Academic literature on the topic 'New liberator magazine'
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Journal articles on the topic "New liberator magazine"
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Smoliński, Sebastian. "Minority Views: “Liberator”, American Cinema, and the 1960s African American Film Criticism." Kwartalnik Filmowy, no. 120 (December 31, 2022): 144–63. http://dx.doi.org/10.36744/kf.1382.
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The article reconstructs the discourse of film criticism in Liberator – a radical African American magazine published between 1961 and 1971. Employing Pierre Bourdieu’s theory of the cultural field, the author situates Liberator within the context of the 1960s, civil rights movement, and Black Arts movement, and analyses the magazine’s role in film culture of the era, as well as the links between the magazine and important black filmmakers and film writers. Four aspects of Liberator’s film criticism are explored: cultural memory of past representations, criticism of genre filmmaking, the need for cinematic realism, and the possibility of creating a distinct black cinema. The case study of the critic Clayton Riley’s career presents an author who wanted to continue his radical criticism in the mainstream press (The New York Times). Liberator’s legacy is framed as essential in understanding the tradition of African American film criticism.
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Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (September 2011): 9–16. http://dx.doi.org/10.5816/blackscholar.41.3.0009.
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Tinson, Christopher M. "“Harlem, New York! Harlem, Detroit! Harlem, Birmingham!”: Liberator Magazine and the Chronicling of Translocal Activism." Black Scholar 41, no. 3 (September 2011): 9–16. http://dx.doi.org/10.1080/00064246.2011.11413561.
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Stauffer, Andrew M. "“THE KING IS COLD,” BY STODDARD, NOT BROWNING." Victorian Literature and Culture 36, no. 2 (September 2008): 361–62. http://dx.doi.org/10.1017/s1060150308080224.
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About a decade ago, I discovered an unknown poem attributed to Robert Browning in two New York abolitionist periodicals, and published an article about it here in Victorian Literature and Culture. I made the case that the poem, a dramatic monologue entitled “The King is Cold,” sounds like Browning in ways that suggest either its authenticity or the early familiarity of an American audience with Browning's style; and I closed the article with the statement, “By bringing ‘The King is Cold’ to light, I hope to encourage further speculation and inquiry as to its place either among Browning's collected works, or within the larger field of Browning scholarship that includes the study of his American reputation” (469). Since then, electronic databases have automated broad, sweeping searches of periodicals, and now the relevant information is easily discovered: the poem was in fact written by Richard Henry Stoddard, the American poet and man of letters. It was first published under Browning's name in the New York News sometime late in 1857, and was correctly ascribed to Stoddard in Russell's Magazine in December of that year; I found this information by searching in the American Periodicals Series Online, 1740–1900. The abolitionist reprintings (in the National Anti-Slavery Standard and the Liberator) apparently followed the version in the New York News, and the misattribution was perpetuated. Indeed, the poem reappeared in another New York periodical, Munsey's Scrap Book, in 1909, where it was still being given out as Robert Browning's. “The King is Cold” was also included as Browning's in William Cullen Bryant's oft-reprinted New Library of Poetry and Song.
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Shin, Jungeun. "A Study on the Formation of Literary Field and Discourse in Children's Magazines in the Liberation Period: Focusing on Children's Magazines in North and South Korea." Korean Society of Culture and Convergence 45, no. 9 (September 30, 2023): 263–71. http://dx.doi.org/10.33645/cnc.2023.09.45.09.263.
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The purpose of this paper is to discuss the plan pursued by contemporary children's literature through various discourses of children's magazines in South and North Korea during the liberation period. The children's magazines of South and North Korea during the liberation period reveal education, society, literature, and politics as a literary space, and each children's magazine develops various theories and contents of the work.The children's magazines of South and North Korea during the liberation period allowed children of the time to expand their consciousness through 'education', 'culture', 'Hangeul', 'children's writing', and 'propaganda'. This is an important point to consider as a stepping stone for the formation of a new nation. This study presents an important point of insight into social problems, culture, and literature through various discourses of children's magazines in South and North Korea during the liberation period.
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Kim, Jin Doo. "A study on reporting Korean magazine the Samchunri’s concept of new Korean woman in 1930’s." Korean Publishing Science Society 113 (December 31, 2023): 5–31. http://dx.doi.org/10.21732/skps.2023.113.5.
