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1

Badinska, Ana-Maria Nikolaeva [Verfasser]. "Passgenauigkeit von Beatmungsmasken bei späten Frühgeborenen und Reifgeborenen / Ana-Maria Nikolaeva Badinska." Tübingen : Universitätsbibliothek Tübingen, 2021. http://d-nb.info/1238594840/34.

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Nikolaeva, Alexandra [Verfasser], and Alkomiet [Akademischer Betreuer] Hasan. "Variabilität der motor-kortikalen Effekte von anodaler und kathodaler Gleichstromstimulation bei gesunden Patienten / Alexandra Nikolaeva ; Betreuer: Alkomiet Hasan." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1182228402/34.

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3

Nikolaeva, Elena [Verfasser], and Walter Thomas [Akademischer Betreuer]. "Landslide kinematics and interactions studied in central Georgia by using synthetic aperture radar interferometry, optical imagery and inverse modeling / Elena Nikolaeva. Betreuer: Walter Thomas." Potsdam : Universitätsbibliothek der Universität Potsdam, 2014. http://d-nb.info/1050875265/34.

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Nikolaeva, Aleksandra [Verfasser], Daniel [Akademischer Betreuer] Abou-Ras, Michael [Gutachter] Lehmann, Daniel [Gutachter] Abou-Ras, and Christoph T. [Gutachter] Koch. "Microscopic investigations of inhomogeneities and metastable effects in Cu(In,Ga)Se2 solar cells / Aleksandra Nikolaeva ; Gutachter: Michael Lehmann, Daniel Abou-Ras, Christoph T. Koch ; Betreuer: Daniel Abou-Ras." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1220774588/34.

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5

Sprenger, Julia U. [Verfasser], Viacheslav [Akademischer Betreuer] Nikolaev, and Peter [Akademischer Betreuer] Schu. "Local cAMP dynamics in the SERCA2a signalling complex / Julia U. Sprenger. Gutachter: Viacheslav Nikolaev ; Peter Schu. Betreuer: Viacheslav Nikolaev." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1061172058/34.

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6

Sarsenov, Karin. "Passion embracing death : a reading of Nina Sadur's novel "The garden /." Lund : Lund university : Department of Slavonic studies, 2001. http://catalogue.bnf.fr/ark:/12148/cb39179927x.

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7

Perera, Ruwan K. [Verfasser], Viacheslav [Akademischer Betreuer] Nikolaev, and Blanche [Akademischer Betreuer] Schwappach. "Phosphodiesterases as Crucial Regulators of Cardiomyocyte cAMP in Health and Disease / Ruwan K. Perera. Gutachter: Viacheslav Nikolaev ; Blanche Schwappach. Betreuer: Viacheslav Nikolaev." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1061172074/34.

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8

Hofmann, Sandra [Verfasser], Viacheslav [Akademischer Betreuer] [Gutachter] Nikolaev, and Stephan E. [Gutachter] Lehnart. "Einfluss der Herzinsuffizienz auf Membranstrukturen und lokale cAMP-Dynamiken der SERCA2a-Mikrodomäne / Sandra Hofmann ; Gutachter: Viacheslav Nikolaev, Stephan E. Lehnart ; Betreuer: Viacheslav Nikolaev." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1120117569/34.

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Geibel, Uta [Verfasser], Viacheslav O. [Akademischer Betreuer] [Gutachter] Nikolaev, Marcus [Gutachter] Niebert, and Rainer [Gutachter] Mausberg. "Entwicklung und Validierung eines neuen Schnellmessverfahrens für Adrenalin im Blutserum / Uta Geibel ; Gutachter: Viacheslav O. Nikolaev, Marcus Niebert, Rainer Mausberg ; Betreuer: Viacheslav O. Nikolaev." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/114323104X/34.

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10

Menke, Elisabeth. "Die Kultur der Weiblichkeit in der Prosa Irina Grekovas /." München : O. Sagner, 1988. http://catalogue.bnf.fr/ark:/12148/cb35529788p.

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Lysenko, Sergej Nikolaevic [Verfasser]. "Entwicklung neuer Katalysatoren für die Alkin- und Diinmetathese / Sergej Nikolaevic Lysenko." München : Verlag Dr. Hut, 2012. http://d-nb.info/102940027X/34.

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12

Borissov, Nikolay Nikolaev [Verfasser], and C. [Akademischer Betreuer] Weinhardt. "Automated Bidding in Computing Service Markets : Strategies, Architectures, Protocols / Nikolay Nikolaev Borissov. Betreuer: C. Weinhardt." Karlsruhe : KIT-Bibliothek, 2012. http://d-nb.info/1021726192/34.

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13

Jetchev, Nikolay N. [Verfasser]. "Learning representations from motion trajectories : analysis and applications to robot planning and control / Nikolay Nikolaev Jetchev." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1027151604/34.

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14

Martinsson, Evelina, and Frida Rönnbäck. "Våldsamma män och vackra flickor : En diskursiv textanalys av gestaltningen av flickor och pojkar, män och kvinnor i läromedel." Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-262579.

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15

Barda, Any. "Les débuts de Zinaïda Gippius : du Messager du Nord à La voie nouvelle (1888-1904)." Paris 4, 1989. http://www.theses.fr/1988PA040132.

