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Holmér, Viktor, and Lukas Lundmark. "Investigating the NIN Structure." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-186368.
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In this thesis the NIN artificial neural network structure created by Min Lin et al in 2014 is investigated. This is done by varying stage numbers and layer depth. By doing this ten different networks including the original NIN were created. Testing is carried out on a preprocessed version of the CIFAR10 dataset for these ten networks for a maximum of 150’000 iterations. The results show that the number of stages generally affect NIN performance more than layer depth does. The network with three stages and a layer depth of two performs best at a top accuracy of 87.44%. This is below Min Lin et al’s results. However, this is likely due to overfitting and lack of specifics on their training methods. The thesis concludes that studies of different types of micro-networks in the NIN are required. Studies are also required on deeper NINs with larger datasets to prevent the overfitting observed in the results. Larger datasets could be obtained by data augmentation. Furthermore, the results suggests that less complicated (by less complicated it is meant that the network stages have less depth) NIN implementations are more accurate than deeper ones.I detta kandidatexamensarbete unders¨oks den artificiella neuronn¨at-strukturen NIN som skapades av Min Lin et al 2014. Detta g¨ors genom att variera antalet moduler och lagerdjupet i dessa. Detta ger tio olika n¨atverk inklusive det originala NIN-n¨atet. Testerna utf¨ors p˚a en f¨orprocesserad version av CIFAR10-databasen f¨or alla tio n¨atverk i maximalt 150’000 iterationer. Resultaten visar p˚a att modulantalet generellt p˚averkar NINs prestanda mer ¨an lagerdjupet. N¨atverket med tre moduler och ett lagerdjup p˚a tv˚a har h¨ogst prestanda med 87.44% r¨att. Detta ¨ar under Min Lin et als resultat. Detta beror dock troligen p˚a overfitting och en brist p˚a n¨armare detaljer r¨orande tr¨aningsmetoderna de anv¨ant. Slutsatsen av arbetet ¨ar att studier p˚a olika typer av mikron¨atverk i NIN beh¨ovs. Studier p˚a djupare NINn¨atverk med st¨orre dataset f¨or att f¨orhindra den overfitting som syns i resultaten beh¨ovs ¨aven. St¨orre dataset skulle kunna erh˚allas genom data-augmentering. Resultaten verkar ¨aven antyda att mindre komplicerade (med mindre komplicerade menas att modulerna har mindre djup) NIN-implementationer har h¨ogre prestada ¨an djupa s˚adana.
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Tookey, Helen. "Anaïs Nin, fictionality and feminity : playing a thousand roles /." Oxford (GB) : Clarendon press, 2003. http://catalogue.bnf.fr/ark:/12148/cb39077682k.
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Figuerola, Peró Judit. "“El català de l’URSS”. Andreu Nin, revolucionari i traductor." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/381264.
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Aquesta tesi doctoral pretén, superat ja el 75è aniversari del seu assassinat, contribuir a la recuperació de la figura d'Andreu Nin, traductor. Per aconseguir-ho, ens hem plantejat un doble objectiu: d'una banda, mostrar i analitzar el conjunt de l'obra de traducció de Nin, com també la recepció crítica, per tal de reivindicar la importància d'aquest llegat que, massa sovint, la dimensió política del personatge ha relegat a un segon terme; i, de l'altra, provar que, darrere la decisió d'anostrar els escriptors russos clàssics i moderns, hi havia la ferma voluntat de bastir una obra de qualitat. I, alhora, evidenciar que les versions de Nin encetaren un nou període: atès que coneixia bé ambdues llengües i ambdós sistemes literaris, les obres russes es traduïren al català de manera íntegra i directa.
El treball consta de dues parts: la primera persegueix construir un retrat de Nin al més equànime i complet possible per, tot seguit, presentar la multiplicitat de les activitats no estrictament polítiques que exercí al llarg de la vida (fou mestre, periodista, escriptor, orador i conferenciant i crític literari); mentre que la segona, i nucli de la investigació, se centra en la tasca traductora: després de mostrar el context sociocultural en què veieren la llum les versions, tant literàries com polítiques, d'Andreu Nin, s'han establert les motivacions i el mètode que emprava a l'hora de traduir i s'ha ofert un repàs exhaustiu del conjunt dels trasllats, amb el suport dels pròlegs del mateix traductor i amb les veus dels crítics que se'n feren ressò. Finalment, s'ha dut a terme l'anàlisi comparativa de les esmenes del traductor i del corrector que apareixen en el mecanoscrit original de Nin d'Infància, adolescència, joventut, de Tolstoi.
Tot plegat ens ha permès de confirmar la hipòtesi de partida: la tasca traductora no fou un simple atzar en la trajectòria vital d'Andreu Nin, fruit de circumstàncies adverses derivades de la militància revolucionària, sinó l'activitat lògica d'un intel·lectual captivat des de menut per la paraula i posseïdor d'una prosa moderna i acurada, el qual, a més, coneixia profundament la llengua i la realitat de la literatura que traduïa. Sempre el mogué un interès genuí per poder dotar el català de models vàlids (acceptabilitat) sense oblidar el respecte envers l'original (adequació).The 75th anniversary of his assassination having passed, this thesis aims to contribute to the recovery of the figure of Andreu Nin, the translator. To achieve this, we set ourselves two objectives: firstly, to present and analyse the complete works of translation by Nin, as well as their reception by critics, to assert the importance of this legacy which, too often, has been relegated to second place by the political dimension of the character; and secondly, to prove that in his decision to translate classical and modern Russian writers into Catalan there was a strong desire to build a work of quality. At the same time, we wish to demonstrate that these versions by Nin heralded a new period; as he knew both languages and literary systems well, the complete Russian works were translated directly into Catalan. The work consists of two parts: the first aims to build as impartial and complete a picture of Nin as possible, and then present the multiplicity of activities that are not strictly political and which he exercised throughout life (he was a teacher, journalist, writer, speaker, lecturer and literary critic); whereas the second part, the core of the research, focuses on the translation work: after having shown the sociocultural context in which Andreu Nin's versions, both literary and political, appeared, the motivations and methodology used by him when translating have been established, and a comprehensive review of all the translations has been offered, based on his own prefaces and on the voices of his critics. Finally, we conducted a comparative analysis of the amendments of the translator and proof-reader which appear in Nin's original typescript of Childhood, Boyhood, Youth, by Tolstoy. All this has enabled us to confirm our original hypothesis: the translating task was not just a chance project in the life of Andreu Nin, the result of adverse circumstances arising from his revolutionary militancy, but the natural activity of an intellectual captivated since childhood by the word and the possessor of modern and well crafted prose, who, moreover, had in-depth knowledge of the language and the reality of the literature he translated. Always moved by a genuine interest to provide the Catalan language with valid models (acceptance) as well as respecting the original (adequacy).
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Tookey, Helen Jane. "Playing a thousand roles : Anais Nin, fictionality and femininity." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342945.
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Morin, Jeanne. "Le journal migratoire d’Anaïs Nin (1919-1920) : lecture schizoanalytique." Thèse, Université de Sherbrooke, 1989. http://hdl.handle.net/11143/10091.
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Cette thèse comporte une analyse expérimentale du journal intime d'une adolescente, au cours de laquelle l'usage de la schizoanalyse décuple celui d'une intertextualité à partir de Blanchot, de Barthes, de Gary, de Cixous et même de Colette. Les littérateurs et les critiques ont longtemps boudé ce genre littéraire, le jugeant mineur et sans intérêt. Désormais, on publie les journaux des écrivaines et des écrivains célébrés, ou en voie de le devenir. Celui qu'Anaïs Nin rédige au cours de son adolescence amorce la «production d'une pensée à venir», un vrai théâtre des métamorphoses. Il comporte maintes traversées. C'est ce phénomène de l'adolescence et celui de toutes les dérives d'un journal intime que nous présentons, comme si nous nous trouvions, nous aussi, en plein milieu d'un océan illisible, là où il incombe de machiner le voilier, le vent, les vagues, le mât pour établir les particularités niniennes qui franchissent parfois les frontières du non-dit.
