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Journal articles on the topic 'Nonsens (Literatur)'

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Published: 4 June 2021
Last updated: 4 February 2022

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1

Tilghman, B. R. "LITERATURE, PHILOSOPHY AND NONSENSE." British Journal of Aesthetics 30, no. 3 (1990): 256–65. http://dx.doi.org/10.1093/bjaesthetics/30.3.256.

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2

Hołobut, Agata, and Władysław Chłopicki. "Editorial: Humour in nonsense literature." European Journal of Humour Research 5, no. 3 (November 21, 2017): 1. http://dx.doi.org/10.7592/ejhr2017.5.3.holobut.

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3

ORTÍN, MARCEL. "JOSEP CARNER DAVANT LA NONSENSE LITERATURE." Catalan Review, no. 33 (June 2019): 19–38. http://dx.doi.org/10.3828/catr.33.2.

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4

Shortsleeve, Kevin. "Edward Gorey, Children's Literature, and Nonsense Verse." Children's Literature Association Quarterly 27, no. 1 (2002): 27–39. http://dx.doi.org/10.1353/chq.0.1442.

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5

TOBIN, JAMES. "CENTS AND NONSENSE." Yale Review 99, no. 3 (June 16, 2011): 206–10. http://dx.doi.org/10.1111/j.1467-9736.2011.00733.x.

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6

TOBIN, JAMES. "CENTS AND NONSENSE." Yale Review 99, no. 3 (2011): 206–10. http://dx.doi.org/10.1353/tyr.2011.0032.

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7

Readman, Mark. "Comforting Nonsense of Creativity." Exchanges: The Interdisciplinary Research Journal 8, no. 1 (October 29, 2020): 40–56. http://dx.doi.org/10.31273/eirj.v8i1.651.

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Jonah Lehrer’s book Imagine: How Creativity Works was discredited when it was discovered that it included fabricated quotes by Bob Dylan. It was also criticised for cherry picking the science of creativity and adding little of worth to the literature on the subject. While this may be true, I suggest that much scientific literature about creativity is already epistemologically and methodologically incoherent, and characterised by the treatment of creativity as something with stable ontic status, rather than something which is always, inevitably produced through cultural processes of interpretation and association. An examination, using the tools of discourse analysis, of some of the research papers cited by Lehrer, along with other related examples, reveals some of the assumptions and rhetorical manoeuvres at work. Despite the overt falsehoods in his book, the stories that Jonah Lehrer tells us are consistent with the stories that the research, science, and policy tell us about creativity – all are equally fanciful. Nevertheless, if we choose to suspend our disbelief in such stories, and their rhetorical prestidigitation, there are some comforts and pleasures to be obtained from the illusion of essential humanity that they create.
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8

Pérez Téllez, José Enrique. "Las formas del absurdo y el sinsentido en la literatura = Kinds of absurdity and nonsense in the literature." Signa: Revista de la Asociación Española de Semiótica 25 (January 1, 2016): 865. http://dx.doi.org/10.5944/signa.vol25.2016.16921.

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9

McClelland, Ivy L. "Appendix: Nonsense Rhymes." Bulletin of Spanish Studies 86, no. 7-8 (November 2009): 31–42. http://dx.doi.org/10.1080/14753821003679064.

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10

Sundmark, Björn. "With Captain Hellsing at the Helm: Sailing the Seas of Nonsense in Sjörövarbok." Studia Scandinavica, no. 3(23) (December 13, 2019): 24–37. http://dx.doi.org/10.26881/ss.2019.23.01.

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The article analyses and sheds light on the nonsense techniques used in Lennart Hellsing’s Sjörövarbok (1965) (The Pirate Book). In this article, it is argued, furthermore, that Hellsing’s nonsense writings fit in with his role in Swedish children’s literature in the latter half of the 20th century as both a critic and a carrier of tradition. Theoretically and methodologically the study draws on the critical apparatus developed mainly by Wim Tigges. It is shown that Sjörövarbok is a prime example of nonsense literature, particularly in the use of repetition (names, verbs) and simultaneity of meaning.
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11

Fredman, Stephen, and Alison Rieke. "The Senses of Nonsense." American Literature 65, no. 3 (September 1993): 589. http://dx.doi.org/10.2307/2927406.