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This Study is on Korean magazine the Samchunri’s reporting New Woman in 1930’s. Kim Donghwan who had published this magazine from 1928 to 1941. His motivation to publish magazine the Samchunri is influenced by Shinganwhoi which unite the left and the right movement in 1920’s. The Samchunri reports on woman’s liberation, which divided into two, the nationalist and the socialist. The nationalist efforted on discrimination against woman by address and education. On the other hands, the socialist declare to overcome discrimination against Korean women, they should struggle against Japanese imperialism and capitalism. The way magazine the Samchunri to report woman’s problem is not serious, satisfying readers’ curiousty. writing on articles critcizing New Korean Woman.
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Kim, Hyung-tae. "A Study on Yun Dong-ju's Poetry through Bibliographic Data Analysis 4." Korean Society of Culture and Convergence 45, no. 10 (October 31, 2023): 333–51. http://dx.doi.org/10.33645/cnc.2023.10.45.10.333.
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The purpose of this paper is to shed new light on Yun Dong-ju's life and poetry by analyzing the “Chosun Ilbo”, “Boy”, and “Moon woo”, which are important bibliographic data during Yun Dong-ju's Yeonhui Technical College. This paper examined Yun Dong-ju's “An impression paiting of My younger Brother” published in the “Chosun Ilbo” ‘Student Page’ in October 1938, in connection with the post-impressionism art and discussed Yun Dong-ju's interest in the modern succession of traditional Chosun Dynasty culture. In addition, Yun Dong-ju met Yun Seok-joong when he released ‘A Mountain Cry’ in “Boy” in March 1939, and Yun Seok-joong will publish four of Yun Dong-ju's poetry ‘A Mountain Cry’, ‘Sunlight and Wind’, ‘Sunflower Face’ and ‘Baby Dawn’ in the magazine “A young student” after liberation, and three except ‘A mountain cry’ were released for the first time since liberation. In June 1941, Yun Dong-ju announces “A New Way” and “Self-potrait in a Well” in the magazine “Moon woo” published by Yeonhui Technical College, which shows the will of Yeonhui Technical College students to open a new era based on our traditional culture despite the harsh reality of Japan's Imperial New Folkization Policy.
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Fatima, Maryam. "Institutionalizing Afro-Asianism: Lotus and the (Dis) Contents of Soviet-Third World Cultural Politics." Comparative Literature Studies 59, no. 3 (August 1, 2022): 447–67. http://dx.doi.org/10.5325/complitstudies.59.3.0447.
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ABSTRACT This article examines the Afro-Asian Writers’ Association’s (AAWA) magazine, Lotus, as an example of the cultural discourse of Afro-Asianism and the logistical and political challenges of institutionalizing a Third World literary canon within the broader context of Cold War alliances. The author's focus on the magazine’s conceptual vocabulary and its internal mechanisms reveals how anticolonial writers and cultural actors brought their own different (often, competing) versions of Marxism and varying degrees of alignment with Soviet-style socialism to the project of cultural decolonization and contributed to a global socialist order. Concerns of literary form, political liberation, and the context of noncommercial patronage shaped an all-encompassing cumulative aesthetic that was not always aligned with Moscow mandates. Her reading of the Lotus archive also draws out the frictions between various geopolitical pivots of the Afro-Asian—a focus on nation, civilization, race, and the larger socialist internationalism—to contribute to studies of the political entanglements between postcolonial and postsocialist studies that can offer insights into current geopolitical predicaments, especially for regions that continue to suffer from new and old forms of occupation and imperialism.
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HOVSEPYAN, KARINE. "SELF-DEFENSE IN 1904 ON THE PAGES OF THE MAGAZINE “DROSHAK”." JOURNAL FOR ARMENIAN STUDIES 1, no. 64 (June 13, 2024): 224–38. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i64.96.
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The self-defense of Sassoon in 1904 occupies a unique place in the Western Armenian national-liberation struggle. This is one of the unique episodes of the liberation struggle, when the struggle had united, both to all the Hayduks and to the national parties: Hnchakyan, Dashnaktsutyun, despite their obvious differences. The struggle is presented in the article according to "Droshak", which reflected the events of those years with the greatest accuracy, because his information was supplemented by the direct participants of that struggle and with letters from leading figures, which were written in the mess of events under new impressions. This fact has great importance, as the memoirs of the liberation figures were written years after the events and many details are left out . “Droshak"comes to fill that gap. In article is discussed the well-prepared siege of Sassoon by the Turkish government, which presented for many years as a revolt, rather than self-defense. Besides the Turkish government, that point of view was also advanced by the tsarist authorities. However, the fact that rebellions took place in Sassoon in 1894 and 1904 is a falsification of historical events and the birthplace of that falsehood was ottoman court Yltzn. The purpose of the forgery Sassoon's responsibility for the epic events put on the Armenians (Poghosyan S. 1989).