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Zinaïda Gippius commence à écrire dans la dernière décennie du 19eme siècle. Ses premiers poèmes et ses premiers récits paraissent dans le Messager du nord. Cette revue publie à la fois les épigones de l'école réaliste et les nouveaux poètes que bientôt on appellera décadents ou symbolistes. Z. Gippius, "la madone décadente", est déjà considérée comme une des représentantes du nouveau courant. Puis elle passe au monde de l'art fondé par S. D. Djagilev où, dénonçant maintenant les esthètes décadents, ses écrits (critiques, vers, nouvelles) manifestent ses nouvelles préoccupations religieuses. En 1901, avec son mari D. Merezkovskij, elle organise à Saint Pétersbourg les réunions philosophiques et religieuses auxquelles participent l'intelligentsia et le clergé. Puis le couple des Merezkovskij édite La voie nouvelle (1902 1903) qui témoigne des préoccupations esthétiques, religieuses et sociales d'une partie de l'intelligentsia. Lorsque nous l'abandonnons en 1904, Z. Gippius est devenue un des représentants les plus marquants du mouvement symboliste alors en plein essor
Zinaida Gippius started writing in the last decade of 19th century. Her first poems and her first narratives appears in the Northern herald. This review publishes both the epigone of realistic school and the new poems which will be soon named decadent or symbolist. Z. Gippius, "la madone décadente", is already looked upon as one of the representatives of the new run. Then, she joined the new road founded by S. D. Djagilev where, now denouncing decadent aesthetes, her writings (critiques, verses, tales) reflect her new religious preoccupations. In 1901, together with her husband, D. Merezkovskij, she organizes at St Petersburg philosophical and religious meetings attended by the intelligentsia and the clergy. Then, the Merezkovskij couple publishes the new road (1902 1903) which bears witness to the aesthetic, religious and social preoccupations of the part of the intelligentsia. When we leave her in 1904, Z. Gippius has become one of the leading representatives of the symbolism movement then in full soaring
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16

Elf, Helena, and Sofie Niemi. "Fladdrande ögonfransar och långt hår : En multimodal studie om hur genusstereotyper framställs i barnlitteratur." Thesis, Mittuniversitetet, Institutionen för utbildningsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-40874.

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I denna studie har vi analyserat barnlitteratur som läses i förskolan. Vi har haft både ett genus- och ettmultimodalt perspektiv. Syftet var att analysera barnlitteratur, som används inom förskolan, för attundersöka hur genusstereotyper framställs i både bild och skrift. Urvalet av böcker utgick från applikationen Polyglutt som används i en stor del av Sveriges förskolor och således når många barn. Vid analysen av böckerna användes Hirdmans (1988) genusteorier och Nikolajevas (2007) schema förgenusstereotyper. I resultatet så framkom en tudelad bild gällande genusstereotyper. Karaktärerna i böckerna framställs på ett genusstereotypt vis när det kommer till deras utseende, men deras handlingar är mer komplexa och går ibland emot det stereotypa. Vidare framkom också att det var en övervägande andel manliga karaktärer i de böcker som analyserats, vilket överensstämmer med tidigare forskning. I diskussionen lyfts den viktiga roll som pedagoger har när det kommer till atthjälpa barn att tolka karaktärerna i litteraturen. Barn som tittar i böckerna själva och mest fokuserar på bilderna nås enbart av en genusstereotyp bild, för att komma åt den mer komplexa bilden krävs en medveten pedagog. Slutsatsen är att barnlitteratur innehåller komplexa karaktärer som kan framställas olika i bild och skrift. Detta gör pedagoger, deras kunskap om genusstereotyper och deras arbete vid läsning av barnlitteratur till mycket viktiga faktorer i ett proaktivt arbete mot genusstereotyper.

Betyg i Ladok, 201221.

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17

Wendelius, Lars. "Maria Nikolajeva, När Sverige erövrade Ryssland. En studie i kulturernas samspel. Brutus Östling Bokförlag Symposion. Stockholm/Stehag 1996." Uppsala universitet, Litteraturvetenskapliga institutionen, 1997. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201068.

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18

Cromberg, Renata Udler. "O amor que ousa dizer seu nome: Sabina Spielrein - pioneira da psicanálise." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-19052008-163016/.

