Academic literature on the topic 'New Zealand cinema'
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Journal articles on the topic "New Zealand cinema"
Zvegintseva, Irina Anatolyaevna. "«Terra Incognita» Cinema." Journal of Flm Arts and Film Studies 4, no. 2-3 (September 15, 2012): 220–29. http://dx.doi.org/10.17816/vgik42-3220-229.
Full textHoar, Peter. "“A Lucid lecturess”: The Voices of New Zealand’s Silent Cinema." Back Story Journal of New Zealand Art, Media & Design History, no. 1 (December 1, 2016): 81–96. http://dx.doi.org/10.24135/backstory.vi1.14.
Full textHardy, Ann. "Hidden gods—Religion, spirituality and recent New Zealand cinema." Studies in Australasian Cinema 6, no. 1 (January 2012): 11–27. http://dx.doi.org/10.1386/sac.6.1.11_1.
Full textMartens, Emiel. "Maori on the Silver Screen." International Journal of Critical Indigenous Studies 5, no. 1 (January 1, 2012): 2–30. http://dx.doi.org/10.5204/ijcis.v5i1.92.
Full textGrose, Caroline. "Book Review: Directory of World Cinema: Australia and New Zealand." Media International Australia 141, no. 1 (November 2011): 159. http://dx.doi.org/10.1177/1329878x1114100119.
Full textSmith, Jo. "New Zealand cinema and the postcolonial exotic: the case ofApron Strings." Transnational Cinemas 1, no. 2 (November 2010): 129–44. http://dx.doi.org/10.1386/trac.1.2.129_1.
Full textUthaman, Arya. "Film as a Mirror: Redefining Witi Ihimaera’s The Whale Rider." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 8. http://dx.doi.org/10.24113/ijellh.v7i11.10127.
Full textYecies, Brian, Ae-Gyung Shim, and Ben Goldsmith. "Digital Intermediary: Korean Transnational Cinema." Media International Australia 141, no. 1 (November 2011): 137–45. http://dx.doi.org/10.1177/1329878x1114100116.
Full textPatel, Nilam. "Walking between two worlds: Bollywood cinema and the New Zealand-Indian identity." South Asian Popular Culture 19, no. 1 (January 2, 2021): 67–70. http://dx.doi.org/10.1080/14746689.2021.1879155.
Full textCass, Philip. "REVIEW: Noted: Study of diasporic film making raises intriguing questions." Pacific Journalism Review : Te Koakoa 26, no. 1 (July 31, 2020): 322. http://dx.doi.org/10.24135/pjr.v26i1.1114.
Full textDissertations / Theses on the topic "New Zealand cinema"
Ashton, Romana, and darkroom@optus com au. "Antipodean Gothic Cinema: A Study of the (postmodern) Gothic in Australian and New Zealand Film since the 1970s." Central Queensland University. Humanities, 2006. http://library-resources.cqu.edu.au./thesis/adt-QCQU/public/adt-QCQU20060921.111449.
Full textKontour, Kyle, and n/a. "Making culture or making culture possible : notions of biculturalism in New Zealand 1980s cinema and the role of the New Zealand Film Commission." University of Otago. Department of Communication Studies, 2002. http://adt.otago.ac.nz./public/adt-NZDU20070508.140943.
Full textBaker, Michelle Mary. "Policing Publications: Sites of Censorship Classification Enforcement in New Zealand." Thesis, University of Canterbury. Sociology and Anthropology, 2006. http://hdl.handle.net/10092/916.
Full textScrivin, Nicholas. "'The Bobby Calf' - non linear and non classical narrative structures in the cinema of unease." Click here to access this resource online, 2008. http://hdl.handle.net/10292/688.
Full textEdmunds, Hannah. "Perversion of the reel : a thesis presented in partial fulfilment of the requirements for the completion of Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2010. http://hdl.handle.net/10179/1271.
Full textDenton, Frances Louise. "The form of identity in virtual space : a thesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2010. http://hdl.handle.net/10179/1267.
Full textRobespierre, Claire de. "La renaissance du mythe d'Anzac dans l'Australie contemporaine : la représentation de la Grande Guerre dans les films de cinéma et de télévision des années quatre-vingt et son emprise sur l'imagination nationale." Paris 4, 1996. http://www.theses.fr/1996PA040069.
