Dissertations / Theses on the topic 'Nin'
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Holmér, Viktor, and Lukas Lundmark. "Investigating the NIN Structure." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-186368.
Full textI detta kandidatexamensarbete unders¨oks den artificiella neuronn¨at-strukturen NIN som skapades av Min Lin et al 2014. Detta g¨ors genom att variera antalet moduler och lagerdjupet i dessa. Detta ger tio olika n¨atverk inklusive det originala NIN-n¨atet. Testerna utf¨ors p˚a en f¨orprocesserad version av CIFAR10-databasen f¨or alla tio n¨atverk i maximalt 150’000 iterationer. Resultaten visar p˚a att modulantalet generellt p˚averkar NINs prestanda mer ¨an lagerdjupet. N¨atverket med tre moduler och ett lagerdjup p˚a tv˚a har h¨ogst prestanda med 87.44% r¨att. Detta ¨ar under Min Lin et als resultat. Detta beror dock troligen p˚a overfitting och en brist p˚a n¨armare detaljer r¨orande tr¨aningsmetoderna de anv¨ant. Slutsatsen av arbetet ¨ar att studier p˚a olika typer av mikron¨atverk i NIN beh¨ovs. Studier p˚a djupare NINn¨atverk med st¨orre dataset f¨or att f¨orhindra den overfitting som syns i resultaten beh¨ovs ¨aven. St¨orre dataset skulle kunna erh˚allas genom data-augmentering. Resultaten verkar ¨aven antyda att mindre komplicerade (med mindre komplicerade menas att modulerna har mindre djup) NIN-implementationer har h¨ogre prestada ¨an djupa s˚adana.
Tookey, Helen. "Anaïs Nin, fictionality and feminity : playing a thousand roles /." Oxford (GB) : Clarendon press, 2003. http://catalogue.bnf.fr/ark:/12148/cb39077682k.
Full textFiguerola, Peró Judit. "“El català de l’URSS”. Andreu Nin, revolucionari i traductor." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/381264.
Full textThe 75th anniversary of his assassination having passed, this thesis aims to contribute to the recovery of the figure of Andreu Nin, the translator. To achieve this, we set ourselves two objectives: firstly, to present and analyse the complete works of translation by Nin, as well as their reception by critics, to assert the importance of this legacy which, too often, has been relegated to second place by the political dimension of the character; and secondly, to prove that in his decision to translate classical and modern Russian writers into Catalan there was a strong desire to build a work of quality. At the same time, we wish to demonstrate that these versions by Nin heralded a new period; as he knew both languages and literary systems well, the complete Russian works were translated directly into Catalan. The work consists of two parts: the first aims to build as impartial and complete a picture of Nin as possible, and then present the multiplicity of activities that are not strictly political and which he exercised throughout life (he was a teacher, journalist, writer, speaker, lecturer and literary critic); whereas the second part, the core of the research, focuses on the translation work: after having shown the sociocultural context in which Andreu Nin's versions, both literary and political, appeared, the motivations and methodology used by him when translating have been established, and a comprehensive review of all the translations has been offered, based on his own prefaces and on the voices of his critics. Finally, we conducted a comparative analysis of the amendments of the translator and proof-reader which appear in Nin's original typescript of Childhood, Boyhood, Youth, by Tolstoy. All this has enabled us to confirm our original hypothesis: the translating task was not just a chance project in the life of Andreu Nin, the result of adverse circumstances arising from his revolutionary militancy, but the natural activity of an intellectual captivated since childhood by the word and the possessor of modern and well crafted prose, who, moreover, had in-depth knowledge of the language and the reality of the literature he translated. Always moved by a genuine interest to provide the Catalan language with valid models (acceptance) as well as respecting the original (adequacy).
Tookey, Helen Jane. "Playing a thousand roles : Anais Nin, fictionality and femininity." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342945.
Full textMorin, Jeanne. "Le journal migratoire d’Anaïs Nin (1919-1920) : lecture schizoanalytique." Thèse, Université de Sherbrooke, 1989. http://hdl.handle.net/11143/10091.
Full textBludsztejn, Chantal. "Vision du féminin dans "Les cités intérieures" d'Anaïs Nin." Toulouse 2, 1987. http://www.theses.fr/1987TOU20112.
