Relevant bibliographies by topics / New York Universalist Club

Academic literature on the topic 'New York Universalist Club'

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Published: 25 July 2024

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Journal articles on the topic "New York Universalist Club"

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Speyer, Katherine E. "New York State Club Association v. City of New York: The Demise of the All-Male Club." Pace Law Review 10, no. 1 (January 1, 1990): 273. http://dx.doi.org/10.58948/2331-3528.1461.

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Barrows, Clayton, and David Bachrach. "Private club culture in London and New York during the Victorian era." Hospitality & Society 00, no. 00 (July 7, 2021): 1–21. http://dx.doi.org/10.1386/hosp_00040_1.

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The private club literature is disparate and rarely draws comparisons between or among club cultures. In this article, club culture in New York and London are compared. Specifically, the history of private clubs in London and New York is explored, focusing on the latter part of the nineteenth century. Historical documents are reviewed in an attempt to establish the club culture in the respective cities, how clubs were viewed within their communities, and similarities that existed between ‘Club Land’ in London and similar club clusters in New York. While the press coverage in the respective cities seems to have been equally admiring of clubs and ‘clubmen’, some differences are identified between the respective club cultures and club identities, particularly with respect to the inclusivity of the clubs, and the expectations for the participation of women and married men in club life.
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Rider, Jacqueline H. "The Church Club of New York Library." Theological Librarianship 6, no. 2 (April 30, 2013): 29–33. http://dx.doi.org/10.31046/tl.v6i2.296.

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Organized in 1887 by religious, financial, and social leaders in Manhattan, the Church Club of New York holds a library of some 1,500 volumes. It documents the religious roots and theological framework of New York’s financial elite, the birth of the Episcopal Church, and mainline American Protestantism’s reaction to the Social Gospel movement in the early 20th century. This essay discusses how titles illustrate the challenges these gentlemen confronted to their roles and their church’s identity in a rapidly changing society. Industrialization, modernization, immigration were all affecting their personal, professional, and spiritual lives. It also reflects on how the collection as a whole mirrors the evolution of one sector of 20th century American culture.
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Shubitz, Scott M. "LIBERAL INTELLECTUAL CULTURE AND RELIGIOUS FAITH: THE LIBERALISM OF THE NEW YORK LIBERAL CLUB, 1869–1877." Journal of the Gilded Age and Progressive Era 16, no. 2 (March 29, 2017): 183–205. http://dx.doi.org/10.1017/s1537781417000056.

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This essay addresses the question of how the idea of liberalism and antireligious sentiment became associated during the Gilded Age. The subject of this essay—the New York Liberal Club, a debate and lecture group in New York City (1869–1877)—sheds light on the process in which liberalism, as an idea, outgrew its religious origins in early nineteenth-century America and more than ever became linked with antireligious sentiment. In the case of the New York Liberal Club, this development owed to the club's connection to social science and members' participation in the contentious debate over science and religion during the 1870s. In addition, it partly owed to club members' conception of liberalism as tolerance, open-mindedness, and a commitment to the free exchange of ideas. Because of this conception of liberalism, many club members saw liberalism and social science as a common cause, since both reflected a dedication to improving the world through free inquiry. Ultimately, these conceptions, as well as discourse at the club, led many observers in the public to incorrectly view all Liberal Club members (and liberalism itself) as in opposition to faith and religious belief.
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Goosman, Stuart L., and Bruce A. MacLeod. "Club Date Musicians: Playing the New York Party Circuit." Notes 52, no. 1 (September 1995): 122. http://dx.doi.org/10.2307/898830.

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Gay, Leslie C., and Bruce A. MacLeod. "Club Date Musicians: Playing the New York Party Circuit." Ethnomusicology 40, no. 3 (1996): 520. http://dx.doi.org/10.2307/852477.

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Stripp, Dorothy. "1886–1986 New York Mineralogical Club 100-Year Anniversary." Rocks & Minerals 61, no. 1 (January 1986): 13–18. http://dx.doi.org/10.1080/00357529.1986.11768426.

