Academic literature on the topic 'Nazismus'

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Journal articles on the topic "Nazismus"

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Maier, Hans. "Hitler und das Reich." Vierteljahrshefte für Zeitgeschichte 67, no. 4 (October 1, 2019): 521–36. http://dx.doi.org/10.1515/vfzg-2019-0037.

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Vorspann Das Reich war seit dem Mittelalter eine zentrale Kategorie deutschen juristischen und politischen Denkens. Vom Heiligen Römischen Reich deutscher Nation über das Kaiserreich bis zum Dritten Reich hat es gleichzeitig die politische wie territoriale Struktur als auch die politischen Hoffnungen der deutschen Lande bestimmt. Trotz seiner Zentralität ist das Konzept des Reichs im Kontext des Nationalsozialismus noch nicht vollständig untersucht worden. Wichtige Fragen über das Verhältnis des Regimes zu diesem politischen Begriff und Modell blieben daher bisher unbeantwortet: Wie sah, zum Beispiel, Hitler das Reich? Welche Rolle spielte es in seinem Denken? Dieser Aufsatz untersucht die Rolle des Konzepts des Reichs im Denken zentraler NS-Akteure wie Hitler selbst sowie Goebbels, Rosenberg und Himmler. Er zeigt, dass, trotz der wohlbekannten Identifikation des Nazismus mit dem Begriff Drittes Reich, Hitler sich tatsächlich vom Reichskonzept distanzierte - besonders vom Heiligen Römischen Reich und seiner christlich-universalistischen Tradition. Sogar Bismarcks Kaiserreich war nicht in dem Maß ein Vorbild für den Nationalsozialismus wie dies manchmal unterbreitet wird. Der Begriff Drittes Reich selbst wurde von Hitler explizit abgelehnt. Mit dem Ende des Nazismus verschwand das Reich endgültig aus der deutschen juristischen Tradition. Es wurde schlicht durch den Begriff Deutschland ersetzt.
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Ringer, Alexander L. "Musik im Exil: Folgen des Nazismus für die internationale Musikkultur (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 14, no. 4 (1996): 143–46. http://dx.doi.org/10.1353/sho.1996.0091.

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Vicente, Gabriele Alves, and Marcos Antônio Witt. "A EDUCAÇÃO NA ALEMANHA DURANTE O TERCEIRO REICH E SEU PAPEL NA DOUTRINAÇÃO DAS CRIANÇAS E JOVENS." Revista Conhecimento Online 1 (January 1, 2018): 71. http://dx.doi.org/10.25112/rco.v1i0.1179.

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O presente trabalho analisa as modificações instauradas no sistema educacional alemão regular e extracurricular durante o período correspondente ao Terceiro Reich (1933-1945) e sua influência na formação das crianças e jovens. O objetivo constitui-se em ressaltar a educação escolar como um dos meios utilizados pelo partido nazista para propagar sua ideologia sobre a juventude, destacando as transformações ocorridas dentro do currículo escolar regular. E, ainda, o empenho por parte do partido no que diz respeito ao incentivo da continuidade dos ensinos ideológicos nazistas em atividades extracurriculares como a Organização denominada Juventude Hitlerista, em alemão – Hitlerjugend. Essa Organização visava aprofundar ainda mais na mente dos jovens todas as ideias centrais do nazismo com o intuito de que essa geração mais nova se submetesse fielmente ao seu Führer. A metodologia empregada para a realização desta análise baseou-se principalmente em duas obras, que são: Juventude Hitlerista: mocidade traída, lançado em 1973 por H. W Koch e Juventude Hitlerista: a história dos meninos e meninas nazistas e daqueles que resistiram, publicado em 2006, por Susan Campbell Bartoletti. Com essa análise, torna-se possível compreender, na medida do possível, o por que naquele momento específico, grande parte da juventude alemã aceitou e apoiou a construção da identidade da nação almejada e idealizada por Adolf Hitler e o nacional-socialismo.Palavras-chave: Nazismo. Educação. Doutrinação. Juventude Hitlerista. ABSTRACTThe present work analyzes the changes established in the German regular and extracurricular educational system during the period corresponding to the Third Reich (1933-1945) and its influence on the education of children and young people. The objective is to emphasize school education as one of the means used by the Nazi party to propagate its ideology under youth, highlighting the transformations which had occurred within the regular school curriculum. And its commitment to ensure continuity in the Nazi ideological teachings in extracurricular activities like the Organization called Hitler Youth, in German – Hitlerjugend. This organization aimed to intensify in the minds of young people all the central ideas of Nazismin order that younger generation would submit faithfully to their Führer. The methodology employed to carry out this analysis was based mainly on two works, which are: Hitler Youth: Betrayed youth, launched in 1973 by H. W Koch and Hitler Youth: the story of Nazi boys and girls and those who resisted, published In 2006, by Susan Campbell Bartoletti. Thus, through this analysis, it is possible to understand, up to a certain point, the reasons why at that particular time, most part of the German youth accepted and supported the construction of the nation identity sought and idealized by Adolf Hitler and National Socialism.Keywords: Nazism. Education. Indoctrination. Hitler Youth.
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Lemos, Celina Borges, and Danielle Amorim Rodrigues. "A guerra por detrás da guerra – A batalha artística na Alemanha Nazista no período entre as grandes guerras." Cadernos Benjaminianos 13, no. 1 (April 13, 2018): 59. http://dx.doi.org/10.17851/2179-8478.13.1.59-78.