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12

Höschl, Cyril. "Prediction: Nonsense or Hope?" British Journal of Psychiatry 163, S21 (September 1993): 46–54. http://dx.doi.org/10.1192/s0007125000292490.

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Psychiatry and psychopharmacology are no longer aiming to make a decisive breakthrough at the end of the century. Rather than seeking explanations, research workers are looking for ‘predictions’. Three main types of prediction are emerging: a tautological, a heuristic, and an irrelevant one. Few predictions found in the recent literature can be marked as ‘logical’ ones. Nevertheless, predictions play two important roles: they generate new hypotheses that can be falsified in properly designed scientific experiments; they also may serve to falsify given hypotheses. The main recent findings on predictions in psychiatry are briefly summarised.
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13

Epstein, William H., and Lance Bertelsen. "The Nonsense Club: Literature and Popular Culture, 1749-1764." Eighteenth-Century Studies 21, no. 3 (1988): 392. http://dx.doi.org/10.2307/2738700.

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14

Sant, Ann Jessie Van, and Lance Bertelsen. "The Nonsense Club: Literature and Popular Culture, 1749-1764." Modern Language Review 84, no. 4 (October 1989): 931. http://dx.doi.org/10.2307/3731183.

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15

Mabbs-Zeno, Carl C. "Making Sense of Nonsense." Politics and the Life Sciences 11, no. 2 (August 1992): 271. http://dx.doi.org/10.1017/s0730938400015306.

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Alemneh Dejene has aptly subtitled this book “A View from the Village.” Its contribution is in providing the detail borne of experience in one of the world's least forgiving economic environments. It uses extensive personal interviews with peasants to penetrate the logic of existence in rural Ethiopia without relying on emotional or superficial impressions from the interviewer. The author found the right questions to ask and presents the answers he received clearly. He modestly avoids the error of deriving the solutions to Ethiopia's problems from a limited set of observations, even though the observations represent an important addition to the international literature.
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16

Rossel, Sven H., and Tobias Berggren. "Fält och legender: Dikter, Förståelseförsök, Fantasier, Nonsens, Tolkningar." World Literature Today 72, no. 4 (1998): 857. http://dx.doi.org/10.2307/40154382.

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17

Dwan, David. "Important Nonsense: Yeats and Symbolism." New Literary History 50, no. 2 (2019): 219–43. http://dx.doi.org/10.1353/nlh.2019.0013.

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18

Kidd, Stephen E. "‘NONSENSE’ IN COMIC SCHOLIA." Classical Quarterly 67, no. 2 (July 26, 2017): 507–21. http://dx.doi.org/10.1017/s0009838817000477.

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In 1968 E.K. Borthwick, with a brilliant conjecture, cleared up a passage from Aristophanes’Peacethat had been considered ‘nonsense’ since antiquity. ‘Bell goldfinch’ (κώδων ἀκαλανθίς) the line seemed to be saying: a jumbled idea at best, gibberish at worst (1078). The scholium reads ad loc.: ταῦτα δὲ πάντα ἐπίτηδες ἀδιανοήτως ἔφρασεν, ‘all this is said as deliberate nonsense’, and later scholars generally follow suit (W.W. Merry, for example, in his 1900 edition ofPeacerefers to the line as ‘magnificent nonsense’). But Borthwick showed that this was not the case: ‘even nonsense expressions in Aristophanes’, he writes, ‘are not haphazard collocations of incongruous words signifying nothing’. What, then, to do with the ancient scholar (and those later ones) who failed to understand the passage, claiming it instead to be ‘nonsense’?
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19

Marín Calderón, Norman. "Acto poético <> Acto psicoanalítico: literatura, retórica y nonsense." Acta Poética 38, no. 2 (June 21, 2017): 85. http://dx.doi.org/10.19130/iifl.ap.2017.2.802.

