Dissertations / Theses on the topic 'New York after September 11'

Public Relations advertisements in crisis situations are vital to the image of a company. The actions the company takes are complemented by the type of advertisements that are run as a result of the crisis. These ads help the organization in crisis state their position and communicate with their publics. This study is unique in that The New York Times itself was not in crisis, however, they produced ads for a country that was. This study examines the “Make Sense of Our Times” campaign run in The New York Times after September 11 th . This campaign used Norman Rockwell images that had one element altered to reflect the aftermath Americans were living during the post September 11 th tragedy. The purpose of this study was to determine the factors that motivated the creation of this campaign, and determine if this series of ads can be considered soft-sell public relations, as well as public relations stewardship. (Abstract shortened by UMI.)

This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in the aftermath of an event in which certain individuals have sought to eradicate it. The fragmentation of the affected body in these scenarios is understood as further complicating processes of grief and remembrance. Artists who reject political polemic and engage with the dimensions of human loss are seen to have discovered means of referring to the absence caused by the act of terrorism. Three such recurring representations present themselves: ash and remnants, presence/absence and memory building. Phantom Bodies are perceived as simultaneously functioning as a reminder of the event itself, insisting upon the response of bearing witness, and as a symbol of the overwhelming power of humanity. Challenges arise when individuals or sections of the affected society deem these artworks to be inappropriate or explicit. Works considered include: Neil LaBute's play The Mercy Seat, Sigalit Landau's art installation The Country, Jonathan Safran Foer's Extremely Loud & Incredibly Close, Spike Lee's 25th Hour, Daniel Libeskind's architectural plans for the World Trade Center site, Eric Fischl's sculpture 'Tumbling Woman', Honor Molloy's autodelete://beginning dump of physical memory and A.B.Yehoshua's A Woman in Jerusalem. The accompanying play, Tales of Ash: A diptych for the theatre, is set in Melbourne, New York and Tel Aviv and deals with life in the face of and after terror. It veers between naturalism, poetic monologue and the epic. Tales of Ash contains two plays. The first centres on Mia, a young sculptor living in New York, who loses both her lover and her creativity on September 11. Upon returning to her home in Melbourne, she finds familial bonds still entwined with guilt and family trauma. The second play revolves around Ilana and Benny, two people living in Tel Aviv, who find themselves suddenly thrust together after a devastating bombing. As they attempt to resume rhythms of life, in the face of all the inherent ferocity of a modern existence in Israel, the struggle between The Ash Woman and The Ash Takers escalates.

This thesis is an examination of representations of Muslim women in the American print media. I focus on one particular publication, The New York Times within a time frame surrounding the events of September 11, 2001. Articles were selected from this publication that fell within the time period of September 11, 2000 to September 11, 2002, in selecting articles, I chose those based on their inclusion of any discussion that clearly identified those discussed as Muslim women, through the use of the words "Muslim" or "Islamic" in their descriptions. The case study was carried out by reading through each daily edition of The New York Times in order to identify any articles that fell within my criteria. I also used an online database containing abstracts of the publication to verify that no article of relevance was overlooked. I then devised 5 categories within which to analyze the representations of Muslim women that were found within these articles, "Veil", "Biographical", "Women's Issues", "Politics" and "Muslims in the West". The main goal of this thesis is to determine how Muslim women are represented within this particular publication and to analyze whether the events of September 11, 2001 had any effect on how Muslim women were portrayed in The New York Times articles.

Thesis (M.S.)--Naval Postgraduate School, 2007.
Title from title page of source document (p. iii) (viewed on December 6, 2007). Includes Report documentation page (p. ii). Thesis Advisor(s): Susan G. Hutchins, Anthony Kendall. "June 2007." Includes bibliographical references (p. 171-176 ). Also available in print.

