Academic literature on the topic 'Neil LaBute'

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Journal articles on the topic "Neil LaBute"

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Shaw, Marc E. "Neil LaBute: Stage and Cinema, and: Neil LaBute: A Casebook (review)." Modern Drama 51, no. 4 (2008): 609–13. http://dx.doi.org/10.1353/mdr.0.0073.

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Knowles, Scott C. "How to Fight Loneliness by Neil LaBute." Theatre Journal 70, no. 2 (2018): 255–57. http://dx.doi.org/10.1353/tj.2018.0040.

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Guerra, L. R. "Narrativa Cênica: As Raízes Gregas de Iphigenia in Orem, de Neil Labute." Revista Scripta Uniandrade, no. 5 (December 30, 2007): 215–24. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.n5p215-224.

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Saal, Ilka. "‘Let's Hurt Someone’: Violence and Cultural Memory in the Plays of Neil LaBute." New Theatre Quarterly 24, no. 4 (November 2008): 322–36. http://dx.doi.org/10.1017/s0266464x0800047x.

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In this essay Ilka Saal examines one of the most perplexing aspects of Neil LaBute's work: his deployment of excessive and gratuitous violence. She insists that such deployment of violence has little to do with a humanist critique of the propensity for evil in all of us, nor with the playwright's biography (as suggested by a number of critics), but instead functions as a satirical interrogation of the mythological significance attributed to violence in American culture. The casual cruelties of LaBute's ordinary mid-Americans point up the central and ‘ordinary’ role that violence has played in the nation's history and self-understanding. Focusing on the example of the one-act play a gaggle of saints and drawing on the theories of Jan Assmann and Richard Slotkin, she shows in what ways LaBute uses violence to interrogate the country's cultural memory and to alert us to the general lethargy that has settled over the nation with regard to the historical violence it systematically exerted against its Others. Ilka Saal received her PhD in Literature from Duke University, North Carolina and is now working as Associate Professor of English at the University of Richmond, Virginia, where she teaches modern and contemporary American literature and culture. She is the author of New Deal Theater: the Vernacular Tradition in American Political Theater (Palgrave Macmillan, 2007), Dramatizing the Disease: Representations of AIDS on the US American Stage (Tectum, 1997), and co author of Passionate Politics: the Cultural Work of American Melodrama from the Early Republic to the Present (Cambridge Scholars Press, 2008).
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Oppedisano, Callie. "Neil LaBute: Stage and Cinema. By Christopher Bigsby. New York: Cambridge University Press, 2007; pp. 277. $93 cloth, $23.99 paper." Theatre Survey 51, no. 1 (April 26, 2010): 171–72. http://dx.doi.org/10.1017/s0040557410000177.

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Rasband, R. W. "Without Mercy? Neil LaBute as Mormon Artist: A consideration of Your Friends and Neighbors, Bash, The Mercy Seat, and The Shape of Things." Dialogue: A Journal of Mormon Thought 36, no. 2 (July 1, 2003): 217–23. http://dx.doi.org/10.2307/45227021.

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Fenner, Dagmar. "Sabine Buck, Literatur als moralfreier Raum? Zur zeitgenössischen Wertungspraxis deutschsprachiger Literaturkritik / Natalie Bloch, Legitimierte Gewalt. Zum Verhltnis von Sprache und Gewalt in Theatertexten von Elfriede Jelinek und Neil LaBute." Philosophisches Jahrbuch 120, no. 1 (2013): 181–84. http://dx.doi.org/10.5771/0031-8183-2013-1-181.

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Assis, Glauber Loures. "LABATE, Beatriz Caiuby; GOULART, Sandra Lúcia. O uso de plantas Psicoativas nas Américas. Rio de Janeiro: Gramma/NEIP, 2019." Revista Mundaú, no. 7 (March 27, 2020): 177–85. http://dx.doi.org/10.28998/rm.2019.n.7.9822.