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El psicoanálisis intenta captar el deseo del sujeto “al pie de la letra”: literatura y psicoanálisis comparten el hecho de que se crean nuevos mundos a partir de la palabra. Este artículo vincula algunos puntos de encuentro y también de desencuentro entre la creación poética y la producción psicoanalítica en tanto ambas privilegian el poder del lenguaje y los atolladeros del deseo inconsciente, a partir de su relación con algunas de sus formaciones inconscientes, a saber, el chiste, el lapsus y el nonsense.
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20

Anderson, Emily. "‘There was a young girl of the Somme, / Who sat on a number five bomb’: The Representation of Violence in First World War Trench Newspaper Nonsense Rhymes." Literature & History 27, no. 2 (August 21, 2018): 129–47. http://dx.doi.org/10.1177/0306197318792388.

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The nonsense rhymes that were almost ubiquitous in First World War trench newspapers (periodicals produced by servicemen while on active service) present vivid, humorous, and arresting representations of violence. This article draws attention to servicemen’s widespread use of limericks and parodic nursery rhymes to depict soldiers being, variously, shot, shelled, and bayoneted, and establishes the hitherto unrecognised representational significance of these poems. Those portrayals of the First World War most frequently celebrated for their truthfulness and emotiveness tend to be both solemn and, in different ways, ‘new’. In contrast, written in the traditions of nineteenth-century nonsense literature and reflecting the popularity of nonsense in contemporary comic periodicals, nonsensical trench newspaper poems indicate the durability of nonsense as a form of Great War representation.
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21

Rao, Vamshi K., Christine J. DiDonato, and Paul D. Larsen. "Friedreich’s Ataxia: Clinical Presentation of a Compound Heterozygote Child with a Rare Nonsense Mutation and Comparison with Previously Published Cases." Case Reports in Neurological Medicine 2018 (August 9, 2018): 1–5. http://dx.doi.org/10.1155/2018/8587203.

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Friedreich’s ataxia is a neurodegenerative disorder associated with a GAA trinucleotide repeat expansion in intron 1 of the frataxin (FXN) gene. It is the most common autosomal recessive cerebellar ataxia, with a mean age of onset at 16 years. Nearly 95-98% of patients are homozygous for a 90-1300 GAA repeat expansion with only 2-5% demonstrating compound heterozygosity. Compound heterozygous individuals have a repeat expansion in one allele and a point mutation/deletion/insertion in the other. Compound heterozygosity and point mutations are very rare causes of Friedreich’s ataxia and nonsense mutations are a further rarity among point mutations. We report a rare compound heterozygous Friedrich’s ataxia patient who was found to have one expanded GAA FXN allele and a nonsense point mutation in the other. We summarize the four previously published cases of nonsense mutations and compare the phenotype to that of our patient. We compared clinical information from our patient with other nonsense FXN mutations reported in the literature. This nonsense mutation, to our knowledge, has only been described once previously; interestingly the individual was also of Cuban ancestry. A comparison with previously published cases of nonsense mutations demonstrates some common clinical characteristics.
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22

Heyman, Michael. "Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale." European Journal of Humour Research 5, no. 3 (November 21, 2017): 56. http://dx.doi.org/10.7592/ejhr2017.5.3.heyman.

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Past studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-recognized writers of nonsense is Carl Sandburg, who is famous for his iconic American poetry, but his Rootabaga Stories (1922-30) are some of the best and most distinctive representatives of the genre. Sandburg’s nonsense short stories are lyrical and strange, but their value lies also in their distinctive American origins. They are distinguished in having particularly American themes, cultural tendencies, and geography, but also in their formal techniques, which hearken back to American folklore and the tall tale in particular, as in W. B. Laughead’s Paul Bunyan (1922).
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23

Kern, Scott E., and Jordan M. Winter. "Elegance, silence and nonsense in the mutations literature for solid tumors." Cancer Biology & Therapy 5, no. 4 (April 2006): 349–59. http://dx.doi.org/10.4161/cbt.5.4.2551.

