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1

Bide, Mark. Digital preservation: Standards issues surrounding the deposit of non-print publications. London: Book Industry Communication, 2001.

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2

Hoare, Peter. Legal deposit of non-print material: An international overview, September-October 1995. Boston Spa: British Library Research and Development Department, 1996.

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3

Bide, Mark. Digital preservation: An introduction to the standards issues surrounding the deposit of non-print publications. [London]: Library and Information Commission, 1999.

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4

Bide, Mark. Digital preservation: An introduction to the standards issues surrounding the deposit of non-print publications : a study conducted by Book Industry Communication on behalf of the British National Bibliography Research Fund. [London: Library and Information Commission], 1999.

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5

Service, West Sussex (England) School Library. Resources catalogue: non-print material for loan to schools in West Sussex. (Chichester): West Sussex County Council, 1990.

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6

Dickens, Charles. A Christmas carol: In large print. New York: Quiet River Press, 2004.

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7

Mills, Joyce White. The Black World in Literature for Children: A Bibliography of Print and Non-Print Materials. Atlanta Univ, 1985.

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8

Missing the Meaning: The Development and Use of Print and Non-Print Text Materials in Diverse School Settings. Palgrave Macmillan, 2004.

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9

(Editor), Alan Peacock, and Ailie Cleghorn (Editor), eds. Missing the Meaning: The Development and Use of Print and Non-Print Text Materials in Diverse School Settings. Palgrave Macmillan, 2004.

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10

Cleghorn, Ailie, and Alan Peacock. Missing the Meaning: The Development and Use of Print and Non-Print Text Materials in Diverse School Settings. Palgrave Macmillan, 2008.

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11

Peacock, A., and A. Cleghorn. Missing the Meaning: The Development and Use of Print and Non-Print Text Materials in Diverse School Settings. Palgrave Macmillan Limited, 2004.

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12

A study of selected audiovisual and library administrators' attitudes toward the administrative integration of print and non-print resource units in university environments. Ann Arbor, Mich: University Microfilms International, 1987.

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13

1959-, Raven James, ed. Free print and non-commercial publishing since 1700. Aldershot, Hants, England: Ashgate, 2000.

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14

Whitehouse, Tessa. Dissenting Print Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702245.003.0021.

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Print culture was expanding rapidly in the eighteenth century. Yet religious literature remained the largest category of printed book and Dissenters were significant contributors to this genre. From 1695 pre-publication censorship disappeared within England so print was an important mechanism through which Dissenting identity was created and sustained. Religious works could be doctrinal, controversial, or practical and it was the latter category that had the largest lay readership. Material related to Scripture, either translated or paraphrased, accounted for much of the printed religious output but life writing and poetry were also influential. Many of the authors were ministerial and male, although the audiences for which they were writing were more varied. While it is easier to trace the uses to which material designed to educate ministers was put, there were also significant examples of Dissenters using print to fashion a wider sense of community, often through the use of non-commercial publishing models.
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15

Harford Vargas, Jennifer. Coda. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190642853.003.0007.

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The coda examines how cultural producers contribute to the Latina/o counter-dictatorial imaginary using non-print-based artistic forms. It focuses in depth on the murals in Balmy Alley in San Francisco’s Mission District, examining how their depiction of authoritarian repression in Central America coexists alongside representations of other forms of oppression in the United States. The murals generate linked histories of violence and are material testaments to interracial solidarity and a collective struggle for social justice. The coda’s analysis of the palimpsests of paint and the visual polyphony across the walls of Balmy Alley adds another texture and layer to the counter-dictatorial imaginary traced in the preceding chapters. It ends by suggesting that other forms of Latina/o cultural production such as music, film, and Day of the Dead altars work together with the murals and the novel to capture the afterlives of the dictatorial past and current dictatorial forms of oppression.
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16

Christmas Carol: Large Print. Independently Published, 2019.

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17

Christmas Carol: Large Print. Independently Published, 2018.

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18

Christmas Carol: Large Print. Independently Published, 2019.

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19

Christmas Carol: Large Print. Independently Published, 2019.

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20

Christmas Carol: Large Print. Independently Published, 2018.

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21

Christmas Carol: Large Print. Independently Published, 2019.

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Christmas Carol: Large Print. Independently Published, 2019.

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Christmas Carol: Large Print. Independently Published, 2019.

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24

Christmas Carol: Large Print. Independently Published, 2019.

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25

Christmas Carol: Large Print. Independently Published, 2019.

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26

Dickens, Charles. Christmas Carol: Large Print. Independently Published, 2020.

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27

Dickens, Charles. Christmas Carol: Large Print. Independently Published, 2019.

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28

Dickens, Charles. Christmas Carol: Large Print. Independently Published, 2019.

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29

Christmas Carol: Large Print. Independently Published, 2019.

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30

Christmas Carol: Large Print. Independently Published, 2019.

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31

Christmas Carol: Large Print. Independently Published, 2019.

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32

Christmas Carol: Large Print. Independently Published, 2019.

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33

Christmas Carol: Large Print. Independently Published, 2019.

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34

Dickens, Charles. Christmas Carol Large Print. Independently Published, 2019.

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35

Christmas Carol: Large Print. Independently Published, 2019.

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Christmas Carol: Large Print. Independently Published, 2019.

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Dickens, Charles. Christmas Carol: Large Print. Independently Published, 2019.

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38

Christmas Carol: Large Print. Independently Published, 2018.

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39

Dickens, Charles. Christmas Carol: Large Print. Independently Published, 2019.

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40

Christmas Carol: Large Print. Independently Published, 2019.

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41

Christmas Carol: Large Print. Independently Published, 2018.

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42

Jonathan, Swift. Gulliver's Travels (Large Print). Echo Library, 2006.

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43

Jonathan, Swift. Gulliver's Travels: Large Print. Independently Published, 2021.

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44

Jonathan, Swift. Gulliver's Travels: Large Print. Independently Published, 2020.

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45

A Christmas Carol (Large Print). Echo Library, 2007.

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46

Dickens, Charles. A Christmas Carol (Clear Print). Echo Library, 2003.

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47

A Christmas Carol (Large Print). Echo Library, 2006.

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48

Jonathan, Swift. Gulliver's Travels - Large Print Edition. Independently Published, 2020.

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49

Jonathan, Swift. Gulliver\'s Travels (Large Print). ReadHowYouWant.com, 2006.

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50

Christmas Carol in Prose: Large Print. Independently Published, 2019.

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