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Resumo: Este artigo desenvolve o estudo sobre a utilização da arte, principalmente da arquitetura, como instrumento de imposição de uma ideologia no contexto específico da Alemanha Nazista no período entre a Primeira e a Segunda Guerra Mundial, abrangendo os governos de Weimar (República de 1919 a 1933) e de Hitler (Nazismo de 1933 a 1945). Para entender melhor esse cenário foi abordado o duro conflito artístico que acontecia nos bastidores das atrocidades nazistas, entre a arte do governo e a arte revolucionária, as Vanguardas Artísticas. Com esse exemplo extremo foi possível analisar o papel social e político que a arte e arquitetura representam, o que configura o real objetivo desse texto. Logo, percebe-se que através de complexas estratégias e conceitos é possível transformar uma estrutura social como um todo, sendo que essa forma de transformar pode seguir caminhos distintos de acordo com a conjuntura presente. Isso demonstra um ciclo de relações diretas, entre a estética como instrumento e produto na dinâmica social.Palavras-chave: arte; arquitetura; Nazismo; guerra; manipulação.Abstract: This article develops the study of the use of art and architecture in the imposition of an ideology: The Nazism. The period is between World War I and II, covering the governments of Weimar (Republic of 1919 to 1933) and the governments of Hitler (Nazism from 1933 to 1945). In this context, a difficult artistic conflict has been addressed which was happening behind the scenes of the Nazi atrocities. This conflict was between the art of government and revolutionary art (the ‘Artistic Vanguards’). So, considering this extreme example, it was possible to analyses the real objective of this article: to understand the social and political function that art and architecture represent. In this way, it is possible to transform a social structure as a whole using art. Simultaneously, this transforming can follow different arts according to the current social situation. Those facts demonstrate a cycle of direct relations between aesthetic as an instrument and product of social dynamics.Palavras-chave: art; architecture; Nazism; war; manipulation.
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Bolt, Mikkel. "Nazismens kamp mod forfaldskunsten." K&K - Kultur og Klasse 36, no. 105 (August 22, 2008): 52–81. http://dx.doi.org/10.7146/kok.v36i105.22039.

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Nazism’s Fight against the Art of Decay:The article presents a reading of the exhibition »Entartete Kunst« that took place in Munich in 1937. The exhibition was staged by the Nazi regime as an attempt to prove the dangerous nature of modern art. According to Nazi ideology, modern art was not just a reflection of unhealthy interests or degenerate racial mixings but was in itself a threat to the purity of the soul of the German people. Therefore modern art had to be excluded in order to make room for the appearance of the German people and its eternal art. Contrary to the idea of Nazism as being somehow not modern, the article stresses the modernist aspects of the Nazi ideology through a detailed account of Nazism’s racist ideology.
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Syse, Harald. "Nazisme uten antisemittisme - Om fremstillingen av nazismen i norske skolebøker." Nytt Norsk Tidsskrift 33, no. 01-02 (May 25, 2016): 111–22. http://dx.doi.org/10.18261/issn.1504-3053-2016-01-02-10.

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Corrêa de Barros, Igor. "Biopolítica sob a ótica de Foucault e Agamben: o campo como nómos do moderno | Biopolitics from the perspective of Foucault and Agamben: the field as modern nómos." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 338–58. http://dx.doi.org/10.22456/2596-0911.116786.

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O presente artigo tem por objetivo apresentar a relação entre biopolítica e nazismo à luz da obra de Michel Foucault e Giorgio Agamben. Para Foucault, o nazismo utilizou-se do racismo de Estado para proteger uma raça e legitimar a morte daqueles que representavam uma espécie de perigo biológico. Seguindo a mesma via, Agamben nos convida a refletir sobre os campos de concentração não como um fato histórico superado, mas como uma estrutura de poder que vem sendo cada vez mais utilizada nas democracias contemporâneas, marcada pela vigência do estado de exceção e produção da vida nua.Palavras-chave: Foucault.Agamben.Biopolítica. Campo. AbstractThis article aims to present the relationship between biopolitics and Nazism in the light of the work of Michel Foucault and Giorgio Agamben. According to Foucault, Nazism used state racism to protect a race and legitimize the death of those who represented a kind of biological danger. Following the same path, Agamben invites us to reflect on the concentration camps not as an outdated historical fact, but as a power structure which has been increasingly used in contemporary democracies, marked by the validity of the state of exception and production of bare life.Keywords: Foucault. Agamben. Biopolitics. Field. ORCID https://orcid.org/0000-0003-1386-955X
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Berg, Anne Hagen. "Nazismen, universiteterne og videnskaben i Danmark [Nazism, universities, and academia in Denmark]." Scandinavian Journal of History 43, no. 4 (December 12, 2017): 571–74. http://dx.doi.org/10.1080/03468755.2017.1410365.

