Academic literature on the topic 'Night Prince series'
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Journal articles on the topic "Night Prince series"
Mosler, V. L. "Night Vision Aid Option: Streamlights." Journal of Visual Impairment & Blindness 80, no. 10 (December 1986): 1005–6. http://dx.doi.org/10.1177/0145482x8608001010.
Full textLv, Haotian, Yujie Mou, and Jiasheng Li. "Gold or Bitcoins based on ARIMA." BCP Business & Management 23 (August 4, 2022): 271–76. http://dx.doi.org/10.54691/bcpbm.v23i.1361.
Full textHoshing, Vaidehi, Ashish Vora, Tridib Saha, Xing Jin, Orkan Kurtulus, Nachiket Vatkar, Gregory Shaver, Oleg Wasynczuk, R. Edwin García, and Subbarao Varigonda. "Evaluating emissions and sensitivity of economic gains for series plug-in hybrid electric vehicle powertrains for transit bus applications." Proceedings of the Institution of Mechanical Engineers, Part D: Journal of Automobile Engineering 234, no. 14 (July 24, 2020): 3272–87. http://dx.doi.org/10.1177/0954407020937522.
Full textRowland, Neil E., Dulce M. Minaya, Melissa R. Cervantez, Vanessa Minervini, and Kimberly L. Robertson. "Differences in temporal aspects of food acquisition between rats and two strains of mice in a closed operant economy." American Journal of Physiology-Regulatory, Integrative and Comparative Physiology 309, no. 2 (July 15, 2015): R93—R108. http://dx.doi.org/10.1152/ajpregu.00085.2015.
Full textKim, Youngtae, and Muzaffer Uysal. "Time-Dependent Analysis for International Hotel Demand in Seoul." Tourism Economics 4, no. 3 (September 1998): 253–63. http://dx.doi.org/10.1177/135481669800400304.
Full textDiao, Xundi, Hongyang Qiu, and Bin Tong. "Does a unique “T+1 trading rule” in China incur return difference between daytime and overnight periods?" China Finance Review International 8, no. 1 (February 19, 2018): 2–20. http://dx.doi.org/10.1108/cfri-12-2016-0130.
Full textSlahanti, Masine, Sulistyorini Sulistyorini, and Nining Hidayah. "STRATEGI PEMASARAN SEBELUM DAN SETELAH PANDEMI COVID-19 (STUDI KASUS DI PRODUSEN WINGKO BABAT PADANGSARI)." Solusi 20, no. 1 (March 31, 2022): 1. http://dx.doi.org/10.26623/slsi.v20i1.4348.
Full textChiacchio, Ferdinando, Fabio Famoso, Diego D’Urso, and Luca Cedola. "Performance and Economic Assessment of a Grid-Connected Photovoltaic Power Plant with a Storage System: A Comparison between the North and the South of Italy." Energies 12, no. 12 (June 19, 2019): 2356. http://dx.doi.org/10.3390/en12122356.
Full textGlendenning, Frank. "ELDER ABUSE." Ageing and Society 18, no. 4 (July 1998): 495–98. http://dx.doi.org/10.1017/s0144686x98007028.
Full textRasul, Gzng Hassan, and Mohammad Dler Ameen. "Personality in Jan Dost's Historical Novels ( The Price’s Message, Three Steps and a Gallows) as Examples." Halabja University Journal 6, no. 4 (December 30, 2021): 14–30. http://dx.doi.org/10.32410/huj-10395.
Full textBooks on the topic "Night Prince series"
Once Burned: Night Huntress Universe - 14, Night Prince - 1. Avon books, 2012.
Find full textInto the Fire: Night Huntress Universe - 19, Night Prince - 4. Avon Books, 2017.
Find full textOnce Burned: Night Huntress Universe - 14, Night Prince - 1. New York: Avon Books, 2012.
Find full textTwice Tempted: Night Huntress Universe - 15, Night Prince - 2. New York: Avon Books, 2013.
Find full textBound by Flames: Night Huntress Universe - 17, Night Prince - 3. Avon, 2015.
Find full textLa Mort dans l'Âme: Le Prince des Ténèbres, tome 1. Bragelonne, 2012.
Find full textOne Night with a Prince (The Royal Brotherhood Series, Book 2). Pocket Star Books, 2005.
Find full textGood Night, Sweet Prince: The Life and Times of John Barrymore (Lively Arts Series). 2nd ed. Mercury House, 1989.
Find full textFaye, Rebecca L., and Madison Zanetti. Erotic Stories of the Widow Witch - Story 10 Love Before the New Dawn: Explicit Sex and Romance Erotica in Mystery Series of Short Stories for Women - Her First Romantic Night with Royal Prince. Independently Published, 2018.