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Stripp, Dorothy M. "The 100th Anniversary of the New York Mineralogical Club." Rocks & Minerals 62, no. 2 (March 1987): 90–92. http://dx.doi.org/10.1080/00357529.1987.11762635.

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Dicarlo, Abby L. "Kim Price-Glynn.Strip Club: Gender, Power, and Sex Work. New York: New York UP, 2010." Women's Studies 43, no. 1 (January 2, 2014): 103–6. http://dx.doi.org/10.1080/00497878.2014.852432.

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Joyce, H. Horatio. "Disharmony in the Clubhouse." Journal of the Society of Architectural Historians 78, no. 4 (December 1, 2019): 422–41. http://dx.doi.org/10.1525/jsah.2019.78.4.422.

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In Disharmony in the Clubhouse: Exclusion, Identity, and the Making of McKim, Mead & White's Harmonie Club of New York City, H. Horatio Joyce offers the first sustained case study of one of McKim, Mead & White's New York clubhouses. The Harmonie Club was a Jewish club, and Joyce explores how and why a firm associated with powerful Protestant interests came to design its home. His reconstruction of that story provides an unusually intimate portrait of an instance when the categories of race, gender, and class intersected to shape American society in the Gilded Age.
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Dissertations / Theses on the topic "New York Universalist Club"

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Seniuta, Isabella. "Histoire du Eye Club : les valeurs de la photographie : Paris-New York (1960-1989)." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H004.

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Cette thèse s’interroge sur l’invention d’une formule : The Eye Club. Inventée par l’historienne américaine Eugenia Parry, elle désigne un regroupement actif dans les années 1960-1990 composé de : Pierre Apraxine, Hugues Autexier, François Braunschweig, Françoise Heilbrun, André Jammes, Gérard Lévy, Harry Lunn, Philippe Néagu, Alain Paviot, Richard Pare, Sam Wagstaff et Robert Mapplethorpe. Ces douze figures vivent entre la France et les États-Unis et sont rattachées par plusieurs facteurs culturels et temporels. Ce «club» n’est pas à proprement parler un cercle de sociabilités, c’est une constellation, une nébuleuse faite de positionnements culturels épars et de projets artistiques divers. La question principale qui a guidé cette enquête est la suivante : en quoi ce Eye Club et ses acteurs, pris individuellement, ont-t-ils contribué à réévaluer la valeur commerciale, esthétique et institutionnelle, de la photographie dans les années 1960-1990 entre Paris et New York ? La chronologie démarre avec les engagements d’André Jammes dans le monde de la photographie au tournant des années 1960 et se termine en 1989, l’année de la mort de Mapplethorpe. L’enquête réalisée dans les archives et auprès des acteurs a fait émerger des noms connus, et d’autres, qui sont demeurés dans les coulisses de l’histoire. Cette étude se propose de lever le voile sur un réseau interdépendant d’acteurs, dont les intérêts communs pour la photographie ont permis de créer le marché de la photographie, tel que nous le connaissons aujourd’hui, et son institutionnalisation. Le premier volume de la thèse propose, dans une perspective transatlantique, une réflexion sur ce regroupement à partir des images et des correspondances. Le second volume rassemble vingt-quatre entretiens réalisés au cours des cinq années de recherche. D’abord avec les figures du Eye Club (Pierre Apraxine, Françoise Heilbrun, Richard Pare et Alain Paviot), puis avec les familles des acteurs du Eye Club et enfin avec diverses personnalités du monde photographique (Frish Brandt, Peter Bunnell, Denis Canguilhem, Sylviane De Decker, Viviane Esders, Patrick Faigenbaum, Philippe Garner, Maria Morris Hambourg, Susan Kismaric, Hans Peter Kraus Jr., Harold Jones, Baudoin Lebon, Eugenia Parry, Françoise Reynaud, Samia Saouma et Daniel Wolf). Ensemble, les deux volumes esquissent une histoire de rencontres entre des passionnés de photographie qui s’est principalement articulée sous une forme orale entre la France et les États-Unis dans les années 1960-1980
This thesis questions the invention of a phrase : The Eye Club. Invented by the American historian Eugenia Parry, it has been designating a grouping active in the 1960s-1980s composed of : Pierre Apraxine, Hugues Autexier, François Braunschweig, Françoise Heilbrun, André Jammes, Gérard Lévy, Harry Lunn, Philippe Néagu, Alain Paviot, Richard Pare, Sam Wagstaff and Robert Mapplethorpe. These twelve characters lived between France and the United States and are connected and related by several cultural and temporal factors. This grouping is not, strictly speaking, a circle of sociability, it is rather a constellation or a nebula made of scattered cultural positions and diverse artistic projects. The main question that guided this survey is the following: in what way does the Eye Club and its individual actors contributed to the re-evaluation of the commercial, aesthetic and institutional value of photography between the early 1960s and the late 1990s among Paris and New York ? The chronology begins with André Jammes' involvement in the world of photography and ends in 1989, the year of Mapplethorpe's death. An inquiry of archives and key players has brought to light some well-known names, and others that remained in the shadow of history. This study aims at unveiling an interdependent network of actors, whose common interests in photography have made it possible to establish, in one generation, the photography market as we know it today. The first volume of the thesis offers, from a transatlantic perspective; an investigation and analysis of this based on photographs and correspondences. The second volume brings together twenty-four interviews conducted over my five years of doctoral research. First with the main protagonists of The Eye Club (Pierre Apraxine, Françoise Heilbrun, Richard Pare and Alain Paviot), then with the families of The Eye Club and finally with various personalities from the world of photography (Frish Brandt, Peter Bunnell, Denis Canguilhem, Sylviane De Decker, Viviane Esders, Patrick Faigenbaum, Philippe Garner, Maria Morris Hamburg, Susan Kismaric, Hans Peter Kraus Jr, Harold Jones, Baudoin Lebon, Eugenia Parry, Françoise Reynaud, Samia Saouma and Daniel Wolf). Together, the two volumes sketch a history of encounters between photography enthusiasts that has, up to now, been mainly articulated in oral form between France and the United States in the 1960s and 1980s
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Richman, Lisa Helene. "From Subculture to Mass Culture: The Impact of Internet Photography on the New York Club Scene." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1205860298.