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Kallander, Amy. "Transnational Intimacies and the Construction of the New Nation." French Politics, Culture & Society 39, no. 1 (March 1, 2021): 108–31. http://dx.doi.org/10.3167/fpcs.2021.390106.
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Abstract This article examines love as a facet of nation building in constructions of modern womanhood and national identity in the 1950s and 1960s. In Tunisia and France, romantic love was evoked to define an urban, middle-class modernity in which the gender norms implicit in companionate marriage signaled a break with the past. These ideals were represented in fiction and women's magazines and elaborated in the novel genre of the advice column. Yet this celebration was interrupted by concern about “mixed marriage” and the rise of anti-immigrant discrimination targeting North Africans in France. Referring to race or religion, debates about interracial marriage in Tunisia and the sexual stereotyping of North African men in France reveal the continuity of colonialism's racial legacies upon postcolonial states. The idealization of marital choice as a testament to individual and national modernity was destabilized by transnational intimacies revealing the limits of the nation-state's liberatory promise to women.
Books on the topic "New liberator magazine"
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Tinson, Christopher M. Radical Intellect: Liberator Magazine and Black Activism in The 1960s. University of North Carolina Press, 2017.
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Pelley, William Dudley. Seven Minutes in Eternity: With the Aftermath. TNT Establishments, 2021.
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Hall, Ann C., and Mardia Bishop, eds. Pop-Porn. Praeger, 2007. http://dx.doi.org/10.5040/9798400699085.
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There is a new wave of pornographic entertainment in contemporary American culture. Liberated from X-rated bookstores and strip clubs, porn is everywhere, andPop-Pornseeks to examine this phenomenon in some of its most striking manifestations. Written from a variety of perspectives and on a variety of topics representing the widespread increase of soft-core porn in our culture,Pop-Pornoffers a detailed and complex approach to the porn industry in America. Rather than focusing on the current polarity of basic pro and con views on this topic—a polarity that ultimately hinders discussion—these essays show that pornographic content is subtly and profoundly embedded in our cultural fabric. This current state of affairs raises questions beyond what's right and what's wrong. It demands that we examine what these representations mean in the first place and what effects they have upon the way we live our lives. The content of this volume is not limited to the usual porn sites and practices, such as video, prostitution, sex sales, magazines, and the Internet. The essays here go further, examining porn in places many would not expect, such as in grooming practices of pubic hair and the self-promotional strategies of Paris Hilton. The authors who do examine the conventional sites for porn do so in a unique way. Ultimately, these essays collectively demonstrate that Americans are addicted to porn, but are forced to disguise it as fashion, hygiene, class commentary, or other forms of entertainment. Contributors toPop-Porncome from a wide variety of disciplines—including English, Women's Studies, Communication, Psychology, and Theatre—and their essays address a wide range of porn-infiltrated sites, from magazines to radio to film to television to fashion. While each contributor may perceive porn differently, they all address its pervasiveness in America's current, conservative state.
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Gajarawala, Toral Jatin, Neelam Srivastava, Rajeswari Sunder Rajan, and Jack Webb, eds. The Bloomsbury Handbook of Postcolonial Print Cultures. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350261785.
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The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism ‘from below’, and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism.
Book chapters on the topic "New liberator magazine"
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Rusch, Frederik L. "Editor’s Note." In A Jean Toomer Reader, 7–9. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195083293.003.0002.
