrew. "The Chinese Civilizing Process: Eliasian Thought as an Effective Analytical Tool for the Chinese Cultural Context." Thesis, Stebbins, Andrew (2009) The Chinese Civilizing Process: Eliasian Thought as an Effective Analytical Tool for the Chinese Cultural Context. PhD thesis, Murdoch University, 2009. https://researchrepository.murdoch.edu.au/id/eprint/1692/.

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This thesis is an effort to apply Elias’s thinking on social development to the Chinese social situation. At first glance his account of the civilizing process would appear incompatible with this context, in that, after state formation with the Qin and Han dynasties beginning in 221 BC, Chinese civilization remained both stable and highly traditional for well over two millennia. It is argued, however, that closer scrutiny reveals a process that was merely interrupted for a considerable period. The traditional system relied upon a symbiotic relationship between local society and the centre whereby the centre remained relatively small and aloof, not interfering with local social relations, as long as local society provided the required taxes and labour. In this situation the state had the monopolies of both violence and taxation that Elias would look for, but left local society to its own devices primarily because it was already pacified. This self-reinforcing system was enshrined and codified in the Confucian cannon over the course of centuries from the Han dynasty. Central control of the distribution of resources was eventually required to re-start the Chinese civilizing process, for this was the mechanism through which the local social structure would finally be altered. This only happened within the past century as the Chinese people struggled to grapple with their own ‘backwardness’ in the face of incessant Western and Japanese incursions. At this point the old system was toppled and replaced by progressively more aggressive central governments who saw as their most important task the destruction of the traditional social order in the interest of modernization. As the Chinese state consciously and forcibly took control of the distribution of resources at all levels of society, traditional social relations were stretched and warped, and the Chinese civilizing process re-commenced its long-stalled march toward modernization. This has been evidenced both by the dramatic growth in mobility and the rapidly extending chains of interdependence in the form of guanxi connections primarily during the Post-Opening period after 1978.
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Stebbins, Andrew. "The Chinese Civilizing Process: Eliasian Thought as an Effective Analytical Tool for the Chinese Cultural Context." Stebbins, Andrew (2009) The Chinese Civilizing Process: Eliasian Thought as an Effective Analytical Tool for the Chinese Cultural Context. PhD thesis, Murdoch University, 2009. http://researchrepository.murdoch.edu.au/1692/.

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This thesis is an effort to apply Elias’s thinking on social development to the Chinese social situation. At first glance his account of the civilizing process would appear incompatible with this context, in that, after state formation with the Qin and Han dynasties beginning in 221 BC, Chinese civilization remained both stable and highly traditional for well over two millennia. It is argued, however, that closer scrutiny reveals a process that was merely interrupted for a considerable period. The traditional system relied upon a symbiotic relationship between local society and the centre whereby the centre remained relatively small and aloof, not interfering with local social relations, as long as local society provided the required taxes and labour. In this situation the state had the monopolies of both violence and taxation that Elias would look for, but left local society to its own devices primarily because it was already pacified. This self-reinforcing system was enshrined and codified in the Confucian cannon over the course of centuries from the Han dynasty. Central control of the distribution of resources was eventually required to re-start the Chinese civilizing process, for this was the mechanism through which the local social structure would finally be altered. This only happened within the past century as the Chinese people struggled to grapple with their own ‘backwardness’ in the face of incessant Western and Japanese incursions. At this point the old system was toppled and replaced by progressively more aggressive central governments who saw as their most important task the destruction of the traditional social order in the interest of modernization. As the Chinese state consciously and forcibly took control of the distribution of resources at all levels of society, traditional social relations were stretched and warped, and the Chinese civilizing process re-commenced its long-stalled march toward modernization. This has been evidenced both by the dramatic growth in mobility and the rapidly extending chains of interdependence in the form of guanxi connections primarily during the Post-Opening period after 1978.
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Sereva, Emilia Petrova. "Thinking with Elias about British independent funeral firms." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23428.

