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Journal articles on the topic 'Nicolò'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Demiraj, Bardhyl. "Fjalori i Frang Bardhit në trashëgiminë në dorëshkrim të Nikollë Ketës." Studime Filologjike, no. 1-2 (December 26, 2023): 55–72. http://dx.doi.org/10.62006/sf.v1i1-2.3200.

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Nxitjen për këtë punim e përjetuam gjatë rileximit të një pjese të trashëgimisë postume të eruditit siculo-arbëresh Nikollë Keta (= Niccolò Chetta 1741-1803) që është rrokur si e tillë në librin Nicolò Chetta. Testi letterari in albanese (Caltanissetta 2004), i përgatitur si botim kritik prej Matteo Mandalà. Ky botim nuk është sigurisht as i pari dhe as i fundit për filologun pianiot, i cili njihet ndërkohë si njohësi më i kompletuar i trashëgimisë siculo-arbëreshe në kulturën e shkrimit shqip; të asaj në dorëshkrim të Nikollë Ketës po se po.

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2

Viganò, Francesco. "Saluto a Nicolò Zanon." Milan Law Review 4, no. 2 (January 17, 2024): 1–10. http://dx.doi.org/10.54103/milanlawreview/22181.

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3

Tedeschi, Mario. "Nicolò dei Tedeschi in Spagna." Revista Española de Derecho Canónico 52, no. 139 (January 1, 1995): 499–518. http://dx.doi.org/10.36576/summa.5877.

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4

De Silvis, Valeria. "AVERTIMENTI SOPRA LE REGOLE TOSCANE DI NICOLÒ TANI: TRADIZIONE E GRAMMATICOGRAFIA." Italiano LinguaDue 15, no. 1 (June 26, 2023): 885–914. http://dx.doi.org/10.54103/2037-3597/20442.

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Il presente contributo si propone di fornire un inquadramento storico e grammaticografico degli Avertimenti sopra le regole Toscane di Nicolò Tani, al fine di individuare, oltre ai tratti conformi alla tradizione delle grammatiche del primo Cinquecento, le peculiarità, le originalità e le innovazioni dell’opera. Per la prima volta questa grammatica viene analizzata in maniera organica sia nel suo insieme, sia nelle sue parti. Partendo, infatti, dalle limitate informazioni biografiche di Nicolò Tani, si passa all’analisi della tradizione testuale dell’opera, agli intenti dell’autore e alla dedica da costui redatta proponendo un prospetto completo della grammatica. Nell’analizzare nello specifico gli aspetti linguistici, ci si sofferma sulle parti del discorso, sulla morfologia verbale e sull’aderenza alla terminologia propria della grammatica latina, operando un costante confronto con le soluzioni adottate dai grammatici coevi all’autore, per meglio evidenziare gli elementi di continuità e le innovazioni proposte da Tani. Il raffronto con le altre opere è portato avanti anche inerentemente alle considerazioni sulle citazioni autoriali. Circa queste ultime, è stato effettuato uno spoglio, identificando all’interno della grammatica i passi tratti dal canone letterario, i quali sono poi schedati al fine di determinare quante siano le citazioni per ogni opera, da quali componimenti o prose è stato tratto il maggior numero di esemplificazioni e le modalità attraverso le quali Nicolò Tani cita gli autori. Nicolò Tani’s “Avertimenti sopra le regole toscane”: tradition and grammarography This contribution aims to provide a historical and grammatical overview of Nicolò Tani's Avertimenti sopra le regole Toscane, in order to identify, in addition to the features conforming to the tradition of early sixteenth-century grammars, the peculiarities, originalities and innovations of the work. For the first time this grammar is analyzed organically both as a whole and in its parts. Starting, in fact, from the limited biographical information of Nicolò Tani, we move on to the analysis of the textual tradition of the work, to the author's intentions, to the dedication he drafted by proposing a complete overview of the grammar. In specifically analyzing the linguistic aspects, we focus on the parts of speech, verbal morphology and adherence to the terminology of Latin grammar, making a constant comparison with the solutions adopted by grammarians coeval with the author, in order to highlight the elements of continuity and the innovations proposed by Tani. The comparison with the other works is also carried out with regard to considerations on authorial quotations. Concerning the latter, a perusal has been carried out, identifying within the grammar the passages taken from the literary canon, which are then filed in order to determine how many quotations there are for each work, from which compositions or proses the greatest number of exemplifications have been taken, and the ways through which Nicolò Tani quotes authors.

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5

Cirrincione, Girolamo. "A Tribute to Prof. Nicolò Vivona." Arkivoc 2009, no. 8 (July 29, 2008): 1–4. http://dx.doi.org/10.3998/ark.5550190.0010.801.

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6

Tedeschi, Mario. "Nicolò dei Tedeschi al Concilio di Basilea." Revista Española de Derecho Canónico 53, no. 141 (January 1, 1996): 453–63. http://dx.doi.org/10.36576/summa.5909.

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7

Lelong, Chloé. "I Carri di Nîmes , Nicolò Pasero (dir.)." Cahiers de civilisation médiévale 265, no. 4 (March 1, 2024): 277. http://dx.doi.org/10.3917/ccm.265.0277.