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Corrêa Lima, Luís. "O holocausto e a consciência cristã." Revista Eclesiástica Brasileira 58, no. 232 (December 31, 1998): 896–919. http://dx.doi.org/10.29386/reb.v58i232.2344.

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O artigo analisa o documento do Vaticano sobre o Holocausto, situando-o na complexa história das relações cristão-judaicas. Quer mostrar como se deu a passagem do Cristo judeu à cristandade antijudaica, terreno fértil para outras formas de anti-semitismo que culminaram no nazismo e na Shoah. Em seguida analisa os pontos controvertidos do documento: a ação da Igreja nos anos 30 e na Segunda Guerra; a condenação do anti-semitismo, do nazismo e os pontos de ambiguidade e colaboração; e a atuação de Pio XII. Compara o documento da Santa Sé com os pronunciamentos dos bispos alemães (1995) e dos bispos franceses (1997) sobre o tema, investigando a eclesiologia subjacente. Por fim, contempla as perspectivas de diálogo entre judeus e cristãos. Abstract: The article analizes the Vatican document on the Holocaust, putting it in the complex Christian-Jewish relationship throughout History. It tries to show how Christianity went out from the Jewish Christ to the unjewish Christendom, a good soil to otherforms of anti-Semitism that led to Nazism and the Shoah. Then, it focus on the controversial points of the document: the action of the Church in the 30’s and in the Second World War; the condemnation of anti-Semitism, of Nazism and the leveis of ambiguity and collaboration; as well as the action of Pius XII. It collates the Holy See s document with statements ofthe German bishops (1995) and the French bishops (1997) about that theme, investigating the ecclesiology that is behind thenu Eventually it points out the perspectives of Christian-Jewish dialog.
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Villegas Montiel, Francisco Gil. "Heidegger y el nazismo de Farías, o la agenda oculta por desacreditar un pensamiento superior." Theoría. Revista del Colegio de Filosofía, no. 11-12 (December 31, 2001): 79–88. http://dx.doi.org/10.22201/ffyl.16656415p.2001.11-12.270.

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The political commitment of Heidegger with nazism has been subjected, since 1946, to strong moral criticism. In 1989, Víctor Farías Heidegger et le nazisme, failed to submit any new hard data to what was already known since 1962. This article demonstrates that Farías’ book is biased and not conclusive as regards the “new” evidence submitted in it. Furthermore, neither Farías nor other “moral” criticisms of his kind have been able to demonstrate a direct link between Heidegger’s political commitment and his philosophical thought. Heidegger’s philosophy should be criticized, but in a rational rigorous argumentation, already proposed either by neoweberians or by Habermas.
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Dissertations / Theses on the topic "Nazismus"

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Steinacker, Sven. "Der Staat als Erzieher Jugendpolitik und Jugendfürsorge im Rheinland vom Kaiserreich bis zum Ende des Nazismus." Stuttgart Ibidem-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2884803&prov=M&dok_var=1&dok_ext=htm.

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Steinacker, Sven. "Der Staat als Erzieher : Jugendpolitik und Jugendfürsorge im Rheinland vom Kaiserreich bis zum Ende des Nazismus /." Stuttgart : Ibidem-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2884803&prov=M&dokv̲ar=1&doke̲xt=htm.

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Lima, Marcelo Alves de Paula. "Em guarda contra as altas finanças: o pensamento de Gottfried Feder e Gustavo Barroso em perspectiva comparada (1919-1939)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8137/tde-17102017-154639/.

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O presente trabalho propõe comparar os escritos de dois ideólogos pertencentes a dois importantes movimentos políticos do século XX: um do integralismo brasileiro e outro do nacional-socialismo alemão respectivamente: Gustavo Barroso e Gottfried Feder. Após uma leitura atenta das obras de cada um dos autores, redigidas nos anos 1920 e 1930, compreendemos que o conceito de capital financeiro foi de fundamental importância para que ambos desenvolvessem uma narrativa conspiratória que denunciava um complô judaico de conquista do mundo. Valendo-nos da História Conceitual, percebemos que as obras de Barroso e Feder significaram um momento-chave na história do conceito de capital financeiro, especialmente tendo em vista que ambos escreviam à luz da primeira hegemonia financeira. Entretanto, enquanto Barroso defendia uma luta de caráter universal contra o capital financeiro, Feder achava que tal luta deveria ser protagonizada pelo povo alemão. Ademais, se, por um lado, Barroso conseguiu permanecer como uma figura de proa do movimento integralista até a sua extinção em 1937, Feder, por outro, acabou marginalizado no cenário político após a ascensão nazista ao poder em 1933.
This paper aims at comparing the writings of two ideologues who belonged to two important political movements from the 20th century: one from the Brazilian integralism, and the other from German national-socialism Gustavo Barroso and Gottfried Feder, respectively. After a careful reading of these authors works, written on the 1920es and 1930es, we managed to understand that the concept of financial capital was of main importance for both authors to develop a conspiratorial narrative that uncovered a Jewish plot to conquer the world. Based on the Conceptual History, we noticed that the works of Barroso and Feder represented a key moment in the History of the concept of financial capital, especially considering that both of them wrote during the first financial hegemony. However, while Barroso, on the one hand, thought that the struggle against financial capital should be a universal struggle, Feder, on the other, believed that such struggle should have only the German people as its leading actor. Moreover, while Barroso managed to play a major role in the integralist movement until its ending on 1937, Feder ended up marginalized in the Nazi political scenario after the national-socialist seizure of power on 1933.
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Rigotti, Gabriela Fiorin. "A ciranda do pertencimento em "O triunfo da vontade" de Leni Riefenstahl." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253303.