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Bludsztejn, Chantal. "Vision du féminin dans "Les cités intérieures" d'Anaïs Nin." Toulouse 2, 1987. http://www.theses.fr/1987TOU20112.
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Ouvrage capital dans l'œuvre romanesque d'Anaïs Nin, le recueil des "Cités intérieures", composé de cinq livres (Les miroirs dans le jardin, Les enfants de l'albatros, Les chambres du cœur, Une espionne dans la maison de l'amour, Ma séduction du Minotaure) publiés en 1961, met en scène trois femmes représentatives de la pensée de cet écrivain : Djuna, Lillian et Sabina. L'étude de "La vision du féminin" dans cette œuvre s'est organisée à la manière d'un triptyque : la première partie, "L'essence du féminin", dévoile les silhouettes kaléidoscopiques de ces héroïnes que répercutent indéfiniment miroirs et regards, dans un émiettement bariolé de détails physiques et un tournoiement d'objets ; constate les affinités que ces femmes, en quête de leur être substantiel instaurent avec les éléments naturels (eau, air, feu, terre) ; révèle la plasticité d'un espace conquis et adapté à leur féminité. Dans la seconde partie, "La femme, être sociable", est analysé l'aspect social de femmes attachées au monde des arts et elles-mêmes artistes (Lillian se consacre au piano, Djuna à la danse, Sabina au théâtre) : notamment, les rapports d'identification et de rivalité que les femmes établissent entre elles, et les liens qui unissent hommes et femmes, confrontés, par leur éducation, à une certaine codification des comportements. Enfin, la troisième partie, "Une écriture féminine", éclaire les interférences unissant le journal, monde de l'intériorité, aux romans, lieux de l'extériorité; présente les procédés stylistiques utilisés par Anaïs Nin pour traduire la complexité d'une conscience - figures métaphoriques, références esthétiques, principe ludique de la mémoire et de l'onirisme -; et souligne l'état conflictuel ressenti par des héroïnes, projections autobiographiques d'un auteur, dans leur souhait d'abandonner un rôle représentatif de personnage pour acquérir un statut de personneA major work in the fiction of Anais Nin, the collection of "The cities of the interior3, composed of five books (Ladders to fire, Children of the albatross, The four-chambered heart, A spy in the house of love, Seduction of the Minotaur) was published in 1961 and introduces three women who represent the ideas of this writer: Djuna, Lillian and Sabina. The study of "The perception of womanhood" in this work is arranged like a triptych: the first part, "The quintessence of womanhood", unveils the kaleidoscopic silhouettes of these characters which are reflected indefinitely by mirrors and glances in a motley patchwork of physical details and in whirl of objects. It shows the affinities which grow between these women, searching for their essential being, and the natural elements (water, air, fire, earth) and reveals the plasticity of a conquered space adapted to their femininity. In the second part, "woman, a social being", the social side of women attached to the world of the arts and themselves artists (Lillian a pianist, Djuna a dancer and Sabina an actress) is analyzed: especially the relationships of identification and rivalry which the women create between themselves and the ties which unite men and women who, through their education, are faced with a certain code of behaviour. The third part, "A feminine writing" highlights the interferences linking the diary, the interior world, with the novels, the outside world. It shows the stylistic procedure used by Anais Nin to translate the complexity of a consciousness - metaphors, aesthetic references, the playful working of the memory and dreams -. It also underlines the state of conflict felt by the characters, the autobiographical projections of an author, in their desire to abandon a role of a character in order to acquire the status of a person
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Bludsztejn, Chantal. "Vision du féminin dans "Les Cités intérieures" d'Anaïs Nin." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37603052b.
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Gündoğdu, Ebubekir Oğurlu İdris. "Yaban keçisi Capra Aegagrus Erxleben 1777'nin populasyon ekolojisi /." Isparta: SDÜ Fen Bilimleri Enstitüsü, 2006. http://tez.sdu.edu.tr/Tezler/TF00979.pdf.
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Celerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire." Paris 4, 1987. http://www.theses.fr/1987PA040104.
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Etude de la croissance personnelle et artistique d'Anaïs Nin à Paris entre 1931 et 1939 à travers ses relations avec Joaquin Nin, son père, Henry Miller et ses deux psychanalystes parisiens, René Allendy et Otto Rank. Évaluation de l'influence de ces quatre hommes sur sa vie et sa production littéraire. La naissance d'une artiste dans un monde d'hommesStudy of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men's influence on her life and literary production. The birth of an artist in a man-made world
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Watson, Bruce Wallace. "Androgyny and Dominance: Gender Construction in Anaïs Nin's Erotica Series." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/42182.
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Anaïs Nin's Diary and her fiction have been lauded by critics for their imagery, Freudian allusions, and creativity. What has not been considered, and is equally important, is her Erotica series, Delta of Venus and Little Birds. These books, her most popular, not only address the issues that she covers in her other works, but also ask questions about how humans are gendered, and consider the degree to which individuals construct their own gender identities. In exploring these questions, she presages not only the theorists who effectively deconstruct her message, but also the gender-bending society which inspired them.
Queer theory is particularly effective for considering the sexual messages with which Nin populates her writings. Much as Judith Butler de-emphasizes totalizing gender roles, Nin allows her characters to occupy multiple gender roles. Thus, Nin's female protagonists often take on the sexual positions generally granted to men in American society. Conversely, her male characters are often relegated to less-empowered roles.
Although these shifts might not seem particularly impressive in our more liberated society, they were undoubtedly surprising in Nin's day. Moreover, it is impressive that these role-reversing characters were created over forty years before the advent of queer theory, and long before the popular rise of the Feminist movement.Master of Arts
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Michael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.
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This thesis brings together the two genres for which Nin has become so (in)famous: her autobiography and her erotica in what I have termed 'auto/erotica'. By reading her autobiography and her erotica in and against each other I attempt to explore her development of a feminine aesthetic, or 'womb writing' as a strategy of resistance with which to challenge dominant discourses of 'woman' and the 'feminine', and her exclusion from cultural production. Drawing on the work of Jacques Derrida, Helene Cixous, Luce Irigaray and Julia Kristeva, this thesis explores the role of the border in the cultural production of bodies and sexual difference within Western discourses of sexuality, with particular reference to the discourses of psychoanalysis, modernism and pornography/erotica. My focus is on the trope of the borderline within Nin's texts, which, I argue is less a marker of radical difference than a site of instability offering the possibility of 'other' or 'between' spaces of resistance. This study engages with the politics of gender and genre by drawing on various feminist rewritings of autobiographical theory and Jacques Derrida's 'The Law of Genre' and the Ear of the Other in order to explore the tension between the 'auto' (the selfsame) and the 'graphy' in the formation of the 'bio' and gender identity. I explore how the threat of the other within the selfsame, the tracing of the differance of desire, affects the generic self-identity of 'autobiography' and 'erotica' as representations of (sexual) identity. Nin utilises the radical instability of the autobiographical genre to put into question the 'genre' of gender identity, the gendering of genre and the undecidable border between the 'body' and the 'text', the 'life' and the 'work'. Drawing on various psychoanalytical feminist film theories of the female spectator and the masquerade I explore how Nin performs the 'feminine' or 'woman' of (male) Surrealist and mainstream heterosexual pornography/erotica in order to emphasise the gaps, to hold at a distance, the female from the feminine. The concern of this thesis is the 'ob/scene' margins of 'erotica' and the trace of 'otherness' that threatens the single and self-identical body/text. The 'outworks' or prefaces of Nin's work not only disrupt fixed generic boundaries but also echo the desiring subject's fantasy of gender identity, wholeness and unity. By drawing attention to the role of vision in the constitution of gendered subjectivity and the (re)production of the phallus as the primary signifier of desire, I explore how Nin's erotica undermines a position of phallic certainty by drawing attention to the out-of-sight spaces, of 'ob/scene' pleasures that disturb and disrupt the illusion of 'masculine' phallic mastery. I argue that it is in the 'inter view', this dialogue or movement between (at least) two genres - autobiography and erotica - that other possible representations might be glimpsed.
