Books on the topic 'New class discovery'

New York is a leading venue for international commercial arbitration, home to the headquarters of the International Centre for Dispute Resolution, the international branch of the American Arbitration Association, and many leaders in the international arbitration field. New York also serves as the locus of several prominent arbitration firms’ central offices. This book encompasses five years of developments in New York and other U.S. international arbitration law since the first edition appeared. Every chapter has been updated, and the new edition includes an entirely new chapter on the legal and practical aspects of conducting an arbitration hearing in New York, covering such subjects as rights to appear as a representative of a party, subpoenas to compel attendance of witnesses, confidentiality of proceedings, and witness testimony and instructions. Each chapter elucidates a vital topic, including the existing New York legal landscape, drafting considerations for clauses designating New York as the place of arbitration, and material and advice on selecting arbitrators. The book also covers a series of topics at the intersection of the arbitral process and the New York courts, including jurisdiction, enforcing arbitration agreements, obtaining preliminary relief, and discovery. Class action arbitration, challenging and enforcing arbitral awards, and biographical materials on New York-based international arbitrators are also included.

The field of stochastic processes and random matrix theory (RMT) has been a rapidly evolving subject during the past fifteen years where the continuous development and discovery of new tools, connections, and ideas have led to an avalanche of new results. These breakthroughs have been made possible thanks, to a large extent, to the recent development of various new techniques in RMT. Matrix models have been playing an important role in theoretical physics for a long time and they are currently also a very active domain of research in mathematics. An emblematic example of these recent advances concerns the theory of growth phenomena in the Kardar–Parisi–Zhang (KPZ) universality class where the joint efforts of physicists and mathematicians during the past twenty years have unveiled the beautiful connections between this fundamental problem of statistical mechanics and the theory of random matrices, namely the fluctuations of the largest eigenvalue of certain ensemble of random matrices. These chapters not only cover this topic in detail but also present more recent developments that have emerged from these discoveries, for instance in the context of low-dimensional heat transport (on the physics side) or in the context of integrable probability (on the mathematical side).

It’s widely acknowledged that American parents from different class backgrounds take different approaches to raising their children. But missing from the discussion is the fact that millions of parents on both sides of the class divide are raising their children to listen to God. What impact does a religious upbringing have on their academic trajectories? Drawing on 10 years of survey data with over 3,000 teenagers and over 200 interviews, God, Grades, and Graduation offers a revealing and at times surprising account of how teenagers’ religious upbringing influences their educational pathways from high school to college. God, Grades, and Graduation introduces readers to a childrearing logic that cuts across social class groups and accounts for Americans’ deep relationship with God: religious restraint. This book takes us inside the lives of these teenagers to discover why they achieve higher grades than their peers, why they are more likely to graduate from college, and why boys from lower-middle-class families particularly benefit from religious restraint. But readers also learn how for middle-upper-class kids—and for girls especially—religious restraint recalibrates their academic ambitions after graduation, leading them to question the value of attending a selective college despite their stellar grades in high school. By illuminating the far-reaching effects of the childrearing logic of religious restraint, God, Grades, and Graduation offers a compelling new narrative about the role of religion in academic outcomes and educational inequality.

This chapter describes the features of Jamia Nagar, Nizamuddin, and Taj Enclave. It takes forward the narrative of how in the overall logic of city as a vehicle of capital accumulation, segregation of Muslim population in specific neighbourhoods with their contained labour or fixed assets serves a specific purpose. In this chapter, closer attention is paid to built spaces—how discrimination in housing and real estate transaction not only maintains segregation but also aids the project of capital accumulation in favour of other spaces in the city. Muslim middle-class, educated, professionals in these areas are discovered as a specific segment of workers in the neo-liberal city. This aspirational class experiences a different kind of alienation in the city. While they push the boundaries that constrain them, they realize that these are shatterproof.

This chapter discovers seventy-two cholera riots in the British Isles during the first thirteen-month cholera wave to strike the region in 1831–2. These show a variety of concerns with one distinctive characteristic that derived from new demands by anatomical schools to supply human cadavers for teaching. Overwhelmingly, the motives behind this cholera hate and violence, however, form a larger pattern seen from Asiatic Russia to New York City: fear of hospitals and the state induced by the belief that elites with physicians as their agents had invented the disease to cull populations of the poor. While impoverished women and children and recent immigrants composed crowds numbering as many as three thousand, the targets of the rioters were cholera vehicles, hospitals, and physicians. It was a class struggle but one which Marx, Engels, and later left-leaning historians have made little attempt to explain or even mention.