Full textBorn in the trenches of World War I, Anzac is white Australia’s greatest myth. The involvement of troops from the Anzac (Australian and New Zealand army corps) in the conflict is considered as the turning point in the nation's history and has made a lasting impression on the Australian consciousness. The fascination which Anzac exerts on the national imagination was particularly obvious in the 1980's, when the great war was the subject of a few films and television series. These portrayals show a common will to reillustrate the myth in its traditional form and to resist demythification, thus revealing Australia’s state of mind during this period
Pratt, Caroline. "Factors affecting the establishment, growth and survival of native woody plant communities on the Canterbury Plain, New Zealand." Lincoln University, 1999. http://hdl.handle.net/10182/1113.
Full textBlachnitzky, Angela. "Designing typozilla : an online application that appeals to gifted children : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Design at Massey University, Wellington, New Zealand." 2009. http://hdl.handle.net/10179/1241.
Full textMarriott, Tanya. "Storytelling memories : a tangible connection to bomber command veterans : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Design at Massey University, Wellington, New Zealand." 2009. http://hdl.handle.net/10179/1045.
Full textBooks on the topic "New Zealand cinema"
New Zealand cinema: Interpreting the past. Bristol, UK: Intellect, 2011.
Find full text1950-, Vieth Errol, ed. Historical dictionary of Australian and New Zealand cinema. Lanham, Md: Scarecrow, 2005.
Find full textHelen, Martin. New Zealand film, 1912-1995. Auckland: Oxford University Press, 1996.
Find full textMoran, Albert. The A to Z of Australian and New Zealand cinema. Lanham: Scarecrow Press, 2009.
Find full textJane Campion: Authorship and personal cinema. Bloomington: Indiana University Press, 2011.
Find full textRayner, Jonathan. Cinema journeys of the man alone: The New Zealand and American films of Geoff Murphy. Nottingham: Kakapo, 1999.
Find full textImages of dignity: Barry Barclay and fourth cinema. Wellington, N.Z: Huia, 2008.
Find full textCelluloid Anzacs: The Great War through Australian cinema. North Melbourne, Vic: Australian Scholarly Pub., 2007.
Find full textMaking settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.
Find full textMaking settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.
Find full textBook chapters on the topic "New Zealand cinema"
Kolesova, Elena. "Two “Asian” Stories in New Zealand Cinema." In The Palgrave Handbook of Asian Cinema, 451–66. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95822-1_22.
Full textYates, Candida. "The Piano: A Feminine Narrative of Masculine Jealousies (J. Campion, Australia/New Zealand, 1993)." In Masculine Jealousy and Contemporary Cinema, 124–40. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230592926_8.
Full textMeek, Allen. "The Past Awaits: Migrant Histories and Multidirectional Memory in the Cinema of Vincent Ward." In Migrant and Diasporic Film and Filmmaking in New Zealand, 35–49. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1379-0_2.
Full textThornley, Davinia. "“A Space Being Right on That Boundary”: Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema." In Cinema, Cross-Cultural Collaboration, and Criticism, 74–102. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137411570_4.
Full textHjort, Mette, and Duncan Petrie. "New Zealand." In The Cinema of Small Nations, 160–76. Edinburgh University Press, 2007. http://dx.doi.org/10.3366/edinburgh/9780748625369.003.0010.
Full textWatson, Chris. "New Zealand Film Censorship." In Contemporary New Zealand Cinema. I.B.Tauris, 2018. http://dx.doi.org/10.5040/9780755697151.chapter5.
Full textHardy, Ann. "Beyond Materialism?:Spirituality and Neo-Utopian Sensibility in Recent New Zealand Film." In Contemporary New Zealand Cinema. I.B.Tauris, 2018. http://dx.doi.org/10.5040/9780755697151.chapter8.
Full textWaller, Gregory A. "The New Zealand Film Commission:Promoting an Industry, Forging a National Il." In Contemporary New Zealand Cinema. I.B.Tauris, 2018. http://dx.doi.org/10.5040/9780755697151.chapter1.
Full textGoldson, Annie, and Jo Smith. "The Contested Nation:Documentary and Dissent." In Contemporary New Zealand Cinema. I.B.Tauris, 2018. http://dx.doi.org/10.5040/9780755697151.chapter10.
Full textMurray, Staurt. "’Precarious Adulthood’:Communal Anxieties in 1980s film." In Contemporary New Zealand Cinema. I.B.Tauris, 2018. http://dx.doi.org/10.5040/9780755697151.chapter11.
Full textConference papers on the topic "New Zealand cinema"
Campbell, R. A., B. L. Chilvers, S. Childerhouse, and N. J. Gales. "Conservation management issues and status of the New Zealand (Phocarctos hookeri) and Australian (Neophoca cinerea) sea lion." In Sea Lions of the World. Alaska Sea Grant, University of Alaska Fairbanks, 2006. http://dx.doi.org/10.4027/slw.2006.29.
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