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Önal, Sadık Terzi Özlem. "Yapay sinir ağları metodu ile Kızılırmak Nehri 'nin akım tahmini /." Isparta : SDÜ Fen Bilimleri Enstitüsü, 2009. http://tez.sdu.edu.tr/Tezler/TF01338.pdf.
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Gaspar, Débora da Rocha. "Cómo los nin@s se relacionan con el game art?" reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/132386.
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Tese (doutorado) - Universitat de Barcelona, Facultat de Belles Arts, Departament de Dibuix. Programa de Doctorat: Arts i Educació, Barcelona, 2014.Made available in DSpace on 2015-04-29T20:58:41Z (GMT). No. of bitstreams: 0 Previous issue date: 2014
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Charnock, Ruth Naomi Ekaterina. "Touching stories : performances of intimacy in the diary of Anaïs Nin." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7547/.
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My thesis re-situates the diarist and fiction writer Anaïs Nin within the fields of life-writing criticism, modernist studies, and intimacy studies by reading her diaries as performing, producing and inviting various intimate affects. This thesis focuses mainly on Nin‟s edited and unexpurgated published diaries and also draws on material gathered from the Anaïs Nin Special Collection at the Charles E. Young Library, based at the University of California, Los Angeles. Chapter 1 argues that Nin figures the diary as a space for fantasies of intimacy. Using the Communion as an integral part of these fantasies, Nin imagines scenes of interembodiment and intersubjectivity with her father that rely as much on his absence as on his presence. Performing an intimate relationship with her father, Nin also uses the diary to write her subjectivity as „in-relation.‟ Chapter 2 considers Nin‟s intimate relationships with other writers and artists in the 1930s, namely D.H. Lawrence. I argue that, by writing herself into an intimate relationship with Lawrence, Nin fashions and performs an artistic identity, working within and also resisting a modernist poetics of impersonality and objectivity. As such, this chapter calls for a revaluation of Nin as a modernist writer which attends to recent critical accounts of the importance of life-writing within modernism. Chapter 3 reads Nin‟s „Father Story,‟ an account in the diary of a brief affair Nin had with her father in her early thirties. I use the figure of seduction to argue that Nin‟s story resists a close reading and to critique various critical readings of this story in the 1990s which are underpinned by critical anxiety about the „right‟ way to read incest. For many critics, Nin‟s „Father Story‟ is too literary, rendering both it, and her, as inauthentic. Chapter 4 explores the intersections between Nin‟s diary and psychoanalysis. This chapter argues that Nin confuses the languages of sexual and psychoanalytic intimacy in ways that lead us to question the distance between sex and analysis. Nin uses psychoanalysis as another tool for dramatizing her life through art and another stage on which to perform intimacy. Chapter 5 considers the publication of the edited diary in the late 1960s-1970s, which coincided with a growing interest in women‟s life-writing as a representation of authentic, collective experience. This chapter argues that Nin performed intimacy in public with her readers, whilst all the time holding her private self at a distance.
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Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
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Dunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.
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Barnes's Vagaries Malicieux, and Nin's Delta of Venus, are examples the developing vision of female sex, and both authors use their literary techniques to accomplish their aesthetic vision of amorality. Nin's visions are based on her and her friends' extreme experiences. Her primary concern was expressing her erotic and amorally aesthetic gaze, and the results of her efforts are found in her aesthetic vision of Paris and the amoral lifestyle. Barnes uses metaphor and linguistics to fashion her aesthetic vision. Her technique in "Run, Girls, Run!" both subverts any sense of morality, and offers an interesting and challenging read for its audience. In "Vagaries Malicieux" Barnes's Paris is dark while bright, and creates a sense of nothingness, indicated only by Barnes's aesthetic appreciation.
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Dunbar, Erin Armintor Deborah Needleman. "The sacred and the profane Nin, Barnes, and the aesthetics of amorality /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-11047.
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ANDRADE, Raquel Thomaz de. "A arte da memória: uma análise da escrita íntima de Anaïs Nin." Universidade Federal de Campina Grande, 2010. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/2154.
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No tocante à escrita íntima, Anaïs Nin emerge como uma das autoras com a obra mais vasta, tendo escrito – e posteriormente publicado – diários entre os anos de 1914 e 1974. Esse extenso relato confessional lhe deu certo destaque dentro do movimento feminista, ao mesmo tempo em que despertou críticas relacionadas ao seu narcisismo. Dessa forma, seu material íntimo surge como uma obra emblemática no que se refere às tensões do movimento de luta pelos direitos das mulheres. Pois, mesmo com sua postura narcisista e pretensamente passiva politicamente, as atitudes Nin iam de encontro aos valores de sua época. Esse fato remete a uma questão: até que ponto o comportamento da autora não pode ser considerado com uma atitude política, já que resistia a padrões de comportamento de sua época? Assim, esse trabalho tem como objetivo analisar a escrita íntima de Anais Nin, considerando as suas representações acerca do feminino, da vida pública, da política e da arte e a sua inserção num período de sua escrita; problematizando a relação entre os diários íntimos e as teorias acerca dos gêneros confessionais e discutindo a relação entre o ―ficcional‖ e o ―real‖ nas memórias da autora, bem como a utilização da vida privada de Nin para a construção de uma obra de arte e, conseqüentemente, da sua figura pública. As principais fontes da pesquisa foram os diários não expurgados, que tiveram uma publicação póstuma durante os anos de 1980 e 1990. A escolha não se deve somente por esses diários serem versões menos censuradas da escrita íntima da autora, como também por envolverem um período (1931 – 1939) em que Nin começa a demonstrar interesse na publicação da obra, bem como a tecer comentários mais aprofundados acerca de questões como arte e política. Dessa forma, o universo construído pela escrita íntima dessa escritora será analisado, levando em consideração o tempo histórico no qual ela estava inserida, com o intuito de observar as suas representações acerca da relação entre a mulher, os espaços público e privado, a arte e a política.
On regard of intimate works, Anaïs Nin emerges as one of the most prolific authors, having written – and later published – journals between the years of 1914 and 1974. This extensive fictional report gave her a certain highlight within the feminist movement, while awakened criticism towards her narcissism. Consequently, her intimate material comes as an emblematic work concerning the strains within the fight for the women‘s rights. Because, even with a narcissistic and a passive political posture, Nin‘s stances went against the period values. This fact lead us to a question: how far the writer‘s behavior is as a political attitude, since it resisted the contemporary behavior patterns? Thus, this work aspires to analyze Anaïs Nin intimate writings, considering her representations concerning the feminine, public life, politics and art and her insertion within the writing‘s time; questioning the relationship between the intimate journals and the theories on the confessional genres and discussing the relationship between ―fictional‖ and ―real‖ amidst the writers memoir, as well as the use of Nin‘s private life in the makeup of her composition and, consequently, of her public figure. The main research sources were the unexpurgated diaries, which had a post mortem publication during the years of 1980 and 1990. The choice was not made only after the fact that these diaries are less censured versions of the writer‘s intimate work, but also after their coverage a period of time (1931-1939) in which Nin starts to show interest in the work‘s publication, as well as commenting art and politics in a deeper way. Thus, the universe built by this writer‘s journals will be analyzed, taking her historical insertion, aiming her representations on the relationship between the woman, the public and private spaces, art and politics.
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Shirakura, Adler Eduardo Dias. "A Revolução Espanhola (1931-1939) : um debate entre Leon Trotsky e Andreu Nin /." Marília, 2018. http://hdl.handle.net/11449/180251.