Full textA major work in the fiction of Anais Nin, the collection of "The cities of the interior3, composed of five books (Ladders to fire, Children of the albatross, The four-chambered heart, A spy in the house of love, Seduction of the Minotaur) was published in 1961 and introduces three women who represent the ideas of this writer: Djuna, Lillian and Sabina. The study of "The perception of womanhood" in this work is arranged like a triptych: the first part, "The quintessence of womanhood", unveils the kaleidoscopic silhouettes of these characters which are reflected indefinitely by mirrors and glances in a motley patchwork of physical details and in whirl of objects. It shows the affinities which grow between these women, searching for their essential being, and the natural elements (water, air, fire, earth) and reveals the plasticity of a conquered space adapted to their femininity. In the second part, "woman, a social being", the social side of women attached to the world of the arts and themselves artists (Lillian a pianist, Djuna a dancer and Sabina an actress) is analyzed: especially the relationships of identification and rivalry which the women create between themselves and the ties which unite men and women who, through their education, are faced with a certain code of behaviour. The third part, "A feminine writing" highlights the interferences linking the diary, the interior world, with the novels, the outside world. It shows the stylistic procedure used by Anais Nin to translate the complexity of a consciousness - metaphors, aesthetic references, the playful working of the memory and dreams -. It also underlines the state of conflict felt by the characters, the autobiographical projections of an author, in their desire to abandon a role of a character in order to acquire the status of a person
Bludsztejn, Chantal. "Vision du féminin dans "Les Cités intérieures" d'Anaïs Nin." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37603052b.
Full textGündoğdu, Ebubekir Oğurlu İdris. "Yaban keçisi Capra Aegagrus Erxleben 1777'nin populasyon ekolojisi /." Isparta: SDÜ Fen Bilimleri Enstitüsü, 2006. http://tez.sdu.edu.tr/Tezler/TF00979.pdf.
Full textCelerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire." Paris 4, 1987. http://www.theses.fr/1987PA040104.
Full textStudy of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men's influence on her life and literary production. The birth of an artist in a man-made world
Watson, Bruce Wallace. "Androgyny and Dominance: Gender Construction in Anaïs Nin's Erotica Series." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/42182.
Full textMaster of Arts
Michael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.
Full textÖnal, Sadık Terzi Özlem. "Yapay sinir ağları metodu ile Kızılırmak Nehri 'nin akım tahmini /." Isparta : SDÜ Fen Bilimleri Enstitüsü, 2009. http://tez.sdu.edu.tr/Tezler/TF01338.pdf.
Full textGaspar, Débora da Rocha. "Cómo los nin@s se relacionan con el game art?" reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/132386.
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Charnock, Ruth Naomi Ekaterina. "Touching stories : performances of intimacy in the diary of Anaïs Nin." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7547/.
Full textFox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Full textDunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.
Full textDunbar, Erin Armintor Deborah Needleman. "The sacred and the profane Nin, Barnes, and the aesthetics of amorality /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-11047.
Full textANDRADE, Raquel Thomaz de. "A arte da memória: uma análise da escrita íntima de Anaïs Nin." Universidade Federal de Campina Grande, 2010. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/2154.
Full textMade available in DSpace on 2018-11-08T12:34:15Z (GMT). No. of bitstreams: 1 RAQUEL THOMAZ DE ANDRADE - DISSERTAÇÃO (PPGH) 2010.pdf: 795042 bytes, checksum: 1763aaf8b92066d77a25f6672c7d8faa (MD5) Previous issue date: 2010-09-29
No tocante à escrita íntima, Anaïs Nin emerge como uma das autoras com a obra mais vasta, tendo escrito – e posteriormente publicado – diários entre os anos de 1914 e 1974. Esse extenso relato confessional lhe deu certo destaque dentro do movimento feminista, ao mesmo tempo em que despertou críticas relacionadas ao seu narcisismo. Dessa forma, seu material íntimo surge como uma obra emblemática no que se refere às tensões do movimento de luta pelos direitos das mulheres. Pois, mesmo com sua postura narcisista e pretensamente passiva politicamente, as atitudes Nin iam de encontro aos valores de sua época. Esse fato remete a uma questão: até que ponto o comportamento da autora não pode ser considerado com uma atitude política, já que resistia a padrões de comportamento de sua época? Assim, esse trabalho tem como objetivo analisar a escrita íntima de Anais Nin, considerando as suas representações acerca do feminino, da vida pública, da política e da arte e a sua inserção num período de sua escrita; problematizando a relação entre os diários íntimos e as teorias acerca dos gêneros confessionais e discutindo a relação entre o ―ficcional‖ e o ―real‖ nas memórias da autora, bem como a utilização da vida privada de Nin para a construção de uma obra de arte e, conseqüentemente, da sua figura pública. As principais fontes da pesquisa foram os diários não expurgados, que tiveram uma publicação póstuma durante os anos de 1980 e 1990. A escolha não se deve somente por esses diários serem versões menos censuradas da escrita íntima da autora, como também por envolverem um período (1931 – 1939) em que Nin começa a demonstrar interesse na publicação da obra, bem como a tecer comentários mais aprofundados acerca de questões como arte e política. Dessa forma, o universo construído pela escrita íntima dessa escritora será analisado, levando em consideração o tempo histórico no qual ela estava inserida, com o intuito de observar as suas representações acerca da relação entre a mulher, os espaços público e privado, a arte e a política.
