Dissertations / Theses on the topic 'Neighbourhood disadvantage'
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Loh, Hui Yee. "The Contribution of the Neighbourhood Environment to the Relationship Between Neighbourhood Disadvantage and Physical Function Among Middle-Aged to Older Adults." Thesis, Australian Catholic University, 2018. https://acuresearchbank.acu.edu.au/download/f874dd1116560426fc11fffab625631c655ea1a636cb03fb913415437e2378c7/11526170/LOH_2018_The_contribution_of_the_neighbourhood_environment.pdf.
Full textRoe, Miranda, and manroe@aapt net au. "FAMILIES AT RISK � A CRITICAL ANALYSIS OF IMPLICATIONS FOR POLICY AND SERVICES." Flinders University. Politics and International Studies, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20061025.100933.
Full textDanley, S. "Neighbourhood negotiations : network governance in post-Katrina New Orleans." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:69eea895-aa8d-40fe-94d7-03b33a27d687.
Full textMenigoz, Karen M. "Body mass index trends among immigrants to Australia: Associations with ethnicity, length of residence, age at arrival, neighbourhood disadvantage and geographic remoteness." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/125506/1/Karen_Menigoz_Thesis.pdf.
Full textMiller, Sophie Ann. "Associations between socio-economic position, neighbourhood disadvantage, and mental health and well-being: Are the relationships moderated by exposure to a natural disaster?" Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/131621/1/Sophie_Miller_Thesis.pdf.
Full textWalsh, Peter E. "Local governance and public policy : the dynamics of renewing disadvantaged neighbourhoods." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/104757/4/Peter_Walsh_Thesis.pdf.
Full textCarlin, Eric Joseph Francis. "Young people's transitions to adulthood in Pilton, a disadvantaged neighbourhood of Edinburgh." Thesis, Birkbeck (University of London), 2017. http://bbktheses.da.ulcc.ac.uk/251/.
Full textThomson, Patricia Lorna, and kimg@deakin edu au. "DOING JUSTICE: STORIES OF EVERYDAY LIFE IN DISADVANTAGED SCHOOLS AND NEIGHBOURHOODS." Deakin University, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20031119.101136.
Full textSchneider, Stephen R. "Obstacles to collective action in socially disadvantaged neighbourhoods : toward a radical planning theory of community crime prevention." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25154.pdf.
Full textChoudhuri, Debjani Pal. "Community planning for intervention for victims of domestic violence adaption of the model from Kassel, Germany, for disadvantaged urban neighbourhoods in Pune City, India /." Kassel : Kassel Univ. Press, 2008. http://d-nb.info/99359347X/34.
Full textChoudhuri, Debjani Pal. "Community planning for intervention for victims of domestic violence adaption of the model from Kassel, Germany, for disadvantaged urban neighbourhoods in Pune City, India." Kassel Kassel Univ. Press, 2007. http://d-nb.info/986634417/04.
Full textChoudhuri, Debjani Pal [Verfasser]. "Community planning for intervention for victims of domestic violence : adaption of the model from Kassel, Germany, for disadvantaged urban neighbourhoods in Pune City, India / Debjani Pal Choudhuri." Kassel : Kassel Univ. Press, 2008. http://d-nb.info/99359347X/34.
Full textGrenier, Julian. ""Helping me to notice more things in children's actions" : how early years practitioners, working in socially disadvantaged neighbourhoods, developed their theories about children's learning and their role as educators during a programme of support and professional development." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/10018065/.
Full textSarrouy, Alix Didier. "Acteurs de l’éducation musicale : ethnographie comparative entre trois núcleos qui s’inspirent du programme El Sistema au Venezuela, au Brésil et au Portugal." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA032/document.
Full textEl Sistema is the name of a Venezuelan educational program that uses symphonic music as a tool. After forty years of existence, the numbers of students have increased impressively from all social classes. Reproduced in more than 60 countries, today El Sistema is a worldwide reference in the use of musical art as a tool for personal development and social education among populations living in socioeconomically disadvantaged neighbourhoods. Yet, there is a gap in social science research on what is really done in Venezuela and in the countries that have been inspired by it.We intend to fill in this gap by applying ethnographic methodologies under a sociological eye. For that, we focus the research on the basic unit of El Sistema – the núcleo. The núcleo is a physical space, like a school, where social actors (students, teachers, parents…) get together for daily music classes, following principles and methods of El Sistema. The lessons are free and the instruments are lent to the students.The starting double-question we ask is: how do the actions progress in a núcleo and what is the role of each of these actors? To answer these questions, we suggest a comparative analysis between three núcleos in three countries: Venezuela, Brazil and Portugal. In the last two, we chose musical education programs inspired by the Venezuelan El Sistema: Neojiba in Brazil and Orquestra Geração in Portugal.In each program, we chose one núcleo as a unit of analysis. It is, therefore, a multi-situated research, in which we apply qualitative methodologies: ethnographic observation, semi-structured interviews and focus-groups. The comparative analysis is not normative. Instead, it is a way to complexify, to provoke the researcher’s thinking using the differences and the similarities between the three núcleos. In our fields of research, ethnography is central, carried out daily in a very intense paste, aiming at capturing and illustrating the role of each actor in the núcleo. We want to understand which individual and collective actions are developed in each context. The heart of this thesis is to reveal as many empirical aspects of the núcleos as possible, through diverse complementary angles.To understand the actions in the núcleos we extend the analysis by incorporating the social, economical and political contexts surrounding them. The factors that seem external also have impacted on the actions of each actor and, in consequence, on the results obtained through musical education in the núcleos
Sarrouy, Alix Didier. "Atores da educação musical: etnografia comparativa entre três núcleos que se inspiram no programa El Sistema na Venezuela, no Brasil e em Portugal." Doctoral thesis, 2017. http://hdl.handle.net/1822/48595.