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Edmonson, Patricia K. "The tension between art and industry the Art-In-Trades Club of New York, 1906-1935 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 121 p, 2008. http://proquest.umi.com/pqdweb?did=1605134201&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Hadjistoyanova, Iliyana. "“Under the glorious inter-American flag of New York” : Club Cubano Interamericano and the process of Cuban American community formation in New York City in the early 20th century." Thesis, 2013. http://hdl.handle.net/2152/24331.

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This report explores Club Cubano Inter-Americano’s history in order to show how it helped situate Cuban immigrants within the Anglo and Latino communities in New York City in the early 20th century, and it examines the ways in which immigrants balanced their island heritage with community building in the United States. The different parts of the report focus on the organization’s foundation, leadership, activities, events, and treatment of race. A historiography of similar social groups provides a necessary background of the overall structure and goals of Cuban mutual-aid societies. Although the question of race was never officially present in Club-related rhetoric, a number of similarities link its makeup and functions to an existing tradition of Afro-Cuban mutual-aid societies on the island and abroad. The analysis of the New York Club Cubano Inter-Americano provides a glimpse into a part of the Cuban migration in the United States that simply does not fit with the rest.
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Books on the topic "New York Universalist Club"

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Club, New York Library. New York Library Club centennial program. New York: The Club, 1985.

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Harrington, Melissa H. The New York Yacht Club, 1844-1994. Lyme, Conn: Greenwich Pub. Group, 1994.

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New York Employment Discrimination Law and Practice Conference (1998 New York, N.Y.). New York Employment Discrimination Law and Practice Conference: Wednesday, November 18, Princeton Club, New York, New York. [S.l: s.n., 1998.

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Eidus, Janice. The celibacy club. San Francisco: City Lights, 1997.

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1941-, Brockman John, ed. The Reality Club. New York: Lynx Books, 1988.

