Academic literature on the topic 'Naylor, Gloria. Mama Day'
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Journal articles on the topic "Naylor, Gloria. Mama Day"
Poonam Punia, Poonam Punia. "Ethno-Graphing The Pastoral, Gloria Naylor\'s Mama Day." International Journal of English and Literature 8, no. 2 (2018): 1–8. http://dx.doi.org/10.24247/ijelapr20181.
Full textMeisenhelder, Susan. ""The Whole Picture" in Gloria Naylor's Mama Day." African American Review 27, no. 3 (1993): 405. http://dx.doi.org/10.2307/3041931.
Full textKubitschek, Missy Dehn. "Toward a New Order: Shakespeare, Morrison, and Gloria Naylor's Mama Day." MELUS 19, no. 3 (1994): 75. http://dx.doi.org/10.2307/467873.
Full textSaber, Yomna. "The Conjure Woman’s Poetics of Poisoning in Gloria Naylor’s Mama Day." Folklore 129, no. 4 (October 2, 2018): 375–96. http://dx.doi.org/10.1080/0015587x.2018.1486059.
Full textTucker, Lindsey. "Recovering the Conjure Woman: Texts and Contexts in Gloria Naylor's Mama Day." African American Review 28, no. 2 (1994): 173. http://dx.doi.org/10.2307/3041991.
Full textBentahar, Soumia, and Noureddine Guerroudj. "Reading Heterotopia as a Site of Resistance in Gloria Naylor’s Mama Day (1988)." Arab World English Journal For Translation and Literary Studies 4, no. 1 (February 15, 2020): 95–110. http://dx.doi.org/10.24093/awejtls/vol4no1.8.
Full textYavaş, Nesrin. "Gloria Naylor's Mama Day: Magical Realism as the Site of Black Female Agency and Empowerment." Procedia - Social and Behavioral Sciences 158 (December 2014): 247–53. http://dx.doi.org/10.1016/j.sbspro.2014.12.083.
Full text김준년. "To Make a Diasporic Heterotopia: A Comparative Reading of Toni Morrison's Tar Baby and Gloria Naylor's Mama Day." English & American Cultural Studies 8, no. 2 (August 2008): 53–94. http://dx.doi.org/10.15839/eacs.8.2.200808.53.
Full textDuran, Jane. "Naylor, Mama Day, and the Force of the Spirit." Philosophia Africana 16, no. 1 (2014): 1–9. http://dx.doi.org/10.5840/philafricana20141611.
Full textYAVAŞ, Nesrin. "NEEDLEWORK AS POLITICAL AND CULTURAL RESISTANCE IN CONTEMPORARY AMERICAN NOVEL." HOMEROS, April 30, 2021. http://dx.doi.org/10.33390/homeros.4.2.01.
Full textDissertations / Theses on the topic "Naylor, Gloria. Mama Day"
Kurjatto-Renard, Patrycja. "Représentation du passé dans the Hundred Secret Senses d'Amy Tan, Tracks de Louise Erdrich et Mama Day de Gloria Naylor." Tours, 2001. http://www.theses.fr/2001TOUR2030.
Full textThe Hundred Secret Senses, Tracks and Mama day Focus on the process of recovering the forgotten past. The same preoccupation with memory, history and autiobiography can be found in numerous hyphenated American texts. Thus, Tan, erdrich and Naylor represent a larger trend in contemporary American novel. The characters of these texts face the difficult process od constructing a syncretic idendity. [. . . ]Thus, the reader will find in these novels transformational characters[. . . ]
Rosca, Florentina Cornelia. "Espace et temps dans Lucy de Jamaica Kincaid, The chosen Place, The Timeless People de Paule Marshall et Mama Day de Gloria Naylor." Versailles-St Quentin en Yvelines, 2009. http://www.theses.fr/2009VERS004S.
