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Journal articles on the topic 'Ndongo-Bidyogo'

Author: Grafiati

Published: 12 October 2024

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1

Celaya, Beatriz. "De victorias o derrotas: El metro, de Donato Ndongo-Bidyogo." Romance Quarterly 57, no. 2 (January 29, 2010): 142–57. http://dx.doi.org/10.1080/08831150903504745.

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2

Koné, Ténon. "EL BARCO COMO CRONOTOPO EN EL METRO DE DONATO NDONGO-BIDYOGO." Perífrasis. Revista de Literatura, Teoría y Crítica 6, no. 11 (January 2015): 37–51. http://dx.doi.org/10.25025/perifrasis201561103.

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3

DÍAZ-SZMIDT, RENATA. "ZRANIONA PAMIĘĆ I HISTORYCZNA TRAUMA W LITERATURZE GWINEI RÓWNIKOWEJ. TWÓRCZOŚĆ DONATA NDONGO BIDYOGI." AFRYKA 50, no. 50 (February 20, 2020): 81–98. http://dx.doi.org/10.32690/afr50.4.

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Wounded Memory and Historical Trauma in the Literature of Equatorial Guinea. Donato Ndongo Bidyogo’s Works The article, based on the example of Donato Ndongo Bidyogo’s works, presents two aspects of Equatorial Guinean literature, namely memory and trauma. They are crucial for the understanding of this still young literature, written in Spanish. The consideration of selected issues developed by contemporary Equatoguinean writers gives the country’s literature a specifi c character. A refl ection on the dramatic past and the diffi cult present is its recurring motif. The article is divided into four parts. The fi rst part presents a theoretical refl ection on the concept of Paul Ricouer’s “wounded memory” used in the text. The second analyses the so-called traumatic discourse in literature, and attempts to fi nd the distinction between a traumatic event and a traumatising experience. The third part of the article presents the issues of Equatoguinean historical traumas and sketches the literary landscape of the country. The article focuses on literary strategies of collective projection, wounded memory of Equatorial Guineans and the issue of the (im)possibility of mapping trauma in literature. The last part of the text presents literary examples of the phenomena discussed in the literature of Donato Ndongo Bidyogo.

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4

Arbeláez, Olga. "GEOGRAFÍAS IMPOSIBLES: HOGAR Y NACIÓN EN LAS NOVELAS DE DONATO NDONGO-BIDYOGO." Revista Iberoamericana, no. 248-9 (December 9, 2014): 1041–56. http://dx.doi.org/10.5195/reviberoamer.2014.7216.

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5

Phaf-Rheinberger, Ineke. "DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017." Nueva revista del Pacífico, no. 70 (June 2019): 164–66. http://dx.doi.org/10.4067/s0719-51762019000100164.

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6

Rizo, Elisa. "Una conversación entre guineoecuatorianos: Donato Ndongo Bidyogo y Juan Tomás Ávila Laurel." Journal of Spanish Cultural Studies 7, no. 3 (November 2006): 259–70. http://dx.doi.org/10.1080/14636200601084063.

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7

Hyoyoung Park. "The Dictatorship of Equatorial Guinea and the Postcolonial Writing of Donato Ndongo Bidyogo." Journal of Mediterranean Area Studies 18, no. 2 (May 2016): 63–83. http://dx.doi.org/10.18218/jmas.2016.18.2.63.

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8

Otabela Mewolo, Joseph-Désiré. "La figura del dictador: Macías Nguema y Rafael Trujillo en Los poderes de la tempestad de Donato Ndongo Bidyogo y en La fiesta del chivo de Mario Vargas Llosa." Connotas. Revista de crítica y teoría literarias, no. 02 (June 1, 2004): 27–46. http://dx.doi.org/10.36798/critlit.v0i02.271.

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El artículo se propone estudiar la figura del dictador en dos novelas relativamente recientes comparando el tratamiento del tema en un autor y un contexto histórico latinoamericanos (el tirano dominicano Rafael Leónidas Trujillo en La fiesta del Chivo de Mario Vargas Llosa) y en un representante de la joven y poco conocida literatura hispanófona de la Guinea Ecuatorial (el retrato de Macías Nguema Biyogo Ñegue Ndong en Los poderes de la tempestad de Donato Ndongo Bidyogo). Se presta particular atención a tres aspectos del dictador: a) el culto a la personalidad que va hasta la divinización, b) la importancia del sexo como prueba de machismo y (omni)potencia y c) una particular forma de nacionalismo que se manifestaba durante la dictadura de Trujillo en el genocidio perpetrado contra los inmigrantes negros haitianos y en Guinea en el rechazo radical de la herencia hispánica a favor de presuntos valores tradicionales autóctonos.

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9

Díaz-Szmidt, Renata. "O lugar do silêncio nas literaturas africanas. O não-dizível como o esquecimento pós-traumático nos textos de Angola e da Guinée Equatorial." Studia Romanica Posnaniensia 50, no. 2 (October 5, 2023): 3–15. http://dx.doi.org/10.14746/strop.2023.50.2.1.