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A análise dos documentos encontrados no início dos anos setenta e nomeados como Dossiê Spielrein, que trouxeram a tona a psicanalista, Sabina Spielrein, por meio do seu diário e da sua correspondência com Freud e Jung, bem como seus escritos principais, permite afirmar que ela foi a visionária e introdutora do conceito de pulsão de morte em psicanálise. Isto se deu no seu texto de 1911, A destruição como causa do devir (SPIELREIN,1981a), apresentado em novembro, na Sociedade Psicanalítica de Viena, da qual ela foi a segunda mulher a se filiar. A análise deste texto permite localizar a origem do conceito de pulsão de morte em Sabina Spielrein, ligada ao percurso freudiano e à ruptura entre Jung e Freud. Além disso, a ausência de seu nome por seis décadas das obras fundamentais da história da psicanálise aponta para um soterramento histórico que precisa ser compreendido. O escrito princeps visionário de Sabina Spielrein foi seguido de escritos importantes, principalmente de As origens das palavras infantis Papai e Mamãe (1922), (SPIELREIN,1981b) lido no VI Congresso Internacional de Psicanálise, o mesmo em que Freud leu Mais além do Princípio do prazer, em 1920, e Algumas analogias entre o pensamento da criança, o do afásico e o pensamento subconsciente (1923) (SPIELREIN,2002a), que esboçam uma teoria psicanalítica da origem e do desenvolvimento da linguagem nas crianças e da formação do símbolo. Trabalhou com Jean Piaget no Instituto Rousseau, entre 1920-1923. Foi sua analista e ambos pertenceram à Sociedade Suíça de Psicanálise. Piaget leu seu trabalho O pensamento simbólico e o pensamento da criança no VII Congresso Internacional de Psicanálise, em 1922. Podemos afirmar o pioneirismo destas idéias e de um solo comum entre os dois na discussão das questões sobre a formação do pensamento e da linguagem. Sabina Spielrein, em suas pesquisas e seus escritos, participa das reflexões sobre a aquisição da linguagem e do pensamento pela criança e acaba pondo em contato as questões sobre a emergência da linguagem e do pensamento simbólico em Freud e Piaget. Ela teve um papel central na introdução à psicanálise a Jean Piaget e na apresentação da obra deste a Vigotsky. A verdade, que vem à tona da análise de seus três principais textos e de algumas observações feitas em seu diário e suas cartas é que Sabina Spielrein é uma teórica inovadora em psicanálise e uma pioneira em vários sentidos: primeira analista mulher de crianças, primeira a escrever sobre esquizofrenia usando este termo, primeira a escrever uma tese sobre psicanálise em uma universidade, primeira, junto com Stekel, a pensar e formular o componente destrutivo da pulsão e a presença de uma força além do princípio do prazer, que busca o desprazer Uma original teórica, pois, embora partindo sempre de imagens, pois para ela, o pensamento parte sempre de imagens, não fica nelas. Trabalha com argumentos, desenvolve raciocínios e avança hipóteses metapsicológicas.
The analysis of the documents found at early seventy years and named Spielrein Dossiê made emerge Sabina Spielrein by her diary, her letters and her writings. It enable us to affirm that she was the visionary and introducer of the concept of death drive in psychoanalysis. This happened with her 1911\'s essay \"Destruction as the cause of coming into being\", presented on november, at Wien Psychoanalitical Society. She was the second woman which filiated on it. The origin of the death drive concept in Sabina Spielrein is connected with Freud conceptual way and the cut between Freud and Jung. There is an historical sink that must be understood. Her others important writings were \"The origin of the child\'s words Papa and Mama\" (1922) (SPIELREIN,1981b) and \"Some analogies between the thought of the child, that of the afasic and subconscious thought\" (1923). (SPIELREIN,2002a) which design a psychoanalytic theory of the origin and the development of child language and the symbol formation. She worked with Jean Piaget, at the Rousseau Institute, between 1920-1923, she was his analyst and both belonged to Switzerland Psychoanalitical Society. Piaget red his work \"Symbolical thinking, child thinking\" at VII International Congress, in 1922. We can affirm the pioneer form of this ideas and a common ground for the discussion of this questions about thinking and language formation. She was the central person on psychoanalysis introduction to Piaget and to show his writings to Vigotsky. The truth is that she was a theoretical innovator and a forgotten pioneer in many senses. First child analyst, first to write esquizofrenia word in an essay, first to write a psychoanalytical universitary thesis, first to formulate the destructive component of the drive and the presence of a beyond pleasure force that seeks for displeasure. She formules meta psychological hypothesis through imagetical thinking in an original way.
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BREUILLARD, FOURNIER SABINE. "Pavel nikolaevič miljukov : de l'historien a l'homme politique : FORMATION D'UNE pensée POLITIQUE (1859-1905)." Paris 1, 1996. http://www.theses.fr/1996PA010690.

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L'ouvrage se definit comme un essai de biographie intellectuelle et politique de pavel nikolaevic miljukov (1859-1943) jusqu'en 1905. La these centrale pose l'unite du projet miljukovien : elle montre l'etroite interdependance entre sa conception du processus historique et son projet politique visant a introduire un regime constitutionnel en russie. L'introduction dresse l'etat present des etudes miljukoviennes et du liberalisme russe. Apres un portrait de miljukov, nous montrons comment sa vision scientifique de l'histoire (1e partie) justifie son ambition pour la russie (iie partie) ; et comment, l'une et l'autre, a la faveur de la conjoncture politique, le poussent sur le terrain de l'action (iiie partie). La these esquisse la naissance d'une vocation (ch. 1), presente l'historien en formation et en action (ch. 2), puis analyse sa conception de l'histoire russe (ch. 3). La deuxieme partie montre comment l'exil (ch. 4) et les annees d'errance (ch. 5) contribuent a fixer les cadres de sa pensee politique ; et comment celle-ci se trouve confortee et justifiee par une recherche sur l'histoire de l'opinion (ch. 6) et de l'idee liberale (ch. 7) en russie. La derniere partie etudie le role de miljukov dans le mouvement pour la liberation a la veille de 1905. C'est en europe que miljukov puise ses references constitutionnelles et liberales. C'est dans l'histoire de la russie qu'il recherche les preuves de la necessite d'adapter un tel regime a son pays. La conclusion pose en derniere analyse le probleme de l'echec du liberalisme en russie
This work is an attempt to write the intellectual and political biography of pavel nikolaevic miljukov (1859-1943) up to 1905. The central theory states the unity of miljukov's thought : it shows the close interdependence between his views on the historical process and his political plan to introduce an institutional system of government in russia. The introduction describes the current state of miljukovian studies and russian liberalism. After a portrait of miljukov, the author shows how his scientific vision of history (1st part) justifies his ambition for russia (2nd part), and how both prompt him to action owing to the political situation (3rd part). The birth of a vocation is outlined (chap. 1), the historian is presented in the budding and in action (chap. 2), then his views on russian history are analyzed (chap. 3). The second part shows the part exile(chap. 4) and the years of wanderings (chap. 5) play in setting the structures of a political thought, and how the latter is reinforced and justified by research in the history of public opinion(chap. 6) and the concept of liberalism (chap. 7) in russia. The last part studies miljukov's role in the movement for liberation just before 1905. It is from europe that miljukov draws his liberal and constitutional references. It is in the history of russia that he looks for criteria of adaptability of this system of government to his country. The conclusion finally brings up the problem of the failure of liberalism in russia
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20

Robinson, Liam. "Personality and the awareness of God in Zinaida Gippius's theory of androgyny." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31136.