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Orientador: Carlos Eduardo Albuquerque Miranda
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Esta é uma proposta de investigação sobre a construção de uma narrativa cinematográfica em consagração ao nacionalismo no filme "O Triunfo da Vontade" de Leni Riefenstahl. Nesta busca, procura-se compreender a construção de imagens alegóricas que, inferidas pelo produto fílmico e legitimadas pelos valores e anseios do III Reich, serviriam para corroborar suas aspirações pela raça pura e pelo nacionalismo como sentimento de pertencimento à nação ¿ aludindo e ajudando a construir uma persistente estética de filmagem. O objetivo central desta pesquisa, portanto, é o estudo da forma estética deste filme e de sua persistência na memória contemporânea, buscando-se entender os ideais políticos intrínsecos ao III Reich e ¿ para além dele ¿ aos regimes totalitários
Abstract: This is an proposal¿s inquiry about the construction of a cinematographic narrative in consecrate the nationalism in the film "Triumph of the Will" of Leni Riefenstahl. In this search, it is looked for understanding the use of illustrative images that, inferred by the film and legitimated by the values and yearnings of III Reich, would serve to corroborate its aspirations for a pure race and for the nationalism as feeling of belonging to the nation ¿ alluding and helping to construct an persistent esthetic of filming The central objective of this research, therefore, is the study of the esthetical form of this film and its persistence in the contemporary memory, searching to understand the political ideals intrinsic in the III Reich and ¿ for beyond it ¿ to the totalitarianism
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
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Elídio, Tiago. "A perseguição nazista aos homossexuais = o testemunho de um dos esquecidos da memória." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270289.

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Orientador: Márcio Orlando Seligmann-Silva
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Résumé: Le génocide nazi a été une des grandes catastrophes qui ont marqué le 20ème siècle. Les homosexuels ont été l'un des groupes qui ont été persécutés et assassinés. Après la guerre, en raison des lois qui étaient encore en vigueur contre eux, ceux qui ont survécu ont été incapables de fournir leur témoignage et de dire ce qui s'était passé durant cette période. Cela n'a été possible quelques décennies plus tard, lorsque de telles lois n'existent plus et les homosexuels ont plus de visibilité, et il était donc possible de parler. Un témoignage important de ce groupe est l'autobiographie d'un survivant français, Moi, Pierre Seel, déporté homosexuel. Dans son oeuvre, on peut observer certains points de ce genre de récit testimonial, comme, par exemple, les questions de la dénonciation et de la violence. Toutefois, l'homosexualité apporte quelques différences. L'une est la distance temporelle entre l'événement et l'écriture. De nombreuses années ont passé après la fin du régime, alors son récit ne rend pas seulement une dénonciation du système nazi, mais aussi de la période d'après-guerre. Dans son livre, il raconte la difficulté que les homosexuels avaient passé au fil des ans et aussi la difficulté à reconnaître ce groupe comme une victime du régime hitlérien
Resumo: O genocídio nazista foi uma das grandes catástrofes que marcaram o século XX. Entre os grupos perseguidos e assassinados estavam os homossexuais. Após o final da guerra, devido às leis que ainda estavam em vigor contra eles, os que sobreviveram não puderam prestar seu testemunho e contar o que havia passado nesse período. Isso só foi possível décadas depois, quando tais leis deixaram de existir e os homossexuais passaram a ter mais visibilidade, sendo, assim, possível falar. Um importante testemunho desse grupo é a autobiografia de um sobrevivente francês, Moi, Pierre Seel, déporté homosexuel ("Eu, Pierre Seel, deportado homossexual", sem tradução para o português). Em sua obra, podemos vislumbrar as principais características desse tipo de narrativa testemunhal, como, por exemplo, a questão da denúncia e da violência sofrida. No entanto, sua homossexualidade traz algumas diferenças. Uma delas é a distância temporal entre o evento e a escrita. Passados muitos anos após o fim do regime, sua narrativa não só faz uma denúncia ao sistema nazista, como também ao período pós-guerra. Em seu livro, narra a dificuldade enfrentada pelos homossexuais ao longo dos anos e a dificuldade de reconhecimento desse grupo como vítima do regime de Hitler
Abstract: The Nazi genocide was one of the major disasters that marked the 20th century. The homosexuals were one of the groups that were persecuted and murdered. After the war, due to laws that were still in force against them, those who survived were unable to provide their testimony and tell what had passed in that period. This was only possible some decades later, when such laws no longer exist and homosexuals had more visibility, and therefore it was possible to speak. An important testimony of this group is the autobiography of a French survivor, Moi, Pierre Seel, déporté homosexuel ("I, Pierre Seel, deported homosexual", without translation into Portuguese). In his work, we can observe some points of this kind of testimonial narrative, for example, the issues of the denunciation and of the violence. However, the homosexuality brings some differences. One is the temporal distance between the event and the writing. Many years had passed after the end of the regime, so his narrative not only makes a complaint to the Nazi system, but also to the postwar period. In his book, he recounts the difficulty that homosexuals had passed over the years and also the difficulty about recognizing this group as a victim of Hitler's regime
Mestrado
Literatura Geral e Comparada
Mestre em Teoria e História Literária
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Teixeira, Karoline Viana. "A orgia dos sentidos: a construÃÃo do corpo nas imagens de Olympia, de Leni Riefenstahl." Universidade Federal do CearÃ, 2008. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3908.