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Orientador: Leandro de Oliveira GalastriBanca: Rodrigo Duarte Fernandes dos Passos
Banca: Aruã Silva de Lima
Resumo: A presente pesquisa trata-se de um estudo sobre a estratégia revolucionaria da classe operária a partir das polêmicas e convergências entre duas personalidades que representaram as tendências revolucionarias da classe operária espanhola: Leon Trotsky e Andreu Nin. Ambos os teóricos e dirigentes políticos marxistas, tinham em comum a luta pela revolução socialista e a oposição à burocratização da URSS. O primeiro se transformando em líder da Quarta Internacional, e o segundo em líder do POUM.
Abstract: This research is a study on the revolutionary strategy of the working class from the controversies and convergences between two personalities who represented the revolutionary tendencies of the Spanish working class: Leon Trotsky and Andreu Nin. These Marxist theorists and political leaders had in common the struggle for the socialist revolution and the opposition to the bureaucratization of the USSR. The first became the leader of the Fourth International, and the second the leader of the POUM.
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Celerier, Patricia-Pia. "Anaïs Nin à Paris les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376036989.
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Bloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.
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Rehme, S. ""The multimedia of our unconscious life" : Anaïs Nin and the synthesis of the arts." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1407702/.
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This thesis explores Anaïs Nin’s idea of a synthesis of the arts in writing and its extension to different media through an analysis of her interdisciplinary collaborations with artists and composers in the United States of the 1950s and 1960s. I discuss these collaborations within the context of Nin’s unconventional understanding of the unconscious as multidimensional space and her interest in the sensory effects of different art forms, which are at the centre of Nin’s art theory. I look at the sources she drew on to formulate her ideas in Paris of the 1930s, including Symbolism, D.H. Lawrence’s writing, French Surrealism and various psychoanalytical models, and discuss how they relate to cultural and socio-political developments in America at mid-century. This includes a strong focus on Nin’s ambiguous negotiation of female identity and female creativity in her writing and the frictions it causes when it is translated into other media by her male collaborators. While Nin’s interest in different art forms and her attempt at imitating their sensuous effects in writing has been explored from a literary perspective, Nin’s extra-literary collaborations remain largely unexplored. Similarly, the work of most of the artists Nin collaborated with has not been analysed critically in a scholarly context. Unlike previous studies of Nin’s work, then, the approach of this thesis is an interdisciplinary analysis of her collaborations, which focuses equally on Nin’s writing and on the work and input of the artists she worked with. Each of the four chapters focuses on a different collaboration and art form including photomontage, film, music and collage. This thesis argues that Nin’s artistic encounters and her engagement with different art forms in America of the 1950s and 60s open up interesting new discourses around interdisciplinarity and gender, the legacy of surrealism in America and counterculture art production in the 1960s.
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Zucchi, Vanessa. "A tessitura do desejo : corpo, sexualidade e erotismo nos contos de Ana?s Nin." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/2161.
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Previous issue date: 2014-02-28The eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited.
O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.
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Dubois, Boucheraud Simon. "Écritures du moi, genèse et créativité : les mises en scène d'Anaïs Nin (1931-1942)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30034/document.
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Pour camoufler son passé, dissimuler ses relations adultères, un inceste consenti avec son père et des mensonges peu avouables, les « morceaux choisis » qu’Anaïs Nin livre au lecteur comme son Journal, à partir de 1966, s’affranchissent de toute fidélité aux manuscrits. Le journal posthume, dit « non expurgé » et basé sur les transcriptions dactylographiées que la diariste réalisait de ses journaux, n’est pas non plus exempt de réécritures et d’amendements conséquents. Parmi les quelque cent dix volumes d’un journal manuscrit protéiforme, cette étude tente de mettre au jour ce qui reste, mais surtout ce qui s’ajoute et remet en cause l’appellation de « journal ». Tentant de saisir un moi sans cesse en fuite, la diariste compose sa vie dont l’imaginaire, même dans les manuscrits, fait pleinement partie. Au sein d’un corpus imposant consulté à UCLA et à l’université de Northwestern, cette étude se concentre sur la période du début du Journal (par opposition au Journal de Jeunesse) jusqu’à la publication par Nin de The Winter of Artifice (1939 et 1942), fictionnalisation de sa vie à une époque où publier le journal est inenvisageable. Ce recueil est aussi une tentative de maîtrise d’une œuvre achevée afin de vaincre l’éternel conflit du journal avec le temps et celui de la femme avec son père. Comparer les manuscrits de ces fictions, lues et corrigées par Henry Miller, les journaux manuscrits, les journaux publiés de façon anthume et posthume permet de saisir l’enjeu des réécritures, de l’autocensure ainsi que la démarche créative de Nin qui relève de mises en scène que la diariste légitime plus tard en s’appropriant les principes psychanalytiques d’Otto RankTo camouflage her past, dissemble about her adulterous affairs, and conceal consensual incest with her father and a lifetime of brazen lies, the « selected pieces » that Anaïs Nin offers to readers as her Diary, as of 1966, bear only a tangential relationship to the manuscripts. Even the so-called unexpurgated diary, published posthumously and based on the typescripts that Nin made of her diaries, contains significant revisions and emendations. Among the hundred and ten-odd volumes of a protean, handwritten diary, this study brings to the fore what remains, but also what was added, leading us to question whether the resulting document can truly be called a « diary ». In attempting to capture her ever-elusive self, Nin composed her life, and even in the manuscripts, the imaginary played a great part in that process. From a vast corpus examined at UCLA and Northwestern university, this study focuses on the period from the beginning of The Diary (as distinct from The Early Diary), till Nin publishes The Winter of Artifice (1939, and 1942), a fictionalization of her life at a time when publishing the diary was impossible. This piece is also an attempt to deal with—and, Nin hoped, vanquish—the lingering conflict of the diary with time and that of the woman with her father. Comparing the drafts of this work, revised by Henry Miller, with the handwritten diaries and the anthumously and posthumously published versions enables us to fully seize the extent of Nin’s rewriting and self-censorship, as well as the scope of a creative approach which amounts to many stagings of the self that the diarist would later legitimatize by making Otto Rank’s psychoanalytical principles her own
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Anderson, Emma Kate School of English UNSW. "Representations of female sexuality in chick-lit texts and reading Anais Nin on the train." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.
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My critical essay uses Foucault???s theory of discursive formation to chart the emergence of the figure of the single modern woman as she is created by the various discourses surrounding her. It argues that representations of the single modern woman continue a tradition of perceiving the female body as a source of social anxiety. The project explores ???chick-lit??? as a site within the discursive formation from which the single modern woman emerges as a paradoxical figure; the paradoxes fundamentally linked to her sexuality. This essay, then, essentially seeks to investigate representations of female sexuality within chick-lit, exposing for scrutiny the paradoxes inherent in and around the figure of the single modern woman. My fictional piece is a work of erotica. It is divided into four sections: The Reader, The Writer, The Muse and The Critic. Essentially it explores the relationships between female sexuality and literature; between female sexuality and feminist, post-feminist and patriarchal values and between literature and issues of truth, perspective and representation. The two works complement each other to illuminate the paradox of female sexuality: one from a theoretical perspective and the other from a fictional perspective. The critical work focuses on female sexuality and its relationship to, and development within, the current social context. Chick-lit, as a new and immensely popular genre of fiction which holistically explores the lives of single modern women was useful for examining the relationship between the sexual persona of the single modern woman and society. The fiction is concerned with a narrower focus: specifically the sexual life of the single modern woman. Through the creative process, it became apparent that working within the genre of ???erotica??? would be not only more useful than working within chick-lit, but more powerful in exploring the themes I was interested in. The creative work draws on numerous points of interest raised in the critical work from, for example, the grander notions of the relationship between object and discourse ??? in this case female sexuality and literature ??? and the female body as a source of social fascination and anxiety to finer observations such as what it means to have sex ???like a man.??? In essence, the creative work seeks to examine the many faces of the single modern woman as a sexual being and to illuminate, on an intimate level, the many conflicts between and surrounding those faces and to suggest that while paradox remains in female sexual ideology, the single modern woman will remain suspended in a kind of sexual paralysis.