Includes bibliographical references (leaves 75-82).
From its founding, New York City has served as the gateway to the New World and, as such, has been the impetus behind the American Dream. As the city grew in size and importance, though, so the levels of antagonism rose among its inhabitants, for, like any large-scale urban environment, it was filled with what Georg Simmel labels 'overwhelming social forces' (1950:410). These forces became even more relevant within the context of what Fredric Jameson calls the 'postmodern hyperspace' (1984:83) of urban society which emerged during the latter half of the twentieth century. Thus, by focusing on the real-world example of New York, this dissertation examines how the dialectical negotiation between a postmodern city's form and its function has a profound impact on the identities of that city's inhabitants, producing alienating and antagonistic experiences of city life which, in turn, places increasing pressure on both the conception and perception of an individual's status within the boundaries of that cityscape. The terrorist attacks that occurred on 11 September 2001 functioned as yet another overwhelming force that greatly affected New York's inhabitants. The dedicated media coverage of the event effectively burned the image of a 'wounded' New York into people minds. This emotional imprinting occurred not only because of the horrifying destruction wrought upon the city, leading to the loss of the spectacle that was the World Trade Centre, but also because of the change that this destruction brought about in the mindset of everyone who watched those buildings fall, leading to the establishment of a 'before' and 'after' dialectic. Two literary texts that highlight this dialectic were chosen to provide the basis of this dissertation's analysis. These are Salman Rushdie's Fury (2001) and Don DeLillo's Falling Man (2007). Written and set in 2000, Fury provides an insightful and provocative account of life in New York at the turn of the twenty-first century and, through a retrospective reading of this novel, one can identify its prescience in depicting a New York in which the escalating antagonism, both within and without the city, seems to herald impending disaster. Indeed, that disaster was the 9/11 attacks, which Falling Man takes as its subject, providing individualised, albeit 3 fictional, accounts of the trauma that was experienced by those who were in the towers and their families, as well as those who witnessed it. By offering an analysis of Rushdie and DeLillo's narrative strategies in these novels, specifically in light of Michel Foucault's theory of the heterotopia, Italo Calvino's conception of the 'infernal city' in his Invisible Cities (1974), and the work of key 9/11 theorists this dissertation will plot the trajectory of the 'before' and 'after' dialectic in order to ascertain how effectively these novels function as (re)presentations of the real-world city of New York.

Although it is widely recognized that Muslims and Middle Easterners were negatively portrayed in the media after the terrorist attacks on September 11, 2001, few scholars examine the long term media presentations of Islam in the United States. The studies that have explored the relationship of the portrayal of Islam by the media have used short term, limited sampling techniques, which may not properly reflect the popular media as a whole. The current research uses data from the New York Times from 2000-2008 in order to determine whether the popular media was portraying Islam in a disparaging manner. The analysis includes the use of noun phrases in the publications in order to establish if the media portrays Muslims and Islam negatively. In particular, I am interested in the trends of this media's representation of Islam, if the publications promoted a stigma towards Islam, and if the trend continued from 2000 to 2008. The results of the analyses are presented and discussed. The need for additional research in this area is also discussed.
M.A.
Department of Sociology
Sciences
Applied Sociology MA

Les attaques du 11 septembre 2001 sur le sol américain ont eu un impact incontestable dans les sphères politique, religieuse, sociale mais aussi culturelle de ce début de siècle. Elles ont mis à l'épreuve les positions idéologiques d'une certaine idée américaniste née avec les États-Unis et encore largement partagée. Si les images de l'effondrement des deux tours du World Trade Center ont symbolisé une rupture jugée historique, la catastrophe nationale a nourri depuis lors un grand nombre de représentations fictionnelles. À travers l'étude de dix-huit œuvres publiées dans la décennie qui a suivi - diverses dans leur nature mais emblématiques par leur impact sur la culture étasunienne -, notre travail prétend mettre au jour une logique temporelle opératoire, une typologie égrenant les différentes étapes du travail de deuil, de la sidération à l'éventuelle reconstruction. L'analyse diachronique de ce corpus, tourné vers la culture étasunienne dans son rapport à l'histoire des idées politiques, entend ainsi mettre en perspective le rôle de la fiction face au choc du 11 septembre. Ceci dans le but de saisir les évolutions et les limites de la fiction, lorsque celle ci se met à l'épreuve du réel.