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8

Dinarés Cabrerizo, Oriol. "La Carmina del Pseudo-Eugenio de Toledo. ¿Un Speculum visigodo?" Helmántica 69, no. 202 (January 1, 2018): 31–70. http://dx.doi.org/10.36576/summa.99025.

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En 1984, bajo la guía de Manuel Cecilio Díaz y Díaz, Nicolò En el presente estudio nos ocuparemos de algunos carmina de la llamada Appendix Eugeniana, reeditados en 1984 por Nicolò Messina, bajo el título Pseudo-Eugenio di Toledo. Speculum per un nobile visigoto. La reedición suscitó una nueva interpretación de los textos y reanudó su debate, objeto ya de antiguas discusiones: estos poemas fueron considerados por su editor como un speculum principis en uso durante el reino de Toledo, aunque la cronología de estos escritos está lejos de ser segura. Se analizará su tradición manuscrita y diversas cuestiones de contenido a fin de corroborar o desmentir las propuestas de Messina y determinar si estamos ante una fuente útil para el conocimiento de la ideología aristocrática visigoda o ante un escrito posterior.

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9

Salák, Pavel. "Mariano San Nicolò a Otakar Sommer pohledem (nejen) jejich korespondence." PRÁVNĚHISTORICKÉ STUDIE 53, no. 1 (July 25, 2023): 69–81. http://dx.doi.org/10.14712/2464689x.2023.6.

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The text is based on the correspondence preserved in the estates of prof. Otakar Sommer and prof. Miroslav Boháček stored in the Archives of the Czech Academy of Sciences (Prague). Based on these letters, it turns out that the traditional views on non-communication between professors at Charles University and the German University in Prague are not entirely true. There were professional and collegial contacts between the Czech and German Romanists, which in the case of O. Sommer and prof. Mariano San Nicolò also turned out to friendship, even between their families. Letters written by M. San Nicolò also partially show the background of his departure from Prague and his pedagogical work in Munich. The aim of the article is to point out the fact that correspondence between the academics of that time is an important source of knowledge about the scientific community of interwar Czechoslovakia.

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10

Beretta, Andrea. "Nuove ricerche sull’Attila Flagellum Dei di Nicolò da Càsola." Zeitschrift für romanische Philologie 137, no. 1 (March 1, 2021): 252–86. http://dx.doi.org/10.1515/zrp-2021-0008.

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Abstract My article focuses on the Franco-Italian poem Attila Flagellum Dei, composed by Nicolò da Càsola, an Italian notary, in the second half of the XIV century for the Estensi in Ferrara, in order to celebrate the heroic origins of the family: actually, it is the first encomiastic poem dedicated to them, before the major works by Boiardo and Ariosto. The poem is witnessed by a single manuscript (divided into two tomes), supposedly in the hand of the author himself. My study provides a new biographic profile of Nicolò and his family, also through an overview of some archival documents from the Archivio di Stato in Bologna. The article also presents a brief summary of the narration, and outlines the principal characters, the positive ones (Forest and Gilius in particular) as well as the negative ones (Attila), seen as prototypes alluding to other fictional or historical figures (Forest = Hector of Troy; Attila = the entire Visconti’s family). At last, my paper offers a sample (the proem) of the critical and commented edition I am working at. The text is preceded by an analysis that illustrates its peculiar linguistic features, with a particular regard on the rhymes: indeed, far from being representative of the generic class of Franco-italian works composed by Italo-Romance authors, the poem Attila Flagellum Dei shows a combination of hypercharacterized French and Italo-Romance dialects of Northern Italy.

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11

Quealy-Gainer, Kate. "The True Adventures of Nicolò Zen by Nicholas Christopher." Bulletin of the Center for Children's Books 67, no. 5 (2014): 260–61. http://dx.doi.org/10.1353/bcc.2014.0035.

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12

Crosio, Martina. "I carri di Nîmes, a cura di Nicolò Pasero." Studi Francesi 202 (LXVIII | I) (2024): 160. http://dx.doi.org/10.4000/11wia.

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13

Mirabella, Nicolò. "Le donazioni. Alle origini del patrimonio monastico." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 93–121. http://dx.doi.org/10.3280/asso2020-002007.

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Si presentano in trascrizione cinque documenti dell'inventario contenuto in questo catalogo ovvero cinque atti di donazione inter vivos o causa mortis inerenti alle origini, crescita e sviluppo del patrimonio immobiliare e non del "doppio monastero" ossia dei monasteri di San Nicolò l'Arena di Catania e di Santa Maria di Licodia in territorio di Paternò (secc. XIV -XV).

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14

Palma, Marco. "Scritture documentarie a Catania fra Tre e Quattrocento. Qualche esempio da San Nicolò l'Arena." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 42–53. http://dx.doi.org/10.3280/asso2020-002003.

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Si analizzano dal punto di vista grafico sei documenti datati fra 1363 e 1436 relativi al monastero di San Nicolò l'Arena e di Santa Maria di Licodia; si valuta l'abilità grafica dei giudici ai contratti, dei notai e dei testimoni, notando pure la presenza di sottoscrittori delegati da coloro che non sanno scrivere. Si auspica uno studio approfondito delle testimonianze grafiche in alfabeto latino della Sicilia bassomedievale.