On regard of intimate works, Anaïs Nin emerges as one of the most prolific authors, having written – and later published – journals between the years of 1914 and 1974. This extensive fictional report gave her a certain highlight within the feminist movement, while awakened criticism towards her narcissism. Consequently, her intimate material comes as an emblematic work concerning the strains within the fight for the women‘s rights. Because, even with a narcissistic and a passive political posture, Nin‘s stances went against the period values. This fact lead us to a question: how far the writer‘s behavior is as a political attitude, since it resisted the contemporary behavior patterns? Thus, this work aspires to analyze Anaïs Nin intimate writings, considering her representations concerning the feminine, public life, politics and art and her insertion within the writing‘s time; questioning the relationship between the intimate journals and the theories on the confessional genres and discussing the relationship between ―fictional‖ and ―real‖ amidst the writers memoir, as well as the use of Nin‘s private life in the makeup of her composition and, consequently, of her public figure. The main research sources were the unexpurgated diaries, which had a post mortem publication during the years of 1980 and 1990. The choice was not made only after the fact that these diaries are less censured versions of the writer‘s intimate work, but also after their coverage a period of time (1931-1939) in which Nin starts to show interest in the work‘s publication, as well as commenting art and politics in a deeper way. Thus, the universe built by this writer‘s journals will be analyzed, taking her historical insertion, aiming her representations on the relationship between the woman, the public and private spaces, art and politics.
Shirakura, Adler Eduardo Dias. "A Revolução Espanhola (1931-1939) : um debate entre Leon Trotsky e Andreu Nin /." Marília, 2018. http://hdl.handle.net/11449/180251.
Full textBanca: Rodrigo Duarte Fernandes dos Passos
Banca: Aruã Silva de Lima
Resumo: A presente pesquisa trata-se de um estudo sobre a estratégia revolucionaria da classe operária a partir das polêmicas e convergências entre duas personalidades que representaram as tendências revolucionarias da classe operária espanhola: Leon Trotsky e Andreu Nin. Ambos os teóricos e dirigentes políticos marxistas, tinham em comum a luta pela revolução socialista e a oposição à burocratização da URSS. O primeiro se transformando em líder da Quarta Internacional, e o segundo em líder do POUM.
Abstract: This research is a study on the revolutionary strategy of the working class from the controversies and convergences between two personalities who represented the revolutionary tendencies of the Spanish working class: Leon Trotsky and Andreu Nin. These Marxist theorists and political leaders had in common the struggle for the socialist revolution and the opposition to the bureaucratization of the USSR. The first became the leader of the Fourth International, and the second the leader of the POUM.
Mestre
Celerier, Patricia-Pia. "Anaïs Nin à Paris les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376036989.
Full textBloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.
Full textRehme, S. ""The multimedia of our unconscious life" : Anaïs Nin and the synthesis of the arts." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1407702/.
Full textZucchi, Vanessa. "A tessitura do desejo : corpo, sexualidade e erotismo nos contos de Ana?s Nin." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/2161.
Full textThe eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited.
O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.
Dubois, Boucheraud Simon. "Écritures du moi, genèse et créativité : les mises en scène d'Anaïs Nin (1931-1942)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30034/document.
