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Books on the topic 'Niccolini'

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Published: 25 July 2024

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1

Porta, Elisabetta. Luigi Niccolini (1766-1828): Musicista "celebre giacobino". Pisa: ETS, 2003.

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2

Luigi Niccolini (1766-1828): Musicista celebre giacobino. Pisa: ETS, 2003.

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3

pratese, Credito cooperativo area, ed. Ippolito Niccolini: Un marchese toscano alla corte di Giolitti. Firenze: Nuova Toscana, 2007.

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4

Niccolini, Antonio. Antonio Niccolini: Architetto e scenografo alla corte di Napoli (1807-1850). [Naples]: Electa Napoli, 1997.

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5

Zangheri, Luigi. Il nuovo Teatro Niccolini di San Casciano in Val di Pesa. Firenze: Polistampa, 2000.

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6

Zangheri, Luigi. Il nuovo Teatro Niccolini di San Casciano in Val di Pesa. Firenze: Polistampa, 2000.

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7

Baruffaldi, Amerigo. Pietro Niccolini: Sindaco, deputato e senatore nella Ferrara d'inizio Novecento (1866-1939). Ferrara: Edizioni Cartografica, 2012.

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8

Roberto, Cassanelli, ed. Houses and monuments of Pompeii: The works of Fausto and Felice Niccolini. Los Angeles, Calif: J. Paul Getty Museum, 2002.

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9

Roberto, Cassanelli, ed. Le case e i monumenti di Pompei: Nell'opera di Fausto e Felice Niccolini. Novara: Istituto geografico De Agostini, 1997.

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10

Francesco, Niccolini, Pisa (Italy : Province). Città del teatro., and Progetto SCREAM, eds. Nostra pelle: Bambini invisibili : idee, ricerche e contributi per uno spettacolo di Francesco Niccolini e Fabrizio Cassanelli. Corazzano (Pisa): Titivillus, 2007.

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11

Le chiese di San Pietro (sec. X-XI) e San Frediano (sec. XVI) in Camugliano, terra e feudo dei marchesi Niccolini. Pontedera (Pisa): CLD Libri, 2006.

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12

ill, Buehner Mark, ed. Niccolini's song. New York: Dutton Children's Books, 2004.

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13

Niccolai, Niccolò. Niccolò Niccolai: Opere. [Florence, Italy]: Centro stampa del Consiglio regionale dellaToscana, 2013.

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14

Niccoli, Christian, and Lisa Trockner. Christian Niccoli: Arbeiten auf Papier = Christian Niccoli : works on paper. Wien: Verlag für moderne Kunst, 2021.

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15

Niccoli, Christian. Christian Niccoli: Sketchbooks and drawings. Edited by Ferrandes Valentina. Berlin: Revolver Publishing, 2015.

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16

Beppe Niccolai: Il missino e l'eretico. Massa: Eclettica, 2010.

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17

Francesco, Buranelli, ed. Il Beato Angelico e la Cappella Niccolina: Storia e restauro. [Vatican City]: Musei vaticani, 2001.

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18

Francesco, Buranelli, Canal Denis A, and Calvesi Maurizio, eds. Fra Angelico: La Chapelle Niccoline du Vatican : histoire et restauration. Paris: Citadellest & Mazenod, 2003.

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19

Savelli, Angelo. Savelli, Galleria d'arte Niccoli, Parma, 9 febbraio-21 marzo 1991. Parma (Italy): Galleria d'arte Niccoli, 1991.

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20

Lorenzetti, Carlo. Lorenzetti: Galleria d'arte Niccoli, Parma, 13 maggio-15 giugno 1989. Parma (Italy): Galleria d'arte Niccoli, 1989.

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21

Scarpitta, Salvatore. Scarpitta: [mostra], Galleria d'arte Niccoli, Parma, 1 dicembre-30 gennaio 1991. Parma: La Galleria, 1990.