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15

Costa, Cosimo. "Between Secularists and Catholics. The debate on Maria Montessori in the early 20th Century." Rivista di Storia dell’Educazione 8, no. 2 (November 4, 2021): 25–35. http://dx.doi.org/10.36253/rse-10312.

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The contribution, after a brief parenthesis which describes the Unione Magistrale Nazionale and the Associazione Magistrale Italiana “Nicolò Tommaseo” as expressions of the difficult socio-educational condition experienced by Giolitti’s Italy, through different opinions taken from the files of two representative pedagogical magazines of the time, Rivista Pedagogica and Scuola Italiana Moderna, analyzes the way in which, in the first twenty years 1900s, secular and catholic circles discussed Maria Montessori’s thought and system.

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16

Paziuk, Kyle. "Virtue and Virtu: A Debate in the Importance of Values and Justice for Leaders of State." Political Science Undergraduate Review 6, no. 1 (April 19, 2021): 48–52. http://dx.doi.org/10.29173/psur222.

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In this paper, I will be providing an analysis and critical commentary regarding the concepts of virtue and virtu. Their varying yet similar definitions and histories will be examined, under the lens of two historically acclaimed texts; Plato’s The Republic and Nicolò Machiavelli’s The Prince. The similarities, differences, and overarching messages of the two authors’ definitions will be provided, along with a conclusion on which moral element creates a stark contrast between them.

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17

Korrick, Leslie. "On the meaning of style: Nicolò Circignani in counter-reformation rome." Word & Image 15, no. 2 (April 1999): 170–89. http://dx.doi.org/10.1080/02666286.1999.10443983.

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18

van de Graaf, Robert C. "Did Nicolò Manuzzi (1639–1717) carry out reconstructive nose surgery himself?" Journal of Plastic, Reconstructive & Aesthetic Surgery 63, no. 2 (February 2010): 254. http://dx.doi.org/10.1016/j.bjps.2009.01.029.

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19

Frassineti, Luca. "Sulle modalità e sulla cronologia della versione montiana dell’“Iliade”: le prime prove conosciute in vista dell’“editio princeps”." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 5, no. 1 (July 1, 2024): 121–64. http://dx.doi.org/10.54103/2724-3346/24001.

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Sulla scorta dello studio mirato delle varianti genetiche dagli abbozzi di versione poetica consegnati all’autografo della lezione pavese sul libro X dell’Iliade, si ricostruisce l’orizzonte “pragmatico” della ricezione omerica di Vincenzo Monti nei primi anni dell’Ottocento sia rispetto agli antecedenti di Samuel Clarke e di Melchiorre Cesarotti sia rispetto alle istanze “neoclassiche” parallele e complementari di Ugo Foscolo, con nuove acquisizioni e spunti di riflessione per la cronologia aggiornata dell’intero volgarizzamento in vista della princeps (Brescia, dai torchi di Nicolò Bettoni) del 1810-1811.

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20

Sinardo, Stefania. "«Signa crucis e signa tabellionatus». Segni e Simboli." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 81–92. http://dx.doi.org/10.3280/asso2020-002006.

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I simboli della croce e i segni o sigilli notarili estrapolati da taluni documenti del Tabulario dei Monasteri di San Nicolò l'Arena e di Santa Maria di Licodia, qui per la prima volta inventariati, rappresentano un corpus omogeneo dal quale si ricavano informazioni preziose in merito allo stretto legame tra il momento diplomatistico del documento e quello redazionale. La documentazione esaminata mette in luce pergamene validate sia col solo signum crucis, più o meno accurato, sia col signum crucis accompagnato dal signum tabellionis, volti a garantire l'autenticità dell'atto pubblico.

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21

Sykes, Philip J., Paolo Santoni-Rugiu, and Riccardo F. Mazzola. "Nicolò Manuzzi (1639–1717) and the first report of the Indian Rhinoplasty." Journal of Plastic, Reconstructive & Aesthetic Surgery 63, no. 2 (February 2010): 247–50. http://dx.doi.org/10.1016/j.bjps.2008.11.001.

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22

Lamera, Federica. "LAURA NUDA: UN INTENSO RITRATTO FEMMINILE NEL CINEMA ITALIANO DEGLI ANNI SESSANTA." Revista Internacional de Culturas y Literaturas, no. 15 (2014): 270–81. http://dx.doi.org/10.12795/ricl.2014.i15.20.

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Quando, nel 1961, uscì Laura nuda di Nicolò Ferrari (1927-2008), il giovane regista era considerato una delle maggiori promesse del cinema italiano dell’epoca e il suo film, destinato probabilmente a rappresentare l’Italia al festival di Cannes di quell’anno, avrebbe dovuto consacrarne definitivamente la fama già acquisita come apprezzato aiuto di Rossellini, Antonioni e Bolognini ed eccellente documentarista. La storia di Laura, raffinato quanto difficile ritratto psicologico di una figura complessa di donna, per la delicatezza dei temi trattati, considerati scabrosi, però entrò nel mirino della censura, finendo per essere boicottato e dimenticato, dopo essere stato proiettato in condizioni di semiclandestinità.