Full textTo camouflage her past, dissemble about her adulterous affairs, and conceal consensual incest with her father and a lifetime of brazen lies, the « selected pieces » that Anaïs Nin offers to readers as her Diary, as of 1966, bear only a tangential relationship to the manuscripts. Even the so-called unexpurgated diary, published posthumously and based on the typescripts that Nin made of her diaries, contains significant revisions and emendations. Among the hundred and ten-odd volumes of a protean, handwritten diary, this study brings to the fore what remains, but also what was added, leading us to question whether the resulting document can truly be called a « diary ». In attempting to capture her ever-elusive self, Nin composed her life, and even in the manuscripts, the imaginary played a great part in that process. From a vast corpus examined at UCLA and Northwestern university, this study focuses on the period from the beginning of The Diary (as distinct from The Early Diary), till Nin publishes The Winter of Artifice (1939, and 1942), a fictionalization of her life at a time when publishing the diary was impossible. This piece is also an attempt to deal with—and, Nin hoped, vanquish—the lingering conflict of the diary with time and that of the woman with her father. Comparing the drafts of this work, revised by Henry Miller, with the handwritten diaries and the anthumously and posthumously published versions enables us to fully seize the extent of Nin’s rewriting and self-censorship, as well as the scope of a creative approach which amounts to many stagings of the self that the diarist would later legitimatize by making Otto Rank’s psychoanalytical principles her own
Anderson, Emma Kate School of English UNSW. "Representations of female sexuality in chick-lit texts and reading Anais Nin on the train." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.
Full textKim, Jiyoung. "Characterisation of Putative Transcription Factors (NSP1, NSP2 and NIN) Essential for Nodulation in Medicago truncatula." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514331.
Full textde, Oliveira Hernani Fernandes Magalhães. "El Niño and the structure of mutualistic and antagonistic bat food webs revealed by DNA barcoding." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/54053.
Full textTaylor, Clare L. "Female cross-gendered behaviour in the fiction of Radclyffe Hall, Anais Nin, H.D. and Djuna Barnes." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302589.
Full textFunk, Gisela. "The sealed room : Lou Andreas-Salomé and Anaïs Nin : a study in the genesis of fiction." Thesis, University of Warwick, 1988. http://wrap.warwick.ac.uk/35753/.
Full textSilva, Camila Araujo da. "A escrita erÃtica na tela: a traduÃÃo de "Elena" de AnaÃs Nin na adaptaÃÃo fÃlmica de Delta of Venus." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20308.
Full textAnaÃs Nin, autora nascida na FranÃa, mas radicada nos Estados Unidos, à tida como pioneira por ter escrito obras erÃticas do ponto de visto feminino. Nin ficou conhecida por descrever atos sexuais de uma forma metafÃrica. Em um de seus diÃrios, ela diz que tentou utilizar uma escrita feminina como forma de tomar espaÃo em um mundo que sempre foi liderado por homens. Esta pesquisa tem como objetivo analisar de que maneira uma de suas obras mais conhecidas, o livro de contos Delta of Venus, publicada em 1977, um ano apÃs a sua morte, foi retratada nas telas, pois o livro foi adaptado para a TV, em 1995, por Zalman King, diretor/produtor/roteirista de diversos filmes erÃticos, e, por isso, conhecido como rei do soft-core porn. Uma vez que um dos temas centrais da obra de Nin à o sexo, o trabalho aqui apresentado se fundamenta em Krzywinska (2006), que comenta a abordagem do tema no cinema, Willians (2004) e Alexandrian (1991), que discorrem sobre os estudos pornogrÃficos e a histÃria da literatura erÃtica. Cattrysse (1992), que seguindo a Teoria dos Polissistemas, de Even-Zohar (1990), deu inÃcio ao processo de sistematizaÃÃo da adaptaÃÃo fÃlmica, serà utilizado para fundamentar o capÃtulo que trata sobre a adaptaÃÃo, assim como Hutcheon (2012) e Cartmell (2012). O propÃsito da presente pesquisa Ã, principalmente, perceber de que forma King transportou para as telas o texto tÃo caracterÃstico de Nin e de quais tÃcnicas ele se utilizou para tal. O contexto no qual a adaptaÃÃo fÃlmica se insere impossibilita a manutenÃÃo da qualidade literÃria de Nin, bem como a abordagem dos temas transgressores apresentados pela autora, no entanto, atravÃs da anÃlise de cenas retiradas do filme, à possÃvel perceber caracterÃsticas da autora presentes na adaptaÃÃo.