Find full textGood Night, Sleep Tight (Fisher-Price Little People Series). Marvel Entertainment Group, 1987.
Find full textBook chapters on the topic "Night Prince series"
Grünewald, Dietrich. "»Jeder wehrt sich gegen die Zeit«:." In Alter(n)skulturen, 195–216. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459928-010.
Full textNayak, Sarat Chandra, Subhranginee Das, and Bijan Bihari Misra. "Development and Performance Analysis of Fireworks Algorithm-Trained Artificial Neural Network (FWANN)." In Research Anthology on Artificial Neural Network Applications, 146–65. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-2408-7.ch007.
Full textNayak, Sarat Chandra, Subhranginee Das, and Bijan Bihari Misra. "Development and Performance Analysis of Fireworks Algorithm-Trained Artificial Neural Network (FWANN)." In Handbook of Research on Fireworks Algorithms and Swarm Intelligence, 176–94. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1659-1.ch008.
Full textRoe, Nicholas. "William Wordsworth." In Literature of the Romantic Period, 45–64. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711209.003.0003.
Full textBurlingame, Jon. "“You are there”Documentaries, News, and Information Programming." In Music for Prime Time, 282—C8.P127. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190618308.003.0009.
Full textRadcliffe, Philip. "1834–7." In Mendelssohn, 27–34. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164937.003.0004.
Full textMcLaughlin, Don James. "An Idle Criticism." In The Oxford Handbook of Walt Whitman, 445–63. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780192894847.013.20.
Full text"Max Ramsay is the cardboard cutout Ozzie clod who warns his son, Shane, against dating Daphne because she works as a stag-night stripper. His main fear seems to be the effect the newly arrived Daphne might have on the price of his property. (Smurthwaite 1986) As Grahame Griffin notes, “the closing credit sequence . . . is a series of static shots of suburban houses singled out for display in a manner reminiscent of real estate advertisements” (Griffin 1991: 175). Small business abounds in Neighbours: a bar, a boutique, an engineering company, with no corporate sector and no public servants or bureaucrats apart from a headmistress. 10 Writing skills must be acknowledged. It is very hard to make the mundane interesting, and indeed to score multiple short plot lines across a small number of characters (twelve to fifteen), as is appropriate to representing the local, the everyday, the suburban. As Moira Petty remarks, Neighbours is successful because “it’s very simple. The characters are two dimensional and the plots come thick and fast. The storylines don’t last long, so if you don’t like one, another will come along in a few days” (quoted by Harris 1988). These ten textual reasons doubtless contribute, differentially across different export markets, to Neighbours’s success in many countries of the world. Its wholesome neighborliness, its cosy everyday ethos would appear to be eminently exportable. However, lest it be imagined that Neighbours has universal popularity or even comprehensibility, there remain some 150 countries to which it has not been exported, and many in which its notions of kinship systems, gender relations, and cultural spaces would appear most odd. The non-universality of western kinship relations, for example, is clearly evidenced in Elihu Katz and Tamar Liebes’s comparison of Israeli and Arab readings of Dallas (Katz and Leibes 1986). And, indeed, there are two familiar territories to be considered later – the USA and France – in which it has been screened and failed. Significantly, the countries screening Neighbours are mostly anglophone and well familiar with British, if not also with Australian soaps. But why does Neighbours appeal so forcibly in the UK? In the UK market, I suggest, five institutional and cultural preconditions enabled Neighbours’s phenomenal success. Some of these considerations are, of course, the sine qua non of Neighbours even being seen on UK television. The first precondition was its price, reportedly A$54,000 per show for two screenings; with EastEnders costing A$80,000 per episode, Neighbours was well worth a gamble (Kingsley 1989: 241). Scheduling, too, was vital to Neighbours’s success. This has two dimensions. Neighbours was the first program on UK television ever to be stripped over five weekdays (Patterson 1992). BBC Daytime Television, taking off under Roger Loughton in 1986, while Michael Grade was Programme Controller, was so bold in this as to incur the chagrin of commercial." In To Be Continued..., 112. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-14.
Full textConference papers on the topic "Night Prince series"
Orecchini, Fabio, Federico Villatico Campbell, and Adriano Alessandrini. "The HOST Vehicle Concept: Human Oriented Sustainable Transport." In ASME 2005 3rd International Conference on Fuel Cell Science, Engineering and Technology. ASMEDC, 2005. http://dx.doi.org/10.1115/fuelcell2005-74072.
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