Full textThis doctoral dissertation explores the fictional geographies in the novels of three contemporary African American writers: Jamaica Kincaid, Paule Marshall and Gloria Naylor. This interdisciplinary study focuses on the fictional representations of space, place and time and their interrelations. I start from the premise that the three texts share the diasporic and rhizomatic map of the Black Atlantic. On this map, the protagonists’ roots and routes are inscribed through three narrative settings: the native island—as central trope, a cluster of intermediary sites and the (peripheral) city of exile. Each setting is a complex ontological geography upon which time, movement, exile, and memory are articulated and re-articulated in a palimpsest-like manner. I examine the dichotomic relationship between home-island and city of exile, as well as the tensions between their associated temporalities: cyclical versus linear perceptions of time. The island emerges from our study as the fundamental locale in the characters’ peregrinations. Ultimately, reasserting space means re-mapping the past
Hills, Crystal Margie. "Wees Gonna Tell It Like We Know It Tuh Be: Coded Language in the Works of Julia Peterkin and Gloria Naylor." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-08152008-071048/.
Full textTitle from file title page. Carol Marsh-Lockett , committee chair; Mary Zeigler, Kameelah Martin Samuel, committee members. Electronic text (99 p.) : digital, PDF file. Description based on contents viewed Nov. 19, 2008. Includes bibliographical references (p. 96-99).
Terrell, Sharese L. "His-story, her-story: names making our-story in Gloria Naylor's Linden Hills, Mama Day, and Bailey's Cafe." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2000. http://digitalcommons.auctr.edu/dissertations/1986.
Full textBuehler, Dorothea [Verfasser]. "«There’s a Way to Alter the Pain» : Biblical Revision and African Tradition in the Fictional Cosmology of Gloria Naylor’s Mama Day and Bailey’s Café / Dorothea Buehler." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2013. http://d-nb.info/1042425868/34.
Full textMayfield, Joni J. Montgomery Maxine Lavon. "Race-ing the goddess Gloria Naylor's Mama day and Sue Monk Kidd's The Secret life of bees /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-07112005-152356/.
Full textAdvisor: Dr. Maxine L. Montgomery, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Sept. 19, 2005). Document formatted into pages; contains vi, 90 pages. Includes bibliographical references.
Hamdi, Houda. "Faulkner revisited : narrating property, race, gender and history in William Faulkner's Go Down, Moses, Toni Morrison's Song of Solomon and Gloria Naylor's Mama Day." Thèse, 2015. http://hdl.handle.net/1866/16011.
Full textMa thèse est une étude comparative entre William Faulkner, Toni Morrison et Gloria Naylor. Elle me permet d’explorer comment les protagonistes males construisent leur identités en se référant à la possession matérialiste et en se basant sur la subordination de la femme, qui est une autre forme de possession, afin de consolider leur masculinité. Dans leurs textes respectifs, Go Down, Moses, Song of Solomon, et Mama Day, les trois auteurs, malgré leur différences culturelles et même littéraires, partagent l’idée que l’identité, l’histoire, et la vérité ne sont que des construits culturels et sociales. On se basant sur la théorie de Judith Butler et d’autres théoriciens poststructuralistes et contemporains, ma thèse reflète qu’il n’y a pas d’identité « naturelle » ou de réalité objective. La perception identitaire n’est qu’une illusion imaginaire et idéologique ou le sujet ne fait que répéter et performer le discours de son environnent. Faulkner, Morrison, et Naylor basent leurs oeuvres sur le thème de la liberté. Ils explorent comment, à partir de leurs corps, leurs caractères se conforment ou bien se détachent de l’idéologie qui confine leurs identités sexuelles, raciales et sociales. En critiquant, non seulement l’identité’ mais aussi l’histoire, ma thèse montre que les trois écrivains détruisent la perception que la vérité est objective surtout dans les