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Na aurora do século XX, a sociedade moderna apresentava terreno muito fértil para as ciências sociais, que se maravilhavam e se debruçavam sobre suas peculiaridades e potencialidades. Naquele contexto, ganharam destaque como objeto de reflexão, dentre outros temas, a metrópole e sua vida mental; as teorias sobre a secularização, que em suas versões “duras” apregoavam o fim da religião; e as ideias de “desencantamento do mundo” e da racionalização da vida, que vinculavam o “espírito” do capitalismo ocidental ao protestantismo calvinista. Tal conjuntura também foi palco da Comissão do Ópio de Xangai (1909) e do estabelecimento da “guerra às drogas” e da política proibicionista em relação ao uso de psicoativos.
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Rosenblum, Rachel Chava, Karine Atlan, Judith Diment, Haggi Mazeh, Shani Afek, Pnina Rotman-Pikielny, and Orit Twito. "A RETROPERITONEAL SEMINOMA WITH ENTRAPPED NERVE GANGLION MASQUERADING AS A PARAGANGLIOMA." AACE Clinical Case Reports 5, no. 5 (September 2019): e321-e325. http://dx.doi.org/10.4158/accr-2019-0251.

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Objective: The differential diagnosis of retroperito-neal tumors includes lymphoid, germ cell, and neurogenic tumors such as paraganglioma. Paragangliomas are rare neuroendocrine tumors of the autonomic nervous system, which may secrete catecholamines and their metabolites. Clinical features include sustained or paroxysmal hypertension, headaches, sweating, and palpitations. Here we present an unusual case of a retroperitoneal tumor entrapping a sympathetic nerve ganglion and mimicking paraganglioma.Methods: A 57-year-old man with a history of controlled hypertension presented with paroxysms of tachycardia, flushing, high blood pressure, and headache. Ambulatory blood pressure monitoring showed uncontrolled labile hypertension with a normal nocturnal dip. Abdominal computed tomography (CT) demonstrated a 6.1 cm mass in the right retroperitoneum with adjacent lymphadenopathy. Paraganglioma was suspected and 24-hour urine demonstrated elevated normetanephrines (575 mcg/24 hours; normal, 5 to 290 mcg/24 hours) and vanillylmandelic acid (8.3 mg/24 hours; normal, 0.5 to 6.6 mg/24 hours). 68-Gallium DOTATATE positron emission tomography/CT showed weak uptake in the retroperitoneal mass and no other mass lesions.Results: Following preparation with alpha-adrenergic blockers, surgical excision was performed with diagnostic and curative intent. Postoperatively, hypertension and paroxysmal symptoms resolved completely. The histopathology report described seminoma with an entrapped large ganglion within the tumor.Conclusion: We describe a retroperitoneal seminoma with an entrapped ganglion causing hypertension and paroxysmal symptoms, with laboratory and imaging features compatible with paraganglioma. Awareness of the rare possibility of mechanical pressure on a ganglion, within the differential diagnosis of retroperitoneal mass and sympathetic symptoms may aid in clinical decision making in atypical cases.
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Neal, C., M. Neal, S. Hughes, H. Wickham, L. Hill, and S. Harman. "Bromine and bromide in rainfall, cloud, stream and groundwater in the Plynlimon area of mid-Wales." Hydrology and Earth System Sciences 11, no. 1 (January 17, 2007): 301–12. http://dx.doi.org/10.5194/hess-11-301-2007.

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Abstract. Bromine in rainfall, cloud water, stream water and groundwater were measured in the upper River Severn catchments at Plynlimon in mid-Wales using two analytical procedures for bromide determination: a colorimetric method and, later, ion chromatography. Discrepancies between the methods indicated that the colorimetric method was measuring more than just bromide so it was "dissolved labile bromine" (DLBr) (Neal et al., 2007). This paper reports the variation in DLBr and bromide across the Plynlimon region and assesses the differences between these two measures. The average DLBr concentration in the streams ranges between 18.3 and 27.8 µg l−1 compared with a rainfall average concentration of 15.6 µg l−1. The corresponding bromide concentrations in the streams are 13.8–18.6 µg l−1 and 13.2 µg l−1 in rainfall. For cloud water, throughfall and stemflow, DLBr concentrations are an order of magnitude higher than in rainfall and the concentrations are strongly correlated with chloride. Average values of bromide in rainfall and cloud water are similar to those of DLBr and are strongly correlated with chloride: unfortunately, no bromide measurements were taken in throughfall and stemflow. These results indicate that marine aerosol inputs are high and that the DLBr in these inputs is dominated by bromide. For cloud water, DLBr was correlated with dissolved organic carbon (DOC) as well as with chloride; hence, there may well be an organic-associated component. Within the streams draining the forested areas, DLBr increases with time as DOC increases. DLBr concentrations in the streams are correlated with DOC in most cases and, to a lesser degree, with chloride. However, for bromide there is no correlation with DOC, but a weak correlation with chloride remains and the gradient is higher than for the DLBr case. Increasing concentrations of both DLBr and DOC may well reflect the wetting up of the catchments as transpiration diminshes as the trees age as well as through felling. In groundwater, only DLBr has been measured, and its concentration is similar to that for the streams. However, in the groundwater zone, DLBr is poorly correlated with DOC concentrations, in which DOC is largely converted to CO2. Atmospheric input–stream output flux estimates indicate a net uptake of bromide by the catchment of around 30%, matched by a corresponding release of DOC-associated bromine.
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Dissertations / Theses on the topic "Neil LaBute"