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Abstract In August 1920, Toomer had met Frank at a party in New York City given by Lola Ridge, an editor of Broom, a small literary magazine. Their friendship grew intense by 1922, with a mutual fascination and respect for each other’s ideas about life and literature, and Frank, the successful, established author, encouraging Toomer to write and publish. In the fall of 1922, while Toomer was working on Cane, and Frank was writing his novel Holiday, set in the South, the two authors traveled to Spartanburg, South Carolina. At this point in their careers, both deeply immersed in their work, Toomer and Frank were intellectually and emotionally close to each other. However, this intense relationship ended in 1923 when Toomer and Margaret Naumburg, Frank’s wife, fell in love. Toomer wrote his letter to Frank of July 19, 1922, inanticipation of their traveling together in the South, the trip that brought them to Spartanburg. The references to Georgia reflect Toomer’s sojourn in Sparta, where he was a substitute principal of Sparta Agricultural and Industrial Institute for two months in 1921. “Murder” is part of City Block, a novel by Frank, privately printed in 1922. Double Dealer was a little magazine from New Orleans, edited by John McClure. Gilbert Seldes was an editor of Dial. The Liberator was a magazine based in New York City, edited by Floyd Dell, Max Eastman, Michael Gold, and Claude McKay, among others.
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Keenaghan, Eric. "“Imaginatively, go trans-ves”." In The Beats, Black Mountain, and New Modes in American Poetry, 95–108. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979930.003.0007.
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John Wieners embodied the intersection of the Beat Generation and the Black Mountain School, and he drew other arms of the New American Poetry into their orbit. Wieners’ editorship of the little magazine Measure between 1957 and 1962 marked the apogee of his early career and marked the dawn of a less divisive era in the American poetic counterculture. Measure emphasized the scene’s connections and common approaches to reinvigorating the artform, rather than internecine separations and poetic differences. Wieners’ magazine project exemplifies the Beat and Black Mountain poets’ shared formalist “impulse,” as Michael McClure once called their similar open form poetries. Moreover, his stewardship of the magazine and his own poetry highlighted that formal impulse’s especial ability to transform the embodied conditions of personhood and eroticism. Consequently, Wieners, a homosexual and gender-nonconforming person, exemplifies one avenue for the liberatory potential for queer poetries in this pre-Stonewall moment.
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Aronson, Amy. "Regrouping: The Liberator Years." In Crystal Eastman, 193–222. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199948734.003.0009.
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On Lincoln’s Birthday, 1918, Crystal and Max Eastman launched the Liberator: The Journal of Revolutionary Progress. The magazine plainly supported Bolshevism, and also served as watchdog for propaganda and misinformation concerning revolutionary revolts. Eastman’s most important writing was her reporting from inside Communist Hungary in August 1919. However, the lived human experiences of revolution she witnessed put her at odds with the Liberator’s star radical, John Reed, and her brother Max. A pacifist and feminist, as well as a radical, she praised the abolition of private property but deplored the bloodshed and repression under the revolutionary government. The experience brought her to a political impasse. Two elemental goals, once aligned, now appeared to be competing claims: justice or peace? In an era of revolutionary victory, how could she make sense of violence perpetrated to achieve the equality and justice she had long believed was the only recipe for world peace?
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"[Charlotte O’Conor Eccles], ‘The Experiences of a Woman Journalist’, Blackwood’s Edinburgh Magazine, 153 (June 1893), 830—8." In Victorian Print Media, edited by Andrew King and John Plunkett, 330–36. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780199270378.003.0055.
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Abstract O’Conor Eccles (1863—1911) here provides an autobiographical account of her difficulties as a female journalist seeking work in Fleet Street. Beginning on a provincial newspaper, she subsequently worked for the short-lived London edition of the New York Herald (1835—1924), and contributed to many journals, including Sketch and Windsor Magazine. This article, published in the same year that the Society of Women Journalists was launched, shows the increasing number of women working as professional journalists and the effect of the figure of the educated and liberated New Woman, itself largely a media creation.
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Oram, Alison, and Justin Bengry. "The LGBTQ Press in Twentieth-Century Britain and Ireland." In The Edinburgh History of the British and Irish Press, Volume 3, 483–501. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0025.
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This chapter examines the development of the ‘gay’ press in Britain and Ireland from the late nineteenth century. Early periodicals that directly addressed gender fluidity and same-sex love were privately circulated; caution and secrecy lasted well into the 1960s. Yet at the same time considerable queer content appeared in some mainstream publications, such as fashion, film and physique magazines in the pre-decriminalisation period. More recognisably lesbian and gay publications from the 1960s sought to achieve political and cultural change and to foster social contacts for lesbians and gay men. The Gay Liberation Movement marked a wealth of short- and longer-lived magazines, newspapers and periodicals, while feminism invigorated lesbian activism and publications. Differentiation in content characterises the gay press in the late twentieth century, from glossy arts magazines to political campaign news to specialist pornography. From the 1980s there was a discernible shift towards lifestyle magazines. Regional gay and lesbian magazines also appear in this period, often overlapping with the local alternative press, although censorship and persecution continued alongside the success of the LGBT press. The chapter further identifies the specific development of LGBTQ publications in Scotland and Ireland.
