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Journal articles on the topic 'Nature in literature'

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Published: 4 June 2021
Last updated: 1 August 2024

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1

Devi, Asha. "NATURE IN HINDI LITERATURE." International Journal of Research -GRANTHAALAYAH 3, no. 9SE (September 30, 2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i9se.2015.3264.

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The love of nature of Hindi writers is well known. Poetry has been composed on nature in all times during the ancient, medieval and modern times. The famous cinematic poet Jayashankar Prasadji writes-Let me forget my sailor slowly - where in the uninhabited deep-tinged love story in the ears of Sagar-Lahiri-Ambar - Avni of Taj BabelThe poet has here pointed out the peace of man. Humanity is not noisy, nor does he want such an earth. Nature has loved human as (wave of ocean) and (abar). This is what it is like, why is it, who is destroying the unbreakable relationship between human and nature. What are the conditions that are making the earth persist? A terrible environmental crisis is looming over us all. What should we do now .We all know that in Indian culture, nature is like a necklace in the bracelet, but when the great crisis is showing the destruction of this culture, then our values ​​of life, which teach us to love nature, should be cherished in Vedic era It is happening in the verses of the Vedas that we see the feeling of gratitude towards fire, sun, moon, air, water, earth, sky and clouds. Sanskrit literature is full of beautiful scenes of nature. There nature is companion, friend and its all. हिंदी साहित्यकारों का प्रकृति-प्रेम सर्वविदित है। आदिकाल , मध्यकाल और आधुनिककाल सभी कालों में प्रकृति पर काव्य-रचनाऐं होती रहीं । प्रसिद्ध छायावादी कवि जयशंकरप्रसादजी लिखते हैं-ले चल मुझे भुलावा देकर मेरे नाविक धीरे-धीरे-जहाँ निर्जन में सागर-लहरी-अंबर के कानों में गहरी-निच्छल प्रेमकथा कहती हो--तज कोलाहल की अवनि कवि ने यहाँ मानव की शांतिप्रियता को इंगित किया है ।मानव कोलाहलप्रिय नहीं है, और न ही वह ऐसी धरती चाहता है।( सागर की लहर) और (अबंर) के रूप में प्रकृति ने भी मानव से प्रेम ही किया है ।आज विचारणीय विषय यह है कि फिर ऐसा क्या है, क्यों है, कौन है जो मानव और प्रकृति के अटूट संबंधों को तहस-नहस कर रहा है । वे कौन सी परिस्थितियाँ लगातार बनती रही हैं जो धरती विदीर्ण कर रही हैं । एक भयावह पर्यावरणीय संकट हम सब पर मँडरा रहा है । अब हमें क्या करना चाहिए ।हम सभी जानते हैं कि भारतीय संस्कृति में प्रकृति कंगन में नग की भाँति जडी है पर जब बड़ा संकट इस संस्कृति के विनाश का दिखाई दे रहा है तो ऐंसे में वैदिककाल से सँजोए हमारे जीवन-मूल्य, जो हमें प्रकृति से प्रेम करना सिखाते हैं, समाप्त हो रहे हैं वेदों की ऋचाओं में हमें अग्नि,सूर्य, चंद्र, वायु, जल, पृथ्वी, आकाश और मेघों के प्रति कृतग्यता का भाव दिखाई देता है । संस्कृत-साहित्य तो प्रकृति के मनोहारी दृश्यों से भरा पड़ा है ।वहाँ प्रकृति मानव की सहचरी,सखी और उसका सर्वस्व है ।
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2

Elliot, Norbert. "Literature, Nature, and Other." Environmental Ethics 21, no. 2 (1999): 217–19. http://dx.doi.org/10.5840/enviroethics199921234.

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3

KAGA, Yoshie, Yuki ISHIYAMA, Satoko MARUTANI, Li XIAOYE, Megumi NODA, Noriko HATA, and Shinichi FURIHATA. "Literature Introduction: Nature Conservation Education." Environmental Education 23, no. 1 (2013): 1_64–73. http://dx.doi.org/10.5647/jsoee.23.1_64.

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4

Dunlap, Thomas R. "Nature Literature and Modern Science." Environmental History Review 14, no. 1-2 (1990): 33–44. http://dx.doi.org/10.2307/3984625.

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5

Rothenberg, David. "ESP 569 Literature in Nature." Environmental History Review 16, no. 1 (1992): 165–68. http://dx.doi.org/10.2307/3985033.

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6

Barash, David P. "The human nature of literature." Trends in Ecology & Evolution 21, no. 9 (September 2006): 484–85. http://dx.doi.org/10.1016/j.tree.2006.03.012.

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7

T, Kabilan. "Worshiping Nature in Sangam Literature." International Research Journal of Tamil 4, S-19 (December 10, 2022): 480–86. http://dx.doi.org/10.34256/irjt224s1971.

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Rituals in human life are a socio-cultural phenomenon that occurs from birth to death. Ritualistic concepts of worship play an important role in all these events. 'Worship' is an activity deeply rooted in human faith. Through Sangam literature we can know that worshiping nature is an important activity in all kinds of events that happens in human life. Rituals may have originated before the concept of God or Lord. These rituals are performed based on faith, belief and customs.
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8

CHERKASHYNA, Tetiana, and Bohdan PARAMONOV. "NONFICTIONAL LITERATURE: NATURE, TYPOLOGY, TERMINOLOGY." 6, no. 6 (December 9, 2021): 72–100. http://dx.doi.org/10.26565/2521-6481-2021-6-04.