This research explored how Arab American couples found the strength and resilience that empowered them to overcome the terrorist attacks of September 11th and the aftereffects that followed. Utilizing a family resiliency model grounded in systems theory and social constructionism, I interviewed 18 Arab American couples from the New York and New Jersey areas. I applied a phenomenological method of inquiry to gather the experiences of Arab American couples in order to understand the protective processes of resilience. Couples reported fear and caution because of incidents of threats and violence against Arabs in the United States. Some couples described incidents against them. Couples accessed a variety of resources to survive the aftereffect. These included coping skills developed during previous experiences of terror, American community support, determination, and religion. There were four major conclusions: resilient marriages, larger systems, process of identity, and religion: unify and identity. I discussed these conclusions in the context of the conceptual framework and made clinical and theoretical implications.
Ph. D.

Serving as an unfortunate benchmark for the twenty-first century, 9/11 has completely altered society’s perceptions of personal safety, security and social identity, along with provoking intense emotional reactions. One outlet for these resulting emotions has been through art and literature. Five years have since passed and contemporary authors are still struggling to accurately represent that tragic day and its consequent impression. This paper provides an analysis of how the events of 9/11 have been incorporated into adult fiction. Variations of themes related to psychology, interpersonal relationships, political and social perspectives, and heroism were found to be used most frequently among authors.

This is one of the first qualitative studies to investigate experiences of Korean-American Christians living in New York City at the time of 9/11. This study sought to gain an understanding of how a group of Second Generation Korean-American Christians living in New York City at the time of the 9/11 attacks experienced that event and the event's impact on their religious beliefs. The study also investigated the communication context at the time of the ten year anniversary of the event, September 11th, 2011. The guiding research questions were: RQ1) What were their life experiences of 9/11? RQ2) Was their religious status affected by the event? RQ3) What is being communicated about 9/11 after 10 years? The research design was a phenomenological study that included eight individual interviews with second generation Korean-Americans who were 14-18 years of age at the time of the 9/11 attacks. Four initial macro level thematic patterns emerged: I: The day of the attack. II: Immediate Post 9/11. III: Religious Impact. IV: 9/11 Ten years later. Some key findings in the study included narratives of various emotional responses to the event, such as panic, disbelief, and fear. Age was significant, as participants recognized how their age during and after the event, impacted their lived experiences and understanding of 9/11. Location impacted participants and their loved ones. Each participant was in high school during 9/11 which affected ways of gathering information, the impact of seeing smoke coming from the World Trade Towers, and having poor cell phone reception. The study also revealed that two participants became more religious and active in the Christian church directly because of 9/11, while the attitudes, beliefs, and practices of the other six participants were found to be unaffected by 9/11. At the ten year anniversary of 9/11 safety in New York City and in U.S. post 9/11, 'feeling vulnerable' to attacks, and 9/11 being `just another day' were among the issues addressed by participants.

The purpose of this study was to examine what, if any, symptoms of a traumatic stress reaction were still being experienced by police officers, as a result of the events of September 11, 2001, who were geographically distant from the events of that day. Participants included 60 police officers at two southern California law enforcement agencies.

PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
O objetivo da dissertação é analisar o conceito de terrorismo presente em reportagens de dois dos principais jornais americanos - The New York Times e The Washington Post - no período entre os ataques de 11 de setembro de 2001 e o início da guerra ao governo Talibã, no Afeganistão. Os parâmetros da análise foram propostos a partir de dois importantes debates acadêmicos relacionados ao conceito de terrorismo. Trata-se do debate sobre a questão da legitimidade do uso da violência para fins políticos e do debate sobre a existência de um novo terrorismo no mundo contemporâneo. A proposta da dissertação foi avaliar quais respostas a alguns dos principais questionamentos dos debates acadêmicos podem ser encontradas no conteúdo dos jornais americanos, nos dias seguintes aos maiores atentados da história.
This dissertation seeks to analyze the concept of terrorism that can be found in the news articles from two main American newspapers - The New York Times and The Washington Post - in the period between the attacks of september 11 and the war against the Taliban government in Afghanistan. As parameters to the analysis, we used questions raised from two main academic debates related to the concept of terrorism. That refers to the debate about legitimacy and the use of political violence and to the debate about the existence of a new terrorism in the contemporary world. Our proposal was to disclose some of the answers to this academic questions that can be found in the content of the articles, in the aftermath of the greatest terrorist attacks in history.