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Kim, Jiyoung. "Characterisation of Putative Transcription Factors (NSP1, NSP2 and NIN) Essential for Nodulation in Medicago truncatula." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514331.
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Legumes produce a unique organ, the nodule through the symbiotic interaction with rhizobial bacteria. This requires perception of the bacterial signal Nod factor (NF) by the host plant. Nod factors are known to induce the expression of many genes and ultimately nodule formation in their plant hosts. However, how NF signalling induces the expression of nodulation genes remains unknown. In this study, I show that a GRAS protein (NSP1) binds directly to the promoters of early nodulation gene (ENOD). While NSP1 shows direct binding to the ENOD11 promoter in vitro, this association in vivo requires another GRAS protein (NSP2). This suggests that a transcriptional complex of NSP2 and NSP1 is directly associated with the promoters of NFinducible genes. I also show that another putative transcription factor, nodule inception( NIN) is a plasma membrane-localisedtr anscriptionalr egulatort hat binds directly to the promoters of nodulation genes. NIN processing is activated by abscisic acid (ABA). NIN is required for ABA-mediated signalling and allows ABA regulation of nodulation. NF induces NIN instability in epidermal cells. This NF-induced NIN instability is considered to be a key factor in the regulated process of nodulation. This work suggests that a transcriptional complex for nodulation signalling is highly coordinated in diverse signalling processes to ensure proper nodule formation.
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de, Oliveira Hernani Fernandes Magalhães. "El Niño and the structure of mutualistic and antagonistic bat food webs revealed by DNA barcoding." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/54053.
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El Niño is a climatic event that can have large-scale impacts on global rainfall patterns, causing severe droughts in some regions and floods in others. The frequency of strong El Niño events is expected to increase in the future under scenarios of climate change. Despite this, the consequences of El Niño-induced droughts for ecological interactions are poorly understood. Here I applied DNA barcoding to assess the diets of frugivorous and insectivorous bats in the dry forest and rainforest of Costa Rica during one of the strongest El Niño on record (2015) and compare it with a non-El Niño year. My data indicated that the mutualistic network structure observed during the El Niño event was similar in both dry forest and rainforest, despite these habitats experiencing droughts and flooding, respectively. However, during the non-El Niño wet season in the dry forest, niche overlap was higher than the El Niño event. Antagonistic networks showed little change in the overall size and diversity of modules of interaction, but there were significant changes in modularity and the position of the nodes between the networks constructed during the El Niño year versus the normal year in dry forest. Additionally, I evaluated the relationship between wing morphology and diet specialization and differentiation of individuals. I observed that individuals of a common insectivorous bat species, Pteronotus mesoamericanus, showed differences in diet that correlated with wing morphology. To conclude, El Niño was associated with similar changes in the organisation of mutualistic networks in both dry and wet forests, as well as with modifications at the node level in antagonistic networks of dry forest. Such changes could have profound impacts for network resilience and the maintenance of interactions and species at both sites over time.
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Taylor, Clare L. "Female cross-gendered behaviour in the fiction of Radclyffe Hall, Anais Nin, H.D. and Djuna Barnes." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302589.
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Funk, Gisela. "The sealed room : Lou Andreas-Salomé and Anaïs Nin : a study in the genesis of fiction." Thesis, University of Warwick, 1988. http://wrap.warwick.ac.uk/35753/.
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This study explores the relationship between female identity formation within patriarchal society and women's literary discourse. The 'Introduction' serves to highlight Lou Andreas-Salomé's and Anaïs Nin's acute awareness of the tradional conflict between the role of artist and the role of woman. With both writers, their efforts to come to terms with their own creative powers involve tentative questions about the function of writing itself, which they both experience as a vital need. Part One of the study, therefore, addresses itself to reflecting the role of language as a basic means of socialization, which produces genderized subjects. This is related to the power of language to enable the construction of identity. Patriarchal culture produces woman as man's complementary Other. Questions of female identity and desire thus gain particular importance for the writer who strives to constitute her identity as autonomous subject. The first two chapters of Part Two focus on the problems that confront the women who, within the process of writing assume creative powers that are traditionally conceived as male prerogatives. The internalized image of woman as mother operates as a powerful impediment to creative self-assertion. An equally fundamental obstacle in the writer's quest for literary authority are the problematic links each writer establishes between a masculinized creator God, paternal authority and cultural discourse. Transcending their culturally induced duality between woman and creator Lou Andreas-Salomé and Anaïs Nin develop opposed literary strategies. Yet both resort to non-threatening female stereotypes that are able to accommodate their anxiety of authorship. Chapters III and IV revolve around the experience of writing itself in terms of a re-construction of inherited meanings and the woman's problem of creating her own meanings. Chapter V concentrates on the gaps that structure either writer's discourse and contribute to making it impossible to establish the woman as subject of desire. Chapter VI explores the ways in which internalized concepts of femininity work to limit the freedom of the imagination, reduce the field of vision and result in projecting transgressive female desires in disguised or displaced form. The 'Conclusion' stresses the inadequacy of existing controversial attitudes to both writers and highlights significant differences between the fiction of Lou Andreas-Salomé and Anaïs Nin.
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Silva, Camila Araujo da. "A escrita erÃtica na tela: a traduÃÃo de "Elena" de AnaÃs Nin na adaptaÃÃo fÃlmica de Delta of Venus." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20308.
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CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel SuperiorAnaÃs Nin, autora nascida na FranÃa, mas radicada nos Estados Unidos, à tida como pioneira por ter escrito obras erÃticas do ponto de visto feminino. Nin ficou conhecida por descrever atos sexuais de uma forma metafÃrica. Em um de seus diÃrios, ela diz que tentou utilizar uma escrita feminina como forma de tomar espaÃo em um mundo que sempre foi liderado por homens. Esta pesquisa tem como objetivo analisar de que maneira uma de suas obras mais conhecidas, o livro de contos Delta of Venus, publicada em 1977, um ano apÃs a sua morte, foi retratada nas telas, pois o livro foi adaptado para a TV, em 1995, por Zalman King, diretor/produtor/roteirista de diversos filmes erÃticos, e, por isso, conhecido como rei do soft-core porn. Uma vez que um dos temas centrais da obra de Nin à o sexo, o trabalho aqui apresentado se fundamenta em Krzywinska (2006), que comenta a abordagem do tema no cinema, Willians (2004) e Alexandrian (1991), que discorrem sobre os estudos pornogrÃficos e a histÃria da literatura erÃtica. Cattrysse (1992), que seguindo a Teoria dos Polissistemas, de Even-Zohar (1990), deu inÃcio ao processo de sistematizaÃÃo da adaptaÃÃo fÃlmica, serà utilizado para fundamentar o capÃtulo que trata sobre a adaptaÃÃo, assim como Hutcheon (2012) e Cartmell (2012). O propÃsito da presente pesquisa Ã, principalmente, perceber de que forma King transportou para as telas o texto tÃo caracterÃstico de Nin e de quais tÃcnicas ele se utilizou para tal. O contexto no qual a adaptaÃÃo fÃlmica se insere impossibilita a manutenÃÃo da qualidade literÃria de Nin, bem como a abordagem dos temas transgressores apresentados pela autora, no entanto, atravÃs da anÃlise de cenas retiradas do filme, à possÃvel perceber caracterÃsticas da autora presentes na adaptaÃÃo.
