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Books on the topic 'Nigerian films'

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1

Ekwuazi, Hyginus. Film in Nigeria. 2nd ed. Jos, Nigeria: Nigerian Film Corp., 1991.

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2

Ekwuazi, Hyginus. Film in Nigeria. Bodija, Ibadan [Nigeria]: Moonlight Publishers, 1987.

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3

Adeiza, Mohammed Shamoosideen. The cradle of film: Landmarks of the Nigerian Film Corporation. [Jos, Nigeria]: NFC, 1994.

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4

Board, Nigeria National Film and Video Censors. Film and video directory in Nigeria. Abuja, Nigeria: National Film and Video Censors Board, 2002.

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5

Mgbejume, Onyero. Film in Nigeria: Development, problems, and promise. [Nairobi, Kenya]: African Council on Communication Education, 1989.

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6

Gidado, Maxwell Michael. Petroleum development contracts with multinational oil firms: The Nigerian experience. Maiduguri: Ed-Linform Services, 1999.

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7

Emergence, growth and challenges of films and home videos in Nigeria. Bowie, Maryland, U.S.A: African Renaissance Books, 2009.

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8

NISER Annual Monitoring Research Programme., ed. Nigeria's technological capacity in the food and beverages industry, 2003: A pilot study of firms in South Western Nigeria. Ibadan: NAMRP, 2005.

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9

Omatsola, Daniel. Televisual film production in Nigeria: A critical source book. Benin City: Abotu Research Publishers, 1998., 1998.

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10

Dzever, Samuel. An appraisal of the role of foreign firms in the Nigerian tin industry. Linköping: Linköping University, Department of Management and Development, 1987.

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11

Zakaria, Yakubu. The cultural context of business: A study of firms in northern Nigerian society. Uppsala: [Uppsala University], 1997.

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12

Consortium, African Economic Research, ed. Investment in technology and export potential of firms in South-West Nigeria. Nairobi, Kenya: African Economic Research Consortium, 2011.

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13

Technology and institutions for private small and medium firms: The engineering industry in Nigeria. Nairobi: African Technology Policy Studies Network, 2000.

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14

Technological response to telecommunications development: A study of firms and institutions in Nigeria. Nairobi, Kenya: African Technology Policy Studies Network, 2001.

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15

Neiland, Arthur E. The development of a fisheries information monitoring system (FIMS) for north east Nigeria. Portsmouth: University of Portsmouth, Centre for the Economics and Management of Aquatic Resources, 1997.

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16

Shehu, Brendan. Towards a sustainable film industry in Nigeria: Selected speeches & papers of Brendan S. Shehu. Jos, Plateau State, Nigeria: Nigerian Film Corp., 1996.

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17

Oruwari, Yomi. Acquisition of technological capability in Africa: A case study of indigenous building materials firms in Nigeria. Nairobi, Kenya: African Technology Policy Studies Network, 2002.

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18

Anaere, Charles Ikechukwu. Equity financing of firms: A study of the underpricing of new issues of common stock in Nigeria. Aachen: Shaker, 1998.

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19

Inanga, Eno L. History of Akintola Williams & Co., 1952-1992: [a case study of the growth and development of the first indigenous firm of chartered accountants in Nigeria]. Lagos: West African Book Publishers, 1992.

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20

LaPin, Deirdre. Sons of the moon: The Ngas of Central Nigeria : a study guide to the film 'Sons of the moon'. Philadelphia: Institute for the Study of Human Issues, 1994.

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21

Nigerian video films. Jos: Nigerian Film Corp., 1997.

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22

Jonathan, Haynes, ed. Nigerian video films. Athens: Ohio University Center for International Studies, 2000.

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23

Haynes, Jonathan. Nigerian Video Films: Revised Edition (Ohio RIS Africa Series). Ohio University Press, 2000.

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24

Campbell, John, and Matthew T. Page. Nigeria. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780190657970.001.0001.

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As the “Giant of Africa,” Nigeria is home to about twenty percent of the population of Sub-Saharan Africa, serves as Africa’s largest producer of oil and natural gas, comprises Africa’s largest economy, and represents the cultural center of African literature, film, and music. Yet it is plagued by problems that keep it from realizing its potential as a world power. Boko Haram, a radical, Islamist insurrection centered in the northeast of the country, is a pervasive security challenge, as is the continuous restiveness in the Niger Delta, the heartland of Nigeria’s petroleum wealth. The former seeks to destroy the secular Nigerian state; the latter reflects the popular sentiment in the region that the Nigerian people are entitled to a greater share of the wealth it produces. There is also persistent violence associated with land and water use, ethnicity, and religion. In Nigeria: What Everyone Needs to Know, John Campbell and Matthew Page provide a rich contemporary overview of this crucial African country. Delving into Nigeria’s recent history, politics, and culture, this volume tackles essential questions related to widening inequality stemming from Nigeria’s oil wealth, its historic 2015 presidential election, the persistent security threat of Boko Haram, rampant government corruption, human rights concerns, and the continual conflicts that arise in a country that is roughly half Christian and half Muslim. With its continent-wide influence in a host of areas, Nigeria’s success as a democracy is in the fundamental interest of its African neighbors, the United States, and the international community. This book will provide interested readers with an accessible, one-of-a-kind overview of this significant country.
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25

Ian, Graham. Nigeria (Country Files). Franklin Watts Ltd, 2004.

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26

Film in Nigeria. Africa World Press, 2019.

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27

Percy, Carol. Researching World Englishes in HEL Courses. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190611040.003.0021.

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This chapter describes assignments used to teach the History of the English Language (HEL) and its contemporary counterpart the English Language in the World. In both of these courses, linguistic concepts can be linked to literary analysis, which helps students learn how to analyze code-switching and/or style-shifting in the context of a literary argument. For discovering and interpreting issues about the status and use of English around the world, students have a number of options. For example, after reading specific articles about slang generally and analyzing examples chosen in class, some students choose to write a final essay on slang or jargon used within online newspapers or films that represent different World Englishes (e.g., in Nigerian “Nollywood” films). Thus, World Englishes become realer for students rather than exotic abstractions or curious variants of English or American English.
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28

Film policy for Nigeria. [Nigeria: National Council on Information?, 1992.

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29

Haynes, Jonathan. Nollywood: The Creation of Nigerian Film Genres. University of Chicago Press, 2016.

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30

Nollywood: The Creation of Nigerian Film Genres. University of Chicago Press, 2016.

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31

Omovbude, Odia. Mr. Producer and the Business of Nigerian Film Making. Independently Published, 2020.

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32

Hyginus, Ekwuazi, and Nasidi Yakubu Abdullahi, eds. Operative principles of the film industry: Towards a film policy for Nigeria. Jos: Nigerian Film Corporation, 1992.

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33

Low, Sui Pheng, and Yomi Babatunde. Cross-Cultural Management and Quality Performance: Chinese Construction Firms in Nigeria. Springer, 2015.

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34

Rouch, Jean. Eight films by Jean Rouch. 2017.

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