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24

Dutoit, Thomas. "The Philosophy of Nonsense. The Intuitions of Victorian Nonsense Literature, and: The Violence of Language (review)." L'Esprit Créateur 38, no. 4 (1998): 144–45. http://dx.doi.org/10.1353/esp.2010.0231.

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25

Hołobut, Agata. "Obrazy niepowagi: O tłumaczeniu poezji nonsensu na przykładzie wiersza The Akond of Swat Edwarda Leara." Przekładaniec, no. 40 (2020): 205–39. http://dx.doi.org/10.4467/16891864pc.20.010.13173.

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Images of Irreverence: Nonsense Poetry in Translation as Exemplified by Edward Lear’s Poem The Akond of Swat The paper deals with selected “rewritings” of Edward Lear’s nonsense poem The Akond of Swat, focusing specifically on the translators’, illustrators’, adapters’ and editors’ attitudes towards the allusive nature of the poem – the reference it makes to the historical figure of the Pashtun religious leader Abdul Ghaffūr, also known as the Akond (or Wali) of Swat or Saidū Bābā, which may be viewed as problematic from a postcolonial viewpoint. Recent translated and illustrated versions of the poem inscribe it with new aesthetic and ideological values. Two Polish translations considered in the paper, produced by Andrzej Nowicki and Stanisław Barańczak respectively, demonstrate changing approaches to the nonsense genre displayed in Polish literary circles (gradual transition from pure to parodistic nonsense). Graphic representations of the poem discussed in the paper testify to the artists’ interpretive powers in redefining the genre of Lear’s poem: rebranding it as an infantile fairy tale on the one hand and a disturbing reflection on tyranny and “the war on terrorism” on the other.
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26

Lowney, J. "Langston Hughes and the "Nonsense" of Bebop." American Literature 72, no. 2 (June 1, 2000): 357–85. http://dx.doi.org/10.1215/00029831-72-2-357.

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27

Matthews, J. H. "Rikki Ducornet's Non-Nonsense Almost-Fairy Tales." Symposium: A Quarterly Journal in Modern Literatures 42, no. 4 (December 1988): 312–28. http://dx.doi.org/10.1080/00397709.1989.10733661.

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28

Kutbi, M. A., N. Hussain, and S. Khaleghizadeh. "NewPPFDependent Fixed Point Theorems for Suzuki TypeGF-Contractions." Journal of Function Spaces 2015 (2015): 1–13. http://dx.doi.org/10.1155/2015/136306.

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We introduce new concepts of anαc-GF-contractive nonself-mapping, a weakαc-GF-contractive nonself-mapping, a generalizedαc-GF-contractive nonself-mapping, and Suzuki typeGF-contractions and establish the existence ofPPFdependent fixed point theorems for such kind of contractive nonself-mappings in the Razumikhin class. As applications of our results, we derive somePPFdependent fixed point theorems forGF-contractive nonself-mappings whenever the range space is endowed with a graph or a partial order. The obtained results generalize, extend, and modify somePPFdependent fixed point results in the literature.
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29

Edwards, Michael. "Wordsworth and the poetics of nonsense." English Academy Review 14, no. 1 (December 1997): 109–24. http://dx.doi.org/10.1080/10131759785310121.

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30

Kulka, Tomas. "False Metaphors and Nonsense: Retort to Nelson Goodman." Poetics Today 13, no. 4 (1992): 809. http://dx.doi.org/10.2307/1773301.

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31

Ryan, Karen. "Aksenov's ptichii iazyk: Nonsense Reconsidered." Slavic and East European Journal 46, no. 1 (2002): 29. http://dx.doi.org/10.2307/3086230.

