Journal articles on the topic 'New horror cinema'
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Wada-Marciano, Mitsuyo. "J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema." Canadian Journal of Film Studies 16, no. 2 (October 2007): 23–48. http://dx.doi.org/10.3138/cjfs.16.2.23.
Full textWalker, Johnny. "A Wilderness of Horrors? British Horror Cinema in the New Millennium." Journal of British Cinema and Television 9, no. 3 (July 2012): 436–56. http://dx.doi.org/10.3366/jbctv.2012.0099.
Full textWajda, Piotr. "Specters of postcolonialism in HBO’s Folklore." Panoptikum, no. 28 (December 29, 2022): 86–97. http://dx.doi.org/10.26881/pan.2022.28.05.
Full textGavrilov, Lev, and Yulia Vetoshkina. "THE HORROR OF TECHNOLOGY AND THE TECHNOLOGY OF HORROR." Культурный код, no. 2024-2 (2024): 7–19. http://dx.doi.org/10.36945/2658-3852-2024-2-7-19.
Full textPalmer, Tim. "Frontier poetry: new adventures in contemporary French horror cinema." Modern & Contemporary France 30, no. 1 (November 10, 2021): 1–17. http://dx.doi.org/10.1080/09639489.2021.1978414.
Full textSinha, Alia. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies." Social Change 47, no. 2 (June 2017): 302–5. http://dx.doi.org/10.1177/0049085717696379.
Full textCampoli, Alessandra. "A Ghostly Feminine Melancholy: Representing Decay and Experiencing Loss in Thai Horror Films." Plaridel 12, no. 2 (August 30, 2015): 14–35. http://dx.doi.org/10.52518/2015.12.2-02cmpli.
Full textDe Oliveira, Sérgio Eduardo Alpendre. "JOE DANTE, O HORROR E O BAIXO ORÇAMENTO: PIRANHAS, GRITOS DE HORROR E DESENHOS ANIMADOS." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 4, no. 2 (July 25, 2016): 28. http://dx.doi.org/10.22475/rebeca.v4n2.357.
Full textEvernden, Christopher Blake, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo. "Book Reviews." Projections 13, no. 3 (December 1, 2019): 121–41. http://dx.doi.org/10.3167/proj.2019.130310.
Full textAinslie, Mary. "Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model." Plaridel 12, no. 2 (August 30, 2015): 55–82. http://dx.doi.org/10.52518/2015.12.2-04ansli.
Full textEdwards-Behi, Nia. "Lindsey Decker, Transnationalism and Genre Hybridity in New British Horror Cinema." Journal of British Cinema and Television 18, no. 4 (October 2021): 546–49. http://dx.doi.org/10.3366/jbctv.2021.0597.
Full textCoulthard, Lisa, and Chelsea Birks. "Desublimating monstrous desire: the horror of gender in new extremist cinema." Journal of Gender Studies 25, no. 4 (February 18, 2015): 461–76. http://dx.doi.org/10.1080/09589236.2015.1011100.
Full textHext, Kate. "Victorians in the Closet: Oscar Wilde's Monstrous Hollywood Legacy." Victorian Literature and Culture 49, no. 4 (2021): 711–29. http://dx.doi.org/10.1017/s1060150320000303.
Full textFallows, Tom. "Independent dreams, American nightmares: Industrial transgression and critical organization in the work of George A. Romero." Horror Studies 12, no. 1 (March 1, 2021): 45–62. http://dx.doi.org/10.1386/host_00028_1.
Full textGjinali, Vali, and Elif Asude Tunca. "A General Look on the Impact of Turkish Horror Movies: An Exploratory Study on the Opinions of Youth on Horror Movies." SAGE Open 10, no. 4 (October 2020): 215824402097970. http://dx.doi.org/10.1177/2158244020979701.
Full textMorrison, Josh, Sylvie Bissonnette, Karen J. Renner, and Walter S. Temple. "Reviews." Screen Bodies 3, no. 2 (December 1, 2018): 86–98. http://dx.doi.org/10.3167/screen.2018.030207.
Full textSteptoe, Rose. "New blood in contemporary cinema: women directors and the poetics of horror." New Review of Film and Television Studies 19, no. 3 (July 3, 2021): 383–86. http://dx.doi.org/10.1080/17400309.2021.1949202.
Full textSuner, A. "Horror of a different kind: dissonant voices of the new Turkish cinema." Screen 45, no. 4 (December 1, 2004): 305–23. http://dx.doi.org/10.1093/screen/45.4.305.