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This thesis is about using rather than applying Norbert Elias’s conceptual ideas, and its analytical procedure employs a ‘fair play’ approach to theorists and theory. This is put to use regarding British independent funeral firms by conceiving these as a figuration developing over the long-term, and exploring the accounts of funeral directors placed in dialogue with Elias’s ideas. The thesis examines how the key Eliasian concepts of figuration, sociogenesis, habitus and de/civilising processes play out in context, including over-time developments within the British funeral industry. Its focus is ‘thinking with Elias’ about such matters in relation to the everyday working practices of independent funeral directors. Chapter One introduces Elias’s key conceptual ideas. In beginning its ‘fair play’ analysis it discusses criticisms, debates and uses of his work and explores the substantive literature on death, funerals and the British funeral industry. Building on this, Chapter Two considers analytically the process of methodologically trying out potential approaches to thinking with Elias around one of his core ideas, figuration. Departing from Elias’s retrospective approach, it chases the independent funeral firm figuration as it unfolds in the present. Using figuration in thinking with Elias sets the stage for further analytical use of Eliasian concepts in subsequent chapters. Chapter Three explores how sociogenesis works by examining intersections and departures between the funeral directors’ accounts and the Eliasian view of long-term development. Regarding sociogenesis, the ‘actual’ processes of death-related social change were not of central interest to the funeral directors, who were more concerned with ensuring their firms’ persistence. Chapter Four engages with Elias’s ideas about habitus and the we-identities of the independent directors, shared belief and behaviour traditions within and between firms and the directors, and also sources of conflict. Core to this is the emphasis on traditions, although these are present-time ‘invented’ around the priority of remaining in business. Chapter Five presents Elias’s theory of the de/civilising process as his ‘bigger picture’ of social change, and its analysis engages and contrasts this with the independent funeral directors’ accounts of the bigger picture in discussing perceived trends. They respond to changes as these are unfolding, and explain over-time matters of stasis and change as they experience them in ways that challenge Eliasian thinking. Chapter Six discusses the main contributions of the thesis. In using theory and thinking with Elias rather than against him, I have aimed to be a fair player in doing sociology. First, my thesis recognises the importance of context and that how concepts play out in ‘real’ life will vary significantly. Second, in adopting a fair play approach, the thesis provides a detailed empirical example of how to evaluate theorists on their own terms by following in their suggestions and engaging with their ideas in contextual and reflexive ways. It has neither replicated nor reproduced an Eliasian study, but instead demonstrated how actually using it in a context will play out. Third, the thesis has used the Eliasian key concepts of figuration, sociogenesis, habitus and de/civilising in a present-day setting so as to examine how these unfold in the present and can be explored through people’s accounts. Fourth, it analyses the accounts of the independent funeral directors in a fair play way and establishes that their ideas work as theory, as exploring the dialogue between Elias and the funeral directors has shown. Overall, the thesis is a reply to Elias’s call for sociologists to think for themselves, engage with and expand upon ideas and settings to hand, and to pursue the actual processes at work in society.
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Dahlmanns, Claus. "Die Geschichte des modernen Subjekts Michel Foucault und Norbert Elias im Vergleich." Münster New York, NY München Berlin Waxmann, 2007. http://d-nb.info/989142760/04.

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Mirnam, Nia Ebrahim [Verfasser]. "Zum Begriff des Fortschritts bei Norbert Elias / Ebrahim Mirnam Nia." Aachen : Shaker, 2003. http://d-nb.info/1181602467/34.

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Medeiros, Débora de Araújo. "Tempos sombrios : Karl Jaspers, Norbert Elias e a culpa alemã." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/10248.

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Dissertação (mestrado)—Universidade de Brasília, Departamento de Filosofia, Programa de Pós-Graduação, 2011.
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O período de dominação do Nacional-Socialismo inaugurou um mal sem precedentes na História. As barbaridades cometidas pelo regime, destacadamente contra o povo judeu, provocaram uma ruptura com os todos os padrões morais, pairam no ar questões fundamentais que nos atormentam a todos, velhas e novas gerações: como a nação alemã civilizada fora capaz de deixar-se seduzir por uma crença tão delirante e criminosa como a de Hitler? Como foi possível o Holocausto ser perpetrado em uma sociedade desenvolvida, entre pessoas civilizadas? Com o fim da Segunda Guerra Mundial, em 1945, os alemães, derrotados, eram acusados de terem sido cúmplices dos representantes nazistas, responsáveis pelo extermínio de milhões de seres humanos indefesos. Diante da possibilidade de autoextermínio dos homens aberta pelo ideário nazista, a culpa alemã surge como uma marca aparentemente indelével de toda uma nação. Uma herança passada de geração para geração. Tão importante quanto entender como as pessoas mergulharam nos horrores do nazismo e da guerra é compreender como emergiram, como conseguiram superar o passado e lidar com a própria culpa. Para auxiliar-nos nesta investigação sobre a culpa alemã, convidamos dois grandes pensadores da existência humana do século XX que viveram aqueles tempos sombrios: Karl Jaspers e Norbert Elias. ______________________________________________________________________________ ABSTRACT
The period of domination of the National Socialism introduced an unprecedented evil in History. The atrocities committed by the regime, notably against the Jewish people, caused a rupture with all the current moral standarts; promoted "the collapse of civilization". Even today, core issues that stun us all, old and new generations, still hang in the air: how could the civilized German nation be seduced by a belief as How could the Holocaust be perpetrated in a developed society, among civilized people? By the end of World War II, in 1945, the Germans, defeated, were accused of being accomplices of the Nazi leaders, who were responsible for the extermination of millions of helpless human beings. Faced with lf-extermination introduced by Nazi ideology, German guilt emerges as an apparently indelible mark of an entire nation. A legacy passed down from generation to generation. As important as understanding how people plunged into the horrors of Nazism and the war is understand how they emerged, how they managed to overcome the past and deal with their own guilt. To assist us in our research about German guilt, we invite two great twentieth century thinkers of the human existence who lived through those dark times: Karl Jaspers and Norbert Elias.
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Ribeiro, Luci Silva. "Processo e figuração = um estudo sobre a sociologia de Norbert Elias." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280478.

