Academic literature on the topic 'Nineteenth century'

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Journal articles on the topic "Nineteenth century"

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King, Carla, James H. Murphy, Helen F. Mulvey, and Martin Ryan. "Nineteenth Century." Books Ireland, no. 260 (2003): 195. http://dx.doi.org/10.2307/20624038.

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Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE." SCIENTIFIC WORK 61, no. 12 (December 25, 2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.

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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William Makepeace Thackeray (1811-1863). The works of Charles Dickens differ not only in the strengthening of the real social moment, but also in the previous realist literature. Dickens has a profoundly negative effect on bourgeois reality. Key words: England, realism, literary trend, bourgeois society, utopia, unjust life, artistic description
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Longyear, Rey M., Carl Dahlhaus, J. Bradford Robinson, and Bojan Bujic. "Nineteenth-Century Music." Notes 47, no. 3 (March 1991): 747. http://dx.doi.org/10.2307/941874.

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Ruskin, John. "The Nineteenth Century." Chesterton Review 34, no. 1 (2008): 269–70. http://dx.doi.org/10.5840/chesterton2008341/2110.

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Schilcher, Linda. "Nineteenth-Century Palestine." Journal of Palestine Studies 17, no. 2 (January 1, 1988): 151–52. http://dx.doi.org/10.2307/2536869.

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Howard, Richard. "Nineteenth-Century Painting." Grand Street 4, no. 4 (1985): 198. http://dx.doi.org/10.2307/25006781.

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Davis, Tracy C. "Nineteenth-Century Repertoire." Nineteenth Century Theatre and Film 36, no. 2 (November 2009): 6–28. http://dx.doi.org/10.7227/nctf.36.2.4.

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Levinson, Joan Persily, and Richard W. Bailey. "Nineteenth-Century English." Language 74, no. 2 (June 1998): 398. http://dx.doi.org/10.2307/417884.

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EISENMAN, STEPHEN F., THOMAS CROW, BRIAN LUKACHER, LINDA NOCHLIN, FRANCES K. POHL, and DAVID WOOTTON. "NINETEENTH-CENTURY ART." Art Book 1, no. 3 (June 1994): 21b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00141.x.

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Lyon, Eileen Groth. "The Nineteenth Century." History: Reviews of New Books 29, no. 4 (January 2001): 159–60. http://dx.doi.org/10.1080/03612759.2001.10527825.

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Dissertations / Theses on the topic "Nineteenth century"

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Hartvigsen, Kathryn. "Nineteenth-Century Theatrical Adaptations of Nineteenth-Century Literature." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2510.pdf.

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Sunbul, Cicek. "Nineteenth-century Women." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12612905/index.pdf.

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This thesis proposes to demonstrate the representation of women in the 19th-century fiction through an analysis of the characters in George Eliot&rsquo
s Middlemarch and Thomas Hardy&rsquo
s The Return of the Native and Tess of the D&rsquo
Urbervilles. The study starts with an outline of the intellectual and industrial transformations shaping women&rsquo
s position in the 19th century in addition to the already existing prejudices about men&rsquo
s and women&rsquo
s roles in the society. The decision of marriage and its consequences are placed earlier in these novels, which helps to lay bare the women&rsquo
s predicaments and the authors&rsquo
treatment of the female characters better. Therefore, because of marriage&rsquo
s centrality to the novels as a theme, the analysis focuses on the female subordination with its educational, vocational and social extensions, the women&rsquo
s expectations from marriage, their disappointments, and their differing responses respectively. Finally, the analogous and different aspects of the attitudes of the two writers are discussed as regards their portrayal of the characters and the endings they create for the women in their novels.
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Akers, Caroline Gibson. "Nineteenth-century British crime rates." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610789.

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Hoover, Douglas Pearson. "Women in nineteenth-century Pullman." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276796.