Full textFeeley, Jennifer. "Transnational spectres and regional spectators: Flexible citizenship in new Chinese horror cinema." Journal of Chinese Cinemas 6, no. 1 (January 2012): 41–64. http://dx.doi.org/10.1386/jcc.6.1.41_1.
Full textNdalianis, Angela. "Genre, culture and the semiosphere: New Horror cinema and post-9/11." International Journal of Cultural Studies 18, no. 1 (May 8, 2014): 135–51. http://dx.doi.org/10.1177/1367877914528123.
Full textSutandio, Anton. "The Return of the Repressed: Pemuda and the Historical Trauma in Rizal Mantovani and Jose Purnomo’s Jelangkung." Plaridel 12, no. 2 (August 30, 2015): 131–48. http://dx.doi.org/10.52518/2015.12.2-06stndio.
Full textSnelson, Tim. "Old Horror, New Hollywood and the 1960s True Crime Cycle." Film Studies 19, no. 1 (November 2018): 58–75. http://dx.doi.org/10.7227/fs.19.0005.
Full textMorag, Raya. "A New Paradigm for the Genocidal Interview: The Documentary Duel and the Question of Collaboration." Panoptikum, no. 29 (June 30, 2023): 78–93. http://dx.doi.org/10.26881/pan.2023.29.05.
Full textSurace, Bruno. "The flesh of the film: The camera as a body in neo-horror mockumentary and beyond." Northern Lights: Film & Media Studies Yearbook 17, no. 1 (November 1, 2019): 25–41. http://dx.doi.org/10.1386/nl_00003_1.
Full textLee, Sung-Ae. "The New Zombie Apocalypse and Social Crisis in South Korean Cinema (translation into Russian)." Corpus Mundi 2, no. 4 (December 27, 2021): 40–59. http://dx.doi.org/10.46539/cmj.v2i4.53.
Full textRyan, Mark David. "Putting Australian and New Zealand horror movies on the map of cinema studies." Studies in Australasian Cinema 4, no. 1 (January 2010): 3–7. http://dx.doi.org/10.1386/sac.4.1.3_2.
Full textMáté, Bori. "Haptic Transgression. The Horror of Materiality in Kurt Kren’s Films." Acta Universitatis Sapientiae, Film and Media Studies 16, no. 1 (August 1, 2019): 153–72. http://dx.doi.org/10.2478/ausfm-2019-0008.
Full textCavaletti, Federica, Tarja Laine, Rikke Schubart, and Holly Willis. "Book Reviews." Projections 17, no. 1 (March 1, 2023): 92–110. http://dx.doi.org/10.3167/proj.2023.170110.
Full textFahmi, Marwa Essam Eldin. "Peter Jackson’s King Kong (2005): A Critique of Postcolonial/Animal Horror Cinema." English Language and Literature Studies 7, no. 2 (May 30, 2017): 15. http://dx.doi.org/10.5539/ells.v7n2p15.
Full textShetley, Vernon. "Sidney Furie’s The Entity: Horror and rape culture." Horror Studies 13, no. 2 (October 1, 2022): 251–66. http://dx.doi.org/10.1386/host_00057_1.
Full textSen, Aditi. "‘I Wasn’t Born with Enough Middle Fingers’: How low-budget horror films defy sexual m orality and heteronormativity in Bollywood." Acta Orientalia Vilnensia 12, no. 2 (January 1, 2011): 75–90. http://dx.doi.org/10.15388/aov.2011.1.3931.
Full textPerrello, Tony, and Nathan Wilke. "“The name is Blacula!”: Identity and Palimpsest in William Marshall’s Vampire Diptych." Studies in the Fantastic 16, no. 1 (January 2024): 14–38. http://dx.doi.org/10.1353/sif.2024.a923181.
Full textKumar, Keval Joseph. "The 'Bollywoodization' of Popular Indian Visual Culture: A Critical Perspective." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 12, no. 1 (March 21, 2014): 277–85. http://dx.doi.org/10.31269/triplec.v12i1.511.
Full textKumar, Keval Joseph. "The 'Bollywoodization' of Popular Indian Visual Culture: A Critical Perspective." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 12, no. 1 (March 21, 2014): 277–85. http://dx.doi.org/10.31269/vol12iss1pp277-285.