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22

Bracciolini, Poggio. Two Renaissance book hunters: The letters of Poggius Bracciolini to Nicolaus de Niccolis. New York: Columbia University Press, 1991.

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23

Marca-Relli, Conrad. Marca-Relli: [mostra], Galleria d'arte Niccoli, Parma, 6 ottobre-26 novembre 1990. Parma: Galleria d'arte Niccoli, 1990.

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24

Boatto, A. Jorge Eielson: Galleria d'arte Niccoli, Parma, 22 novembre 2003-14 febbraio 2004. Parma: Galleria d'arte Niccoli, 2003.

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25

Floreani, Roberto. Roberto Floreani: L'età della conoscenza : Galleria d'arte Niccoli, Parma, 11 maggio-30 giugno, 1996. Parma: La Galleria, 1996.

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26

(Italy), Castelfiorentino, ed. Vittorio Niccoli: Uno scienziato valdelsano : atti del convegno di studio, Castelfiorentino, 19 aprile 1986. [Castelfiorentino]: Comune di Castelfiorentino, 1988.

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27

Giorgio, Di Genova, ed. I Rossori dell'arte: Accardi ... [et al.] : Galleria d'arte Niccoli, Parma, 22 febbraio-30 marzo 1990. Parma, Italy: La Galleria, 1990.

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28

Gisella, Conte, Dorazio Piero 1927-2005, Simongini Gabriele, Art Club (Italy), and Galleria d'arte Niccoli, eds. Art Club, 1945-1964: La linea astratta : Galleria d'arte Niccoli, Parma, 24 ottobre 1998-20 gennaio 1999. Parma: Galleria d'arte Niccoli, 1998.

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29

Bracciolini, Poggio. Two Renaissance book hunters: The letters of Poggius Bracciolini to Nicolaus de Niccolis ; translated from the Latin and annotated. New York: Columbia University Press, 1991.

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30

Gabriele, Simongini, Conte Gisella, Dorazio Piero 1927-, and Galleria d'arte Niccoli, eds. Art club: 1945-1964 : la linea astratta : Galleria d'arte Niccoli, Parma, 24 ottobre 1998-20 gennaio 1999 : [catalogo. Parma: Galleria d'arte Niccoli, 1998.

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31

Soldati, Atanasio. Atanasio Soldati: Mostra antologica nel centenario della nascita : Galleria d'arte Niccoli, Parma, 14 dicembre 1996-2 marzo 1997. Parma: La Galleria, 1996.

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32

Giuseppe, Niccoli, ed. Alik Cavaliere: Il paradosso della natura : [sculture 1951-1991] : Galleria Niccoli, Parma 17 novembre 2001-6 novembre 2002. Parma: Galleria d'arte Niccoli, 2001.

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33

Massimo, Barbero Luca, and Dorfles Gillo, eds. Scheggi: La breve e intensa stagione di Paolo Scheggi : Galleria d'arte Niccoli, Parma, 23 novembre-22 febbraio 2003. Parma: Galleria Niccoli, 2002.

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34

Cavaliere, Alik. Alik Cavaliere: Il paradosso della natura : [sculture 1951-1991] : Galleria d'Arte Niccoli, Parma, 17 novembre 2001-6 febbraio 2002. Parma: Galleria d'arte Niccoli, 2001.

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35

Marco, Vallora, ed. Marca-Relli: L'amico americano : sintonie e dissonanze con Afro e Burri : Galleria d'arte Niccoli, Parma, 18 maggio-20 luglio 2002. Parma: Galleria d'Arte Niccoli, 2002.

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36

1958-, Pasini Roberto, and Galleria d'arte Niccoli, eds. L' informale italiano: Pittura di segno e di materia negli anni Cinquanta : Galleria d'arte Niccoli, Parma, 13 dicembre 1997-2 marzo 1998. Parma: La Galleria, 1997.

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37

Plinio, De Martiis, and Galleria d'arte Niccoli, eds. L' arte pop in Italia: Pittura, design e grafica negli anni Sessanta : Galleria d'arte Niccoli, Parma, 18 dicembre 1999-6 marzo 2000. Parma: Galleria d'arte Niccoli, 1999.