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Built in 1880, George Pullman's railroad car manufacturing town was intended to be a model of industrial order. This Gilded Age capitalist's ideal image of working class women is reflected in the publicly prescribed place for women in the community and the company's provisions for female employment in the shops. Pullman wanted women to establish the town's domestic tranquility by cultivating a middle class environment, which he believed was a key to keeping the working class content. Throughout the course of the idealized communitarian experiment, however, Pullman's policies and prescriptions changed to meet the needs of working class families who depended on the wages of women. This paper will study the ideologies and realities surrounding women in nineteenth century Pullman.
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Lehrer, Charles-David. "The Nineteenth-century Parisian concerto /." Ann Arbor : Mich. : UMI, 1990. http://catalogue.bnf.fr/ark:/12148/cb35296154x.

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Wong, Marcelle. "Censorship in late nineteenth century Britain." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/25332.

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In his 1859 work, On Liberty, John Stuart Mill asserts that ‘[i] in our times, from the highest class of society down to the lowest, every one lives as under the eye of a hostile and dreaded censorship.’ For Mill, this censorship was implemented not by official institutions, but by social opprobrium, by a less explicit, but no less devastating public opinion. My thesis provides an account of late nineteenth century censorship that does not rely on traditional dichotomised models. These models present censorship as a Manichaean struggle between an aggressive regulatory mechanism that is more diffused and mobile than such rigid binaries suggest. I look at instances of censorship in literature, the visual arts, and other disciplinary fields, placing them in wider social, political, cultural, and intellectual contexts. I take into account recent scholarship which has challenged traditional models on theoretical grounds. These recent developments are useful for investigating particular instances of censorship, but conversely, these instances, despite their specificity, can also provide insights into, and elucidation of, the theories themselves. By moving beyond a state understanding of censorship as silencing and repression, I redress conventional assumptions about Victorian society and popular myths of a draconian regime, while also reassessing the concept of censorship itself.
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Thompson, Melissa Jane. "The highwayman in nineteenth century fiction." Thesis, Royal Holloway, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445028.

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Hollingsworth, Mark. "Nineteenth-century Shakespeares : nationalism and moralism." Thesis, University of Nottingham, 2007. http://eprints.nottingham.ac.uk/10551/.