AnaÃs Nin, who was born in France but brought up in the United States, is considered a pioneer for having written erotica from a female point of view. Nin is known for describing sexual relations making use of metaphors. In one of her diaries, she said that she tried to use a feminine writing style as a way to gain space in a world that was always reigned by men. This research has as a goal to analyze in what ways her most well-known work, the book of short stories Delta of Venus, published in 1977, an year after her death, was portrayed on the screen, because her book was adapted for the TV in 1995, by Zalman King, director/producer/screenwriter of many erotic films and, as such, know as the king of soft-core porn. Once the main theme of her work is sex, the research here presented is grounded on Krzywinska (2006) that writes about the way the cinema approaches the theme and Williams (2004) and Alexandrian (1991) that comment on porn studies and the erotic literature history. Cattrysse (1992), who follows the Polysystem Theory by Even-Zohar (1990) and has started the systematization of film adaptation, will be used to substantiate the chapter that concerns the adaptation. As well as Hutcheon (2012) and Cartmell (2012). The purpose of this research is, first of all, to observe if King was able to keep Ninâs one of a kind text alive on the screen and which techniques he used in order to do so. The historical context to which the movie belongs to does not make it possible for the literary quality of Ninâs text to shine through, as well as the strong themes she writes about. However, by analyzing some chosen scenes from the movie, it is possible to perceive some characteristics of Ninâs writing in the adaptation.
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Maja, Plavšić. "Књижевна дисперзија Борислава Михајловића Михиза." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=100303&source=NDLTD&language=en.
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Autorka ovog rada ima nameru da prikaže deloknjiževnog kritičara Borislava MihajlovićaMihiza u okviru jedne celine jer su njegovikritičarski radovi, uglavnom, i dalje rasuti poknjiževnim časopisima. Poseban akcenat je našestogodišnjem delovanju u časopisu “Nin”(1951-1956) kada je ovaj kritičar stekaoreputaciju oštrog kritičara koji afirmiše dobruknjiževnost koja se tek rađala u posleratnojJugoslaviji. S obzirom na to da su ovomkritičaru godinama osporavali postojanjepoetike i dublje kritičke misli, cilj ovedoktorske disertacije jeste da dokaže suprotno ida se delo ovog kritičara sagleda u kontekstusavremene srpske književnosti u čije temelje je isam utkao svoj pozamašan literarni opus.Author of this paper has intention to presentopus of literary critic Borislav Mihajlović Mihizwithin one place because his critically opus isstill scattered in literary magazines. Specialfocus will be on six years time when he wrotefor magazine ‘Nin’ (1951-1956) and he earnedreputation of strict critic who likes very goodliterature which has been written and publishedin Yugoslavia after World War II. Lots of criticswere denied that Borislav Mihajlović Mihiz hadhis poetic and serious critical approach so theaim of this PhD theses is to prove the oppositeand to illuminate work of this writer in light ofmodern Serbian literature in which foundationhe put his large opus.
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Yorulmaz, Sibel Ay Recep. "Tetranychus urticae (Acarina: teranychidae)'nin üç farklı insektisit-akarisit ile seleksiyonundan sonra çoklu direnç ve bazı enzim düzeylerinin incelenmesi /." Isparta : SDÜ Fen Bilimleri Enstitüsü, 2008. http://tez.sdu.edu.tr/Tezler/TF01124.pdf.
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Kohlke, M. L. "Imperfect consummations : aspects of place and time in the short stories of Anaïs Nin, Angela Carter, and Margaret Atwood." Thesis, Swansea University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637819.
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The stimulus for this thesis was twofold. Firstly, the piecemeal criticism on the short stories of three writers, better known for their work in other genres, invited a more systematic investigation. Secondly, the recurring themes of place and time in the short story prompted an exploration into their integral role in constructing notions of identity. While making no claim for a comprehensive study of either the genre or the complete oeuvres of Anaïs Nin, Angela Carter, and Margaret Atwood, my intention was to establish a comparative framework, which would facilitate renewed discussion into these writers' stories as central rather than marginal to their aesthetics. The first chapter focuses on the shifting epistemological and ontological boundaries of place and self, with material aspects progressively displaced by subjective and metafictional constructions. The ideas of Claudia Becker on Gothic headwords, Brian McHale on postmodernist ontology, and Marc Augé on non-places of supermodernity are found to be particularly useful. The second chapter concentrates on the reconfiguration of temporal experience into fictional plots and the relation of subjects, particularly women, to discourse. The main theoretical framework is provided by Paul Rickoeur's work on narrative time and Mikhail Bakhtin's work on dialogics. Both chapters also invoke a wider context of short story genre criticism and feminist, postcolonist, new historicist, and structuralist theory. The stories of Nin, Carter, and Atwood are shown to offer competing formulations of identity, juxtaposing permanence with continuous change, and unity with fragmentation. All three writers trace the alienation of modern consciousness from historical place and time, issuing in self-loss and the deconstruction of the subject as a discursive illusion. I conclude that the writers' emphasis on storytelling as an intrinsic human impulse and means of communication nevertheless re-affirms the subject as a necessary fiction fundamental to human existence.
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Tapia, Nin Clara Elisa [Verfasser]. "Modelo para Evaluar la Oferta de los Estudios de Grado en la Modalidad de Enseñanza Semipresencial / Clara Elisa Tapia Nin." Munich : GRIN Verlag, 2016. http://d-nb.info/1097567230/34.
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Llamas, Gomez Noemi. "Francesc Payarols and Andreu Nin, agents of the Catalan polysystem : unmediated translations from Russian in the 1930s : a critical overview." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30794/.
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This thesis addresses the contribution of Francesc Payarols and Andreu Nin to the Catalan literary system between 1928 and 1937 via the introduction of unmediated translations from Russian into Catalan. This contribution has been studied by comparing it to previous translation activity from Russian into Catalan, to translations in literary systems that due to prestige and geographical proximity can be considered neighbouring systems to the Catalan system (the French, the British and the Spanish), and by reviewing some of the critical reception that these publications gathered in the Catalan press of the time. Selected terminology and theoretical concepts of Polysystem Theory (PST) have been used critically in the methodological framing. This study occupies the gap of knowledge in current scholarship around the work of Payarols, whilst also building on previous and contemporaneous research on Nin. The evolution of translation from Russian into Catalan is contextualised from its introduction in 1879 until the establishment of Edicions Proa in 1928, the platform from which Payarols and Nin published the majority of the texts studied. The role of the translators as agents of the system is particularly highlighted, given both the influence of their translations in creating examples of models of prose that autochthonous novelists could use, and the power of their textual choices outside of the primary authors (Tolstoy, Dostoevsky, Chekhov). Joan Puig i Ferreter’s agency is also explored, as the figure behind Proa’s success and one of the main promoters of the reintroduction of novels into the literary repertoire in Catalan from the late 1920s. This research studies the unmediated Catalan translations of Tolstoy, Dostoevsky, Chekhov, and a selection of nineteenth and twentieth century authors carried out by Payarols and Nin, and reviews some of the impact that these had upon Catalan writers such as Mercè Rodoreda, Sebastià Juan Arbó and Joan Sales. Overall, these translations largely exceeded the previous available items of Russian literature in Catalan, and in cases such as Dostoevsky and Chekhov, they established a textual presence to go with their already existing literary fame. This process establishes that power dynamics were in operation between these translators, and that Nin had higher esteem from the literary milieu, which in turn affected the prestige of the texts he was commissioned to translate. I then contribute to the debate on the mythologisation of Nin’s work by suggesting a revision of his texts, supported by a comparison with the recently revised versions of some of Payarols translations.
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Mansbridge, Pamela. "Metaphor, male/female theorists, and the "birth rites" of women, the reclamation projects of Sylvia Plath, Anais Nin and Maya Deren." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59915.pdf.
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Arslan, Ülkü Eroğlu Füsun. "Yoğun bakım hastalarının prognoz değerlendirmesinde SAPS II(Simplified acute physiology score II) ve MPM II (Mortality probability model)'nin etkinliğinin araştırılması /." Isparta: SDÜ Tıp Fakültesi, 2006. http://tez.sdu.edu.tr/Tezler/TT00259.pdf.