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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico
O presente trabalho visa o estudo histÃrico das significaÃÃes e construÃÃes do corpo no documentÃrio Olympia (ALE, 1938), da diretora alemà Leni Riefenstahl. O filme retrata os Jogos OlÃmpicos de Berlim, ocorridos dois anos antes em pleno regime nazista. Nesse evento, Adolf Hitler promoveu uma intensa mobilizaÃÃo para propagar uma imagem da Alemanha como uma naÃÃo harmoniosa e pacÃfica. Mas, ao mesmo tempo, buscou-se tambÃm demonstrar a superioridade fÃsica da raÃa germÃnica em relaÃÃo aos demais. Procura-se, nesse sentido, demonstrar como esse corpo retratado no filme à resultado de uma sÃrie de concepÃÃes e questÃes sÃcio-polÃticas que ganham forÃa desde o final do sÃculo XIX. Do cuidado de si, da popularizaÃÃo do esporte como forma de disciplinar corpo e mente aos grupos nudistas que se multiplicaram na Alemanha, todos esses movimentos foram absorvidos e ressignificados pela ditadura totalitÃria. Olympia mostra um ideal de corpo e beleza Ãnico e segregador, em nome do qual os nazistas vÃo promover a eliminaÃÃo dos desviantes por meio da SoluÃÃo Final.
The present work aims at the historical study of meanings and constructions of body in the documentary film Olympia (ALE, 1938), by the German director Leni Riefenstahl. The film shows a portray of the Olympic Games in Berlin, occurred two years before in full Nazi regime. In this event, Adolf Hitler promoted an intense mobilization to propagate an image of Germany as a harmonious and pacific nation. But, at the same time, it also searched to demonstrate the physical superiority of the Germanic race over the other ones. It is looked, in this direction, to demonstrate as this body portrayed in this film is resulted of a series of conceptions and social political questions that gain force since the end of XIX century. From the care of itself, the popularity of sports as form to discipline body and mind to the nudist groups that had multiplied in Germany, all these movements had been absorbed and gained new meanings for the totalitarian dictatorship. Olympia shows an ideal of body and beauty unique and segregated, on behalf of which Nazis will promote the elimination of different ones by means of the Final Solution.
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Ferraz, João Grinspum. "Ordem e revolução na República de Weimar." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8131/tde-22022010-115028/.

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O presente trabalho tem como objetivo discutir o pensamento e a ação dos principais grupos políticos na República de Weimar (1918-1933), bem como ambiente político em que se dá a disputa entre estes grupos. Dessa maneira, o trabalho procura classificar o papel desses grupos na disputa política de Weimar dentro das categorias de pensamento Partido da Ordem, Ordem e Revolução. O estudo leva em conta o estabelecimento de um novo cenário político na Europa após o final da I Guerra Mundial, a Conferência de Paz em Paris e a Crise Econômica que abala o continente nesse período. Esse contexto propicia o fortalecimento, na Alemanha, de grupos que se apresentam como alternativas ao modelo liberal e democrático estabelecido pela República de Weimar. De um lado, os que chamaremos de Intérpretes da Ordem representados inicialmente por diversos grupos que, mais tarde, irão se cristalizar no Partido Nacional-Socialista (NSDAP). De outro, os partidários da Revolução representados desde a I Guerra pela Liga Espartaquista que, em 1919, se alinhou à III Internacional Comunista depois de seu frustrado levante revolucionário. Esses grupos opostos ganham tal força no quadro político alemão que seu embate pode ser sido um dos fatores determinantes do fim do pacto originário da República de Weimar.
This paper aims at discussing the political thought and action of the main political groups of the Weimar Republic (1918-1933), and also the political atmosphere in which this groups fight for power. Also this paper targets to classify the role of these groups in the political dispute in the categories of Party of Order, Order and Revolution. The reference of this work is the new political framework of Europe that emerges after the First World War, The Paris Peace Conference and the Economic Crises that collapse the continent. This context benefit the empowerment of the groups that appear as an alternative of liberal and democratic model established during the Weimar Republic. On one hand there is the group that advocates in favor of the Order- at the beginning represented by several groups, but latter it will form the National Socialist Party (NSDAP). On the other hand, there is the group that wants the Revolution- represented, since the First War, by the Spartacus League which has align, in 1919, with the III International after the fail of the revolutionary uprising. Those opposite groups gain a lot of power in the German political arena and their confrontation could be the reason of the end of the pact that has origin the Weimar Republic.
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Fragoso, Christiano Falk. "Autoritarismo e sistema penal." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3238.