Long-haul trucking is linked to almost every industry in America, yet somehow the working-class drivers behind big rigs remain largely hidden from public view. Gritty, inspiring, and often devastating oral histories of gay, transsexual, and minority truck drivers allow award-winning author Anne Balay to shed new light on the harsh realities of truckers' lives behind the wheel. A licensed commercial truck driver herself, Balay discovers that, for people routinely subjected to prejudice, hatred, and violence in their hometowns and in the job market, trucking can provide an opportunity for safety, welcome isolation, and a chance to be themselves--even as the low-wage work is fraught with tightening regulations, constant surveillance, danger, and exploitation. The narratives of minority and queer truckers underscore the working-class struggle to earn a living while preserving one's safety, dignity, and selfhood. Through the voices of drivers from marginalized communities who spend eleven- to fourteen-hour days hauling America's commodities in treacherous weather and across mountain passes, Semi Queer reveals the stark differences between the trucking industry's crushing labor practices and the perseverance of its most at-risk workers.

The Ladies’ Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store’s owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola’s greatest novels of the modern city.

The archaeological study of prostitution in nineteenth-century American contexts grew out of the discovery of brothels in the 1990s during large urban projects done in compliance with the National Historic Preservation Act. This book provides an overview of many of those projects as well as detailed discussions of a brothel found at Five Points in New York City and several parlor houses found in Washington, D.C. The large artifact assemblages recovered in combination with detailed primary and secondary historical research have produced a complex picture of commercial sex, which the book discusses in both nineteenth-century and twenty-first century perspectives. Agency theory is used to link the practice of prostitution with other forms of clandestine behavior that have come to light through archaeology. Issues of gender, class, and race run through the archaeological study of clandestine behavior, which includes acts of resistance in public—from drinking on the job to piracy—and acts in private—from hiding caches of artifacts in vulnerable places to scratching inscrutable designs on ceramic pots. The book ends with questions that touch on the age-old conundrum of passing judgment. Should prostitution be decriminalized? Should the efficacy of spiritual practices be questioned? The value of anomalous artifacts and their interpretation is stressed as crucial to recognizing brothels and evidence of clandestine pursuits.

Werner Herzog is the first book-length study of Werner Herzog’s American (in the hemispheric sense) work. It is also the first sustained, book-length study on the question of the political in Herzog’s work. Finally, as part of a series on contemporary directors, it introduces Herzog’s films through the arc of his long career, about 60 films (and counting) over nearly 60 years. The approach is materialist and postcolonial, with systematic attention paid to the historical impulses surrounding the films, both in terms of their history of representation (the stories that the films tell) and their history of production. Special attention is paid to how Herzog upsets our conventional expectations concerning categories such as capital, race, social class, and gender, and to what end. The specific aesthetic grammar of Herzog is essential, especially insofar as it confronts the viewer with political questions of world-historical significance. Although the book deals with dozens of films from across five decades (roughly 1968-2016), its heart is the 1970s and 1980s, and each chapter revolves around a single masterpiece: Aguirre, der Zorn Gottes (1972), Stroszek (1977), Fitzcarraldo (1982), and Cobra Verde (1987). Through these films, Herzog challenges the viewer to rethink the foundational traumas of our liberal capitalist modernity, including discovery and conquest; migration and exploitation; resource extraction; and slavery. The book represents both an introduction to Herzog’s work at large, and a new argument about the significance of his films.

In 1888, Kedarnath Datta Bhaktivinoda Thakur discovered the site of Chaitanya’s nativity in a place that is now called Mayapur. This chapter examines Datta’s biography as a colonial bureaucrat and a Gaudiya theologian to argue that the search for the birthplace was as much a result of the empiricism of the times as it was due to the anomie produced from a colonized subjectivity of a middle-class, salaried life. It analyzes how religious ideas about sacred space within Vaishnavism were crucial to the determination of Mayapur as the precise birthplace of Chaitanya. By drawing attention to the simultaneous appeal of miraculous visions, sacred geographies, and positivist determinations in the Mayapur episode, this chapter makes evident a different aspect of bhadralok Vaishnavism than what has been seen in the book thus far.