AnaÃs Nin, who was born in France but brought up in the United States, is considered a pioneer for having written erotica from a female point of view. Nin is known for describing sexual relations making use of metaphors. In one of her diaries, she said that she tried to use a feminine writing style as a way to gain space in a world that was always reigned by men. This research has as a goal to analyze in what ways her most well-known work, the book of short stories Delta of Venus, published in 1977, an year after her death, was portrayed on the screen, because her book was adapted for the TV in 1995, by Zalman King, director/producer/screenwriter of many erotic films and, as such, know as the king of soft-core porn. Once the main theme of her work is sex, the research here presented is grounded on Krzywinska (2006) that writes about the way the cinema approaches the theme and Williams (2004) and Alexandrian (1991) that comment on porn studies and the erotic literature history. Cattrysse (1992), who follows the Polysystem Theory by Even-Zohar (1990) and has started the systematization of film adaptation, will be used to substantiate the chapter that concerns the adaptation. As well as Hutcheon (2012) and Cartmell (2012). The purpose of this research is, first of all, to observe if King was able to keep Ninâs one of a kind text alive on the screen and which techniques he used in order to do so. The historical context to which the movie belongs to does not make it possible for the literary quality of Ninâs text to shine through, as well as the strong themes she writes about. However, by analyzing some chosen scenes from the movie, it is possible to perceive some characteristics of Ninâs writing in the adaptation.
Maja, Plavšić. "Књижевна дисперзија Борислава Михајловића Михиза." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=100303&source=NDLTD&language=en.
Full textAuthor of this paper has intention to presentopus of literary critic Borislav Mihajlović Mihizwithin one place because his critically opus isstill scattered in literary magazines. Specialfocus will be on six years time when he wrotefor magazine ‘Nin’ (1951-1956) and he earnedreputation of strict critic who likes very goodliterature which has been written and publishedin Yugoslavia after World War II. Lots of criticswere denied that Borislav Mihajlović Mihiz hadhis poetic and serious critical approach so theaim of this PhD theses is to prove the oppositeand to illuminate work of this writer in light ofmodern Serbian literature in which foundationhe put his large opus.
Yorulmaz, Sibel Ay Recep. "Tetranychus urticae (Acarina: teranychidae)'nin üç farklı insektisit-akarisit ile seleksiyonundan sonra çoklu direnç ve bazı enzim düzeylerinin incelenmesi /." Isparta : SDÜ Fen Bilimleri Enstitüsü, 2008. http://tez.sdu.edu.tr/Tezler/TF01124.pdf.
Full textKohlke, M. L. "Imperfect consummations : aspects of place and time in the short stories of Anaïs Nin, Angela Carter, and Margaret Atwood." Thesis, Swansea University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637819.
Full textTapia, Nin Clara Elisa [Verfasser]. "Modelo para Evaluar la Oferta de los Estudios de Grado en la Modalidad de Enseñanza Semipresencial / Clara Elisa Tapia Nin." Munich : GRIN Verlag, 2016. http://d-nb.info/1097567230/34.
Full textLlamas, Gomez Noemi. "Francesc Payarols and Andreu Nin, agents of the Catalan polysystem : unmediated translations from Russian in the 1930s : a critical overview." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30794/.
Full textMansbridge, Pamela. "Metaphor, male/female theorists, and the "birth rites" of women, the reclamation projects of Sylvia Plath, Anais Nin and Maya Deren." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59915.pdf.
Full textArslan, Ülkü Eroğlu Füsun. "Yoğun bakım hastalarının prognoz değerlendirmesinde SAPS II(Simplified acute physiology score II) ve MPM II (Mortality probability model)'nin etkinliğinin araştırılması /." Isparta: SDÜ Tıp Fakültesi, 2006. http://tez.sdu.edu.tr/Tezler/TT00259.pdf.
Full textPulis, Anne Elizabeth. "The vanishing inquiry : modernists in pursuit of spirit /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974673.
Full textPaula, Damiana Pereira de. "O processo criativo e a personalidade criadora : um estudo da poética de Anaïs Nin no poema em prosa A Casa do Incesto." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20943.