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23

Guarracino, Giuseppe. "Metaletteratura, autocensura e discorso satirico nella "Lucerna" di Francesco Pona." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 3, no. 2 (December 31, 2022): 127–49. http://dx.doi.org/10.54103/2724-3346/19519.

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L’intervento esamina la relazione tra metaletteratura e discorso satirico all’interno della Lucerna di Francesco Pona. Alla luce degli studi di Giorgio Fulco sulla componente prudenziale attiva nell’opera, il saggio riflette sulle ambiguità volutamente ricercate da Pona, con lo scopo di verificare quanto esse siano spie di un discorso allusivo o semplici momenti ludici. In particolare, oggetto di questo lavoro è un’analisi di tre passi programmatici e dallo spiccato valore autocensorio, volta a indagare il loro farsi nella storia redazionale della Lucerna e l’influenza esercitata da due dei principali modelli dell’opera, l’Argenis di John Barclay e la Filena di Nicolò Franco.

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24

Sipeky, Csilla, Adrián Llerena, Vangelis G. Manolopoulos, Ewan Pearson, Vid Mlakar, Lucia Gozzo, Maurizio Simmaco, et al. "4th ESPT Conference: pharmacogenomics and personalized medicine – research progress and clinical implementation." Pharmacogenomics 20, no. 15 (October 2019): 1063–69. http://dx.doi.org/10.2217/pgs-2019-0095.

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The Fourth European Society of Pharmacogenomics and Personalized Therapy biennial conference was organized in collaboration with the Italian Society of Personalized Medicine (SIMeP) and was held at Benedictine Monastery of San Nicolò l’Arena in Catania, Sicily (Italy) on 4–7 October 2017. The congress addressed the research progress and clinical implementation in pharmacogenomics and personalized medicine. The Fourth European Society of Pharmacogenomics and Personalized Therapy congress brought together leading international scientists and healthcare professionals actively working in the fields of pharmacogenomics and personalized therapy. Altogether, 25 speakers in 15 session comprehensively covered broad spectrum of pharmacogenetics and pharmacogenomics research, clinical applications in different clinical disciplines attended by 270 delegates.

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25

Gangemi, Maria Luisa. "L'evoluzione antroponimica a Catania e Paternò attraverso le pergamene di San Nicolò l'Arena." Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes 107, no. 2 (1995): 393–413. http://dx.doi.org/10.3406/mefr.1995.3452.

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26

Horodowich, Elizabeth. "Venetians in America: Nicolò Zen and the Virtual Exploration of the New World*." Renaissance Quarterly 67, no. 3 (2014): 841–77. http://dx.doi.org/10.1086/678776.

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AbstractIn 1558, the Venetian patrician Nicolò Zen publishedDello scoprimento, a text that suggested that his Venetian ancestors had made landfall in the Americas before Columbus. Generations of scholars have pored over Zen’s text and accompanying map with the hopes of determining whether or not this voyage took place. Zen’s text, however, cannot be classified as either history or fiction; like many other early modern travel accounts, it was a combination of both. Shifting the focus about what is significant from the text’s truthfulness to its tactics, from the historicity of the voyage to the mechanics of the composition, reveals a series of fascinating textual strategies surrounding the European production of knowledge about the New World. Specifically, Zen followed well-established patterns for European travel writing, playing with quotation, pastiche, and temporality in order to depict his fellow Venetians as experts on the Americas and as viable contestants in the race to New World empire.

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27

Proietto, Marcello. "Per un'analisi statistica della documentazione." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 159–85. http://dx.doi.org/10.3280/asso2020-002011.

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Il lavoro propone una valutazione quantitativa dei dati emersi dalla lettura di cinquantacinque atti notarili ricavati dai documenti del Tabulario dei monasteri di San Nicolò l'Arena di Catania e di Santa Maria di Licodia confluiti in questo Catalogo. Sono stati individuati ed elaborati gli elementi relativi all'anno, al mese e al luogo di produzione degli atti nonché alla tipologia giuridica e all'onomastica dei soggetti che partecipano all'azione giuridica. A corredo del saggio si sono scelti due privilegi del secolo XV riguardanti il primo la concessione di pescato del fiume di Paternò a firma della regina Bianca a favore dell'ente religioso di riferimento, l'altro una concessione enfiteutica da parte del conte Guglielmo Raimondo Moncada a favore di un privato.

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28

Jurić Janjik, Monika. "Nicolo Vito di Gozze (Nikola Vitov Gučetić, 1549-1610) and the Role of Music in Renaissance Dubrovnik." English version, no. 10 (October 22, 2018): 308–20. http://dx.doi.org/10.51515/issn.2744-1261.2018.10.308.

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Renaissance politician and philosopher Nicolò Vito di Gozze treated music subjects in three among his works: Dialogo della bellezza (Dialogue on Beauty, 1581), Governo della famiglia (The Governing of the Family, 1589) and Dello stato delle republiche (On the State of the Republics, 1591). Although in these works Gozze mentioned music in a number of shorter passages, it is possible to perceive three larger topics he discussed in more detail: musical instruments, musico-theoretical ideas and the functions and effects of music. Gozze’s thoughts on music had been mostly influenced by ancient Greek thinkers, Plato and Aristotle, thus Gozze pointed out the importance of role of music in society, especially within the educational system and the process of learning.

