Academic literature on the topic 'New World Baroque'
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Journal articles on the topic "New World Baroque"
Salgado, Cesar Augusto. "Hybridity in New World Baroque Theory." Journal of American Folklore 112, no. 445 (1999): 316. http://dx.doi.org/10.2307/541365.
Full textZamora, Lois Parkinson. "New World Baroque, Neobaroque, Brut Barroco: Latin American Postcolonialisms." PMLA/Publications of the Modern Language Association of America 124, no. 1 (January 2009): 127–42. http://dx.doi.org/10.1632/pmla.2009.124.1.127.
Full textKaup, Monika. "“¡Vaya Papaya!”: Cuban Baroque and Visual Culture in Alejo Carpentier, Ricardo Porro, and Ramón Alejandro." PMLA/Publications of the Modern Language Association of America 124, no. 1 (January 2009): 156–71. http://dx.doi.org/10.1632/pmla.2009.124.1.156.
Full textKaup, Monika. "Becoming-Baroque: Folding European Forms into the New World Baroque with Alejo Carpentier." CR: The New Centennial Review 5, no. 2 (2005): 107–49. http://dx.doi.org/10.1353/ncr.2005.0043.
Full textEgginton, W. "The Corporeal Image and the New World Baroque." South Atlantic Quarterly 106, no. 1 (January 1, 2007): 107–27. http://dx.doi.org/10.1215/00382876-2006-017.
Full textReddaway, Richard. "The Unexpected Baroque: Complexities in the Other New World." Journal of Iberian and Latin American Research 21, no. 2 (May 4, 2015): 213–22. http://dx.doi.org/10.1080/13260219.2015.1093028.
Full textOchoa, John. "The Inordinate Eye: New World Baroque and Latin American Fiction." Comparative Literature Studies 45, no. 3 (January 1, 2008): 373–76. http://dx.doi.org/10.2307/complitstudies.45.3.0373.
Full textEgginton, W. "The Inordinate Eye: New World Baroque and Latin American Fiction." Modern Language Quarterly 69, no. 2 (January 1, 2008): 310–13. http://dx.doi.org/10.1215/00267929-2007-041.
Full textCowan, Bainard. "The Inordinate Eye: New World Baroque and Latin American Fiction." Comparative Literature 61, no. 1 (January 1, 2009): 87–90. http://dx.doi.org/10.1215/00104124-2008-005.
Full textDowling, Lee H. "The Baroque Narrative of Sigüenza y Góngora. A New World Paradise." Calíope 2, no. 1 (January 1, 1996): 115–17. http://dx.doi.org/10.2307/44799269.
Full textDissertations / Theses on the topic "New World Baroque"
Flores, Pedro. "Transculturation and Hybridization in New World Baroque Art: A Study of a New World Identity as Defined by History and Art." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/54.
Full textPineda, Kim. "The New World Order: Ursulines, Music from the Court of Louis XIV, and Educational Outreach in Eighteenth-Century New Orleans." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18426.
Full textBinder, Leila. "Cloud village: a novel." Thesis, 2014. http://hdl.handle.net/2440/98269.
Full textThis thesis examines the moments in which the differences between cultures create new systems of meaning, the moments in which people reinvent themselves and their values, and in which a new language or expression is created. James Clifford calls these moments “Ethnographic Surrealism”, particularly when ethnography provides a critical distance from one’s own culture in order to subvert its assumptions. The creative part of this thesis may be seen as a work of ethnographic surrealism, because it places its main characters, a North American family, on a commune in an isolated mountain in Colombia where their cultural assumptions are denaturalised. Their endeavour is what Mary Louise Pratt called an “anti-conquest”. Instead of wishing to convert others, they wish to be converted by the local tribe. The family is unaware that they survey others with “imperial eyes”. This exegesis focuses specifically on the New World Baroque, an exuberant and inclusive style appropriate to a mestizo culture. It first discusses the Latin American neo-baroque, later expanding the category to certain North American works. Then it looks at the genre of magical realism as a subcategory of the neo-baroque. It uses Clifford’s conception of Ethnographic Surrealism’s juncture between cultures and the notion of a magical realist clash of paradigms to examine fiction about the Other, in particular The Lost Steps by Alejo Carpentier (the story of an anti-conquest) and One Hundred Years of Solitude by Garcia Marquez. It examines moments of ethnographically surrealist collage in which images of the culturally familiar and the strange are juxtaposed. Then it discusses North American works which contain an inclusive baroque spirit: the work of Henry Miller and the invented worlds of Ursula K. Le Guin. Ethnographic surrealism shares with the neo-baroque a sense of inclusiveness, proliferation, expansiveness and syncretism.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2014.