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O autoritarismo, complexo fenômeno social largamente estudado pela Ciência Política e pela Psicologia Social, é aqui pesquisado em suas articulações com o sistema penal. Na medida em que o autoritarismo deriva do poder e em que o sistema penal deriva do direito, são estudados os conceitos de poder e de direito, em suas peculiaridades e inter-relações. Em seguida, examinam-se a história da construção do conceito de autoridade e os contextos políticos e psicológico-sociais em que o termo autoritarismo tem sido empregado, para, em seguida, analisar, abstrata e conceitualmente, suas inter-relações com o sistema penal. Observa-se que o autoritarismo é característica estrutural de todo e qualquer sistema penal, manifestando-se nas mais variadas agências desse sistema, e em todos os planos: na criminalização primária (ou seja, na edição de leis penais), na criminalização secundária (i.e., na aplicação concreta de poder punitivo a autores concretos), no poder positivo configurador da vida social, no discurso-jurídico penal (nas teorias dos juristas) e nos sistemas penais paralelo e subterrâneo. Como hipóteses de trabalho, são examinados o sistema penal alemão nazista e o sistema penal brasileiro contemporâneo, buscando verificar, ainda, se e em que medida há coincidências em propostas político-criminais e em práticas concretas de poder punitivo.
Authoritarianism, a complex social phenomenon that is widely studied by Political Science and by Social Psychology, is researched in this thesis in its articulations with the criminal system. As authoritarianism is derived from power, and the criminal system is derived from the law, the concepts of power and law are studied in their peculiarities and interrelationships. Further on, there is the analysis of the history of construction of the authority concept, and the political and social-psychological contexts in which the term authoritarianism has been employed, and, thereafter, the analysis of its interrelationships with the criminal system, in an abstract and conceptual manner. It is noted that authoritarianism is a structural characteristic of any and all criminal system, being shown in the most varied agencies of this system, and in all its plans: in primary criminalization (i.e., enactment of criminal laws), in secondary criminalization (i.e., concrete application of punitive power to concrete authors), in the positive power that shapes social life, in the criminal legal speech (in the jurists' theories), and in the parallel and subterranean criminal systems. As work cases, the Nazi German criminal system and the contemporary Brazilian criminal system are examined, also trying to find out whether and to what extent there are any coincidences in political-criminal proposals and concrete practices of punitive power.
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Silva, Josirley Maria Menezes da 1977. "Liturgia cinematografica : luzes e sombras nazistas." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251573.

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Orientador: Milton Jose de Almeida
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-08T12:43:23Z (GMT). No. of bitstreams: 1 Silva_JosirleyMariaMenezesda_M.pdf: 29768864 bytes, checksum: 2dcb63f4e7a5cd98841db0e021aeae79 (MD5) Previous issue date: 2006
Resumo: Nesta dissertação apresentam-se interpretações para a Luz cinematográfica: políticas e manipulações dos momentos em luz no cinema. E suas sombras: as inscrições guardadas nos espaços escuros da tela: interpretações e significados. Essas interpretações dão-se em torno do filme "O triunfo da vontade", de Leni Riefenstahl, lugar em que se coloca o olhar, buscando, nas transparências e opacidades da imagem, remontar os vitrais que constituem as imagens nazistas e seus valores de ordem, pureza, poder e sacralização: uma transparência controlada em luz e difusa em sombras; sugerida nas sombras e opacas na luz. Através de um caminho - os dias e os lugares em que acontece o Congresso Nazista - procuram-se as imagens latentes em construção.
Abstract: I explored interpretations for the "light" as it appears in the movies: politics and manipulations of light moments, and its shadows: interpretations and meannings. These interpretations are presented in a major production: "The triumph of will", by Leni Riefenstahl, as a counterface of Dürer's stained glasses in Nürenberg: images of order, purety, power and religious values: a ligth control and uncontrol shadows: during the Nazi Congress, 1934.
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
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Mouton, Georgette. "Jeunesse et genèse du nazisme." Paris 4, 1997. http://www.theses.fr/1997PA040040.