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29

Freshwater, M. Felix. "Discussion of: Nicolò Manuzzi (1639–1717) and the first report of the Indian Rhinoplasty." Journal of Plastic, Reconstructive & Aesthetic Surgery 63, no. 2 (February 2010): 251–53. http://dx.doi.org/10.1016/j.bjps.2009.01.006.

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30

Amstrup, Niels. "Nicolò Machiavelli, Fyrsten. Uforkortet oversættelse fra italiensk, Århus: Helikon, 1998, 135 s., kr. 248,00." Politica 30, no. 3 (January 1, 1998): 368. http://dx.doi.org/10.7146/politica.v30i3.68230.

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31

Bresc, Henri. "Uno sguardo da Catania sulla Sicilia medievale. Note introduttive." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 12–41. http://dx.doi.org/10.3280/asso2020-002002.

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Il mazzo di documenti analizzati e pubblicati in questo catalogo ci permette di descrivere qualche tratto di una Sicilia orientale poco studiata ancora e molto differenziata, quella dei borghi rurali, del latifondo e del mondo del vigneto, la sua topografia, l'organizzazione del territorio, il suo variegato paesaggio, di delineare la formazione sociale che fonda la sua originalità e il suo dinamismo, animato da cavalieri di paese e da "borgesi": imprenditori e agiati, e di percepire infine le relazioni di servizio spirituale assunte dal clero e in particolare dal doppio monastero di San Nicolò l'Arena e di Santa Maria di Licodia e rivelate nei testamenti di diversificati ceti sociali, nel quadro di una devozione fondata sulla speranza della vita eterna e sulla fiducia nella comunione dei santi.

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32

Hirai, Hiro. "Semence, vertu formatrice et intellect agent chez Nicolò Leoniceno entre la tradition arabo-latine et la renaissance des commentateurs grecs." Early Science and Medicine 12, no. 2 (2007): 134–65. http://dx.doi.org/10.1163/157338207x166407.

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AbstractThe treatise On Formative Power (Venice, 1506) of Ferrara's emblematic medical humanist, Nicolò Leoniceno (1428-1524), is the one of the first embryological monographs of the Renaissance. It shows, at the same time, the continuity of medieval Arabo-Latin tradition and the new elements brought by Renaissance medical humanism, namely through the use of the ancient Greek commentators of Aristotle like Simplicius. Thus this treatise stands at the crossroad of these two currents. The present study analyses the range of Leoniceno's philosophical discussion, determines its exact sources and brings to light premises for the early modern development of the concept of formative force, which will end up in the theory of "plastic nature" at the heart of the Scientific Revolution.

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33

Sorrenti, Lucia. "La gestione quattrocentesca del patrimonio monastico e i rapporti enfiteutici nella prassi negoziale: accortezza di chierici e professionalità di notai." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 54–69. http://dx.doi.org/10.3280/asso2020-002004.

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Il complesso di scritture inedite riconducibili all'amministrazione del patrimonio immobiliare di S. Nicolò l'Arena è oggetto d'indagine per un duplice scopo. Innanzitutto approfondire il tema delle modalità di gestione dei beni monastici di dotazione dal peculiare angolo di visuale dei contratti a lungo termine: i fondi meno pregiati, per cui si richiedono specifiche opere di trasformazione, sono affidati a conduttori volenterosi tramite contratti agrari migliorativi tra i più diffusi nella prassi negoziale siciliana, quali enfiteusi o censi. Di alcuni di essi, presi come esemplari, si esamina poi la caratura tecnico giuridica dell'impianto formulare in rapporto alle qualifiche e alla professionalità dei rispettivi notai roganti. Non si tralascia inoltre e viene esplicitato, nel quadro normativo generale della Chiesa e dell'Impero, il ruolo eminente del diritto particolare del Regnum Siciliae, vigente nel territorio come diritto positivo.

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De Paolis, Lucio Tommaso, Silvia Liaci, Giada Sumerano, and Valerio De Luca. "A Video Mapping Performance as an Innovative Tool to Bring to Life and Narrate a Pictorial Cycle." Information 13, no. 3 (February 28, 2022): 122. http://dx.doi.org/10.3390/info13030122.

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Video mapping is defined as a particular form of augmented reality capable of transforming any surface, flat or irregular, into a dynamic surface capable of enriching human sensory perception. Video mapping projections can become a medium to link the historical facts and the location by means of the valorisation of the monument and narration of its story through images and sounds. This paper aims to show how video mapping, beyond its purely technological aspect, can be linked to cultural heritage and represents a tool capable of becoming a mediator of culture, tradition, and legends. It is used to pass on and tell the legend of the foundation of the present Cathedral of Maria Santissima della Madia in Monopoli through the animation of the pictorial cycle by Nicolò Maria Signorile preserved in the church.