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Zinaida Gippius's literary works are striking for the development of the theme of androgyny.
Chapter One examines the major Russian Symbolist intellectuals in their treatment of androgyny, which was animated by a desire to transfigure the world. Gippius's treatment of androgyny was at odds with the prevailing theory because it was not based on the defeminization of humanity.
Chapter Two addresses Gippius's reconstruction of Symbolist androgyny theory and explains the rejection of gender-based motivation in her metaphysical system by its orientation toward personality and an awareness of God.
Chapter Three shows how she used her poetry and prose to advance her belief that a perfect, androgynous love could reunite humanity with God. While Gippius's prose describes the search for this type of love, her poetry deals with it as a lyric experience.
The religious motivations of Gippius's redefinition of Symbolist androgyny indicate the need to re-evaluate the place of Orthodox Christianity in the evolution of Russian Symbolism.
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Brown, Barbara Ann. "The indissoluble bond between her and me : the symbolist poetics of Zinaida Nikolaevna Gippius and Collete Laure Lucienne Peignot /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061934.

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Thesis (Ph. D.)--University of Oregon, 2002.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 236-241). Also available for download via the World Wide Web; free to University of Oregon users.
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22

Nikolaev, Alexander [Verfasser]. "Determination of the η mass from the production threshold for the γp → pη reaction / Alexander Nikolaev. Mathematisch-Naturwissenschaftliche Fakultät." Bonn : Universitäts- und Landesbibliothek Bonn, 2012. http://d-nb.info/1019451874/34.

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23

Lämmle, Simon [Verfasser], Ali [Akademischer Betreuer] El-Armouche, and Viacheslav [Akademischer Betreuer] Nikolaev. "Die Rolle der Phosphodiesterase 2 im Herzen / Simon Lämmle. Gutachter: Ali El-Armouche ; Viacheslav Nikolaev. Betreuer: Ali El-Armouche." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1063154405/34.

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Baranova, Alina Nikolaevna [Verfasser], and Udo [Akademischer Betreuer] Schickhoff. "Grazing impacts on vegetation patterns in the Qilian Mountains, HeiHe River Basin, NW China / Alina Nikolaevna Baranova ; Betreuer: Udo Schickhoff." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1181947154/34.

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Edling, Elisabet. "Will the real Dolly please stand up : En narratologisk analys av Amanda Svenssons Hey Dolly." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15102.

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This essay is a study of the Swedish author Amanda Svensson’s novel Hey Dolly (2008). The aim of the study is to investigate the conflict that occurs in the storytelling because of the untruthful narrator Dolly. Using the terms story and discourse, from a method of narratology by Maria Nikolajeva, the purpose is to analyze how the narrator manipulates the reader’s comprehension of what is real and not in the text. The term story represents the reality while discourse embodies the fantasy world, and by separating the two from each other and then comparing them the conflict clarifies as well as the understanding of Dolly. The results of the analysis show that there are several differences between the story and the discourse which various situations illustrate. It also becomes clear that Dolly only focalizes herself and thereby manages to control the reader’s perspective of the told story. But in the dialogue with other persons in the text it reveals that she is not being truthful. The conclusion is that Dolly lives her dream life through the fantasy and that the discourse is a way to defend her against situations she finds too hard to handle.
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Fogdeby, Lisa. "Är en lättläst Pelle Svanslös lika snäll? –en komparativ studie baserad på Gösta Knutssons originalbok om Pelle Svanslös och dess lättlästa version." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-92500.

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Denna komparativa studie analyserar och jämför Gösta Knutssons originalbok Pelle Svanslöspå äventyr (1968) med dess lättlästa version Här kommer Pelle Svanslös (2001). Syftet medstudien är att undersöka om båda böckerna förmedlar samma budskap, detta genom attsynliggöra likheter och skillnader mellan karaktärer, miljö och händelser. Syftet är också attundersöka hur böckerna kan användas av lärare i skolans värdegrundsarbete. Studien utgårfrån en kvalitativ komparativ metod och den narratologiska teorin, genom att använda sig avMaria Nikolajevas redogörelser av historiens huvudkomponenter. Analysen visar på bådelikheter och skillnader mellan böckerna, där den främsta skillnaden är att händelserna somhuvudpersonen Pelle Svanslös är med om är olika efter det fjärde kapitlet i båda böckerna.Trots att historien till stora delar skiljer sig åt förmedlar båda böckerna ändå till största delsamma budskap om vänskap, snällhet, allas lika värde och avståndstagande från mobbning.Det innebär att lärare kan använda sig av antingen originalboken eller den lättlästa versionen iarbetet med skolans värdegrund.
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Fogdeby, Lisa. "Är en lättläst Pelle Svanslös lika snäll? –en komparativ studie baserad på Gösta Knutssons originalbok om Pelle Svanslös ochdess lättlästa version." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-92500.