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Jeunesse et genèse du nazisme. Le nazisme est un phénomène de délinquance juvénile généralisée. Hitler n'a rien inventé. Il a suivi et guide des bandes de jeunes préexistantes et déjà imprégnées d'une idéologie romantique de beauté, de violence et d'horreur. Le nazisme fut le règne des gosses en chemise brune. Les adolescents contrôlaient tout, gratuitement, pour le plaisir de tyranniser profs et parents. Les mouvements de jeunes, dès 1900 revendiquaient leur liberté : ni travail scolaire, ni discipline, ni morale sexuelle, ni travail social. . . Mais l'amour de la guerre (l'héroïsme) et l'antisémitisme servaient déjà d'exutoire à leur volonté de puissance. Quant au racisme, il est spiritualiste. On admet à la SS des régiments de SS Musulmans (pourtant les arabes sont des sémites). Les japonais sont baptises "aryens jaunes". Mais le juif blond est non-aryen : race de l'âme ou du "sang" (mythique, non chimique). Avant tout il s'agit d'un sorcier dangereux qui se veut maitre du monde, et pourrait réussir
Youth and genesis of Nazism. Nazism is a phenomenon of generalized juvenile delinquency. Hitler invented nothing. He followed and guided pre-existent groups of young people who were imbued with a romantic ideology of beauty, violence and horror. Nazism was the reign of kids in brown shirts. Teenagers controlled everything, freely, for the sake of worrying teachers and parents. As soon as 1900, youth movements claimed their freedom: no school work, no discipline, no sex moral, no social work. . . But love of war (heroism) and anti-Semitism could already be considered as an outlet for their will or power. As for racism, it is spiritualist. Regiments of SS Muslims are allowed to join the SS (tough Arabs are Semitic). Japanese are called "yellow Aryans". But the fair-haired Jew is non-Aryan: race of the soul or race of the "blood" (mythical not chemical). Before all, we are faced with a dangerous sorcerer who thinks he is the master of the world and could achieve his goal
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Books on the topic "Nazismus"

1

Gaudig, Olaf. Der Widerschein des Nazismus: Das Bild des Nationalsozialismus in der deutschsprachigen Presse Argentiniens, Brasiliens und Chiles 1932-1945. Berlin: Wissenschaftlicher Verlag, 1997.

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Farías, Víctor. Heidegger et le nazisme. Paris: Verdier, 1987.

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Le nazisme. Paris: MA Editions, 1985.

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Féral, Thierry. Justice et nazisme. Paris, France: L'Harmattan, 1997.

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Milá, Ernesto. Nazisme et ésotérisme. Puiseaux (France, Loiret): Pardès, 1990.

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Fascisme et nazisme. Paris: Seuil, 1998.

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Suisse et nazisme. Paris: Harmattan, 2005.

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Soto, Mauro Narváez. Nazismo y neofascismo. Cuenca, Ecuador: Universidad de Cuenca, 1994.

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Féral, Thierry. Nazisme et psychanalyse. Paris: Pensée universelle, 1987.

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Richard, Lionel. Nazismo y cultura. México, D.F: Diana, 1993.

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Book chapters on the topic "Nazismus"

1

Tugendhat, Ernst. "Nazismus und Universalismus." In Nationalsozialistische Ideologie und Ethik, 187–200. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666370786.187.

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Hermand, Jost. "Vom Nazismus zum NATOismus." In Amerika und die Deutschen, 69–83. Wiesbaden: VS Verlag für Sozialwissenschaften, 1986. http://dx.doi.org/10.1007/978-3-663-09255-1_6.

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Sternhell, Zeev. "Von der Gegenaufklärung zu Faschismus und Nazismus." In Die Dynamik der europäischen Rechten, 19–40. Wiesbaden: VS Verlag für Sozialwissenschaften, 2011. http://dx.doi.org/10.1007/978-3-531-92703-9_2.

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Schittenhelm, Karin. "Öffentliche Erinnerung und soziale Gedächtnisbildung zum deutschen Nazismus." In Zeichen, die Anstoß erregen, 29–58. Wiesbaden: VS Verlag für Sozialwissenschaften, 1996. http://dx.doi.org/10.1007/978-3-322-89182-2_2.

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Steigmann-Gall, Richard. "Nazismus, Christentum und die Entwicklung einer Theorie der politischen Religion in Kolnais »Der Krieg gegen den Westen." In Aurel Kolnais »Der Krieg gegen den Westen«, 45–66. Göttingen: V&R unipress, 2018. http://dx.doi.org/10.14220/9783737008228.45.

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Stone, Dan. "Aurel Kolnais »Der Krieg gegen den Westen« und der britische Versuch, den Nazismus vor dem Krieg zu verstehen." In Aurel Kolnais »Der Krieg gegen den Westen«, 81–96. Göttingen: V&R unipress, 2018. http://dx.doi.org/10.14220/9783737008228.81.