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Wright, Amber Michelle. "Masculinity in the Works of Neil LaBute." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/193291.

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This study examines men's masculine performance in LaBute's major works and demonstrates how his men oppress themselves and others by trying to live up to the ideals of traditional masculinity. Using the writings of profeminist sociologist Michael Kimmel and other scholars of masculinities, as well as theoretical considerations of Laura Mulvey's gaze theory, the thesis specifically explores the attempts of LaBute's men to repudiate the femininity within themselves through homophobia and the suppression of emotions. Additionally, it examines the sexism that stems from his men's anti-femininity. Overall, the prevalence of such harmful men in LaBute's works and the mostly negative effects of their masculine performance prove that LaBute is critiquing traditional masculinity in order to promote change.
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Griffith, Mary Peyton. "Power and Relationships in the Plays of Neil LaBute: Directing and Performing in Some Girl(s)." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/112.

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This thesis explores the major works of Neil LaBute's career as a playwright and screenwriter, including the criticism he has received on theatrical and literary levels. The themes most prevalent in the thesis are the use of power and manipulation in the relationships between LaBute's characters and the ongoing maturation of his characters that coincides with the maturation of his work. The second section of the thesis follows the production, directing, and acting in LaBute's play Some Girl(s).
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Devlin, Daniel F. "Looking For Ways To Ruin A Perfectly Good Day: Masculinity in bash: the latter-day plays by Neil LaBute." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/716.

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Neil LaBute is one of the most prolific and challenging playwrights in America today. My thesis will explore his work bash: the latter-day plays through the frame of the performance and use of masculinity by his characters, and will create a vocabulary through which the remainder of LaBute's works can be studied, both in terms of academic scholarship and the practical application of that scholarship to the process of theatrical creation.
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Gehle, Hermione. "The absurd reality of satire in Neil LaBute's 'Fat Pig'." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1661.

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This research project examines the misreading of satire in some productions of Neil LaBute’s play, Fat Pig. This practice led project aims to investigate why such misinterpretations occur and explore the theatrical styles that emphasise the satire in the text via rehearsal processes and production. There will be three preliminary paths undertaken in this research heading toward a new production of Fat Pig; an exploration of the responses of audiences and critics to past productions; an analysis of the background to Neil LeBute and his work; and an examination of theatrical expressions of satire, experimental theatre, contemporary theatre, and their practitioners. The overall aim of this research project is to find ways, as a director, to experiment with theatrical styles as a means to expand the play’s complex issues and ironic take on society’s narrow view of female beauty. This study will explore the following questions: what is the correlation between staging and design (the director’s influence and how an audience interprets meaning; and what forms of theatrical expression will highlight and emphasise the satire and irony present in the text? In what ways can critical reviews and feedback from previous productions indicate the understanding (or lack of understanding) of the ironic content in the script? Can situating LaBute in the context of his satiric writing style that straddles literary elements from opposing absurd and realism genres shed light on how irony can be exposed in Fat Pig? The project’s new production aims to underscore the play’s social commentaries by combining various forms of theatrical styles, philosophies, and methodologies. I wish to extend my directorial practice by investigating strategies to emphasis and highlight what I see as the underlying focus of Fat Pig; society’s discriminating behaviour to those who sit outside mainstream ideas of physical beauty
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Goldstein, Emily R. "Reasons to be Desired." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/686.

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Through a comparison of Tennessee Williams’ Blanche in A Streetcar Named Desire and Neil LaBute’s Steph in reasons to be pretty, this thesis explores the ways in which the female position has both changed and remained relatively the same over the course of the last sixty years.
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Lavi, Tali, and talilavi@netspace net au. "Tales of Ash: Phantom Bodies as Testimony in Artistic Representations of Terrorism." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080428.114445.