Full textPoznin, Vitaly F. "The Formation of Russian Genre Cinema at the Beginning of the 21st Century." Vestnik of Saint Petersburg University. Arts 13, no. 3 (2023): 535–56. http://dx.doi.org/10.21638/spbu15.2023.308.
Full textGrabias, Magdalena. "Droga, podróż, wędrówka w Tylko kochankowie przeżyją Jima Jarmuscha." Humaniora. Czasopismo Internetowe 30, no. 2 (June 15, 2020): 91–100. http://dx.doi.org/10.14746/h.2020.2.7.
Full textMendik, Xavier. "Beneath Still Waters: Brian Yuzna’s Ritual Return in Indonesian Cinema." Plaridel 11, no. 2 (August 1, 2014): 140–61. http://dx.doi.org/10.52518/2014.11.2-06mndk.
Full textMukherjee, Sayan. "“Persistence of Horror”: An Overview of Texts on Post apocalyptic World Order." New Literaria 03, no. 02 (2022): 124–29. http://dx.doi.org/10.48189/nl.2022.v03i2.014.
Full textCosentino, Olivia, Niamh Thornton, Natália Pinazza, Sharonah Fredrick, and Marc Ripley. "Reviews." Studies in Spanish & Latin-American Cinemas 16, no. 3 (September 1, 2019): 423–37. http://dx.doi.org/10.1386/slac_00008_5.
Full textFlorentin, Groh. "“Experiencing Trauma”: Aesthetical, Sensational and Narratological Issues of Traumatic Representations in Slasher Horror Cinema." Arts 12, no. 4 (June 28, 2023): 132. http://dx.doi.org/10.3390/arts12040132.
Full textVetyutnev, Yury. "Normativity in the Philosophy of Cinema (Review of the Conference)." Logos et Praxis, no. 1 (April 2023): 5–10. http://dx.doi.org/10.15688/lp.jvolsu.2023.1.1.
Full textPang, Benson. "Filming the Singaporean killer: Trauma, murder and modernity in Medium Rare (1991) and God or Dog (1997)." Asian Cinema 32, no. 2 (October 1, 2021): 187–202. http://dx.doi.org/10.1386/ac_00041_1.
Full textJancovich, Mark. "‘Another, more sinister reality’: Class, Youth and Psychopathology from Saturday Night and Sunday Morning to Endless Night." Journal of British Cinema and Television 16, no. 2 (April 2019): 213–32. http://dx.doi.org/10.3366/jbctv.2019.0469.
Full textKeetley, Dawn. "Post-9/11 Horror in American Cinema. Kevin J. Wetmore. New York: Continuum, 2012. 231 pp. $90.00 cloth, $27.95 paper." Journal of Popular Culture 46, no. 2 (April 2013): 455–57. http://dx.doi.org/10.1111/jpcu.12034_10.
Full textFischer, André. "Deep Truth and the Mythic Veil: Werner Herzog's New Mythology in Land of Silence and Darkness." Film-Philosophy 22, no. 1 (February 2018): 39–59. http://dx.doi.org/10.3366/film.2018.0061.
Full textIvashchenko, Yana S. "The Influence of Modern Paganism and Ecofeminism on Female Image in Russian Fiction Cinema." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 43–56. http://dx.doi.org/10.37816/2073-9567-2024-71-43-56.
Full textAbbott, Stacey. "Book Review: Adam Lowenstein, Shocking Representation: Historical Trauma, National Cinema and the Modern Horror Film. New York: Columbia University Press, 2005." Media, Culture & Society 29, no. 5 (September 2007): 846–47. http://dx.doi.org/10.1177/01634437070290050807.
Full textPredko, Viktoria, Kateryna Korduban, and Denys Predko. "The Influence of Cinematography on the Emotional Sphere of Personality of Adolescent." Bulletin of Taras Shevchenko National University of Kyiv. Psychology, no. 2 (16) (2022): 39–43. http://dx.doi.org/10.17721/bpsy.2022.2(16).7.
Full textRadaeva, E. A. "Traditions of German Expressionism in the Cinematography of the Second Half of the 20th – Early 21st Centuries." Concept: philosophy, religion, culture 6, no. 3 (September 27, 2022): 156–70. http://dx.doi.org/10.24833/2541-8831-2022-3-23-156-170.
Full textMayne, Laura. "A World on His Shoulders: Nat Cohen, Anglo-EMI and the British Film Industry." Journal of British Cinema and Television 18, no. 1 (January 2021): 34–49. http://dx.doi.org/10.3366/jbctv.2021.0554.
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