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Denna komparativa studie analyserar och jämför Gösta Knutssons originalbok Pelle Svanslöspå äventyr (1968) med dess lättlästa version Här kommer Pelle Svanslös (2001). Syftet medstudien är att undersöka om båda böckerna förmedlar samma budskap, detta genom attsynliggöra likheter och skillnader mellan karaktärer, miljö och händelser. Syftet är också attundersöka hur böckerna kan användas av lärare i skolans värdegrundsarbete. Studien utgårfrån en kvalitativ komparativ metod och den narratologiska teorin, genom att använda sig avMaria Nikolajevas redogörelser av historiens huvudkomponenter. Analysen visar på bådelikheter och skillnader mellan böckerna, där den främsta skillnaden är att händelserna somhuvudpersonen Pelle Svanslös är med om är olika efter det fjärde kapitlet i båda böckerna.Trots att historien till stora delar skiljer sig åt förmedlar båda böckerna ändå till största delsamma budskap om vänskap, snällhet, allas lika värde och avståndstagande från mobbning.Det innebär att lärare kan använda sig av antingen originalboken eller den lättlästa versionen iarbetet med skolans värdegrund.
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Rolet, Serge. "Les récits de Leonid Andréïev (une poétique de l'angoisse)." Paris 4, 1995. http://www.theses.fr/1994PA040376.

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Dans les récits de l. Andreev, l'invariant thématique majeur est l'angoisse. La structure du récit s'écarte de celle de la nouvelle classique. Le modèle du monde de l'auteur est un refus du rationalisme : l'absolu est dans le mal
In l. Andrejev's short stories, the main constant theme is anguish. The structure of the narrative diverges from that of the classical short story. The writer's model world is a refusal of rationalism: the absolute lies in the nothingness
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Depretto, Catherine. "L'itinéraire scientifique de Jurij N. Tynjanov, 1919-1943." Paris 4, 1992. http://www.theses.fr/1992PA040207.

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La thèse se propose de retracer l'itinéraire scientifique de Jurij Tynjanov (1894-1943), le plus brillant des "formalistes russes" qui fut, à la fois, théoricien et historien de la littérature, critique et romancier, traducteur de Heine et spécialiste de cinéma. L'auteur cherche à reconstituer la formation de son système interprétatif et tente d'en dégager l'originalité, tant par rapport à l'Opojaz (1915-1930) que par rapport aux autres courants de la critique. Dans le même temps, le cheminement de Tynjanov est envisagé dans une perspective culturelle large qui dépasse le seul cadre de l'épisode formaliste et insiste sur tout ce qui le lie à la période de l’âge d'argent comme à l'expérience tragique des années trente
The purpose of this study is to trace the scientific evolution of Tynyanov (1894-1943), the most brilliant of the Russian formalists, who was simultaneously theoretician and historian of literature, critic and novelist, translator of h. Heine and specialist of cinema. The author tries to depict the making of his scientific system and to show the originality of his works amid the Opojaz group and the others trends of modern criticism. In the same time, Tynyanov's way is interpreted in a broader cultural perspective which goes far from the formalist episode and analyses the links of the scholar with the silver age and with the tragic experience of the thirties
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Pettersson, Erika. "Röda sörjor med gapande munnar : En undersökning om hur den döda kvinnan beskrivs i tre svenska deckare från 2000-talet." Thesis, Södertörns högskola, Litteraturvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-38230.

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This essay aims to examinate how the dead woman is described in three swedish crime fiction- novels. The novels included in my study is Stieg Larsson ́s Män som hatar kvinnor, Mons Kallentoft ́s Den femte årstiden and Lars Kepler ́s Stalker. The purpose of this study is to examine these questions: how is the dead woman described, how does the woman relate to prevailing norms in a sex-normative context, who is the dead woman based on socio-cultural identity and how can the killer ́s identity be understood in relation to the victim? Inspired by Judith Butler ́s performativity theory I assume a gender constructivist perspective, that gender is a social construction. I am also inspired of Maria Nikolajeva ́s gender role schedule, which shows what characteristics women are most often attributed in literature. I also add my own properties to the schedule. Thus, the result shows that the dead woman fulfills all conventional female standards. The dead woman is, based on the material, either an unwanted woman or an desired woman. The unwanted woman is subjected to sexual violence, something that the desired woman avoids. When the women are dead, they still meet conventional standards even though their bodies are completely destroyed by their perpetrators. The identity of the murderers can be understood from socio-cultural status and their motives.
Denna uppsats undersöker hur den döda kvinnan beskrivs i tre svenska deckare: Stieg Larssons Män som hatar kvinnor, Mons Kallentofts Den femte årstiden och Lars Keplers Stalker. Syftet med uppsatsen är att besvara dessa frågor: hur beskrivs den kvinna som ska dödas och som sedan dör, hur relaterar kvinnorna som ska dödas och sedan dör till rådande kvinnliga normer i en könsnormativ kontext, vem är den döda kvinnan och hur kan mördarens identitet förstås i relation till offret? För att besvara dessa frågor utgår jag från att kön är en social konstruktion och Judith Butlers performativitetsteori. Dessutom används Maria Nikolajevas könsrollsschema för hur kvinnor oftast skildras i litteratur. Resultatet visar att den döda kvinnan går att dela upp i två kategorier; den önskade kvinnan och den oönskade kvinnan. Båda kategorier av kvinnor relaterar till rådande kvinnliga normer. Den oönskade kvinnan har ingen plats i samhället, lever ensam och utsätts för sexuellt våld innan hon mördas. Den önskade kvinnan fyller en funktion i samhället, saknas av någon när hon dör och utsätts inte för sexuellt våld innan hon mördas. Den döda kvinnan uppfyller alla kvinnliga normer utifrån Nikolajevas schema, oavsett vilken kategori hon tillhör. Mördarnas identiteter går att förstå utifrån socioekonomisk status samt val av offer.
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Nachev, Vladislav Nikolaev [Verfasser], York [Akademischer Betreuer] Winter, Bernhard [Akademischer Betreuer] Ronnacher, and Sue [Akademischer Betreuer] Healy. "Cognition mediated floral evolution : pollinator decision making in a virtual pollination ecology paradigm / Vladislav Nikolaev Nachev. Gutachter: York Winter ; Bernhard Ronnacher ; Sue Healy." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2014. http://d-nb.info/1046386328/34.