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This thesis shows that 'Shakespeare' (both the works and the man) was at the forefront of literary activity in the nineteenth century. By focusing on concerns about the identity of the British nation and its people it shows that Shakespeare was a constant presence in the debates of the day and that a number of agendas were pursued through what were ostensibly writings about Shakespeare's plays and the biography of their author. The Introduction first notes Shakespeare's transition from Elizabethan playwright to Victorian cultural icon and proceeds to outline nineteenth-century critical practice and changes in the social organisation of knowledge. From here the shift in how Shakespeare was considered is noted as well as the fact that, despite increasing interest in the history of the phenomenon, the nineteenth century has been largely neglected. What exploration there has been of this period has tended, by its nature as part of larger surveys or issue-specific studies, to oversimplify the complexities of nineteenth-century criticism. Further to this, the nineteenth century itself is often treated as a time of unsophisticated development and as a precursor to modern thought rather than a period of interest in its own right. A variety of what this thesis terms 'literary pursuits' during this period are then contextualised, as well as the changing role of the critic in nineteenth-century society. This is accompanied by an exploration of the community of readers and writers who would have engaged with these works. Finally, the methodological decisions which have directed this thesis are explained, including the privileging of page over stage, and the choice of those nineteenth-century writers who have been examined. The main body of the thesis is divided into two sections: Part One (Chapters One and Two) gives a broad taxonomy of ways in which nineteenth-century writers used Shakespeare as a means for addressing other issues, and Part Two (Chapter Three) uses a specific case study through which to examine these particular issues. It shows that attitudes to Shakespeare were shaped by an ongoing dialogue concerning the identity of the nation and its population. However, while there was much commonality regarding the agendas for which Shakespeare was used, the ways in which various different writers approached this was surprisingly diverse. Chapter One, 'Nationalism,' looks at how Shakespeare could be used in order to serve a nationalistic agenda: this involved either allying Shakespeare with the nation itself (by utilising Shakespeare's nationality, writing in a rhetorically charged manner, or interpreting Shakespeare's works in a certain fashion), or equating the nineteenth century with the early modern period (and highlighting various commonalities or differences with those times). The concept of nationalism is contextualised by looking at various attitudes to the nation which were driven by the challenges of the expanding Empire. Chapter Two, 'Moralism,' looks at the ways in which Shakespeare was used as a tool by those who sought to promote certain behavioural traits amongst their readers. The different ways in which writers made use of Shakespeare are situated within a discussion of nineteenth-century philosophical and moral positions. This chapter looks successively at what is termed 'Private Moralism' (a concern with abstract ideas, such as self-control and adherence to familial or religious ties), and 'Public Moralism' (that is, efforts to improve the outward or physical attributes of individuals, such as financial accumulation or class status). Part Two of the thesis focuses on how Victorian writers used Shakespeare specifically in relation to Shakespeare's Sonnets. To this end, Chapter Three, 'The Sonnets,' looks at how writings on the Sonnets pursued moral or nationalistic agendas. This chapter also seeks to draw together the strands of nationalism and moralism by showing that anxieties about the state of Britain fed into writing about the Sonnets at this time and that this involved a complex debate about the Sonnets, ancient Greece, and the nature of what would today be termed homosexuality. A significant contention of this chapter is that nineteenth-century attitudes towards the Sonnets need to be appreciated on their own terms rather than anachronistically via a modern understanding of homosexuality. The Conclusion suggests that Shakespeare was used by nineteenth-century critics and biographers as a location within which to debate certain overarching concerns of the day. How these issues were approached, however, took different forms and Shakespeare was employed for different ends, which points to a general unease regarding the identity of the nation. As the formal institutionalising of the English Literary canon was taking place during the period covered by this thesis it seems reasonable to suggest that the use of Shakespeare was related to Shakespeare's position of dominance within the canon. Finally, suggestions are made as to how the ease with which Shakespeare could be used - as well as the unavoidable difficulties which are attendant with Shakespeare - might have affected this process of canonisation.
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Herrington, Eldrid Roberts. "Hopkins, Whitman and nineteenth-century philology." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621883.

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Sussman, Matthew Benjamin. "Stylistic Virtue in Nineteenth-Century Fiction." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11097.

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To many readers, the Victorian novel is synonymous with moral insight and Victorian criticism with moral philistinism. While the novel remains celebrated for its complex treatment of decision-making and sympathy, the evaluative judgments of Victorian critics have been dismissed as thematically reductive and imprecise. However, this study argues that the virtue terms that pervade Victorian discourse--words like "natural," "manly," "lucid," and "sincere"--invest sentence-level stylistic properties with ethical value because they embody aesthetic character. Rather than focus on the novel's action, characters, or themes, these "stylistic virtues" ascribe moral significance to "literariness" itself.
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Books on the topic "Nineteenth century"

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Reynolds, Donald M. The nineteenth century. Cambridge [Cambrideshire]: Cambridge University Press, 1985.

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Black, Jeremy, and Donald M. MacRaild. Nineteenth-Century Britain. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-137-10239-3.

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Kytö, Merja, Mats Rydén, and Erik Smitterberg, eds. Nineteenth-Century English. Cambridge: Cambridge University Press, 2006. http://dx.doi.org/10.1017/cbo9780511486944.

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Rapport, Michael. Nineteenth-Century Europe. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-20476-8.

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Bloom, Clive, Brian Docherty, Jane Gibb, and Keith Shand, eds. Nineteenth-Century Suspense. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19218-2.

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Porter, A. N. The nineteenth century. Oxford: Oxford University Press, 1999.

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Ten, C. L. The Nineteenth Century. Abingdon, UK: Taylor & Francis, 1994. http://dx.doi.org/10.4324/9780203065792.

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M, Vogt A., ed. The nineteenth century. London: Herbert, 1989.

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L, Ten C., ed. The nineteenth century. New York: Routledge, 2003.

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Rutter, J. The nineteenth century. New York: Garland, 1986.

