Relevant bibliographies by topics / Nora Okja Keller

Academic literature on the topic 'Nora Okja Keller'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Nora Okja Keller"

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Oh, Seiwoong. "Comfort Woman by Nora Okja Keller." Western American Literature 34, no. 1 (1999): 102–3. http://dx.doi.org/10.1353/wal.1999.0051.

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Lee, Y. O. "Nora Okja Keller and the Silenced Woman: An Interview." MELUS: Multi-Ethnic Literature of the United States 28, no. 4 (December 1, 2003): 145–65. http://dx.doi.org/10.2307/3595304.

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한미애. "Translation of Language Variation Characterized in Comfort Woman by Nora Okja Keller." Journal of Translation Studies 17, no. 3 (September 2016): 217–41. http://dx.doi.org/10.15749/jts.2016.17.3.009.

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AYAICHA, Somia. "THE MULTIPLICITY OF IDENTITY IN BHARATEE MUKHERJEE S JASMINE AND NORA OKJA KELLER S COMFORT WOMAN." Journal of International Social Research 12, no. 63 (April 30, 2019): 31–36. http://dx.doi.org/10.17719/jisr.2019.3206.

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LEE, SOOK. "Narrative Representations and the Power of Fantasy in Testimony Literature: Focused on Novels on the ‘Comfort Women’ of the Japanese Military." Korean Society of Culture and Convergence 44, no. 10 (October 31, 2022): 337–51. http://dx.doi.org/10.33645/cnc.2022.10.44.10.337.

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Previous research on testimony literature including novels that reproduce the ‘comfort women’ of the Japanese military has tended to rely on the aesthetics of conventional realism. The novels on the ‘comfort women’ of the Japanese military this study focuses on, however, reveal different aspects from the previous reproduction of reality like the imitation of reality. This study intensively analyzes noteworthy texts out of the works that have been released up to now after the 1980’s, for instance, Yun Jeong-mo, Nora Okja Keller, Go Hye-jeong, and Kim Sum’s novels. The novels on the ‘comfort women’ of the Japanese military as testimony literature employ the technique of ‘fantasy’ in order to obtain reality and contain aesthetic autonomy in them. Also, such borrowing of ‘fantasy’ shows paradoxically that pain is indescribable. Moreover, those novels not just remaining in the representation of historical pain seek to heal trauma caused by pain from an ecofeminist perspective and pursue the narrative of salvation for the sake of survival.
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Park, Geumhee. "Nora Okja Keller’s Fox Girl: Biopolitics, Necropolitics and a State of Exception." Modern Studies in English Language & Literature 66, no. 2 (May 31, 2022): 65–85. http://dx.doi.org/10.17754/mesk.66.2.65.

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Fun, Chow Sheat. "Rewriting the Feminine Construction of a Nation in Comfort Woman by Nora Okja Keller." Pertanika Journal of Social Sciences and Humanities 28, no. 4 (December 24, 2020). http://dx.doi.org/10.47836/pjssh.28.4.28.

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This essay highlights the way Keller’s novel, Comfort Woman (1997) explores the connection between women’s sexual bodies, colonialism and Korean nationalism. Through the resistance of heroic women characters against patriarchal definitions and feminization of a colonized nation, Keller narrates subversive feminist resistance to humiliating inscriptions of patriarchy and colonialism onto the sexual bodies of women. The text is closely analysed using tools of literary devices, in particular, subversive strategies and the idea of silences as a tool and a theme to convey the unspoken and the unspeakable. Soon Hyo’s passive silences as a comfort woman in the comfort camps and her transformation later to paranormal articulations as a shaman is interpreted as powerful forms of resistance against patriarchy’s inscription upon her body. Her silent passivity, re-interpreted as a form of active resistance becomes more meaningful as she wrestles back the identities and recognition for the thousands of comfort women that would otherwise be forgotten. Comfort Woman inquires into the links between languages, silences and subjectivity, colonial domination and Korean nationalism, sexuality and nation, resisting any attempts at separating the links. Keller invoked the power of performance and silences in the form of “strange” articulations and tropes which were culturally specific as subversive means of re-telling her story and inscribing new meanings onto women’s sexual bodies, thus rewriting the feminine constructions of a nation.
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Dissertations / Theses on the topic "Nora Okja Keller"

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Park, Grace Haekyung. "The exotics of representation in twentieth-century Korean American literature." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1483474281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Miller, Perry Dal-nim. "The Military Camptown in Retrospect: Multiracial Korean American Subject Formation Along the Black-White Binary." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1187385251.

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Hooton, Matthew James. "Silence, Shamans and Traumatic Haunting: A Novel and Accompanying Exegesis." Thesis, 2017. http://hdl.handle.net/2440/119973.

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Vol. 1 Typhoon Kingdom: Major Work -- Vol. 2 Writing at the Intersection of Trauma and Haunting: Narrative Representations of Korean “Comfort Women” in English: Exegesis
Major Work: Typhoon Kingdom In 1653, the Dutch East India Company’s Sparrowhawk is wrecked on a Korean island, and Hae-jo, a local fisherman, guides the ship’s bookkeeper to Seoul in search of his surviving shipmates. The two men, one who has never ventured to the mainland and the other unable to speak the language, are soon forced to choose between loyalty to each other and a king determined to maintain his country’s isolation. Three hundred years later, in the midst of the Japanese occupation, Yoo-jin is taken from her family and forced into prostitution, and a young soldier must navigate the Japanese surrender and ensuing chaos of the Korean War to find her. Based on the seventeenth-century journal of Hendrick Hamel and testimonies of surviving Korean “Comfort Women,” “Typhoon Kingdom” connects two narratives through an examination of language, foreignness and traumatic haunting. The novel seeks to make a unique creative contribution to the small body of literature in English representing the diverse and traumatic experiences of Korean “Comfort Women” and the tumultuous history of the Korean peninsula. Exegesis: Writing at the Intersection of Trauma and Haunting: Narrative Representations of Korean “Comfort Women” in English An examination of narrative representations of the traumatic experiences of Korean “Comfort Women” that explores a new way of reading and writing about literatures on the subject. Chapter One provides an historical context examining events and their forgetting. Chapter Two presents shamanic performance as a seemingly eruptive and counter-hegemonic force that transcends the familiar confines of ritual to enact a communal memory and provide a means of engagement with historical trauma and its ghosts. And Chapter Three asks how Nora Okja Keller’s Comfort Woman and Chang-rae Lee’s A Gesture Life exemplify the unsettling power of writing at this intersection of trauma and haunting.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2017
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Book chapters on the topic "Nora Okja Keller"

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Schultermandl, Silvia. "Nature and the Oppressed Female Body in Nora Okja Keller’s Ecofeminist Aesthetics." In Ecocriticism and Geocriticism, 171–88. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137542625_10.

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"Five. Shamanism and the Subject(s) of History in Nora Okja Keller’s Comfort Woman." In Double Agency, 113–51. Stanford University Press, 2005. http://dx.doi.org/10.1515/9781503625310-007.

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"Feeding the Spirit: Mourning for the Mother(land) in Lan Cao's Monkey Bridge and Nora Okja Keller's Comfort Woman." In Consumption and Identity in Asian American Coming-of-Age Novels, 89–120. Routledge, 2013. http://dx.doi.org/10.4324/9780203958438-9.

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