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Orientador: Josue Pereira da Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho tem como tema a análise da abordagem sociológica desenvolvida pelo sociólogo alemão Norbert Elias (1897-1990). A teoria de processo e figuração desenvolvida pelo autor ao longo de sua vida fundamenta-se na relação funcional de interdependência recíproca que se estabelece entre os indivíduos vivendo em sociedade. Com essa postura, Norbert Elias transpõe o campo das dicotomias já determinadas, pois estabelece a priori uma relação de interdependência entre indivíduo e sociedade. Tal abordagem teórica tem por objetivo a construção de modelos de análise, empiricamente embasados, calcados em uma perspectiva processual, de longo prazo, onde se identifique, simultaneamente, as alterações na estruturas sociais, para que, assim, possa-se chegar a visualizar a direção de seu curso. Outro apoio conceitual ao modelo teórico, além da noção processual, é a idéia de figuração, esta consiste, basicamente, na compreensão das organizações sociais - famílias, escolas, cidades ou estratos sociais - como sendo formadas pelas relações de interdependência entre os indivíduos. Em uma figuração são analisadas as dinâmicas das inclinações individuais que levam várias pessoas a se unirem em formarem uma sociedade. Dessa forma, os sentimentos e padrões de comportamento individuais são levados em consideração em igualdade com a análise de macroestrutura social. Neste trabalho, cada conceito será tratado isoladamente, porém sem que se perca a relação entre eles. Isso se deve a uma escolha didática, para que fique claro ao leitor as especificidades seja da noção de processo, seja da noção de figuração, bem como a maneira que se relacionam. Considerando que os arcabouços teóricos e empíricos não nascem descolados de um contexto social e histórico, bem como são igualmente fruto de percepções individuais de quem os produz, este trabalho apresenta ainda uma biografia concisa de Norbert Elias
Abstract: This doctoral thesis is dealing with the analysis of the sociological approach developed by the German sociologist Norbert Elias (1897-1990). The process and figuration theory developed by the author during his lifetime is based on the idea of functional relations of mutual interdependence established between individuals living in society. From this starting point, Norbert Elias establishes a priori a relationship of interdependence between individual and society, transcending the field of predetermined dichotomies. Such theoretical approach aims at the construction of analytical models that are empirically substantiated and based on a long-term and process-related perspective. By identifying the changes occurring within social structures, it renders possible to visualize the direction of their course. In addition to the notion of process, the idea of figuration has been considered as part of Elias' theoretical model. This idea comprises basically an understanding of social organizations - families, schools, cities or social classes - as being formed by relations of interdependence between individuals. In a given figuration the individual penchants are analyzed that bring different people to come together making up a society. Thus, sentiments and patterns of individual behavior are considered in the same way as the social macro-structure is analyzed. In this work, each concept is treated separately, but without ignoring the relation between them. This is due to a didactical choice in order to clarify to the reader the specifics of the two concepts, process and figuration, as well as the ways that characterize their interrelation. Taking into consideration that the theoretical and empirical frameworks do not come into being detached from a specific social and historical context and, in addition, have to be understood as the fruits of the individual perceptions of whom has been responsible for generating them, this thesis presents also a short biography of Norbert Elias
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Books on the topic "Norbert Elias"

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Dunning, Eric, and Stephen Mennell. Norbert Elias. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2003. http://dx.doi.org/10.4135/9781446262696.

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Krieken, Robert Van. Norbert Elias. Kbh: Hans Reitzel, 2002.

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Norbert Elias. London: Routledge, 1998.

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Korte, Hermann. Über Norbert Elias. Wiesbaden: VS Verlag für Sozialwissenschaften, 1997. http://dx.doi.org/10.1007/978-3-322-83407-2.

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Korte, Hermann. Über Norbert Elias. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-19909-2.

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Norbert, Elias. Norbert Elias über sich selbst: Biographisches Interview mit Norbert Elias. Frankfurt am Main: Suhrkamp, 1990.

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Landini, Tatiana Savoia, and François Dépelteau, eds. Norbert Elias and Violence. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-56118-3.