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32

Iarossi, Giancarlo, Valerio Marino, Paolo Enrico Maltese, Leonardo Colombo, Fabiana D’Esposito, Elena Manara, Kristjana Dhuli, et al. "Expanding the Clinical and Genetic Spectrum of RAB28-Related Cone-Rod Dystrophy: Pathogenicity of Novel Variants in Italian Families." International Journal of Molecular Sciences 22, no. 1 (December 31, 2020): 381. http://dx.doi.org/10.3390/ijms22010381.

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The small Ras-related GTPase Rab-28 is highly expressed in photoreceptor cells, where it possibly participates in membrane trafficking. To date, six alterations in the RAB28 gene have been associated with autosomal recessive cone-rod dystrophies. Confirmed variants include splicing variants, missense and nonsense mutations. Here, we present a thorough phenotypical and genotypical characterization of five individuals belonging to four Italian families, constituting the largest cohort of RAB28 patients reported in literature to date. All probands displayed similar clinical phenotype consisting of photophobia, decreased visual acuity, central outer retinal thinning, and impaired color vision. By sequencing the four probands, we identified: a novel homozygous splicing variant; two novel nonsense variants in homozygosis; a novel missense variant in compound heterozygous state with a previously reported nonsense variant. Exhaustive molecular dynamics simulations of the missense variant p.(Thr26Asn) in both its active and inactive states revealed an allosteric structural mechanism that impairs the binding of Mg2+, thus decreasing the affinity for GTP. The impaired GTP-GDP exchange ultimately locks Rab-28 in a GDP-bound inactive state. The loss-of-function mutation p.(Thr26Asn) was present in a compound heterozygosis with the nonsense variant p.(Arg137*), which does not cause mRNA-mediated decay, but is rather likely degraded due to its incomplete folding. The frameshift p.(Thr26Valfs4*) and nonsense p.(Leu13*) and p.(Trp107*) variants, if translated, would lack several key structural components necessary for the correct functioning of the encoded protein.
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33

Minslow, Sarah. "Challenging the Impossibility of Children’s Literature: The Emancipatory Qualities of Edward Lear’s Nonsense." Bookbird: A Journal of International Children's Literature 53, no. 3 (2015): 46–55. http://dx.doi.org/10.1353/bkb.2015.0065.

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34

Kérchy, Anna. "The Acoustics of Nonsense in Lewis Carroll's Alice Tales." International Research in Children's Literature 13, Supplement (July 2020): 175–90. http://dx.doi.org/10.3366/ircl.2020.0345.

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This article explores how Charles Lutwidge Dodgson's fantasies about Alice's adventures in Wonderland and through the looking-glass (1865, 1871), published under the pen-name Lewis Carroll, renewed the genre of children's literature by turning the vocal play of literary nonsense into the organising principle of child-centric, non-didactic, ludic narratives. 1 It shows how his language games strategically undermine tyrannical ideological structures, whether in the form of discursive ‘regimes of truth’ (Foucault 80), the institution of monarchy, the adult–child hierarchy maintained by a pedagogy of fear, or speciesist supremacy of human over animal.
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35

Anna Barton. "Delirious Bulldogs and Nasty Crockery: Tennyson as Nonsense Poet." Victorian Poetry 47, no. 1 (2009): 313–30. http://dx.doi.org/10.1353/vp.0.0038.

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36

SHORLEY, C. "Review. Sense, Antisense, Nonsense. Champigny, Robert." French Studies 42, no. 1 (January 1, 1988): 115. http://dx.doi.org/10.1093/fs/42.1.115-a.

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37

Renaud, Emma. "A Precursor of Nonsense: John Taylor, the Water Poet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 48, no. 1 (October 1995): 37–43. http://dx.doi.org/10.1177/018476789504800108.