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Queller, Donald E., and Thomas F. Madden. "Father of the Bride: Fathers, Daughters, and Dowries in Late Medieval and Early Renaissance Venice." Renaissance Quarterly 46, no. 4 (1993): 685–711. http://dx.doi.org/10.2307/3039019.

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In February 1382 Franceschina Grimani took as her husband Giacobello Trevisan, son of Stefano. A few months later, in May, another young noble girl, Franceschina Querini, married Bernardo Giustinian, son of the prosperous nobleman Orsato Giustinian. Despite the similarities shared by these two Venetian brides, one important factor separated them. Franceschina Grimani's father was Nicolò Grimani of Santa Sofia parish. According to the estimo of 1379, Nicolò's real wealth totaled approximately 30,000 ducats, making him one of the wealthiest men in Venice. In contrast, Franceschina Querini's father Marco possessed only 2,000 ducats in real wealth according to the same estimo. Despite the huge disparity between the economic fortunes of these two fathers of the bride, both of their daughters brought equal dowries of 1,000 ducats to their marriages.

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Marcilla, Javier. "Nicolò Cusano. La filosofia nel trapasso dal Medioevo all Età Moderna; Karl-Heinz Volkmann-Schluck." Mayéutica 20, no. 50 (1994): 491–92. http://dx.doi.org/10.5840/mayeutica1994205027.

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Rohstock, Max. "Review of Monaco (2010): Deus Trinitas. Dio come non altro nel pensiero di Nicolò Cusano." Bochumer Philosophisches Jahrbuch für Antike und Mittelalter 15 (November 2, 2012): 298–300. http://dx.doi.org/10.1075/bpjam.15.14roh.

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Stiffoni, Gian Giacomo. "La música teatral de Nicolò Conforto (Nápoles,1718-Aranjuez,1793): el estado de la investigación." Artigrama, no. 12 (December 9, 2022): 147–62. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.1997128009.

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Agnello, F., L. Barrale, V. Garofalo, and S. Morena. "FROM PERSPECTIVE RESTITUTION TO MIXED REALITY RECONSTRUCTION OF SAN NICOLÒ DEI CARMELITANI CHURCH IN PALERMO." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 43–50. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-43-2023.

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Abstract. Digital surveying and representation tools are widely used for the virtual reconstruction of historic buildings that have vanished or have been transformed. When changes or destructions occurred after the first half of the XIX century, the reconstruction process can be based on photographic images, if available. Photos provide an effective support for the reconstruction of lost buildings, especially when drawings or previous surveys are not available.The 3D reconstruction from archive images has become a relevant topic in almost recent years. In 2013 Migliari et al. proposed a method that allows the reconstruction of 3D models from a single image using perspective restitution. In those years computer engineers developed digital tools that supported inner and outer orientation of archive images. In the years from 2017 to 2019 several studies focused on the reconstruction of lost buildings with photogrammetric traditional and SfM techniques.In this study an un-assisted process is proposed for the reconstruction of a lost buildings from a single image: perspective restitution developed with digital representation tools allowed the retrieval of inner and outer orientation of archive photos and the reconstruction of the case study, a church that no longer exist. Outer orientation and scaling were provided by the lidar survey of those buildings that are still in place. Finally, a motion tracking commercial software has been tested for the contextualization of the 3D reconstruction model.

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Magno, Andrea. "Testimonianze documentarie inedite. Usi e costumi tardomedievali a Troina e a Randazzo." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 142–51. http://dx.doi.org/10.3280/asso2020-002009.

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Lo studio di due testamenti e relativi inventari redatti a Troina e Randazzo permette di conoscere talune vicende storico-economiche del monastero di S. Nicolò l'Arena di Catania e soprattutto di cogliere aspetti della vita quotidiana di persone intervenute a vario titolo al negozio giuridico: nomi, estrazione sociale, matrimoni o dettagli di cultura materiale come impianti edilizi, strutture urbane o paesaggio territoriale, ovvero case, strade, piazze, chiese, monasteri, e tant'altro, totalmente scomparsi, eppure risuscitati dalla odierna toponomastica. In particolare la documentazione mette in luce la figura femminile nella realtà di due "quasi città" della Sicilia centro-orientale. Rosa e Ysolda, entrambe con un ruolo importante nella propria famiglia: l'una in funzione di capo di casa in quanto vedova, l'altra con capacità tali da imporre il suo volere anche dopo il suo decesso ovvero al di là della sua esistenza terrena.

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Vasta, Gregorio. "Le ultime volontà di suor Costanza da Pistoia." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 152–58. http://dx.doi.org/10.3280/asso2020-002010.

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La trascrizione della pergamena n. 64 di questo catalogo porta in luce il testamento di una religiosa paternese del ‘300, Costanza da Pistoia, probabilmente benedettina ma vicina per vari indizi a una sensibilità francescana. La testatrice sceglie di lasciare i propri beni al doppio monastero di San Nicolò l'Arena e di Santa Maria di Licodia, confermando con questo atto di ultima volontà una sua precedente donazione allo stesso ente religioso. Il lettore che avrà la compiacenza di accostarsi al testo, potrà farsi un'idea dei legami umani intessuti fra la testatrice e il suo mondo affettivo; la sua mentalità da religiosa e le motivazioni che la guidarono nelle scelte da compiere in prossimità del trapasso; i suoi rapporti con esponenti della "terra" di Paternò e del suo territorio, ovvero sia con esponenti del ceto sociale d'appartenenza sia con quelli della sua quotidianità.