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Mills, Dorothy Seymour, and Harold Seymour. "Goldilocks is Benched." In Baseball, 495–511. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195038903.003.0031.
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Abstract The impression of the twenties as a decade of substantial female liberation derives in part from the fact that the shower of publicity on the decade’s sports titans descended on female champions as well as on male, for instance Glenna Collett (golf), Helen Wills (tennis), and Gertrude Ederle (swimming). Sports clothing for women became more practical and fashionable, and so many popular magazines published articles on “women as athletes”; that in 1922 the Reader’s Guide to Periodical Literature added the term as a new category.
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Zheng, Wang. "Creating a Feminist Cultural Front." In Finding Women in the State. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520292284.003.0004.
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Challenging the assumption of “Party propaganda,” this chapter finds a feminist cultural front in the ACWF’s flagship magazine Women of China and illuminates state feminist discursive maneuvers that targeted masculinist practices in and outside the CCP.State feminist visionswere embodied in the magazine’svisual representation of laboring women who broke gender segregation in public arena, signifying feminist pursuits of women’s double liberation of gender and class, continuing a New Culture anti-feudalistagenda, and shaping new socialist subjectivity. Editors’ practices of the “mass line” in cultural production created a public space for women’s voices that expressed their own concerns, contrary to the assumption of the seamless domination of a party/state. The strategies of its feminist founding editors Shen Zijiu and Dong Bian to juggle multiple and often contradictory demands of the Party and diverse women groups areexamined against the fluid political contexts.
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Field, Douglas, and Jay Jeff Jones. "Running with the Underdog." In Harold Norse, 183–98. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0015.
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Between the 1950s and the 1970s, Harold Norse became a key figure in a generation of American expatriate writers whose work was mainly published through a transatlantic network of little magazines. Referred to as the Mimeo, or Mimeograph Revolution, its publications were essential outlets for writing that was risk-taking in style and content. It also supported innovations such as the cut-up process, which Norse contributed to while living at the Beat Hotel in Paris. Norse’s sojourns in Europe–Italy, France, Greece and North Africa–saw his poetry and prose featured in a number of fugitive, now legendary magazines such as Gnaoua, My Own Mag, Ole, Residu and Big Table. Having at first sought success as an acclaimed mainstream poet, Norse’s recognition and literary destiny was found among avant-garde outsiders and in gay liberation.
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Goldsmith, Jack, and Tim Wu. "Visions of a Post–Territorial Order." In Who Controls the Internet? Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195152661.003.0006.
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A decade before the Yahoo case, two men in different parts of America began to use the Internet for the first time. One was Julian Dibbell, a New Yorker and pop music writer who covered technology issues for the Village Voice. The other was John Perry Barlow of Wyoming, a libertarian, lyricist, and cattle rancher who looked the years he had spent traveling with the Grateful Dead. Dibbell and Barlow were very different people. Dibbell, born in the 1960s, was a member of what people in the ’90s called Generation X. Barlow was writing rock-and-roll songs when Dibbell was born, and he never lost the passion or political purpose of the 1960s. But the two had this in common: neither were native computer geeks, and both were lucid, even lyrical writers who wanted to communicate the Internet experience to regular people. In popular magazines like Wired and the Village Voice, they did just this. Dibbell and Barlow became the great explorers of the cyberspace age. Like Henry Stanley, the Welsh-American journalist who famously recounted his expeditions in Africa, Dibbell and Barlow had discovered an exotic place and wanted to tell others about it. As with any explorers, the tales they brought back reflected their own experience and assumptions more than objective reality. Nonetheless, these stories articulated a powerful vision: a new frontier, where people lived in peace, under their own rules, liberated from the constraints of an oppressive society and free from government meddling. Through the writings and actions of Dibbell, Barlow, and others, this chapter and the next depict the era when it was widely believed that cyberspace might challenge the authority of nation-states and move the world to a new, post-territorial system. Today, notions of a selfgoverning cyberspace are largely discredited. But the historical significance of these ideas cannot be ignored. They had an enormous impact on Internet writers and thinkers, firms, and even the U.S. Supreme Court—an influence that is still with us today. To understand the reality and forgotten virtues of territorial government, we must first understand the possibilities and attractions of a place once called cyberspace.