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38

Palmer, Anthony. "Philosophy and Literature." Philosophy 65, no. 252 (April 1990): 155–66. http://dx.doi.org/10.1017/s0031819100064445.

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My writing is simply a set of experiments in life—an endeavour to see what our thought and emotion may be capable of—what stores of motive, actual or hinted as possible, give promise of a better after which we may strive—what gains from past revelations and discipline we must strive to keep hold of as something more than shifting theory. I became more and more timid—with less daring to adopt any formula which does not get itself clothed for me in some human figure and individual experience, and perhaps that is a sign that if I help others to see at all it must be through the medium of art.George Eliot.In his inaugural lecture, given in Birkbeck College in 1987, Roger Scruton, who has done as much as anyone else in recent years to bring the importance of art in general and literature in particular to the attention of philosophers, contends that ‘philosophy severed from literary criticism is as monstrous a thing as literary criticism severed from philosophy’. The first, he argues, aims to be science: strives after theoretical truth which it can never attain; and results in banality clothed in pseudo-scientific technicalities: while the second is liable to find consolation in the kind of nonsense which pretends that in the study of literature we are confronted with nothing other than an author-less, unreadable, ‘text’. Philosophy, he maintains, ‘must return aesthetics to the place that Kant and Hegel made for it: a place at the centre of the subject, the paradigm of philosophy and the true test of all its claims’.
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Gardner, Kevin. "“Nonsense Precipitate”: A Reading ofThe DunciadI, 123–24." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 28, no. 3-4 (October 2, 2015): 166–69. http://dx.doi.org/10.1080/0895769x.2016.1166930.

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de Oliveira, Cassio. "Literary Nonsense in Daniil Kharms'sIncidents." Slavonica 16, no. 2 (November 2010): 65–78. http://dx.doi.org/10.1179/136174210x12814458213646.

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Lecercle, Jean-Jacques. "« The boy stood on the burning deck » : poétique du nonsense." Études anglaises 57, no. 1 (2004): 92. http://dx.doi.org/10.3917/etan.571.102.

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42

Swaab, Peter. "Romantic Poetry and Victorian Nonsense Poetry: Some Directions of Travel." Romanticism 25, no. 1 (April 2019): 90–102. http://dx.doi.org/10.3366/rom.2019.0404.

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This essay explores links between Victorian nonsense poetry and poetry of the Romantic period, with a focus on narratives of quest, voyaging and escape. It discusses brief instances from various writers of the two periods and moves on to a more developed comparison between Wordsworth and Edward Lear, centring on ‘The Blind Highland Boy’. The comparison between periods leads to an argument that self-critique and scepticism were quite robustly in place from the start in the Romantic period, and that obstacles to sense could at times be experienced not just as perplexity but as enjoyment shared with an audience. It also points to a further appreciation of some of the less canonical works by the most canonical writers, and suggests a tradition in which Romantic aspiration was often coolly linked to a sense of absurdity.
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43

Luyat, Anne. "Conrad, Faulkner, and the Problem of Nonsense by Maurice Ebileeni." Conradiana 48, no. 1 (2016): 95–97. http://dx.doi.org/10.1353/cnd.2016.0009.

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Luyat, Anne. "Conrad, Faulkner, and the Problem of Nonsense by Maurice Ebileeni." Conradiana 50, no. 1 (2018): 81–83. http://dx.doi.org/10.1353/cnd.2018.0004.

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45

Herrick, Dylan. "AN ACOUSTIC DESCRIPTION OF CENTRAL CATALAN VOWELS BASED ON REAL AND NONSENSE WORD DATA." Catalan Review: Volume 21, Issue 1 21, no. 1 (January 1, 2007): 231–56. http://dx.doi.org/10.3828/catr.21.10.