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Angela Carbonaro, Rita. "Il tabulario dei Monasteri di Santa Maria di Licodia e di San Nicolò l'Arena di Catania." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 5–11. http://dx.doi.org/10.3280/asso2020-002001.

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Il saggio si articola in due parti. Da una parte si presentano i contributi di vari autori, ciascuno secondo la propria specializzazione, riguardanti gli oltre cento pezzi del tabulario dei Monasteri di Santa Maria di Licodia e di San Nicolò l'Arena della diocesi di Catania. Per la prima volta in questa sede inventariati: i singoli pezzi recano sulla coperta la segnatura archivistica (numero ordinale: 1, 2, 3, eccetera), la data cronica, la data topica e relativa segnatura della riproduzione digitale come emerge dalla Tabella n.1 (Biondi/Proietto). La schedatura generale, a cura di Biondi / Mirabella dei documenti tratti dai singoli pezzi inventariati, in rigoroso ordine cronologico, secondo i moderni criteri di misura del tempo assai diversificati dal periodo di riferimento, reca, oltre la data cronica, l'indizione e la data topica, il regesto dell'atto notarile come da tabella n. 2 (Biondi/Proietto). Nella seconda parte si tratteggia la storia del Fondo Benedettino in cui si contengono sin dalla sua costituzione oltre a queste qui proposte anche novecento e diciannove documenti regestati da Carmelo Ardizzone già nel 1927 e altri ancora da inventariare.

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Nothaft, C. Philipp E. "An Alfonsine universe: Nicolò Conti and Georg Peurbach on the threefold motion of the fixed stars." Centaurus 61, no. 1-2 (February 2019): 91–110. http://dx.doi.org/10.1111/1600-0498.12200.

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Cariou, Morgane. "À propos d’un manuscrit de Nicolò Leonico Tomeo, le modèle de l’édition princeps du Lapidaire orphique." Scriptorium 68, no. 1 (2014): 49–77. http://dx.doi.org/10.3406/scrip.2014.4293.

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Numerous links exist between manuscripts that belonged to the Paduan philosopher Nicola Leonico Tomeo and the editions published by Aldus Manutius and his heirs. This article investigates the case of MS Paris, BNF, Greek 2764. As is demonstrated by discreet markings made with dry point, MS 2764 provided the copy-text for the edition of the Orphic Lithica published by Gian Francesco d’Asola in 1517. It was also used for the first edition of Colluthus, prepared by Aldus Manutius in 1504. Contrary to what might be thought on the basis of both marginal branches and a dedication to a woman named Fosca, MS 2764 was not copied by Tomeo. Tomeo was only the owner and annotator of the MS. It was, in fact, written by a copyist belonging to Tomeo’s circle who imitated his master’s marginalia in order to pay tribute to him. Three copies of the Orphic Lithica produced around that time by Zacharias Callierges enable us to identify the scribe’s circle. Further analysis of MS 2764 shows that the marginalia so far ascribed to Tomeo were in fact quite common in his circle. Two appendices to the article aim at offering a glimpse of Tomeo’s rich library. The first one lists and describes 12 manuscripts (now in the BnF) that were copied by Tomeo. It also tries to identify three different writing styles and to differentiate the folios that were copied by Tomeo himself from those that were written by collaborators using a very similar style of writing. The second appendix lists 16 manuscripts (also preserved in the BnF) that were annotated by Tomeo.

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Cantale, Claudia, Domenico Cantone, Manuela Lupica Rinato, Marianna Nicolosi-Asmundo, Daniele Francesco Santamaria, and Maria Rosaria Stufano Melone. "The ideal Benedictine Monastery: From the Saint Gall map to ontologies." Applied Ontology 16, no. 2 (April 27, 2021): 137–60. http://dx.doi.org/10.3233/ao-210248.

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We present an OWL 2 ontology, called SaintGall, representing the Saint Gall plan, one of the most ancient documents arrived intact to us. The Saint Gall plan describes the ideal model of a Benedictine monastic complex that inspired the design of many European monasteries. The structural, functional, and architectural specification of an ideal Benedectine monastery is modeled by the SaintGall ontology, which allows one to analyse and model the Monastery architectural type. This work started with the purpose of relating Catania’s San Nicolò l’Arena Benedectine Monastery with the abstract notion of Benedectine monastery, in the ambit of an ontological model based on the renovation works carried out by the architect Giancarlo De Carlo and developed by the same authors. The SaintGall ontology opens a research path aiming at comparing different monastic architectures that can be useful in any intervention of refurbishment or design for a monastery.

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Losada, Leandro. "President or prince? A Machiavellian Critic to Roque Sáenz Peña and the Electoral Reform of 1912." Quinto Sol 25, no. 1 (January 1, 2021): 1–18. http://dx.doi.org/10.19137/qs.v25i1.4143.