The aim with this research essay is to examine how Muslims and Arabs are depicted in aselection of four American newspapers following the terror attack on the World Trade Center andthe Pentagon. In order to examine my two main question, I have two theories in which myresearch is based on and they are the framing theory and the postcolonial theory. Said’s theorieson orientalism are also big part of this research essay. For my method, I have chosen a qualitativecontent analysis. This form of method gives me the opportunity to study the newspaper in depthand to identify the framework in which the newspaper operates in. It is my aim to showcase howMuslims and Arabs are seen by the American media landscape and how news media can shapeour understanding of the world we live in. Be using word such as terrorism, Middle Easternbased when writing about Muslims and Arabs, the general public will associate Islam withterrorism. How we interpret the news is largely due to how we view the world around us, and byusing hidden codes news media can shape one’s perspective on the world.

Al Qaeda killings, posttraumatic stress, and the Gothic together triangulate a sizable space in recent American fiction that is still largely uncharted by critics. This thesis maps that shared territory in four novels written between 2005 and 2007 by writers who were born in America, and whose protagonists are the survivors in New York City after the World Trade Center falls. Published in the city of their tragedy and reviewed in its media, the novels surveyed here include Don DeLillo’s _Falling Man_ (2007), Jonathan Safran Foer’s _Extremely Loud and Incredibly Close_ (2005), Lynne Sharon Schwartz’s _The Writing on the Wall_ (2005), and Jess Walter’s _The Zero_ (2006). The thesis issues a challenge to the large number of negative and dismissive reviews of the novels under consideration, making a case that under different criteria, shaped by trauma theory and psychoanalysis, the novels succeed after all in making readers feel what it was to be alive in September 2001, enduring the posttraumatic stress for months and years later. The thesis asserts that 9/11 fiction is too commonly presented in popular journals and scholarly studies as an undifferentiated mass. In the same critical piece a journalist or an academic may evaluate narratives in which unfold a terrorist's point of view, a surviving or a dying New York City victim's perspective, and an outsider's reaction set thousands of miles away from Ground Zero. What this thesis argues for is a separation in study of the fictive strands that meditate on the burning towers, treating the New York City survivor story as a discrete body. Despite their being set in one of the most known cities of the Western world, and the terrorist attack that they depict being the most- watched catastrophe ever experienced in real-time before, these fictions have not yet been critically ordered. Charting the salient reappearing conflicts, unsettling descriptions, protagonist decay, and potent techniques for registering horror that resurface in this New York City 9/11 fiction, this thesis proposes and demonstrates how the peculiar and affecting Gothic tensions in the works can be further understood by trauma theory, a term coined by Cathy Caruth in Unclaimed Experience (1996: 72). Though the thesis concentrates on developments in trauma theory from the mid 1990s to 2015, it also addresses its theoretical antecedents: from the earliest voices in the late nineteenth and early twentieth centuries that linked mental illness to a trauma (Charcot, Janet, Breuer, Freud), to researchers from mid-twentieth century (Adler, Lindemann) who studied how catastrophe affects civilian minds not previously trained to either fight war or withstand cataclysm. Always keeping at the fore the ancient Greek double-meaning of trauma as both unhealing “wound” and “defeat,” the thesis surveys tenets of the trauma theorists from the very first of those who studied the effects on civilian survivors of disaster (of what is still the largest nightclub fire in U.S. history, which replaced front page coverage of World War II for a few days: the Cocoanut Grove blaze in Boston, 1942) up to those theorists writing in 2015. The concepts evolving behind trauma theory, this thesis demonstrates, provide a useful mechanism to discuss the surprising yearnings hiding behind the appearance of doppelgängers, possession ghosts, terrorists as monsters, empty coffins, and visitants that appear to feed on characters’ sorrow, guilt, and loneliness within the novels under discussion. This thesis reappraises the dominant idea in trauma studies of the mid-1990s, namely that trauma victims often cannot fully remember and articulate their physical and psychic wounds. The argument here is that, true to the theories of the Caruthian school, the victims in these novels may not remember and express their trauma completely and in a linear fashion. However, the victims figured in these novels do relate the horrors of their memory to a degree by letting their narration erupt with the unexpectedly Gothic images, tropes, visions, language, and typical contradictions, aporias, lacunae, and paradoxes. The Gothic, one might say, becomes the language in which trauma speaks and articulates itself, albeit not always in the most cogent of signs. One might easily dismiss these fleeting Gothic presences that characters conjure in the fictions under consideration as anomalous apparitions signalling nothing. However, this thesis interrogates these ghostly traces of Gothicism to find what secrets they hold. Working from the insights of psychoanalysis and its post-Freudian re-inventers and challengers, it aims to puzzle out the dimensions of characters’ mourning in its “traumagothic” reading of the texts. Characters’ use of the Gothic becomes their way of remembering, a coded language to the curious. This thesis holds that unexpressed grief and guilt are the large constant in this grouping of novels. Characters’ grief articulation and guilt release, or the desire for symbolic amnesia, take paths that the figures often were suspicious of before 9/11: a return to organized religion, a belief in spirits, a call for vengeance, psychotherapy, substance abuse, splitting with a partner, rampant sex with nearby strangers, torture of suspects, and killing. All the earnest attempts through the above means by the characters to express grief, vent rage, and alleviate survivor guilt do so without noticeable success. True closure towards their trauma is largely a myth. No reliable evidence surfaces from the close reading of the texts that those affected by trauma ever fully recover. However, as this thesis demonstrates, other forms of recompense come from these searches for elusive peace and the nostalgic longing for the America that has been lost to them.