Full textTítulo: Atores da educação musical: etnografia comparativa entre três núcleos que se inspiram no programa El Sistema na Venezuela, no Brasil e em Portugal. El Sistema é o nome dado a um programa venezuelano de formação através da música sinfónica. Ao fim de quarenta anos de existência os números de alunos são massivos e de todas as classes sociais. Imitado em mais de 60 países, o El Sistema tornou-se uma referência mundial a nível da utilização da arte musical como instrumento de educação pessoal e social junto das comunidades e dos bairros mais desfavorecidos socioeconomicamente. Todavia existe uma grande lacuna quanto à investigação em ciências sociais sobre o que é realmente feito na Venezuela e nos países que se inspiram no El Sistema. Esta tese visa contribuir ao preenchimento dessa lacuna aplicando metodologias etnográficas sob um olhar sociológico. Para isso escolhemos focar a investigação na unidade de base do El Sistema – o núcleo. É um espaço físico, como uma escola, no qual se juntam uma série de atores (alunos, professores, auxiliares…), e onde há quotidianamente aulas de música seguindo os princípios e os métodos do El Sistema. É gratuito e os instrumentos são emprestados aos alunos. A dupla-questão sob a qual nos vamos focalizar é a seguinte: quais as ações nos núcleos e qual o papel de cada tipo de ator que o constitui? Para tentar responder a estas questões gerais, que se irão aprofundar ao longo da tese, propomos fazer uma análise comparativa entre três núcleos de três países. Em cada país escolhemos programas de formação musical inspirados no El Sistema venezuelano: o Neojiba no Brasil; a Orquestra Geração em Portugal. Em cada programa escolhemos apenas um núcleo. É, portanto, uma investigação multi-situada, aplicando metodologias qualitativas: observação etnográfica; entrevistas semi-estruturadas; focus-groups. A análise comparativa não é normativa, serve aqui para provocar o pensamento graças às diferenças e similaridades entres os três núcleos, complexificando a investigação. Nos três campos de pesquisa a etnografia é central, quotidiana e muito intensa, para que possamos ilustrar o papel de cada tipo de ator nos núcleos. Procuramos entender que ações individuais e coletivas se desenvolvem nos três contextos. É o foco desta tese: revelar variados aspetos empíricos dos núcleos a serem observados sob ângulos diferentes e complementares. Para compreender o que se passa nos núcleos precisamos alargar a análise, integrando os contextos sociais, económicos e políticos que os rodeiam. Há fatores externos que têm muito impacto sobre a ação de cada ator e, em consequência, sobre os resultados atingidos através da educação musical no núcleo.
El Sistema is the name of a Venezuelan educational program that uses symphonic music as a tool. After forty years in existence, the numbers of students have increased impressively from all social classes. Reproduced in more than 60 countries, today El Sistema is a worldwide reference in the use of musical art as a tool for personal development and social education among populations living in socioeconomically disadvantaged neighbourhoods. Yet, there is a gap in social science research on what is really happening in Venezuela and in the countries that have been inspired by it. We intend to fill in this gap by applying ethnographic methodologies under a sociological eye. For that, we focus the research on the basic unit of El Sistema – the núcleo. It’s a physical space, like a school, where social actors (students, teachers, parents…) get together for daily music classes, following principles and methods of El Sistema. The lessons are free and the instruments are lent to the students. The first questions we ask are: how do the actions progress in a núcleo and what is the role of each of these actors? To answer these questions, we suggest a comparative analysis between three núcleos in three countries: Venezuela, Brazil and Portugal. In the last two, we chose musical education programs inspired by the Venezuelan El Sistema: Neojiba in Brazil and Orquestra Geração in Portugal. In each program, we chose one núcleo as a unit of analysis. It is, therefore, a multi-situated research, in which we apply qualitative methodologies: ethnographic observation, semistructured interviews and focus-groups. The comparative analysis is not normative. Instead, it is a way to complexify and provoke the researcher’s thinking using the differences and the similarities between the three núcleos. In our fields of research, ethnography is central, carried out daily at a very intense pace, aimed at capturing and illustrating the role of each actor in the núcleo. We want to understand which individual and collective actions are developed in each context. The heart of this thesis is to reveal as many empirical aspects of the núcleos as possible, through diverse complementary angles. To understand the actions in the núcleos we extend the analysis by incorporating the social, economical and political contexts surrounding them. The factors that seem external also have impacted on the actions of each actor and, in consequence, on the results obtained through musical education in the núcleos.