Books on the topic "New World Baroque"
The inordinate eye: New World Baroque and Latin American fiction. Chicago: The University of Chicago Press, 2006.
Find full textThe baroque narrative of Carlos de Sigüenza y Góngora: A new world paradise. Cambridge [England]: Cambridge University Press, 1994.
Find full textKorsten, Frans-Willem. A Dutch Republican Baroque. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982123.
Full textBlackburn, Robin. The making of New World slavery: From the Baroque to the Modern, 1492-1800. London: Verso, 1997.
Find full textInnocence abroad: The Dutch imagination and the New World, 1570-1670. Cambrdige, UK: Cambridge University Press, 2001.
Find full textParkinson, Zamora Lois, and Kaup Monika, eds. Baroque new worlds: Representation, transculturation, counterconquest. Durham, NC: Duke University Press, 2010.
Find full textCavana, Giovanni Nicolò. Lettere ad Angelico Aprosio (1665-1675). Edited by Luca Tosin. Florence: Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-236-9.
Full textThe World of Baroque Music: New Perspectives. Indiana University Press, 2006.
Find full textKoonce, Frank. Mel Bay Baroque Guitar in Spain and The New World. Mel Bay Publications, Inc., 2006.
Find full textThe Making Of New World Slavery From The Baroque To The Modern 14921800. Verso, 2010.
Find full textBook chapters on the topic "New World Baroque"
Gascoigne, John. "Crossing the Pillars of Hercules: Francis Bacon, the Scientific Revolution and the New World." In Science in the Age of Baroque, 217–37. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-4807-1_9.
Full textBaler, Pablo. "Hyperbaton: The World as Syntax." In Latin American Neo-Baroque, 67–101. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-59183-8_3.
Full textScholz, Thomas. "Where Discourse Meets Discworld: Labyrinths, Humour and the Neo-Baroque in Terry Pratchett’s Discworld Stories." In Terry Pratchett's Narrative Worlds, 227–45. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-67298-4_13.
Full text"Baroque, New World Baroque, Neobaroque." In Baroque New Worlds, 1–38. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822392521-003.
Full textGlissant, Édouard. "“Concerning a Baroque Abroad in the World” (1990)." In Baroque New Worlds, 624–26. Duke University Press, 2010. http://dx.doi.org/10.1215/9780822392521-030.
Full text"Three The Hidden God of the Baroque: Baroque Wonders, Baroque Tragedies." In Wonder and Exile in the New World, 72–113. Penn State University Press, 2015. http://dx.doi.org/10.1515/9780271063287-006.
Full text"Chapter Twenty-nine. Concerning a Baroque Abroad in the World." In Baroque New Worlds, 624–26. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822392521-032.
Full textChilders, William. "“Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal”." In Baroque New Worlds, 415–49. Duke University Press, 2010. http://dx.doi.org/10.1215/9780822392521-021.
Full text"Chapter Twenty. Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal." In Baroque New Worlds, 415–49. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822392521-023.
Full text"IV. Baroque Hedgehogs." In The New World of the Gothic Fox, 66–89. University of California Press, 1994. http://dx.doi.org/10.1525/9780520914032-005.
Full textConference papers on the topic "New World Baroque"
Dolinšek, Eva. "Monteverdi and Seconda Pratica: Music Should be at the Ser-vice of the Word." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d21.
Full textFranchini, Ado, and Carlo Alberto Maggiore. "The fragile heart of the city: the case of Ragusa, Sicily." In Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8162.
Full textLakićević, Milena, Ivona Simić, and Radenka Kolarov. "Designing parterres on the main city squares." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p66.
Full textColl-Pla, Sergio, Tatiana Medina-Sánchez, Denis Mayta-Ponce, Daniel Málaga-Montoya, Fernando Cuzziramos-Gutiérrez, and Agustí Costa-Jover. "Qualitative, historical, spatial, stylistic, and social assessment of heritage buildings in Arequipa for Cultural Heritage teaching in Schools of Architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15255.
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