documents historiques. Ainsi, la vérité devient qu’une forme de distorsion qui consolide une certaine idéologie. Ma thèse montre que les trois auteurs mettent en valeur la voix de la femme Afro-Américaine. Elle joue le rôle d’une médiatrice pour les protagonistes males. Elle rejette le discours matérialiste et sexiste. Cette voix féminine représente le thème de l’amour et la survie de sa communauté noire et la résistance raciale. La femme Afro-Américaine préserve la culture Africaine à travers son attachement à la tradition orale et à la connaissance intuitive. En se basant sur la tendance subversive de l’art et de la littérature postcoloniale qui est promulguée par les théories de Henry Louise Gates, Paul Gilroy, W. E. B Du Bois, James Clifford et Arjun Appadurai, je montre qu’à travers Toni Morrison et Gloria Naylor, le texte de Faulkner reste logocentrique et essentialiste dans sa vision hiérarchique de l’identité raciale et sexuelle. Morrison et Naylor se référant au mythe de l’Africain volant afin de justifier qu’il n’y a pas d’identité fixe et stable, donnant ainsi la voix a une identité hybride et fluide. En se basant sur l’article, « Parler en Langues » de Mae Gwendolyn Henderson, ma thèse explore comment en réécrivant d’autres textes, Gloria Naylor déconstruit non seulement Faulkner, mais aussi le sexisme qui demeure résident dans le texte de Toni Morrison. L’histoire de Willow Springs se base sur le mythe féminin d’une ex esclave Sapphira Wade, qui en étant volatile, son histoire et son identité résistent toute forme de catégorisations. En étudiant l’hybridité’ dans la culture Afro-Américaine, ma thèse montre que le Sud qui est décrit dans l’oeuvre de Mama Day est plus hybride que celui de Faulkner et Morrison.
Books on the topic "Naylor, Gloria. Mama Day"
SuperSummary. Study Guide: Mama Day by Gloria Naylor. Independently Published, 2018.
Find full textNaylor, Gloria. Gloria Naylor Reads: The Women of Brewster Place and Mama Day. Amer Audio Prose Library Inc, 1988.
Find full textNaylor, Gloria. Novels of Gloria Naylor: Mama Day, Linden Hills, and Bailey's Cafe. Open Road Integrated Media, Inc., 2018.
Find full textBuehler, Dorothea. «There's a Way to Alter the Pain»: Biblical Revision and African Tradition in the Fictional Cosmology of Gloria Naylor's Mama Day and Bailey's Café. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.
Find full textBuehler, Dorothea. There's a Way to Alter the Pain: Biblical Revision and African Tradition in the Fictional Cosmology of Gloria Naylor's Mama Day and Bailey's Cafe. Lang Publishing, Incorporated, Peter, 2013.
Find full textBuehler, Dorothea. «There's a Way to Alter the Pain»: Biblical Revision and African Tradition in the Fictional Cosmology of Gloria Naylor's Mama Day and Bailey's Café. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2012.
Find full textBook chapters on the topic "Naylor, Gloria. Mama Day"
Rubenstein, Roberta. "Memory, Mourning, and Maternal Triangulations: Mama Day, Gloria Naylor." In Home Matters, 127–39. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780312299750_9.
Full textBrown, Caroline A. "Magic, Madness, and the Ruses of the Trickster: Healing Rituals and Alternative Spiritualities in Gloria Naylor’s Mama Day, Erna Brodber’s Jane and Louisa Will Soon Come Home, and Nalo Hopkinson’s Brown Girl in the Ring." In Madness in Black Women’s Diasporic Fictions, 225–65. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58127-9_9.
Full text"Signifyin’ on The Tempest in Gloria Naylor’s Mama Day." In Shakespeare and Appropriation, 119–34. Routledge, 2013. http://dx.doi.org/10.4324/9780203218921-16.
Full text"History, Roots and Myth: Toni Morrison’s Paradise and Gloria Naylor’s Mama Day." In Creating Memory and Cultural Identity in African American Trauma Fiction, 56–106. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004364103_004.
Full text"The Trauma behind the Myth: The Necessity to Recover the Past in Gloria Naylor’s Mama Day." In Is this a Culture of Trauma? An Interdisciplinary Perspective, 77–84. BRILL, 2013. http://dx.doi.org/10.1163/9781848881624_009.
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