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O universo ficcional da escritora Anaïs Nin se destaca no cenário literário pela sua poeticidade e lirismo bem como pela sua preocupação em desvendar o mundo da subjetividade humana por meio da criação de imagens e símbolos. Em sua vasta obra, a autora se dedicou à escrita de diários, romances experimentais, poema em prosa, contos, contos eróticos, cartas, crítica literária e ensaios. O objetivo da presente tese é analisar o tema da criação artística e da personalidade criadora no poema em prosa A casa do incesto. A abordagem estética do poema está centrada em dois aspectos: primeiramente realiza um estudo de suas influências - fortemente marcadas pelo movimento Surrealista, pelas ideias psicanalíticas, pela poesia Simbolista, sobretudo Rimbaud – e, em um segundo momento, explora a relação que o poema mantém com a escrita dos diários. _______________________________________________________________________________________________ ABSTRACT
The fictional universe created by Anaïs Nin is celebrated for its highly poetical and lyrical form, abounding with images and symbols through which the world of human subjectivity is revealed. Nin was a prolific writer and throughout her life published diaries, experimental novels, a prose poem, short-stories, erotica, letters, literary criticism and essays. The present thesis aims at analyzing the theme of artistic creation and the creative personality in the prose poem House of Incest. The aesthetic approach of the poem is focused on two different aspects: Firstly, it explores the influences of the Surrealist movement, psychoanalysis and Symbolism - especially Rimbaud. Secondly, it investigates the connections between the poem and the diaries.
LECLERCQ, BLANDINE. "Le journal intime, etude d'un genre et d'une ecriture a partir des journaux intimes d'andre gide, de franz kafka et d'anais nin." Amiens, 1997. http://www.theses.fr/1997AMIE0007.
Full textIn the 20th century, the status of the diary arouses both interest and polemic. In order to bring the principles of such a hybrid and rebellious style to light, we have chosen to analyse the diaries of three authors, andre gide, franz kafka and anais nin for their originality and richness. The comparison of these three diarists'works with those of their predecessors has revealed constants in the use of a diary. They all depend on their diaries to fulfill psychological needs. However, other functions founded and guided the writing of andre gide, franz kafka and anais nin. Closely bound to their life projects, these functions altered the prospects of the style, both in its elaboration and in the scope of its readership. Observing the "poetic", in the etymological meaning of the word, thus highlighted the impossibility of setting potential rules. Nonetheless, in spite of the differences in form, the reader is carried along an underlying tempo. The traces of "i", according to the problem of repetition, have led us to question the two centres of interest of these diaries. The first, exteriorizing, seemed too flimsy an approach to structuration. However, analysing the relation of "i" with itself revealed the duality body/mind, betraying each of our authors'particular psyches, to be as the real rhythm of the diaries. Intimacy structures the three works, but the representation of the "self", wich any diarist tends towards at a given moment of his or her life, stands out as a failure. Nevertheless, the writing did not stop ; andre gide, franz kafka and anais nin went on keeping their diaries urging us to find the values and meanings of such a style
Marouani, Hafedh. "Description de la variabilité en pharmacocinétique de population par l'approche nin paramétrique des noyaux : adaptation de posologie à l'aide des nomogrammes cinétiques." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM5502.
Full textPopulation pharmacokinetic approaches become nowadays systematic in both industry and clinical settings. The purpose of these studies is to describe and quantify statistically the interindividual variability.The reliability of the obtained information is fundamental because when used in a Bayesian criterion allows the estimation of individual pharmacokinetic parameters, which could lead to appropriate individual dosage regimens. The implementation of nonparametric kernel density estimators and the development of a new toolassisting individualization of dosage regimens are the main contributions in this thesis. A two-stage method was used in the multivariate context with normal heteroscedastic erors. To describe the variability of pharmacokinetic parameters, we implemented nonparmetric "naive" and deconvolution kernel density estimators. Least-squares cross valdation was used to calculate the optimal smoothing parameter for kernel estimators. Moreover, to assist individualization of drug regimens, we developed the kinetic nomograms. They involve collection of concentration-time following repeated administrations of a fixed "identification protocol" and targeting a given steady-state concentration. The profiles divide the concentration-time space into several areas, each of them corresponding to a given adjusted drug dose. All calculations were performed by use ofMatlab® software. The selector of least-squares cross validation provides good performances and implementation of the above kernel estimators was sucessful. Otherwise, performance evaluation in terms of dose adjustement of Sirolimus® by kinetic nomograms, in both simulation and clinical study, showed simplicity and reliability of the new procedure. It provides adequate dosage adjustement even for drugs that exhibit large intra-individual variability. Implemented nonparametric kernel estimators accurately described the interindividual pharmacokinetic variability, which is difficult to achieve when classical single-stage parametric approaches are used. In the clinical context, kinetic nomograms rendered the individual adjustement of dosage regimen a simplified bedside application. They are interesting alternatives to the cumbersome Bayesian procedure
Lambert, Jayne [Verfasser], and Martin [Akademischer Betreuer] Parniske. "Nodule inception NIN plays a dual role in the establishment of root nodule symbiosis in Lotus japonicus / Jayne Lambert ; Betreuer: Martin Parniske." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1204365474/34.