‘Clennam rose softly, opened and closed the door without a sound, and passed from the prison, carrying the quiet with him into the turbulent streets.’ Introspective and dreamy, Arthur Clennam returns to England from many years abroad to find a people gripped in their self-made social and mental prisons. Against a background of government incompetence and financial scandal, he searches for the key to the affairs of the Dorrit family, prisoners for debt in the Marshalsea. He discovers through the seamstress Amy Dorrit the fulfilment of which he dreams, but only after he learns to understand his own heart. Revelation and redemption haunt Dickens’s portrayal of human relations as fundamentally distorted by class and money. The swindling financier Merdle, the bureaucratic nightmare of the Circumlocution Office, and a teeming cast of characters display the inadequacy of secular morality in the face of contemporary social and political confusion. Mixing humour and pathos, irony and satire, Dickens’s eleventh novel reveals a master of fiction in top form. This new edition, based on the definitive Clarendon text, includes all of Phiz’s original illustrations and a wide-ranging introduction highlighting Dickens’s move to more personal and spiritual concerns.

Other works may excel this in depth of thought and knowledge of human nature: other books may rival it in originality and size; but, for hopeless and incurable vivacity, nothing yet discovered can surpass it.’ Three Men in a Boat describes a comic expedition by middle-class Victorians up the Thames to Oxford. It provides brilliant snap-shots of London's playground in the late 1880s, where the fashionable steam-launches of river swells encounter the hired skiffs of city clerks. The medley of social vignettes, farcical incidents, descriptions of river fashions, and reflections on the Thames's history, is interspersed with humorous anecdotes told by a natural raconteur. Three Men on the Bummel records a similar escapade, a break from the claustrophobia of suburban life some ten years later; their cycling tour in the Black Forest, at the height of the new bicycling craze, affords Jerome the opportunity for a light-hearted scrutiny of German social customs at a time of increasing general interest in a country that he loved. This account of middle-aged Englishmen abroad is spiced with typical Jeromian humour.

Renowned master teacher Eric Franklin has thoroughly updated his classic text, Dance Imagery for Technique and Performance, providing dancers and dance educators with a deep understanding of how they can use imagery to improve their dancing and artistic expression in class and in performance. These features are new to this edition: • Two chapters include background, history, theory, and uses of imagery. • 294 exercises offer dancers and dance educators greater opportunities to experience how imagery can enhance technique and performance. • 133 illustrations facilitate the use of imagery to improve technique, artistic expression, and performance. Franklin provides hundreds of imagery exercises to refine improvisation, technique, and choreography. The 295 illustrations cover the major topics in the book, showing exercises to use in technique, artistic expression, and performance. In addition, Franklin supplies imagery exercises that can restore and regenerate the body through massage, touch, and stretching. And he offers guidance in using imagery to convey information about a dancer’s steps and to clarify the intent and content of movement. This new edition of Dance Imagery for Technique and Performance can be used with Franklin’s Dynamic Alignment Through Imagery, Second Edition, or on its own. Either way, readers will learn how to combine technical expertise with imagery skills to enrich their performance, and they will discover methods they can use to explore how imagery connects with dance improvisation and technique. Dance Imagery for Technique and Performance uses improvisation exercises to help readers investigate new inner landscapes to create and communicate various movement qualities, provides guidelines for applying imagery in the dance class, and helps dancers expand their repertoire of expressiveness in technique and performance across ballet, modern, and contemporary dance. This expanded edition of Dance Imagery for Technique and Performance supplies imagery tools for enhancing or preparing for performance, and it introduces the importance of imagery in dancing and teaching dance. Franklin’s method of using imagery in dance is displayed throughout this lavishly illustrated book, and the research from scientific and dance literature that supports Franklin’s method is detailed. The text, exercises, and illustrations make this book a practical resource for dancers and dance educators alike.

John D’Emilio is one of the leading historians of his generation and a pioneering figure in the field of LGBTQ history. At times his life has been seemingly at odds with his upbringing. How does a boy from an Italian immigrant family in which everyone unfailingly went to confession and Sunday Mass become a lapsed Catholic? How does a family who worshipped Senator Joseph McCarthy and supported Richard Nixon produce an antiwar activist and pacifist? How does a family in which the word divorce was never spoken raise a son who comes to explore the hidden gay sexual underworld of New York City? Memories of a Gay Catholic Boyhood is D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational family, how he went from considering entering the priesthood to losing his faith and coming to terms with his same-sex desires. Throughout, D’Emilio outlines his complicated relationship with his family while showing how his passion for activism influenced his decision to use research, writing, and teaching to build a strong LGBTQ movement. This is not just John D’Emilio’s personal story; it opens a window into how the conformist baby boom decade of the 1950s transformed into the tumultuous years of radical social movements and widespread protest during the 1960s. It is the story of what happens when different cultures and values collide and the tensions and possibilities for personal discovery and growth that emerge. Intimate and honest, D’Emilio’s story will resonate with anyone who has had to chart their own path in a world they did not expect to find.