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The article analyses the space of literary silence as a specific, metaphorical and intelectual space, an idea derived from Pierre Nora’s concept of “space of memory” (1984). In the context of sociocriticism and geopoetics reflexions, we analyse the silence in the literature of Angola and Equatorial Guinea searching the difference between the unspoken due to political and ideological reasons, prohibitions or taboos and the unspoken related to the impossibility to speak about the traumatic experiences suffered by African colective and cultural subject (Edmond Cros). We focus on the unspoken as post-traumatic amnesia in the works of José Eduardo Agualusa and Pepetela from Angola and in the novels and tales of Leoncio Evita Enoy and Donato Ndongo Bidyogo from Equatorial Guinea. The conclusion is that the space of silence in these texts is the result of a post-traumatic disorder caused by trans-Atlantic slave trade.

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10

Borst, Julia. "(Im)mobilities and migration in the work of César Mba Abogo and Donato Ndongo-Bidyogo." Tydskrif vir Letterkunde 56, no. 1 (June 3, 2019): 113–26. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i1.6277.

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Many literary texts written by authors of African origin in the Spanish language engage with the experience of migration and of living in a European society that marginalizes and homogenizes migrants as the ‘African Other.’ Rather than reproduce stereotypical images of African migrants, these texts challenge a biased debate on migration to Europe, offering an alternative vision of a complex phenomenon. In these texts, migrants are individuals whose mobility is restricted because they are subjected to processes of Othering, which confine them to the margins of Spanish society, raising issues of mobility in/justice and forced im/mobilities related to hegemonic power relations, coloniality, and race. Privileging the perspective of African migrant subjects in creating new imaginaries of migration to Europe, this article examines the mobilities paradigm in the context of transnational migration in a postcolonial era and discusses the potential of literary texts to unsilence ‘immobile voices.’ Through this lens, I offer readings of César Mba Abogo’s El Porteador de Marlow: Canción negra sin color (2007) and Donato Ndongo-Bidyogo’s El Metro (2007), grounding my scholarship in Equatoguinean literature and contemporary hispanophone African literature.

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11

Clarence Mengue. "Lectura del espacio en Los poderes de la tempestad de Donato Ndongo Bidyogo." Arizona Journal of Hispanic Cultural Studies 8, no. 1 (2004): 185–95. http://dx.doi.org/10.1353/hcs.2011.0349.

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12

Panford, Moses E. "Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo, by Joseph-Désiré Otabela and Sosthène Onomo-Abena." Research in African Literatures 40, no. 4 (December 2009): 195–96. http://dx.doi.org/10.2979/ral.2009.40.4.195.

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13

King, Stewart. "Donato Ndongo-Bidyogo y Mbaré Ngom,Literatura de Guinea Ecuatorial (Antologéa), Madrid: Casa de África, 2000. 473 pp." Journal of Iberian and Latin American Research 7, no. 1 (July 2001): 173–76. http://dx.doi.org/10.1080/13260219.2001.10429611.

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14

Otabel Mewolo, Joseph-Désiré. "Literatura de Guinea Ecuatorial : sujeto cultural y dictadura : el personaje del abogado en "Los poderes de la tempestad" de Donato Ndongo Bidyogo." Epos : Revista de filología, no. 19 (September 5, 2013): 119. http://dx.doi.org/10.5944/epos.19.2003.10398.

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15

Kone, Ténon. "El migrante negroafricano ante el mito de los grandes relatos en El metro de Donato Ndongo y Nativas de Vi-Makomè / The Black African migrant faced with the myth of the great stories in Donato Ndongo’s The Metro and Nativas by Vi-Makomè." Pacha. Revista de Estudios Contemporáneos del Sur Global 1, no. 2 (August 31, 2020): 97–107. http://dx.doi.org/10.46652/pacha.v1i2.25.

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Las migraciones hoy en día se han convertido en un gran desafío de la vida política, social e imaginaria del Tout-Monde. Por lo mismo, hay una innegable acentuación de las migraciones intraafricanas, transafricanas y transcontinentales. A las migraciones Sur-Sur, se añaden las migraciones hacia Europa que siguen captando más la atención de los medios de comunicación. Si la migración masiva está bien difundida en el mundo, despierta recuerdos dolorosos en el caso particular del migrante negro africano postcolonial. El objetivo general que se pretende aquí es poner en tensión, a través de las dos novelas El metro y Nativas, de Donato Ndongo-Bidyogo e Inongo Vi Makomè respectivamente, el mito del “gran relato” de la proeza sexual supuestamente vigorosa del Negro. Otro cometido mayor de este artículo es contribuir modestamente al trabajo de desmitificación de la figura (sexual) del migrante negroafricano en Europa/Occidente. La elección de estas dos novelas tiene aquí una doble importancia. La primera es que pertenecen a la categoría de las novelas llamadas novelas de migración (que se inscriben plenamente hoy en día en lo que se puede llamar la “littérature-monde”). En segundo lugar, son novelas que sacan a la luz una gran parte de la problemática de las migraciones, de las “migrances” en general y, particularmente, la del advenimiento del migrante negroafricano postcolonial. Este estudio se ha basado en gran parte sobre las formulaciones teóricas de Victorien Lavou Zoungbo a través de su libro Outsidering… (2007), en el que aborda ampliamente la problemática del “gran relato del vigor-proeza sexual del negro”. Sus formulaciones teóricas en las que propone una articulación dinámica y operativa de la historia de los negros en las Américas parecen encajar bien con la problemática de la “presencia-historia” de los migrantes negro-africanos en Europa. El estudio ha mostrado que el mito de los “grandes relatos” (particularmente el vigor-proeza sexual del Negro) puede ser un factor de rechazo visceral o de integración “exitosa” de los migrantes negroafricanos en Europa/Occidente.