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Book chapters on the topic "Nineteenth century"

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Rohner, Melanie, Jens Herlth, and Markus Winkler. "Nineteenth Century." In Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts, 189–284. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04485-3_3.

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Maris, Cees, and Frans Jacobs. "Nineteenth Century." In Law, Order and Freedom, 195–259. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1457-1_7.

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Baltus, Christopher. "Nineteenth Century." In Collineations and Conic Sections, 99–116. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46287-1_8.

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King-Hall, Magdalen. "Nineteenth Century." In The Story of the Nursery, 172–250. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333661-6.

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Rutherford, Donald. "Nineteenth-Century Critics." In Suspicions of Markets, 81–107. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40808-8_5.

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Knowles, Ronald. "The nineteenth century." In Henry IV Parts I & II, 29–40. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21978-0_3.

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Rovida, Edoardo. "The Nineteenth Century." In Machines and Signs, 119–56. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5407-2_6.

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Naik, Pramod V. "The Nineteenth Century." In Meghnad Saha, 21–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62102-9_3.

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Parvini, Neema. "The Nineteenth Century." In The Defenders of Liberty, 139–73. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39452-3_5.

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Cohen, Paul A. "Nineteenth-Century China." In A Companion to Chinese History, 154–67. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118624593.ch13.

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Conference papers on the topic "Nineteenth century"

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Slusarczyk, Marta. "CHRZANOW ON NINETEENTH-CENTURY AUSTRIAN MAPS." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.053.

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GRAY, JEREMY J. "NINETEENTH CENTURY ANALYSIS AS PHILOSOPHY OF MATHEMATICS." In Essays in Philosophy and History of Mathematics. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812812230_0006.

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Galily, Daniel. "The theory of nineteenth-century American pragmatism." In 9th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade - Serbia, 2023. http://dx.doi.org/10.32591/coas.e-conf.09.11105g.

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The purpose of this overview is to give a short introduction to the ideas and activities of nineteenth-century American pragmatism theory for a philosophy conference at the BEN Science Institute in Bulgaria. Pragmatism is a philosophical theory that sees thought as a tool and device for predicting, solving problems and planning action. The philosophy of pragmatism addresses the practical consequences of ideas by examining them in the light of human experience, so that the truth of a claim is determined by practical results and the utility it serves. Pragmatism began in the United States around 1870 by Charles S. Pierce. In addition to Peirce, philosophers such as William James and John Dewey who were members of the “Metaphysical Club” held at Cambridge University in the late 19th century (where the theory was formulated) helped to develop its principles. By reviewing the theory of pragmatism, we must concentrate on the Pragmatic Maxim, the rule for clarifying ideas, which for both Peirce and James, was the core of pragmatism. Another important idea in the theory is Skepticism and fallibilism. This idea claims, according to Pierce, that we should try to doubt propositions and keep them only if they are with absolutely certainty and there is no way to doubt them. The test of certainty, as Peirce points out, lies in the individual mind: trial by doubt is something each must do for himself, and the examination of our beliefs is guided by reflection on hypothetical possibilities: we cannot trust our perceptual beliefs. For example, because we cannot rule out the possibility that they were created by a dream or by evil scientists manipulating our minds. The more we try to avoid errors, the more likely we are to miss truths; And the more effort we put into searching for truths, the more likely we are to introduce errors. The doubt method may make sense in the special case where enormous weight is given to avoiding mistakes, even if it means losing truth. Once we recognize that we are making a practical decision about the relative importance of two good options, the Cartesian strategy no longer seems the only rational one. Inquiry, as already suggested, is pragmatic accounts of the normative standards to which we must act in arriving at beliefs about the world cast in terms of how we can conduct inquiries in a disciplined, self-controlled manner. That is, our ability to think about external things and constantly improve our understanding of them is based on our experience. It would be wrong to conclude that pragmatism is limited to the United States or that the only important pragmatist thinkers were Peirce, James, and Dewey. Richard Rorty has described his philosophy as “pragmatist” on several occasions - what pragmatists teach us about truth, he tells us, is that there is nothing very systematic or constructive to say about truth at all.
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Miller, John, Valerie V. Golovlev, Grant Gomer, and Paul Messier. "Laser analysis and leaning of nineteenth century daguerreotypes." In Laser Applications to Chemical and Environmental Analysis. Washington, D.C.: OSA, 2001. http://dx.doi.org/10.1364/lacea.2000.sud5.