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Kraft, Axel E. [Verfasser], and Nikolaev O. [Akademischer Betreuer] Viacheslav. "Phosphodiesterases 4B and 4D Differentially Regulate cAMP Signaling in Calcium Handling Microdomains of Adult Mouse Cardiomyocytes / Axel E. Kraft ; Betreuer: Nikolaev O. Viacheslav." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1186892293/34.

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Ullrich, Tim [Verfasser], Petrus S. [Akademischer Betreuer] Salonikidis, Diethelm [Akademischer Betreuer] Richter, and Viacheslav [Akademischer Betreuer] Nikolaev. "Influence of GPCR coexpression in neuronal cells on the convergence of signaling pathways / Tim Ullrich. Gutachter: Diethelm Richter ; Viacheslav Nikolaev. Betreuer: Petrus S. Salonikidis." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://d-nb.info/1044737069/34.

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Husberg, Susanne. "Rocka sockorna 365 dagar om året : En kvalitativ litteraturanalys om hur barn med funktionsnedsättning framställs i fyra olika bilderböcker riktade till barn i förskoleåldern." Thesis, Karlstads universitet, Institutionen för pedagogiska studier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66326.

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Syftet med denna kvalitativa litteraturanalys var att undersöka hur neuropsykiatrisk och intellektuell funktionsnedsättning skildras i fyra olika bilderböcker som är riktade till barn i förskoleåldern. Resultatet av analysen visar att tre av bilderböckerna skildrar både negativa och positiva aspekter av funktionsnedsättningen, med ett visst fokus på de positiva. I dessa tre bilderböcker kretsar även handlingen kring funktionsnedsättningen, som är det primära i berättelsen. I en av de fyra bilderböckerna skildras funktionsnedsättningen enbart på ett positivt sätt. I denna bilderbok kretsar dock handlingen kring något helt annat än själva funktionsnedsättningen, som inte är det primära i berättelsen. Analysen visar även att funktionsnedsättningen är mest tydlig i bilderböckernas text, och att bilderböckerna skiljer sig åt gällande estetisk utformning.
The purpose of this qualitative literature analysis was to examine how neuropsychiatric and intellectual disability is portrayed in four different picture-books aimed at children in pre-school age. The results of the analysis show that three of the picture-books portrays both positive and negative aspects of the disability, with a certain focus on the positive ones. In these three picture-books, the disability is also the primary in the story. One of the four picture-books only show the positive sides of the disability. However, in this picture-book the disability is not the primary in the story. The analysis also show that the disability is mostly noticeable in the text of the picture-books, and that the picture-books are different regarding their aesthetic design.
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Kaup, Julia-Patricia [Verfasser], Jürgen [Akademischer Betreuer] Brockmöller, and Viacheslav [Akademischer Betreuer] Nikolaev. "Bedeutung genetischer Polymorphismen im Beta-1-Adrenorezeptor für die Wirkungen von Metoprolol und Carvedilol / Julia-Patricia Kaup. Gutachter: Jürgen Brockmöller ; Viacheslav Nikolaev. Betreuer: Jürgen Brockmöller." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1058764241/34.

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Bastug-Özel, Zeynep [Verfasser], Viacheslav [Akademischer Betreuer] Nikolaev, Walter [Gutachter] Stühmer, and Blanche [Gutachter] Schwappach. "Real time cAMP dynamics in the vicinity of phospholemman in healthy and failing cardiomyocytes / Zeynep Bastug-Özel. Betreuer: Viacheslav Nikolaev. Gutachter: Walter Stühmer ; Blanche Schwappach." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1111883424/34.

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Sánchez, Sendín Elisa [Verfasser], Elisabeth [Akademischer Betreuer] Zeisberg, Susanne [Gutachter] Lutz, and Viacheslav [Gutachter] Nikolaev. "Crosstalk of macrophages and endothelial cells in endothelial-to-mesenchymal transition and cardiac fibrosis / Elisa Sánchez Sendín ; Gutachter: Susanne Lutz, Viacheslav Nikolaev ; Betreuer: Elisabeth Zeisberg." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1137380063/34.

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Bosnjak, Mathilda. "Kön, karaktär och berättare : En feministisk narratologisk undersökning av fyra Augustprisvinnande ungdomsromaner." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-34422.

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Bork, Nadja Irene [Verfasser], and Viacheslav O. [Akademischer Betreuer] Nikolaev. "Monitoring of real time cGMP dynamics in hypoxic injury and atrial fibrillation to better understand and treat cardiovascular disease / Nadja Irene Bork ; Betreuer: Viacheslav O. Nikolaev." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/121481185X/34.

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Bernardi, Beatrice. "Anna Karenina: Analisi comparativa di alcune traduzioni italiane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/21358/.

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L’obiettivo del presente saggio è quello di prendere in esame la ritraduzione di Anna Karenina a opera di Claudia Zonghetti, pubblicata nel 2016, e compararla a una selezione di traduzioni preesistenti. Nel primo capitolo si è cercato di comprendere lo stato dell'arte degli studi sulla ritraduzione, a partire dall'ultimo decennio del XX secolo fino ai contributi più recenti. Segue un breve capitolo di introduzione all'opera di Tolstoj e alla storia della sua pubblicazione in Italia. Il terzo e ultimo capitolo tratta dell'analisi del primo capitolo della prima parte del romanzo nelle traduzioni selezionate, con particolare riguardo per quella a opera di Leone Ginzburg.
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Götz, Konrad [Verfasser], Viacheslav [Akademischer Betreuer] Nikolaev, Michael P. [Akademischer Betreuer] Schön, and Peter [Akademischer Betreuer] Rehling. "Real time visualization of cGMP and cAMP dynamics in intact adult cardiomyocytes using new transgenic mice / Konrad Götz. Gutachter: Michael P. Schön ; Peter Rehling. Betreuer: Viacheslav Nikolaev." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2015. http://d-nb.info/1065882440/34.

