Academic literature on the topic 'New horror cinema'
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Journal articles on the topic "New horror cinema"
Wada-Marciano, Mitsuyo. "J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema." Canadian Journal of Film Studies 16, no. 2 (October 2007): 23–48. http://dx.doi.org/10.3138/cjfs.16.2.23.
Full textWalker, Johnny. "A Wilderness of Horrors? British Horror Cinema in the New Millennium." Journal of British Cinema and Television 9, no. 3 (July 2012): 436–56. http://dx.doi.org/10.3366/jbctv.2012.0099.
Full textWajda, Piotr. "Specters of postcolonialism in HBO’s Folklore." Panoptikum, no. 28 (December 29, 2022): 86–97. http://dx.doi.org/10.26881/pan.2022.28.05.
Full textGavrilov, Lev, and Yulia Vetoshkina. "THE HORROR OF TECHNOLOGY AND THE TECHNOLOGY OF HORROR." Культурный код, no. 2024-2 (2024): 7–19. http://dx.doi.org/10.36945/2658-3852-2024-2-7-19.
Full textPalmer, Tim. "Frontier poetry: new adventures in contemporary French horror cinema." Modern & Contemporary France 30, no. 1 (November 10, 2021): 1–17. http://dx.doi.org/10.1080/09639489.2021.1978414.
Full textSinha, Alia. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies." Social Change 47, no. 2 (June 2017): 302–5. http://dx.doi.org/10.1177/0049085717696379.
Full textCampoli, Alessandra. "A Ghostly Feminine Melancholy: Representing Decay and Experiencing Loss in Thai Horror Films." Plaridel 12, no. 2 (August 30, 2015): 14–35. http://dx.doi.org/10.52518/2015.12.2-02cmpli.
Full textDe Oliveira, Sérgio Eduardo Alpendre. "JOE DANTE, O HORROR E O BAIXO ORÇAMENTO: PIRANHAS, GRITOS DE HORROR E DESENHOS ANIMADOS." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 4, no. 2 (July 25, 2016): 28. http://dx.doi.org/10.22475/rebeca.v4n2.357.
Full textEvernden, Christopher Blake, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo. "Book Reviews." Projections 13, no. 3 (December 1, 2019): 121–41. http://dx.doi.org/10.3167/proj.2019.130310.
Full textAinslie, Mary. "Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model." Plaridel 12, no. 2 (August 30, 2015): 55–82. http://dx.doi.org/10.52518/2015.12.2-04ansli.
Full textDissertations / Theses on the topic "New horror cinema"
Kravina, Carolina. "L'interesse della Feminist Film Theory nei confronti del cinema horror: alcuni esempi di analisi tra Psycho, New Horror e Slasher." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Find full textDe, Camilla Lauren. "Female Leads: Negotiating Minority Identity in Contemporary Italian Horror Cinema." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595519031355062.
Full textHwang, Yun Mi. "South Korean historical drama : gender, nation and the heritage industry." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.
Full textMezzolla, Mario. "L'horror e il comico: la narrazione del corpo nel cinema splatter." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Find full textCOLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Full textThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
COLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Full textThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
Books on the topic "New horror cinema"
Pagliardini, Fabio. Brividi nel bel paese: Il cinema dell'orrore In Italia. Lecce: Youcanprint, 2022.
Find full textPezzella, Nicola. Il soprannaturale e il fantastico nel cinema messicano. Roma: Profondo rosso, 2019.
Find full textFamiliari, Antonio Fabio. Il seme del male: La natura nel cinema gotico. Reggio Calabria: Città del sole, 2014.
Find full textBaschiera, Stefano, and Russ Hunter, eds. Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.001.0001.
Full textTurnock, Bryan. Studying Horror Cinema. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.001.0001.
Full textNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Find full textNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Find full textNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Find full textNew Heritage of Horror: The English Gothic Cinema. Bloomsbury Publishing Plc, 2024.
Find full textSimpson. Urban Terrors : New British Horror Cinema: 1997-2008. Hemlock Books Limited, 2012.
Find full textBook chapters on the topic "New horror cinema"
Williams, Jessica L. "Horror Movies, Horror Bodies: Blurring the Freak Body in Cinema." In Media, Performative Identity, and the New American Freak Show, 37–77. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66462-0_3.
Full textHauser, Brian R. "Weird Cinema and the Aesthetics of Dread." In New Directions in Supernatural Horror Literature, 235–52. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95477-6_12.
Full textHarris, Martin. "Cloverfield, 9/11, and the New Normal." In Horror and Science Fiction Cinema and Society, 191–204. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003372288-14.
Full textRodríguez Ortega, Vicente, and Rubén Romero Santos. "Spanish Horror Film: Genre, Television and a New Model of Production." In European Cinema in the Twenty-First Century, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_18.
Full text"New Hollywood Horror." In Studying Horror Cinema, 159–80. Auteur, 2019. http://dx.doi.org/10.2307/j.ctv138424v.11.
Full textTurnock, Bryan. "New Hollywood Horror." In Studying Horror Cinema, 159–80. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0009.
Full textTurnock, Bryan. "Postmodern Horror." In Studying Horror Cinema, 225–44. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0012.
Full textRyan, Mark David, Jonathan Rayner, and Lauren Carroll Harris. "HORROR." In Directory of World Cinema: Australia and New Zealand 2, 126–43. Intellect Books, 2015. http://dx.doi.org/10.2307/j.ctv36xvmdt.19.
Full textChurch, David. "Apprehension Engines: Defining a New Wave of Art-Horror Cinema." In Post-Horror, 1–26. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475884.003.0001.
Full textWalker, Johnny. "British film production and the horror genre." In Contemporary British Horror Cinema. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748689736.003.0002.
Full textConference papers on the topic "New horror cinema"
Kurtoğlu, Ramazan. "Financial-Economic Crisis and Hollywood’s Social Transformation Operations by Horror Movies." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01055.
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