Full textNin, Brauer Martin Claudio [Verfasser], Ludger [Akademischer Betreuer] Wessjohann, and Thomas J. J. [Akademischer Betreuer] Müller. "New post condensation reactions of Biginelli three and Ugi four component products / Martin Claudio Nin Brauer. Betreuer: Ludger Wessjohann ; Thomas J. J. Müller." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2015. http://d-nb.info/1079217614/34.
Full textAndrade, Aguirre Rosa Elena [Verfasser], and Martin [Akademischer Betreuer] Parniske. "The transcription factor NIN mediates a dynamic balance between gene activation and repression in L. japonicus / Rosa Elena Andrade Aguirre ; Betreuer: Martin Parniske." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1232645397/34.
Full textSwanson, Ginger. "The other woman| Explored through 100 years of film, the psychic landscape of dreams, and the lived experiences of Anais Nin and Sabina Spielrein." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3687860.
Full textThe purpose of this organic inquiry and alchemical hermeneutic study was to explore the nature, essence, and archetype of the other woman with the goal of understanding how and why women become involved in triadic relationships. The study seeks to comprehend the lived experience of the other woman, including her history, character, behavior, ideologies, and desires. This study explored how and why other women are othered (i.e., cast out or rejected) in society, and the resultant effects upon them. A further goal of the work was to understand the dynamics of the triadic relationship from the other woman's point of view and to find ways to ease the pain experienced by all parties involved in and affected by these often complex and problematic relationships, which can lead to severe suffering, alienation, heartbreak, and in extreme cases, even murder or suicide.
Although she has been with us for eons, the other woman's true identity has been all but erased from existence. She has been buried in the shadows of society's taboos, relegated to the role of the scapegoat, and burdened with carrying negative projections of an ill-begotten stereotype. Using Carl Jung's theories of the archetypes and complexes and James Hillman and Pat Berry's archetypal psychology, the researcher explored and contrasted the lived experiences of the other woman stereotype and the other woman archetype portrayed in film over the last hundred years, as well as women in history, including pioneering feminist, Anaïs Nin, and the mother of depth psychology, Sabina Spielrein. The other woman archetype proved to be elusive because her identity has been mostly usurped by negative stereotypes. Further, the problems resulting from othering the other woman do not rest in the dyad or in the triadic relationship, but originate with the problem of the imbalance of masculine and feminine energy on the planet.
The researcher concludes with the hope that the other woman can be re-visioned as just "another woman," on an individuation journey towards the Whole Woman archetype. Keywords: Affairs, Betrayal, Feminism, Film, Individuation, Infidelity, Othering, Whole Woman Archetype
Ford, Bruce W. "El Nino and La Nina effects of tropical cyclones : the mechanisms /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2000. http://handle.dtic.mil/100.2/ADA380280.
Full textThesis advisor: Murphree, Tom. "June 2000." Includes bibliographical references (p. 115-118). Also available online.
Hildebrand, Paula E. "El Nino and La Nina events and North Atlantic tropical cyclones." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2001. http://handle.dtic.mil/100.2/ADA391577.
Full textThesis advisor(s): Murphree, Tom. "March 2001." Includes bibliographical references (p. 91-94). Also Available online.
Demarchi, Paulo Cesar. "Fases da preparação da obra Nih Nik do compositor Chico Mello." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/22335.
Full textSachan, Amit. "Safe Yield for Jointly Operated Reservoir System and Examination of ENSO Impacts." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/33302.
Full textMaster of Science
Mkpado, Christian. "The Effects of El Nino and La Nina Weather Events on Corn Futures Prices." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1085.
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