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Stock-Morton, Phyllis. Universalism in New York City: A history of the Fourth Universalist Society, 1838-1998. New York: Printed at Photo Comp Press, 1999.

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Rousmaniere, John. The New York Yacht Club: A history, 1844-2008. New York: New York Yacht Club, 2008.

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MacLeod, Bruce A. Club date musicians: Playing the New York party circuit. Urbana: University of Illinois Press, 1993.

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Wolff, Geoffrey. The final club. New York: Knopf, 1990.

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Wolff, Geoffrey. The final club. New York: Vintage Books, 1991.

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Book chapters on the topic "New York Universalist Club"

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Chou, Chih-P’ing. "Speech Before the Economic Club of New York." In English Writings of Hu Shih, 133–35. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33164-0_25.

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Arroyo, Ignacio. "Inter-Club New York Produce Exchange Agreement (As Amended May 1984)." In Yearbook Maritime Law, 457–60. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-017-3707-4_39.

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Weale, John. "Cargo liabilities under the New York Produce Exchange time charter and the Inter-Club Agreement." In Charterparties, 103–36. Other titles: Charter partiesDescription: First edition. | Abingdon, Oxon [UK] ; New York : Informa Law from Routledge, 2018. | Series: Maritime and transport law library: Informa Law from Routledge, 2017. http://dx.doi.org/10.4324/9780203730416-7.

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"The New York Camera Club." In Sadakichi Hartmann, 117–21. University of California Press, 1991. http://dx.doi.org/10.1525/9780520909588-018.

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Emblidge, David. "New York." In The Appalachian Trail Reader, 260–73. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195100914.003.0015.

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Abstract New York Ramblers hiking club on Black Mt., Harriman State Park, New York. Trail miles: 95 Trail maintenance: New York-New Jersey Trail Conference Highest point: Prospect Rock, 1,433 ft., on Prospect Mt., near Greenwood Lake Lowest point on the AT: 124 ft., near Bear Mt. Bridge Broadest river: Hudson, crossable on Bear Mt. Bridge Features: Surprisingly wild areas, with sharp climbs and descents, yet so close to New York City (views of Manhattan, 50 miles distant, at several points). First section of the AT was built in Bear Mt. State Park, 1922-23.
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Hill, Constance Valis. "Blackbirds in New York." In Brotherhood in Rhythm, 39–64. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197523971.003.0003.

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This chapter narrates the performances of the Nicholas Kids/Nicholas Brothers in various contexts including Pie, Pie, Blackbird, a Vitaphone short subject film featuring Eubie Blake and his jazz orchestra, and the twenty-first edition of the Cotton Club Parade with Cab Calloway and His Cotton Club Orchestra. The Cotton Club became home base for the Nicholases, despite the strict segregation of the races (all performers black, clientele white) and afforded them the opportunity to hone their musical routines under the auspices of Cab Calloway and Duke Ellington’s bands.
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"The Life Stinks Club." In The Man Who Saved New York, 7–27. SUNY Press, 2010. http://dx.doi.org/10.1515/9781438434544-003.

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Hartmann, Sadakichi. "The New York Camera Club (1900)." In Sadakichi Hartmann, 117–21. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501165.20.

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"A Club Man in New York." In Lincoln's Confidant, 183–98. University of Illinois Press, 2019. http://dx.doi.org/10.5406/j.ctvcmxp7c.14.

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"5. Grossinger’s Hotel and Country Club – Acculturation in Style." In New York Hotel Experience, 259–312. transcript-Verlag, 2017. http://dx.doi.org/10.14361/9783839437810-007.

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Reports on the topic "New York Universalist Club"

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CAMHS around the Campfire journal club - Adolescent gender diversity: sociodemographic correlates and mental health outcomes in the general population (recording). ACAMH, June 2022. http://dx.doi.org/10.13056/acamh.20577.

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For this session we welcomed Assistant Professor Dr. Akhgar Ghassabian, Department of Pediatrics, New York University School of Medicine, to discuss her JCPP paper ‘Adolescent gender diversity: sociodemographic correlates and mental health outcomes in the general population’.
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