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Miller, John, and D. Anglos. "Laser induced breakdown spectroscopy of nineteenth century daguerreotypes." In Laser Applications to Chemical and Environmental Analysis. Washington, D.C.: OSA, 2002. http://dx.doi.org/10.1364/lacea.2002.fa5.

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Golovlev, Valerie V. "Laser analysis and restoration of nineteenth century daguerreotypes." In RESONANCE IONIZATION SPECTROSCOPY 2000: Laser Ionization and Applications Incorporating RIS; 10th International Symposium. AIP, 2001. http://dx.doi.org/10.1063/1.1405605.

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Kaliyeva, Gaukhar. "CORRUPTION ONSET IN THE NINETEENTH CENTURY IN KAZAKHSTAN." In CBU International Conference on Integration and Innovation in Science and Education. Central Bohemia University, 2013. http://dx.doi.org/10.12955/cbup.2013.24.

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Bertels, I., K. Verswijver, and I. Wouters. "Under construction, building contractors in nineteenth century Belgium." In STREMAH 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/str110041.

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Gusztin, Rudolf. "Choral Movement and Nationalism in Nineteenth-Century Hungary." In Međunarodni i interdisciplinarni simpozij Glazba, umjetnosti i politika: revolucije i restau- racije u Europi i Hrvatskoj 1815.-1860. (14 ; 2019 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, 2021. http://dx.doi.org/10.21857/y6zolbr8nm.

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Gherasim, Cezar. "TOPOGRAPHIC MAPS OF ROMANIA IN THE NINETEENTH CENTURYTOPOGRAPHIC MAPS OF ROMANIA IN THE NINETEENTH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.085.

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Reports on the topic "Nineteenth century"

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Bodenhorn, Howard. Manumission in Nineteenth Century Virginia. Cambridge, MA: National Bureau of Economic Research, January 2010. http://dx.doi.org/10.3386/w15704.

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Engerman, Stanley, and Claudia Goldin. Seasonality in Nineteenth Century Labor Markets. Cambridge, MA: National Bureau of Economic Research, January 1991. http://dx.doi.org/10.3386/h0020.

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Bodenhorn, Howard. Criminal Sentencing in Nineteenth Century Pennsylvania. Cambridge, MA: National Bureau of Economic Research, August 2008. http://dx.doi.org/10.3386/w14283.

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Margo, Robert. The Labor Force in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, September 1992. http://dx.doi.org/10.3386/h0040.

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Atack, Jeremy, Robert Margo, and Paul Rhode. Industrialization and Urbanization in Nineteenth Century America. Cambridge, MA: National Bureau of Economic Research, March 2021. http://dx.doi.org/10.3386/w28597.

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Bodenhorn, Howard. Were Nineteenth-Century Industrial Workers Permanent Income Savers? Cambridge, MA: National Bureau of Economic Research, October 2017. http://dx.doi.org/10.3386/w23948.

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Galenson, David, and Clayne Pope. Precedence and Wealth: Evidence from Nineteenth Century Utah. Cambridge, MA: National Bureau of Economic Research, February 1991. http://dx.doi.org/10.3386/h0022.

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Taylor, Alan. Sources of Convergence in the Late Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, October 1996. http://dx.doi.org/10.3386/w5806.

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Bodenhorn, Howard, Carolyn Moehling, and Anne Morrison Piehl. Immigration: America's nineteenth century "law and order problem"? Cambridge, MA: National Bureau of Economic Research, August 2010. http://dx.doi.org/10.3386/w16266.

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Irwin, Douglas. Tariffs and Growth in Late Nineteenth Century America. Cambridge, MA: National Bureau of Economic Research, April 2000. http://dx.doi.org/10.3386/w7639.

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