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Li, Wener [Verfasser], Kaomei [Akademischer Betreuer] Guan-Schmidt, Swen [Gutachter] Hülsmann, and Viacheslav [Gutachter] Nikolaev. "Functional analysis of ryanodine receptor 2 mutations in induced pluripotent stem cell-derived cardiomyocytes from CPVT patients / Wener Li ; Gutachter: Swen Hülsmann, Viacheslav Nikolaev ; Betreuer: Kaomei Guan-Schmidt." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1128902737/34.

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Watts, Robin. "The Secret World of Harry Potter : The Literary Laws of Fantasy Applied to the Novels by J. K. Rowling." Thesis, Södertörn University College, School of Gender, Culture and History, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1074.

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My intentions with this essay has been to examine the World in which the story of J. K. Rowlings Harry Potter takes place, the structure, narrative and restrictions, in order to place the suite of novels in the tradition of the Fantasy genre. Since the release of the first book Harry Potter has become a household name, possibly more than any other contemporary literature written for children. Various readings concerning gender, etymological, linguistic aspects and so forth have been done, and in most cases the books are placed in the genre of Fantasy without distinguishing what in fact makes the novels Fantasy. I wanted to see which specific sectors of the books that place them in the genre, and, assuming that it would in fact fit into the Fantasy genre, in which ways it diverges from the tradition of the genre in means of the structure of the world/s of the story. I also looked at the faults in the logic within the novels to see if the inconsistencies in the rules of the world have an impact on the agency of the story.

I found the novels to be a part of the fantasy tradition, not only by having many intertextual relations and similar features to other fantasy-novels but also in the fundament of the story, its basic conditions such as the supernatural elements and the hidden places in the world of the books. The minor inconstancies that I found where to small to disrupt the narrative, and the fact that some of the aspects of the books drift slightly away from the logic of the world within the story have reasonable explanations such as making the story easier to relate to.

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Singh, Simranjit [Verfasser], Susanne [Akademischer Betreuer] Lutz, Dörthe [Gutachter] Katschinski, Viacheslav [Gutachter] Nikolaev, and Blanche [Gutachter] Schwappach. "Redox regulation of protein phosphatase-1 and ER stress regulation of connective tissue growth factor in cardiomyocytes / Simranjit Singh ; Gutachter: Dörthe Katschinski, Viacheslav Nikolaev, Blanche Schwappach ; Betreuer: Susanne Lutz." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1136131604/34.

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45

Lenglet, Benjamin. "Néoromantisme(s) et esthétique de la postmodernité : La recréation cinématographique d’œuvres littéraires romantiques par Wenders, Gray, Sokourov, Coppola et Verheyde." Rouen, 2016. http://www.theses.fr/2016ROUEL024.

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Wim Wenders, avec Faux Mouvement, James Gray, avec Two Lovers, Alexandre Sokourov, avec Faust, Francis Ford Coppola, avec Twixt, et Sylvie Verheyde, avec Confession d’un enfant du siècle, ont accordé une place singulière au matériau romantique. Par la pratique de l’adaptation, ces cinq cinéastes ont engagé un dialogue entre deux mouvements esthétiques, le romantisme et l’esthétique postmoderne. À travers cette rencontre, ils ont questionné une esthétique de la surface à l’aune d’une esthétique de l’intériorité, ils ont mobilisé des caractères romantiques qu’ils ont confrontés à des contextes historique et esthétique singuliers. Ces expressions néoromantiques, bien que prenant forme dans des espaces géographiques différents, ont en partage des traits, mettant en lumière un néoromantisme cinématographique. Enfin, le traitement, parfois très libre, du matériau littéraire originel questionne la notion d’adaptation cinématographique. De par les multiples sources mobilisées et la lecture du cinéaste toujours personnelle, les notions d’adaptation et de fidélité s’effacent au profit de celle de « recréation »
Wim Wenders, with “Wrong Move”, James Gray, with “Two Lovers”, Alexander Sokurov, with “Faust”, Francis Ford Coppola, with “Twixt”, and Sylvie Verheyde, with “Confession of a Child of the Century”, have given a unique place to the romantic material. Through the practice of the film adaptation, these five filmmakers have engaged a dialogue between two aesthetic movements, romanticism and the postmodern aesthetic. Through this encounter, they have questioned an aesthetic of the surface in terms of an aesthetic of interiority, and they have mobilized romantic characters confronted to historical and aesthetical singular contexts. Even though these neoromantic expressions are formed into various geographic areas, they share lines, highlighting a cinematographic neoromanticism. Lastly, the treatment, sometimes very open, of the original literary material questions the concept of film adaptation. By the multiple sources mobilized and the necessarily individual filmmaker’s interpretation, the concepts of adaptation and fidelity fade in favor of the concept of “recreation”
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Hübscher, Daniela Verfasser], Kaomei [Akademischer Betreuer] Guan-Schmidt, Jürgen [Akademischer Betreuer] [Wienands, Nils [Akademischer Betreuer] Brose, Viacheslav [Akademischer Betreuer] Nikolaev, Martin [Akademischer Betreuer] Oppermann, Lutz [Akademischer Betreuer] Walter, and Michael [Akademischer Betreuer] Zeisberg. "Myokardinfarktregeneration unter Verwendung kardiovaskulärer Vorläuferzellen aus murinen und humanen pluripotenten Stammzellen / Daniela Hübscher. Gutachter: Jürgen Wienands ; Nils Brose ; Viacheslav Nikolaev ; Martin Oppermann ; Lutz Walter ; Michael Zeisberg. Betreuer: Kaomei Guan-Schmidt." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://d-nb.info/1044249390/34.