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The article analyzes the book The President, by Julio Costa (governor of the province of Buenos Aires in the 1890s), published simultaneously with the electoral reform of 1912. It is argued that the relevance of this text lies in three axes. First, it shows key topics of the public debate of that moment: representative government, political parties, secret and mandatory voting. Second, it ponders universal suffrage in the name of preserving traditions and the defense of freedom. Thus, it offers indications of possible crossings between conservatism, liberalism and democracy in Argentina of 1910s. Finally, the book displays a severe criticism of Roque Sáenz Peña inspired by The Prince, the famous text by Nicolò Machiavelli. From this point of view, it integrates a broader sequence, so far little explored: a political reflection grounded in the Florentine author about the vicissitudes of Argentine public life of the first decades of the twentieth century.

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Fortuna, Stefania. "The Prefaces to the First Humanist Medical Translations." Traditio 62 (2007): 317–35. http://dx.doi.org/10.1017/s0362152900000611.

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A large part of the literary production of humanist physicians consists of Latin translations of Greek medical texts. They considered these translations the first and necessary approach to ancient Greek medicine, which in turn was viewed as having ensured scientific and therapeutical progress against the barbarisms of dominant Arabic medical culture. In a passage from a work entitledDe Plinii et plurium aliorum medicorum in medicina erroribus, the humanist physician Nicolò Leoniceno (1428–1524), who taught for sixty years at the University of Ferrara, attacks Avicenna's doctrine as chaotic, obscure, and dangerous to life. He then presents his own medical program, which is first of all based on translations: “Nos sane ad hanc amovendam atque extirpandam et nostrae aetatis hominibus lucem aliquam veritatis aperiendam, partim librorum Galeni medicorum principis translationibus, partim in eosdem commentationibus, die noctuque laboramus.” Leoniceno was actually a prolific translator of Galen.

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Oy-Marra, Elisabeth. "“Nel conoscere le cose tutte della natura”." Nuncius 32, no. 3 (2017): 556–82. http://dx.doi.org/10.1163/18253911-03203003.

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The cardinal nephew, Flavio Chigi (1631–1693), is known for his very special collection of natural as well as artistic objects from abroad. A portrait of the man, who was in charge of the Chigi-collection, the connoisseur Nicolò Simonelli, shows him among the key pieces staged on a table, while underneath pieces of antique sculpture are stored in a strange way. The antagonism of the Priapus statue on display on the one hand and the pieces of antique statues placed underneath the table on the other bring monstrous aspects of the antique to light while the beau-idéal often identified with antique sculpture seems to be no longer a matter of question. The arrangement of these objects allows moreover a reflection on different modes of generation/creation known at the time. The paper emphasizes the aesthetic aspects of the vis plastica of nature.

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Ciancio, Luca. "Promoting Empirical Knowledge in Habsburg Europe." Nuncius 36, no. 1 (April 1, 2021): 95–118. http://dx.doi.org/10.1163/18253911-bja10009.

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Abstract Recent studies on the functions performed by natural and mathematical sciences in Renaissance courts have shown how closely and extensively the domains of medicine, astrology and politics interacted with each other. The dedicatory letters to Cardinal and Prince-Bishop Bernardo Cles printed in works of medicine, astronomy and natural philosophy by scholars like Marco Antonio Rozoni (1524), Sebastian Münster (1527), Luca Gaurico (1531) Pietro Antonio Mattioli (1533) and Ludovico Nogarola (1536) reveal how much attention Ferdinand I’s Supreme Chancellor, a prelate and politician of unquestioned authority and power, devoted to such influential domains of natural science. In particular, they suggest that Bernardo was not unfavorable to a view of natural knowledge inspired by the anti-astrological skepticism of Giovanni Pico della Mirandola. What is more, his intellectual proximity to learned physicians working in the wake of Nicolò Leoniceno’s medical humanism lends credit to the image of a patron, and a ruler, who was oriented to rely preferably on natural knowledge grounded in repeatable sensorial experience.

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Arzu, Daniela, Marcella Lucchetta, and Guido Max Mantovani. "Catch the Heterogeneity: The New Bank-Tailored Integrated Rating." Journal of Risk and Financial Management 14, no. 7 (July 8, 2021): 312. http://dx.doi.org/10.3390/jrfm14070312.

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The purpose of this article is to develop a bank-oriented rating approach, tailored by incorporating the various heterogeneity dimensions characterizing financial institutions, named “Bank-Tailored Integrated Rating” (BTIR). BTIR is able to catch the financial cycle, including the pandemic crisis, and the ongoing change in banking normative from a microeconomic perspective, and it is inherently coherent with the challenging frontier of forecasting tail risk in financial markets in similar ways as in De Nicolò and Lucchetta (2017), although their approach is macroeconomic) since it considers the downside risk in the theoretical framework. The method employed was an innovative integrated rating (IR) statistical and econometrical panel pre-selection analysis that takes into account the characteristics of risk and the greater heterogeneity of the banks. The result is a challenge rating procedure delivering forward-looking preselection requested by the new International Financial Reporting Standard (IFRS-9). The future direction is extremely promising given the increase in idiosyncratic and systemic risks in financial markets.

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