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38

Flaminio, Gualdoni, and Galleria d'arte Niccoli, eds. Un probabile umore dell'idea: Yves Klein & Enrico Castellani, Dadamaino, Francesco Lo Savio, Piero Manzoni, François Morellet, Günther Uecker : Galleria d'arte Niccoli, Parma, 1 aprile-10 maggio 1989. Parma: La Galleria, 1989.

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39

Teatro Niccolini Di Firenze. Polistampa, 2021.

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40

Correspondance du Président de Brosses et de l'Abbe Marquis Niccolini. Voltaire Foundation, 2016.

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41

Caro, Stefano de. Houses and Monuments of Pompeii: The Work of Fausto and Felice Niccolini. Getty Trust Publications: J. Paul Getty Museum, 2002.

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42

Bec, Christian. Il libro degli affari proprii di casa de Lapo di Giovanni Niccolini de' Sirigatti. Editions de l'Ecole des Hautes Etudes en Sciences, 1995.

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43

Studi su Giovan Battista Niccolini: Atti del convegno, S. Giuliano Terme, 16-18 settembre, 1982. Pisa: Giardini, 1985.

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44

Alighieri, Dante. La Divina Commedia Di Dante Alighieri Ridotta A Miglior Lezione Da G.b. Niccolini, Gino Capponi, Giuseppe Borghi E Fruttuoso Becchi, Volume 1... (Italian Edition). Nabu Press, 2012.

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45

Field, Arthur. Niccolò Niccoli, the Man Who Was Nothing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791089.003.0006.

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This chapter examines how Niccolò Niccoli (1364–1437), the humanist closest to Cosimo de’ Medici and hated by many scholars from his time to our own, represented a negation of contemporary culture—a negation not only of traditionalism but of those, such as Leonardo Bruni, who made compromises with it. Included here is a discussion of the origins of the humanist script, humanist orthography, and book hunting. For Niccoli, the intellectual legacy of the late Middle Ages had to be rejected upfront; then a new society could be created on the model of classical antiquity. The chapter argues that Niccoli’s notorious aversion to politics was simply an aversion to oligarchic politics and culture. He was always “political,” as a critic of the oligarchs, and as soon as the Medici took power he was more than happy to take political office.

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46

(Illustrator), Mark Buehner, ed. Niccolini's Song. Puffin, 2006.

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47

Jones, Sandra S. Niccoli, It's Only Temporary. Xulon Press, 2002.

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48

Olivieri: Galleria d'arte Niccoli, Parma, 5 novembre/1 dicembre 1988. Parma: Galleria d'Arte Niccoli, 1988.

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49

Jorge Eielson: Galleria d'arte Niccoli, Parma, 22 novembre 2003-14 febbraio 2004. Parma: Galleria d'arte Niccoli, 2003.

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50

Field, Arthur. The Intellectual Struggle for Florence. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791089.001.0001.

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The book is an analysis of the ideology that developed in Florence with the rise of the Medici during the early fifteenth century, a period long recognized as the most formative of the early Renaissance. Instead of simply describing early Renaissance ideas, it attempts to relate them to specific social and political conflicts of the fifteenth century and to the development of the Medici regime. It first shows how, as a party, the Medici came to be viewed as fundamentally different from their opponents (the “oligarchs”). Then it explores the intellectual world of these oligarchs (the “traditional culture”). As political conflicts sharpened, some humanists—Leonardo Bruni and Francesco Filelfo—were closely tied to oligarchy, yet attempted to enrich traditional culture with classical learning. Others, such as Niccolò Niccoli and Poggio, rejected tradition outright and created a new ideology for the Medici. Two elements are striking: the extent to which Niccoli and Poggio were able to turn a Latin or a classical culture into a “popular culture”; and how a culture of the vernacular remained traditional and oligarchic.

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