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This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in the aftermath of an event in which certain individuals have sought to eradicate it. The fragmentation of the affected body in these scenarios is understood as further complicating processes of grief and remembrance. Artists who reject political polemic and engage with the dimensions of human loss are seen to have discovered means of referring to the absence caused by the act of terrorism. Three such recurring representations present themselves: ash and remnants, presence/absence and memory building. Phantom Bodies are perceived as simultaneously functioning as a reminder of the event itself, insisting upon the response of bearing witness, and as a symbol of the overwhelming power of humanity. Challenges arise when individuals or sections of the affected society deem these artworks to be inappropriate or explicit. Works considered include: Neil LaBute's play The Mercy Seat, Sigalit Landau's art installation The Country, Jonathan Safran Foer's Extremely Loud & Incredibly Close, Spike Lee's 25th Hour, Daniel Libeskind's architectural plans for the World Trade Center site, Eric Fischl's sculpture 'Tumbling Woman', Honor Molloy's autodelete://beginning dump of physical memory and A.B.Yehoshua's A Woman in Jerusalem. The accompanying play, Tales of Ash: A diptych for the theatre, is set in Melbourne, New York and Tel Aviv and deals with life in the face of and after terror. It veers between naturalism, poetic monologue and the epic. Tales of Ash contains two plays. The first centres on Mia, a young sculptor living in New York, who loses both her lover and her creativity on September 11. Upon returning to her home in Melbourne, she finds familial bonds still entwined with guilt and family trauma. The second play revolves around Ilana and Benny, two people living in Tel Aviv, who find themselves suddenly thrust together after a devastating bombing. As they attempt to resume rhythms of life, in the face of all the inherent ferocity of a modern existence in Israel, the struggle between The Ash Woman and The Ash Takers escalates.
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McLafferty, Wilhelmina. "An absurd evolution : Neil Labute and the progression of the theater of the absurd /." 2009. http://digital.library.okstate.edu/etd/McLafferty_okstate_0664M_10332.pdf.

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Books on the topic "Neil LaBute"

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Bloch, Natalie. Legitimierte Gewalt: Zum Verhältnis von Sprache und Gewalt in Theatertexten von Elfriede Jelinek und Neil LaBute. Bielefeld: Transcript, 2011.

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Wood, Gerald C. Neil LaBute. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349.

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Wood, Gerald C. Neil Labute: A Casebook. Taylor & Francis Group, 2014.

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C, Wood Gerald, ed. Neil LaBute: A casebook. New York: Routledge, 2006.

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Wood, Gerald C. Neil Labute: A Casebook. Taylor & Francis Group, 2006.

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Wood, Gerald C. Neil Labute: A Casebook. Taylor & Francis Group, 2006.

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Wood, Gerald C. Neil Labute: A Casebook. Taylor & Francis Group, 2006.

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Wood, Gerald C. Neil Labute: A Casebook. Taylor & Francis Group, 2006.

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E, Bigsby C. W. Neil Labute: Stage and Cinema. Cambridge University Press, 2007.

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Bigsby, Christopher. Neil Labute: Stage and Cinema. Cambridge University Press, 2007.

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Book chapters on the topic "Neil LaBute"

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Oesterle, Carolyn. "LaBute, Neil." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5650-1.

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Oesterle, Carolyn. "LaBute, Neil: Das dramatische Werk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5651-1.

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"A Touch of Bad: Why Is the Director Neil LaBute So Interested in Jerks?" In Neil LaBute, 27–38. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-11.

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"A Modern Euripides." In Neil LaBute, 39–54. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-12.

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"Jeremy Collier Answered: Shifting Poetic Justice from the Playwright to the Audience in the Works of Neil LaBute." In Neil LaBute, 55–66. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-13.

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"Experiencing Others: Martin Buber and Neil LaBute’s in the Company of Men." In Neil LaBute, 69–76. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-15.

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"Morality and Metaphor in the Works of Neil LaBute." In Neil LaBute, 77–88. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-16.

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"Latter-day Capitalism: Religious and Corporate Violence in the Films and Plays of Neil LaBute." In Neil LaBute, 89–100. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-17.

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"Neil LaBute, Postmodernist in the Pulpit: The Search for Truth and Decency in a Sinful World." In Neil LaBute, 103–16. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-19.

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"Place, Popular Culture, and Possibilism in Selected Works of Playwright Neil LaBute." In Neil LaBute, 117–26. Routledge, 2006. http://dx.doi.org/10.4324/9780206944349-20.

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