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Bikkenin, Oskar. "Nikolai Tscherepnins Svat [Der Heiratsvermittler]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-221319.

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Unter den Genres des russischen Musiktheaters hat die komische Oper die längste Tradition. Entstanden in den siebziger Jahren des 18. Jahrhunderts, blieb sie bis ins erste Drittel des 19. Jahrhunderts hinein die einzige professionelle musiktheatralische Gattung. Nationale Genrekennzeichen sind das Lyrische, das Phantastische und das Satirische sowie die Vermischung dieser Züge, wie man sie beispielsweise in der Mainacht von Rimski-Korsakow, in Wakula der Schmied von Tschaikowsky und in der Hochzeit von Mussorgski findet, um nur einige herausragende Beispiele des 19. Jahrhunderts zu nennen. Diese genrespezifischen Eigenschaften wurden im 20. Jahrhundert größtenteils beibehalten. Neben den bekannten Werken Igor Strawinskys, Sergei Prokofjews und Dmitri Schostakowitschs stellen die Opern Nikolai Tscherepnins in der ersten Jahrhunderthälfte einen interessanten Sonderweg dar.
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Aydin, Mehmet. "Saint Augustin et Léon Tolstoi͏̈ : confesser en philosophant ?" Paris 8, 2003. http://www.theses.fr/2003PA082331.

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Romancier, conteur, essayiste, pédagogue, prédicateur, penseur politique et religieux, sociologue, philosophe, Tolstoi͏̈ est une des figures les plus marquantes de la littérature russe et mondiale. Le message universel de son œuvre se présente sous des facettes multiples. Nous avons étudié Tolstoi͏̈ du point de vue philosophique. Notre propos n'est donc ni littéraire, ni artistique, ni même à proprement parler religieux. C'est à la frontière de toutes ses disciplines que la philosophie entendue comme exercice nous permettra de circuler afin de mettre en évidence l'aspect vivant de cet exercice, tel qu'il est pratiqué aussi par Tolstoi͏̈. Le style confessionnel apparaît dans ce cadre comme la clef de l'originalité de l'œuvre tolstoi͏̈enne. La confession dans ses relations contradictoires avec la philosophie identifierait l'Occident. Par delà l'abîme historique qui sépare les deux penseurs, Saint-Augustin est un passage obligé pour comprendre la démarche tolstoi͏̈enne. Tolstoi͏̈ emprunte le genre confessionnel issu d'Augustin
Tolstoy described his mental anguish and spiritual suffering in his search for the meaning of life in A Confession. He searched for an answer in the writings of theologians, philosophers an scientists but found little to help him there. Finally the peasants gave him the answer he was searching for. Tolstoy's inner conflicts are often unresolved, sometimes even cousing tragic consequences. He perceived reality in its multiplicity, as a collection of separate entities round and into which he saw with a clarity and penetration scarcely ever equalled, but he believed only in on vast, unitary whole. Tolstoy attempted, though without complet complete success, to make his own actions conform to his new beliefs. Tolstoy's philosophy of history has, on the whole, not obtained the attention which it deserves, whether as an intrinsically interesting view or as an occurrence in the history of ideas, or aven as an element in the development of Tolstoy himself
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Johnston, Alexander [Verfasser], Stephan E. [Akademischer Betreuer] Lehnart, Philip [Gutachter] Eaton, and Viacheslav O. [Gutachter] Nikolaev. "Examining the interplay between oxidative and β-adrenergic regulation of PKARIα and its impact on the mitochondrial fission protein DRP1 / Alexander Johnston ; Gutachter: Philip Eaton, Viacheslav O. Nikolaev ; Betreuer: Stephan E. Lehnart." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1136471316/34.

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Viglino, Patricia. "Vladimir Voi͏̈novitch, 1961-1986 : naissance d'un écrivain en quête d'un espace littéraire." Paris 8, 2003. http://www.theses.fr/2003PA082354.

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Après une entrée remarquée dans le paysage littéraire soviétique du début des années 60, Vladimir Voi͏̈novitch s'est forgé, dans La vie et les aventures singulières du soldat Ivan Tchonkine, une notoriété d'écrivain satirique, complétée d'une image d'ardent polémiste acquise après la publication de Moscou 2042. Suivant la démarche de la sociologie des textes, une réflexion est menée afin d'amender cette réception partiale et partielle par la définition de la position de l'écrivain dans le champ culturel de 1961 à 1986 ainsi que par l'examen des stratégies adoptées par l'écrivain dans son projet littéraire fondé sur l'application différenciée des schèmes de l'humour et de l'ironie, et orienté vers la recherche d'un espace littéraire autonome
After marking an outstanding entry into the soviet literary landscape at the beginning of the sixties with Soldier Ivan Chonkin's life and singular adventures, Vladimir VOINOVICH became a notable satirical writer. After publishing Moscow 2042 he acquired the additional reputation of a brilliant polemicist. By following the approach of the sociology of literature this study has been carried out to amend this biased and partial vision through the definition of the author's position in the cultural and literary fields from 1961 to 1986. The analysis of the writing strategies applied by the author to his literary project will emphasise the differential application of the humour and irony schemes oriented toward the research of an autonomous literary space
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