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Firnhaber, Eberhard, Martin Löning, and Günter Albrecht. Norbert Elias: Bielefelder Begegnungen. Münster: Lit, 2004.

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Baumgart, Ralf. Norbert Elias zur Einführung. Hamburg, Germany: Junius, 1991.

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Mennell, Stephen. Norbert Elias: An introduction. Dublin: University College Dublin Press, 1998.

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Book chapters on the topic "Norbert Elias"

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Kilminster, Richard, and Stephen Mennell. "Norbert Elias." In The Wiley-Blackwell Companion to Major Social Theorists, 13–43. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch20.

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Fröhlich, Gerhard. "Norbert Elias." In Bourdieu-Handbuch, 36–43. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-01379-8_7.

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Albert, Claudia. "Elias, Norbert." In Metzler Philosophen Lexikon, 245–48. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_87.

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Hughes, Jason. "Norbert Elias." In Key Sociological Thinkers, 138–50. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26616-6_11.

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Kilminster, Richard, and Stephen Mennell. "Norbert Elias." In The Blackwell Companion to Major Contemporary Social Theorists, 178–206. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999912.ch8.

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Bach, Maurizio. "Elias, Norbert." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9750-1.

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Hughes, Jason. "Norbert Elias." In Key Sociological Thinkers, 168–83. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-08429-3_10.

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Korte, Hermann. "Norbert Elias." In Jugendbewegt geprägt, 243–48. Göttingen: V&R Unipress, 2013. http://dx.doi.org/10.14220/9783847098270.243.

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Gruber, Bettina. "Elias, Norbert." In Lexikon der Geisteswissenschaften, 1197–200. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1197.

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Soeters, Joseph. "Norbert Elias." In Sociology and Military Studies, 130–42. New York : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315182131-11.

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Conference papers on the topic "Norbert Elias"

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Cristina de Moura Melo, Mileide, and Josue Pereira Da Silva. "A relação "indivíduo e sociedade" em Norbert Elias e George Herbert Mead." In XXV Congresso de Iniciação Cientifica da Unicamp. Campinas - SP, Brazil: Galoa, 2017. http://dx.doi.org/10.19146/pibic-2017-78702.

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SANTOS, Vivian Oliveira Lemos dos. "A Formação do Estado Francês na ótica de Norbert Elias, seu papel na construção do ethos ocidental e a consequente ascensão do extremismo islâmico na França." In II Congresso Internacional de Direitos humanos: desigualdades e intolerâncias em tempos de crise. Recife, Brasil: Even3, 2016. http://dx.doi.org/10.29327/13806.2-1.

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Alcino, Valeria Fabiana. "Voces de la ausencia/poética de la memoria en la obra Evidencias (2010) de Norberto Puzzolo, Museo de la Memoria, Rosario, Argentina. Sonido, silencio e imagen durante la dictadura argentina (1976-1983)." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9164.

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Este trabajo se propone analizar los diversos planos puestos en relación a partir del sonido y la visualidad con las poéticas de la memoria a partir de la instalación Evidencias (2010) del artista argentino Norberto Puzzolo (Rosario,1943).La obra trata una doble problemática.Por una parte, expone los trágicos hechos de apropiación de niños, hijos de detenidos desaparecidos por el terrorismo de Estado argentino entre 1976 y 1983. Por otro lado, muestra la ardua búsqueda de las Abuelas de Plaza de Mayo y la restitución de la identidad a sus nietos.En la instalación de Puzzolo, el sonido se ubica como una evocación del pasado en tanto que el aspecto visual instala el tiempo presente y futuro. En esta unión de poéticas y temporalidades, emerge el interrogante del ser social nacional. El artista ha dejado los espacios vacíos para que sea la voluntad de la sociedad la que cierre esta obra.Evidencias, es un site specific concebido para el Museo de la Memoria de Rosario, Provincia de Santa Fe, Argentina. Asimismo, es una obra en progreso, en constante cambio a medida que los hallazgos de las identidades de los nietos desaparecidos se incorporan a la composición.Desde este punto, se intenta abordar la relación entre la materialidad de la obra visual y la invisibidad del sonido. La dimensión sonora como medio evocativo de múltiples temporalidades: pasado/presente; pasado/futuro; presente/futuro. Pensar el sonido como un signo de presencia/ausencia en esas temporalidades, como signo de aquello que en un tiempo venidero podrá –o no- estar presente. La dimensión histórica/política y política/social enfrentando la tensión entre memoria/olvido, resulta central en este abordaje. La pregunta sobre cómo vamos a reconstruir nuestro pasado reciente se pone en evidencia en el proceso de ir completando la obra. El desafío al que nos enfrenta como sociedad es la incógnita de saber si seremos capaces de restituir las imágenes faltantes y a partir de ellas, reponer las voces del pasado.
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