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Pulis, Anne Elizabeth. "The vanishing inquiry : modernists in pursuit of spirit /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974673.
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Paula, Damiana Pereira de. "O processo criativo e a personalidade criadora : um estudo da poética de Anaïs Nin no poema em prosa A Casa do Incesto." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20943.
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Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Programa de Pós-Graduação em Literatura, 2016.Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2016-05-20T13:17:20Z No. of bitstreams: 1 2016_DamianaPereiraPaula.pdf: 1251426 bytes, checksum: 27418b3ac4b7dfcfa1588e0634b789c9 (MD5)
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O universo ficcional da escritora Anaïs Nin se destaca no cenário literário pela sua poeticidade e lirismo bem como pela sua preocupação em desvendar o mundo da subjetividade humana por meio da criação de imagens e símbolos. Em sua vasta obra, a autora se dedicou à escrita de diários, romances experimentais, poema em prosa, contos, contos eróticos, cartas, crítica literária e ensaios. O objetivo da presente tese é analisar o tema da criação artística e da personalidade criadora no poema em prosa A casa do incesto. A abordagem estética do poema está centrada em dois aspectos: primeiramente realiza um estudo de suas influências - fortemente marcadas pelo movimento Surrealista, pelas ideias psicanalíticas, pela poesia Simbolista, sobretudo Rimbaud – e, em um segundo momento, explora a relação que o poema mantém com a escrita dos diários. _______________________________________________________________________________________________ ABSTRACT
The fictional universe created by Anaïs Nin is celebrated for its highly poetical and lyrical form, abounding with images and symbols through which the world of human subjectivity is revealed. Nin was a prolific writer and throughout her life published diaries, experimental novels, a prose poem, short-stories, erotica, letters, literary criticism and essays. The present thesis aims at analyzing the theme of artistic creation and the creative personality in the prose poem House of Incest. The aesthetic approach of the poem is focused on two different aspects: Firstly, it explores the influences of the Surrealist movement, psychoanalysis and Symbolism - especially Rimbaud. Secondly, it investigates the connections between the poem and the diaries.
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LECLERCQ, BLANDINE. "Le journal intime, etude d'un genre et d'une ecriture a partir des journaux intimes d'andre gide, de franz kafka et d'anais nin." Amiens, 1997. http://www.theses.fr/1997AMIE0007.
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Le statut du journal intime suscite, en ce 20eme siecle, interet mais aussi polemiques. Afin de mettre au jour les lois d'un genre hybride et rebelle, nous avons choisi d'etudier, pour leur originalite et leur richesse, les journaux de trois auteurs, andre gide, franz kafka et anais nin. La confrontation des journaux de ces "diaristes" avec ceux de leurs predecesseurs a revele des constantes dans l'utilisation d'un journal. Tous se saisissent de leur cahier pour repondre a des besoins psychologiques. Cependant, d'autres fonctions, toutes nouvelles, sous la plume d'andre gide, de franz kafka et d'anais nin ont guide et fonde l'ecrit. Etroitement liees a leur projet de vie, elles ont modifie les perspectives du genre dans son elaboration et son degre de destination. L'attention a la "poetique", au sens etymologique du terme, a alors mis en lumiere l'impossibilite d'etablir d'eventuelles regles. Pourtant, malgre les dissemblances formelles, un tempo souterrain emporte tout lecteur. Les traces du "je", en fonction de la problematique de la repetition, ont conduit a interroger les deux centres d'interet des trois journaux. Le premier, l'exteriorite, est apparu trop fragile comme mode de structuration. Il fallait alors analyser le rapport du "je" a lui- meme, et la dualite corps / ame, livrant le psychisme particulier de chacun de nos auteurs, s'est revelee etre le veritable rythme des journaux. ' l'intime structure les trois ecrits, mais la representation du "moi" a laquelle tend tout "diariste" a un moment donne de son existence, eclate comme un echec. Neanmoins, l'ecriture ne s'est pas tue ; andre gide, franz kafka et anais nin ont continue a tenir leurs journaux, et nous ont inclinee a chercher les valeurs et les significations de ce genreIn the 20th century, the status of the diary arouses both interest and polemic. In order to bring the principles of such a hybrid and rebellious style to light, we have chosen to analyse the diaries of three authors, andre gide, franz kafka and anais nin for their originality and richness. The comparison of these three diarists'works with those of their predecessors has revealed constants in the use of a diary. They all depend on their diaries to fulfill psychological needs. However, other functions founded and guided the writing of andre gide, franz kafka and anais nin. Closely bound to their life projects, these functions altered the prospects of the style, both in its elaboration and in the scope of its readership. Observing the "poetic", in the etymological meaning of the word, thus highlighted the impossibility of setting potential rules. Nonetheless, in spite of the differences in form, the reader is carried along an underlying tempo. The traces of "i", according to the problem of repetition, have led us to question the two centres of interest of these diaries. The first, exteriorizing, seemed too flimsy an approach to structuration. However, analysing the relation of "i" with itself revealed the duality body/mind, betraying each of our authors'particular psyches, to be as the real rhythm of the diaries. Intimacy structures the three works, but the representation of the "self", wich any diarist tends towards at a given moment of his or her life, stands out as a failure. Nevertheless, the writing did not stop ; andre gide, franz kafka and anais nin went on keeping their diaries urging us to find the values and meanings of such a style
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Marouani, Hafedh. "Description de la variabilité en pharmacocinétique de population par l'approche nin paramétrique des noyaux : adaptation de posologie à l'aide des nomogrammes cinétiques." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM5502.
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La mise en oeuvre des approches de population en PK devient systématique aussi bien en milieu industriel qu'en milieu clinique. Ces approches visent à décrire et à quantifier la variabilité interindividuelle en termes de statistiques. L'information obtenue est un élément essentiel car, utilisée dans un critère Bayésien permet l'estimation des paramètres pharmacocinétiques d'un nouvel individu, conduisant dans un contexte clinique à une adaptation rigoureuse de la posologie. L'implémentation des approches non-paramétriques des noyaux et le développement d'une nouvelle procédure d'individualisation de posologie sont les deux contributions principales de ce travail. La description de la variabilité a été abordée par la méthode en deux étapes. Dans le contexte multidimensionnel avec erreurs normales et hétéroscédastiques, nous avons mis en oeuvre différents estimateurs à noyaux "naïfs" et de déconvolution. Le lissage optimal des noyaux a été calculé à l'aide de la validation croisée des moindres carrés. Par ailleurs,nous avons développé les nomogrammes cinétiques en tant que nouvel outil d'individualisation posologique. Etant donné une concentration cible à l'état stationnaire, ces nomogrammes sont construits comme une collection de profils pharmacocinétiques "spécifiques" obtenus après administrations répétées d'un "protocole d'identification". Les graphes obtenus divisent l'espace "temps-concentration" en plusieurs domaines dont chacun correspond à une dose ajustée. Les différents calculs et développements ont été réalisés en utilisant le logiciel Matlab®. Le sélecteur de lissage fournit de bonnes performances et l'implémentation des estimateurs à noyaux précités s'est faite avec succès. Par ailleurs, l'évaluation des performances en termes d'ajustement des doses de Sirolimus® par les nomogrammes cinétiques, que ce soit dans l'étude de simulation ou en clinique, a montré la simplicité et la fiabilité de la procédure. Elle semble efficace même chez les patients dont les caractéristiques pharmacocinétiques varient temporellement. Les estimateurs non-paramétriques à noyaux mis en oeuvre permettent de décrire fidèlement des formes atypiques de la distribution des paramètres pharmacocinétiques, objectif difficilement atteignable avec les approches paramétriques en une seule étape. En clinique, les nomogrammes cinétiques proposés en tant qu'outil d'individualisation de posologie directement disponible au chevet du patient représentent une alternative intéressante aux procédures Bayésiennes traditionnellesPopulation pharmacokinetic approaches become nowadays systematic in both industry and clinical settings. The purpose of these studies is to describe and quantify statistically the interindividual variability.The reliability of the obtained information is fundamental because when used in a Bayesian criterion allows the estimation of individual pharmacokinetic parameters, which could lead to appropriate individual dosage regimens. The implementation of nonparametric kernel density estimators and the development of a new toolassisting individualization of dosage regimens are the main contributions in this thesis. A two-stage method was used in the multivariate context with normal heteroscedastic erors. To describe the variability of pharmacokinetic parameters, we implemented nonparmetric "naive" and deconvolution kernel density estimators. Least-squares cross valdation was used to calculate the optimal smoothing parameter for kernel estimators. Moreover, to assist individualization of drug regimens, we developed the kinetic nomograms. They involve collection of concentration-time following repeated administrations of a fixed "identification protocol" and targeting a given steady-state concentration. The profiles divide the concentration-time space into several areas, each of them corresponding to a given adjusted drug dose. All calculations were performed by use ofMatlab® software. The selector of least-squares cross validation provides good performances and implementation of the above kernel estimators was sucessful. Otherwise, performance evaluation in terms of dose adjustement of Sirolimus® by kinetic nomograms, in both simulation and clinical study, showed simplicity and reliability of the new procedure. It provides adequate dosage adjustement even for drugs that exhibit large intra-individual variability. Implemented nonparametric kernel estimators accurately described the interindividual pharmacokinetic variability, which is difficult to achieve when classical single-stage parametric approaches are used. In the clinical context, kinetic nomograms rendered the individual adjustement of dosage regimen a simplified bedside application. They are interesting alternatives to the cumbersome Bayesian procedure
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Lambert, Jayne [Verfasser], and Martin [Akademischer Betreuer] Parniske. "Nodule inception NIN plays a dual role in the establishment of root nodule symbiosis in Lotus japonicus / Jayne Lambert ; Betreuer: Martin Parniske." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1204365474/34.