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This paper examines the extent to which vowel height data taken from real words differs from data taken from nonsense words, and it finds no significant differences. As a result, it provides quantitative acoustic data for the seven stressed and three unstressed vowels of Standard Catalan (as uttered by female speakers). The data are drawn from three distinct phonetic contexts, i.e., /bVp/, /bVt/, and /bVk/, and the /bVp/ context consists entirely of nonsense words (the other contexts were all real words). A comparison and statistical analysis of the data for each vowel phoneme show that there are neither considerable nor statistically significant differences in the vowel height (F1 values) among the data from the three different phonetic contexts. In terms of vowel height, nonsense words provide as accurate a picrure of the Catalan data as real words do.
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Alghamdi, Maryam A., Vasile Berinde, and Naseer Shahzad. "Fixed Points of Multivalued Nonself Almost Contractions." Journal of Applied Mathematics 2013 (2013): 1–6. http://dx.doi.org/10.1155/2013/621614.

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We consider multivalued nonself-weak contractions on convex metric spaces and establish the existence of a fixed point of such mappings. Presented theorem generalizes results of M. Berinde and V. Berinde (2007), Assad and Kirk (1972), and many others existing in the literature.
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47

Akbulut, Sezgin. "An iteration process for common fixed points of two nonself asymptotically nonexpansive mappings." Analele Universitatii "Ovidius" Constanta - Seria Matematica 20, no. 1 (May 1, 2012): 15–30. http://dx.doi.org/10.2478/v10309-012-0002-y.

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Abstract In this paper, we introduce an iteration process for approximating common fixed points of two nonself asymptotically nonexpansive map- pings in Banach spaces. Our process contains Mann iteration process and some other processes for nonself mappings but is independent of Ishikawa iteration process. We prove some weak and strong convergence theorems for this iteration process. Our results generalize and improve some results in contemporary literature.
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48

Gibian, George, and Natalia Pervukhina. "Anton Chekhov: The Sense and the Nonsense." Slavic and East European Journal 39, no. 2 (1995): 293. http://dx.doi.org/10.2307/309387.

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49

Szczeglacka-Pawłowska, Ewa. "Wyrafinowany koncept. O miejscu [Królewny Lali] Adama Mickiewicza w historii literatury." Roczniki Humanistyczne 67, no. 1 (July 4, 2019): 95. http://dx.doi.org/10.18290/rh.2019.67.1-7.

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The article attempts to define the place of Adam Mickiewicz’s unfinished work from the last stage of the poet’s artistic life, titled [Królewna Lala] [Princess Lala], in the history of literature, and thus in the history of literary research, and to outline the possible interpretations of the work using the category of Romantic irony and the idea of concept. A fine artistic idea behind [Królewna Lala] consists in using complex contrasts, combining fairy tale with realism, seriousness with comedy, simplicity of language with poetic mastery, dialogue with literary tradition. It is a virtuoso performance of the writer who creates a comic effect that is closer to the poetics of the absurd (pure nonsense) than to pure comedy. The work reveals a new aesthetic quality, unknown to Mickiewicz’s earlier works.
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50

Dias, Ângela Maria. "Fetiches do desejo e da morte: sobre a literatura de Valêncio Xavier." Estudos de Literatura Brasileira Contemporânea, no. 44 (December 2014): 319–30. http://dx.doi.org/10.1590/2316-40184415.

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Abstract:
A estética bricoleur, concebida pela obra de Valêncio Xavier, experimenta uma espécie de clímax na última coletânea publicada pelo autor em vida, Rremembranças da menina de rua morta nua e outros livros, de 2006. O formato alegórico do conjunto de relatos convoca o leitor ao trabalho incerto da interpretação, sempre dificultada pelo efeito de nonsense, causado pela mistura de sensacionalismo e melancolia. A dominância da fotografia tem uma importância significativa na montagem de ilustrações e palavras característica do texto. Sua natureza ambivalente, pela dialética entre proximidade e distância do referente, dramatiza os fetiches da mercadoria e da sexualidade. Nesse sentido, a obra em questão propicia, simultaneamente, a denúncia da sociedade do espetáculo e a conivência prazerosa com seus objetos e imagens.
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