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Karydaki, Danae. "Nazism's inner demons." In Wild Analysis, 147–64. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003200765-10.

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Burston, Daniel. "Nazism." In Encyclopedia of Psychology and Religion, 1193–96. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_810.

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Gleig, Ann, Thomas James O’Connor, Meredith Lisagor, Daniel Burston, Ann Gleig, Benjamin Beit-Hallahmi, Jeffrey B. Pettis, James H. Stover, Hillary S. Webb, and Ann Casement. "Nazism." In Encyclopedia of Psychology and Religion, 615–18. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_810.

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Kassab, Hanna Samir. "Nazism." In The Power of Emotion in Politics, Philosophy, and Ideology, 145–64. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-59352-8_8.

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Conference papers on the topic "Nazismus"

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Meinerz, Marcos Eduardo. "Caçadores de nazistas em Marechal Cândido Rondon - PR." In IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.316.

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Gartman, Makar Vitalevich. "Nazism in Germany: From Yesterday to Today." In International Scientific and Practical Conference for Students, chair Mariia Sergeevna Bazhaikina. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530269.

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Ricardo de Souza Cruz, Álvaro, and Bernardo Augusto Ferreira Duarte. "Unconditional legitimacy of Law: collaboration with the Nazism." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg143_04.

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Souza, Talita Favrin de. "Imagem e horror: fotografias da libertação dos campos de concentração nazistas." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3381.

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Kumysheva, M. K. "Foreign legislation in the field of criminal liability for rehabilitation of nazism." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-09-2018-46.

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Carlos Vitte, Antonio, and Rafael Bueno De Oliveira. "GEOGRAFIA E NAZISMO: UMA CARACTERIZAÇÃO DO CONCEITO DE ESPAÇO VITAL (LEBENSRAUM) DURANTE O REGIME NAZISTA." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37746.

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de Oliveira, Priscila Musquim Alcântara. "Entre o nazismo e o integralismo: a militância política dos imigrantes alemães e seus descendentes em Petrópolis-RJ (1935-1937)." In VI Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História – Universidade Estadual de Maringá – UEM, 2013. http://dx.doi.org/10.4025/6cih.pphuem.625.

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Reports on the topic "Nazismus"

1

Arns, David. The transition to Nazism, the history of the German town of Pfungstadt, 1928 to 1935. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.968.

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Kenes, Bulent. NMR: A Nordic neo-Nazi organization with aims of establishing totalitarian rule across Scandinavia. European Center for Populism Studies (ECPS), April 2021. http://dx.doi.org/10.55271/op0008.

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Right-wing extremism and national socialism (Nazism) are not a new phenomenon in Sweden. White supremacists or neo-Nazis have a long history in the country. Nordic Resistance Movement (Nordiska motståndsrörelsen, NMR) rests on this century-long history of Swedish Nazi and Neonazi activism. Including racism, antisemitism, anti-immigration, and anti-globalisation stances with violent tendencies, NMR which aims to overthrow the democratic order in the Nordic region and establish a national socialist state, has become the primary force of white power in Sweden and other Nordic countries.
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Stelmakh, Marta. HISTORICAL CONTEXT IN THE COLLECTION OF ARTICLES BY TIMOTHY SNYDER «UKRAINIAN HISTORY, RUSSIAN POLITICS, EUROPEAN FUTURE». Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11098.

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The article examines the problem of the image formation of Ukraine in the international arena in the historical journalism of Timothy Snyder. The subject of the research is the historical context in the journalistic collection «Ukrainian History, Russian Politics, European Future». It identifies the main considerations of the author on the past of Russian-Ukrainian relations and the need to develop historical consciousness in the fight against Russian manipulation. Methodology: the comparative, historical, system analysis and other methods are used in the process of scientific research. The results of the study were obtained by analysing the author’s journalistic works and by considering the main historical themes raised by Timothy Snyder. Main results: The historical context in Timothy Snyder’s journalism is often focused on the Holodomor and the events of World War II. After all, these events are connected with the beginning of the image formation of the Ukrainian people as supporters of Nazism by the Russian authorities and the devaluation of the Ukrainians’ contribution to the establishment of peace during the Second World War. It is determined that the non-reflective attitude to history, the inability to draw parallels between the events of the past and the future leads to an ineffective response to manipulation and propaganda, which can threaten world peace. Conclusions: the realization that Russian aggression against Ukraine has its own history is a necessary aspect in the elucidation of this issue. The Eurasian Union and cooperation with the European far-right are Russian propaganda tools that discredit the Ukrainian state in the world community. Publicist Timothy Snyder points out that Europe’s future interconnects with the past, so he emphasizes the need to study and rethink history, which today has become the object of propaganda and manipulation. Significance: The results of our study will help journalists who study the historical aspect of journalistic materials and research foreign materials on Ukrainian issues. In addition, our research is necessary for Ukraine, because Russia’s aggression continues, as well as the aggressor’s propaganda, which is based on the distortion and falsification of historical events.
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