Reports on the topic "New liberator magazine"
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Prysyazhna-Gapchenko, Julia. Еміграційні видання для селян: між фаховістю і політикою. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11720.
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In the article rare editions of magazine type are first probed for peasants which nursed in an environment the Ukrainian emigrants in the first post-war years on territory of the American area of occupation in Germany, and also in the USA. Separately paid regard to mision role of magazines in the association of the nebulized peasants round a desire to apply the obtained previous experience and knowledge on strange land, to present the world the Ukrainian peasantry as labour productive force and also round the idea of fight for independence, joining in with political activity of «old» parties and organizations which actively functioned in the environment of the Ukrainian emigrants. Outlined problem of magazines for peasants, and also sil’vetki of separate authors. In the repertoire of the Ukrainian emigrant press professional editions for peasants occupy an insignificant percent. But their appearance and functioning testify to the desire of certain part of wanderers – natives from villages, which got the special trade education, and also conscious group of peasants which tested tortures and humiliations as a result of violent collectivization, to unite the efforts for future effective economic labour in Ukraine, as emigration was at that time examined in their environment as the temporal phenomenon. De autre part, the creators of this periodicals did not hide the purpose of distribution of the purchased knowledges and experience in the countries of migration. Publishers at mediation of magazines formed soil for creation of political party, which would unite the unions of the Ukrainian peasants-emigrants (farmers), which got organized in camps for the moved persons. Soon, in 1948, party of liberal direction – Union of earths of cathedral Ukraine is was created in Ashaffenburzi (Germany) and on convention in New Wales (in 1950) renamed on Peasant party. Greater part of problem of magazines «the Ukrainian owner», «Ukrainian peasant», «Rural owner», was inferior preparation to realization of this emigrant project. A separate place belongs to the magazine «the Ukrainian manager», the release of which, without regard to influences of mel’nikivskogo wing OUN, managed from the first to the last number to dissociate oneself from a policy, save popular scientific status agrarian-economic direction. Even publications the main theme of number is violated in which, for example, criticism of a collective farm system the USSR or analysis of economic problems of socialism, scientific arguments is marked and by the unprejudice of author. Functioning in the environment of emigration of «rural» periodicals is dictated a desire to combine effort peasants for a maintenance and increase of professional level, to send them in the river-bed of fight for liberation from under the burden of persecutors of the Ukrainian village.
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Prysyazhna-Gapchenko, Julia. VOLODYMYR LENYK AS A JOURNALIST AND EDITOR IN THE ENVIRONMENT OF UKRAINIAN EMIGRATION. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11094.
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In this article considered Journalistic and editorial activity of Volodymyr Lenika (14.06.1922–02.11.2005) – one of the leading figures of Ukrainian emigration in Germany. First outlined basic landmarks of his life and creation. Journalistic and editorial activity of Volodymyr Lenik was during to forty years out of Ukraine. In the conditions of emigration politically zaangazhovani Ukrainians counted on temporality of the stay abroad and prepared to transference of the created charts and instituciy on native lands. It was or by not main part of conception of liberation revolution of elaborate OUN under the direction of Stepan Banderi, and successfully incarnated in post-war years. Volodymyr Lenik, executing responsible commissions Organization, proved on a few directions of activity, which were organically combined with his journalistic and editorial work. As an editor he was promotorom of creation and realization of models of magazines «Avangard», «Krylati», «Znannia», «Freie Presse Korespondenz», newspapers «Shliakh peremogy». As a journalist Volodymyr Lenik left ponderable work, considerable part of which entered in two-volume edition «Ukrainians on strange land, or reporting, from long journeys». Subject of him newspaper-magazine publications directed on illumination of school, youth, student, cultural, scientific problems, organization and activity of emigrant structures, political fight of emigration, to dethronement of the antiukrainskikh Moscow diversions and provocations. Such variety of problematic of works of V. Lenika was directed in the river-bed of retaining of revolutionary temperament in the environment of diaspore, to bringing in of it to activity in public and political life. Problematic of him is systematized publicism and journalistic appearances, which was inferior realization of a few important tasks, namely to the fight for Ukrainian independence in new terms, cherishing and maintainance of national identity, counteraction hostile soviet propaganda. On an example headed Volodymyr Lenikom a magazine «Knowledge» some aspects are exposed him editorial trade.