This thesis looks at the missiological implications of church planting in global cities. Chapter 1 introduces the main argument for this thesis: that all evangelism strategies should hold church planting as the end goal and that the most strategic places to implement these strategies are our global cities as evidenced by what has happened in New York City. The chapter will begin with a look at the significant movement that has happened in Manhattan over a twenty year period (1990- 2010) with the evangelical population of the city growing from less than one percent evangelical to now more than three percent. An introduction to the definition of global cities will segue into a look at the imperative for church planting initiatives in these cities. Chapter 2 will offer a deeper study of the characteristics of a global city and the missiological significance of such cities. It will explore world urbanization in light of the fact that over 50 percent of the world now lives in cities. The strategic nature of the cities will be analyzed given the influence that global cities have on the culture of the rest of the world. Finally, New York City will be shown as a global city and its significance on the missiological landscape will be highlighted. Chapter 3 provides a history of some of the major New York City church planting initiatives. Specifically, it will review the church planting history of Concerts of Prayer and the Church Multiplication Alliance, Timothy Keller and Redeemer Presbyterian Church and Jim Cymbala and The Brooklyn Tabernacle. Lastly this chapter will reveal methodologies used by other prominent ministries to reach the city context. Chapter 4 will look at implications learned from New York City on how a global city church planting strategy could impact the Southern Baptist Convention. A look at the history of SBC church planting in New York City will be looked at with special attention being paid to the effectiveness of these strategies. Chapter 5 will conclude this thesis with a look at the lessons learned during this research process. It will also look at three areas of further study that are needed. This work contends that the priority of all missions strategies should be a focused approach on global city church planting. This will prove to be an effective use of people and financial resources that ultimately has an impact on the whole world.