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Nin, Brauer Martin Claudio [Verfasser], Ludger [Akademischer Betreuer] Wessjohann, and Thomas J. J. [Akademischer Betreuer] Müller. "New post condensation reactions of Biginelli three and Ugi four component products / Martin Claudio Nin Brauer. Betreuer: Ludger Wessjohann ; Thomas J. J. Müller." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2015. http://d-nb.info/1079217614/34.
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Andrade, Aguirre Rosa Elena [Verfasser], and Martin [Akademischer Betreuer] Parniske. "The transcription factor NIN mediates a dynamic balance between gene activation and repression in L. japonicus / Rosa Elena Andrade Aguirre ; Betreuer: Martin Parniske." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1232645397/34.
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Swanson, Ginger. "The other woman| Explored through 100 years of film, the psychic landscape of dreams, and the lived experiences of Anais Nin and Sabina Spielrein." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3687860.
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The purpose of this organic inquiry and alchemical hermeneutic study was to explore the nature, essence, and archetype of the other woman with the goal of understanding how and why women become involved in triadic relationships. The study seeks to comprehend the lived experience of the other woman, including her history, character, behavior, ideologies, and desires. This study explored how and why other women are othered (i.e., cast out or rejected) in society, and the resultant effects upon them. A further goal of the work was to understand the dynamics of the triadic relationship from the other woman's point of view and to find ways to ease the pain experienced by all parties involved in and affected by these often complex and problematic relationships, which can lead to severe suffering, alienation, heartbreak, and in extreme cases, even murder or suicide.
Although she has been with us for eons, the other woman's true identity has been all but erased from existence. She has been buried in the shadows of society's taboos, relegated to the role of the scapegoat, and burdened with carrying negative projections of an ill-begotten stereotype. Using Carl Jung's theories of the archetypes and complexes and James Hillman and Pat Berry's archetypal psychology, the researcher explored and contrasted the lived experiences of the other woman stereotype and the other woman archetype portrayed in film over the last hundred years, as well as women in history, including pioneering feminist, Anaïs Nin, and the mother of depth psychology, Sabina Spielrein. The other woman archetype proved to be elusive because her identity has been mostly usurped by negative stereotypes. Further, the problems resulting from othering the other woman do not rest in the dyad or in the triadic relationship, but originate with the problem of the imbalance of masculine and feminine energy on the planet.
The researcher concludes with the hope that the other woman can be re-visioned as just "another woman," on an individuation journey towards the Whole Woman archetype. Keywords: Affairs, Betrayal, Feminism, Film, Individuation, Infidelity, Othering, Whole Woman Archetype
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Ford, Bruce W. "El Nino and La Nina effects of tropical cyclones : the mechanisms /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2000. http://handle.dtic.mil/100.2/ADA380280.
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Thesis (M.S. in Meterorolgy and Physical Oceanography)--Naval Postgraduate School, June 2000.Thesis advisor: Murphree, Tom. "June 2000." Includes bibliographical references (p. 115-118). Also available online.
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Hildebrand, Paula E. "El Nino and La Nina events and North Atlantic tropical cyclones." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2001. http://handle.dtic.mil/100.2/ADA391577.
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Thesis (M.S. in Meteorology and Physical Oceanography) Naval Postgraduate School, March 2001.Thesis advisor(s): Murphree, Tom. "March 2001." Includes bibliographical references (p. 91-94). Also Available online.
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Demarchi, Paulo Cesar. "Fases da preparação da obra Nih Nik do compositor Chico Mello." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/22335.
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Sachan, Amit. "Safe Yield for Jointly Operated Reservoir System and Examination of ENSO Impacts." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/33302.
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Determination of safe yield of a water source is a basic aspect of water supply planning. In this report, the safe yield is defined as the maximum constant release from a reservoir that is possible during a selected drought period. The yield depends on drought magnitude and duration controlled by nature and ability to manipulate the releases through man made controls in the form of impoundment structures and regulations. A water supply system with two reservoirs in series and one in parallel in Spotsylvania Countyâ the Hunting Run Reservoir, the Motts Run Reservoir (in series), and the Ni River Reservoir is considered to demonstrate the yield calculations.
When several reservoirs are considered, the critical periods (defined as the period from full storage to empty condition) may not coincide and the system must be analyzed for the binding critical duration. A zero-one linear integer programming formulation is proposed to compute the system yield. The formulation accommodates the various storage and river flow dependent instream flow requirements. It is found that the water treatment plant capacity, instream flow requirements, and flows themselves limit the yield.
Inflows to the reservoir are very important factor in determination of safe yield for any system of reservoirs. Changes in the precipitation hence inflows may cause a significant effect on the operation of reservoir. El Nino and La Nina phenomena, which occur due to changes in the atmospheric condition over the equatorial Pacific region, are found to affect the global climate in different studies. To examine the changes in the precipitation / streamflows due to El Nino and La Nina events on the safe yield, studies are done on the streamflows in the study area and four regions across the world during El Nino and LA Nina events. Lag correlation studies and descriptive analysis of the streamflows in the study region in Northern Virginia fail to show any pattern in the streamflow changes due to El Nino and La Nina events, based on the available data. However, this observation is not conclusive and further research if needed.Master of Science
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Mkpado, Christian. "The Effects of El Nino and La Nina Weather Events on Corn Futures Prices." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1085.
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The effects El Nino and La Nina have on corn futures prices is analyzed through the lens of the Southern Oscillation Index (SOI), a measure that indicates El Nino or La Nina weather patterns. Reliable data from 1959 - 2014 is analyzed in both monthly and yearly frequencies. As well as running the data against the SOI, binary indicators for either El Nino or La Nina are used as well. Typically, El Nino is consistent with cooler, wetter over much of North America and La Nina is consistent with hotter, drier weather. Both of these weather patterns will either increase or decrease corn production, which in turn affects corn futures prices.