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16

Hendel, Mischa G. "Donato Ndongo-Bidyogo. Escritor, historiador y periodista de Guinea Ecuatorial (Murcia, España)." Iberoromania 73-74, no. 1 (January 2012). http://dx.doi.org/10.1515/ibero-2011-0001.

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17

Phaf-Rheinberger, Ineke. "‘Barco’ y ‘modernidad’ en las rutas transatlánticas – Donato Ndongo-Bidyogo y José Eduardo Agualusa." Iberoromania 73-74, no. 1 (January 2012). http://dx.doi.org/10.1515/ibero-2011-0004.

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18

KONE, Ténon. "De la inversión de los roles tradicionales o el declive de un mito familiar africano en Las tinieblas de tu memoria Negra de Donato Ndongo-Bidyogo." Dialogos 39 (November 29, 2022). http://dx.doi.org/10.24818/dlg/2022/39/02.

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This article analyzes, from the novel (colonial) Las tinieblas de tu memoria negra by Donato Ndongo-Bidyogo, the reversal of traditional roles or the decline of an African family myth from a postcolonial perspective. The novel is about an innominate child who is forced to become one of the best defenders of vernacular customs of his people to the detriment of the Judeo-Christian religion chosen by his father. The central problem of the work to study is the difficult attempt to preserve the African tradition in a world that has changed after the arrival of the Spanish colonizers in Equatorial Guinea, in the case at hand. The main objective of the study is to show the importance of Occident colonization in what we can call the decline of an African family myth. Another task of this work is to show the survival of the perennial tradition-modernity dichotomy not only in literature but also in contemporary African societies.

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19

Crocoll, Natacha. "La crisis identitaria en las técnicas narrativas de Los poderes de la tempestad de Donato Ndongo-Bidyogo." Journal of the African Literature Association, September 12, 2024, 1–16. http://dx.doi.org/10.1080/21674736.2024.2384251.

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20

Mester, Anna. "Remnants of carcerality and fascism in contemporary literature from Equatorial Guinea." Punishment & Society, October 30, 2022, 146247452211303. http://dx.doi.org/10.1177/14624745221130367.

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From 1939 to 1968, the Spanish territory in the Gulf of Guinea suffered from a double, imperial and fascist oppression under the Franco regime. While colonialism officially ended in 1968, the promise of independence perished as newly elected Francisco Macías Nguema —inspired by Francoism—became increasingly violent and repressive of political dissent. Colonial Black Beach prison became the site for incarceration, torture, and executions as Macías ruthlessly retaliated against political dissent. I analyze two contemporary novels, Poderes de la tempested (2004) by Donato Ndongo Bidyogo and Autorretrato con un infiel (2007) by José Fernando Siale Djangany, to show the prison—the edifice and its carceral reverberations in society—as the nexus of the double, fascist and imperial violence that persists and is renegotiated in the aftermath colonialism. From the metaphor of the prison, I explore the legacy of Francoist violence in post-colonial Equatorial Guinea that has been variedly characterized as colonialism's residual legacy or the perpetuation of afro-fascism or a self-inflicted colonialism. I wish to complicate the historical cause-and-effect. I reread these texts from a historical and literary perspective focusing on representations of prisons and carceral societies, while engaging with the co-implications of fascism and imperialism in Spanish and Equatorial Guinean history.

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21

"L’émancipation et le développement de l’Afrique en question dans l’oeuvre littéraire de la diaspora africaine: le cas de El metro de Donato Ndongo-Bidyogo." Intercambio/Échange, 2016. http://dx.doi.org/10.21001/ie.2016.1.08.

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22

Chiodaroli, Sara. "Metrópolis y espacios urbanos en los textos de la ‘literatura de la inmigración’ en España. El metro de Donato Ndongo-Bidyogo, Calella sen saída de Víctor Ombgá y Ciudad sonámbula de Lilián Pallares." Iberoromania 73-74, no. 1 (January 2012). http://dx.doi.org/10.1515/ibero-2011-0013.

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