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The article is devoted to the reviewing of theoretical aspects of nonfiction literature. Similar in semantic content, but not identical terms as nonfictional literature, nonfictional writing, literature of fact, factography, fiction-documentary literature, fiction-documentary prose, fiction-documentary writing, literary nonfiction, literature of non-fiction, nonfictional prose, factual narrative, which have become commonly used in American, Spanish, Ukrainian, French, Slavic terminology, are analyzed. All these terms refer to a set of texts written on the basis of real events without the use of fiction. Typical features of this type of literature are the synthesis of documentary components and fiction, veracity, factuality, authenticity, objectivity, the use of real names, dates and geographical indications. At the same time, the reflection of real events and their participants is presented through the prism of the author’s self, and therefore subjectivity, personal component, merging of images of the author and the narrator are added to the leading features of nonfiction literature. The article focuses on the main structural and typological branches of nonfiction literature – historical nonfiction, literary biography, fictional journalism and memoirs. In compiling this classification, the main object of the non-fiction narrative was taken into account in the first place; sources of documentary information; varieties of author's presence in the text (in particular, as an outside observer, witness or main character); subjective factor of personal participation in the events described in the work, or personal acquaintance with the direct participants in the events; genre-typological characteristics of nonfictional works. The article highlights the main typological characteristics of each type of non-fiction, analyzes their genre system, presents the characteristics of varieties and subvarieties. Particular attention is paid to the analysis of memoirs, which is a complex and multilevel type of non-fiction, which, in turn, consists of several subvarieties – the memoirs, the autobiography, the diary, the epistolary. The article differentiates the subvarieties of memoir literature, considers options for the synthesis of its types and forms.
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9

Sugunan, Dhusyanthy. "Multifarious nature in Bharathy’s Lyrical Literature." International Research Journal of Tamil 4, SPL 2 (January 24, 2022): 1–7. http://dx.doi.org/10.34256/irjt22s21.

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This article, entitled as 'Multifarious nature in Bharathy’s Lyrical Literature', serves as a research paper for the seminar organized with the aim of exploring the diversity of Tamil grammar and literature and exposing the multifarious nature of Tamil. There are a lot of rich literatures in Tamil that express diversity in the field of Grammar and Literature. However, in the field of Tamil grammatical literature, Bharathiyar's poetic literature excel in simplicity, sweetness, novelty and revolution which are conceptual and multifarious. In that respect, this article is designed to examine the contribution of Bharathi's poetry for the richness of Tamil literature in certain contexts. In particular, Bharathi's Tamil poetry is characterized by simple language, attractive poetry, feminist songs, theological devotional songs, and poems that are in tune with the fine arts. The essence of this research study consists of the Multifaceted Specialties of Poetic Excellence from a linguistic point of view such as Pride of Tamil language, Mother Language Obsession and Poetic Specialization, the Diverse Ideas from a feminist point of view such as The Pride of Women, Women’s Rights, Female Liberation and the concept of ‘Puthumai Pen’, Religious and philosophical views from the Theological perspectives such as Theological Thoughts, Devotional Norms (Bhakthi Neri), Glory of power (Shakthi Mahimai) and Specialty Poetic Versus from an aesthetic point of view reflecting Theological Dance Bond, Poetic style suitable for dance and ‘Shakthi Koothu’.
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10

Hassan, Md Mahmudul. "Islamic literature: definition, nature and scope." IIUC Studies 13 (July 29, 2018): 43–52. http://dx.doi.org/10.3329/iiucs.v13i0.37645.

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Literature is a pellucid mirror that reflects the reality of life, society and the universe. It emanates from ideas, emotions, and beliefs of individual or collective personality irrespective of national, linguistic, cultural, religious and stylistic differences. Islamic literature deals with the features of all aspects of Islam. It is not confined in person, group or nation as well as place or time, but represents a clear appeal for the whole humanity forever. The paper aims at studying the definition of Islamic literature and then sheds light on identifying the nature and scope of this literature.IIUC Studies Vol.13 December 2016: 43-52
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11

Singleton, Rivers. "Biology and Literature: Views of Nature." Perspectives in Biology and Medicine 28, no. 2 (1985): 303–13. http://dx.doi.org/10.1353/pbm.1985.0059.

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12

Lamy, Alice. "Defining Nature in Medieval Cosmological Literature." Journal of Medieval and Early Modern Studies 49, no. 3 (September 1, 2019): 457–78. http://dx.doi.org/10.1215/10829636-7724613.

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The medieval Latin West has a long tradition of cosmological writings that stress the difficulty of conceptualizing nature as a single totality. “Nature” is subject to multiple definitions, torn between the sensory and the intelligible. “Nature” involves the universe and its immutable laws, but also the metaphysical principles of living beings, the totality of corruptible things, and creatures from the domain of physis. Engaging with the idea of nature as plastic and multifaceted in its richness, this article shows that contradiction is a dialectical principle necessary to the definition of nature. Whether understood as a broad, vague, and elusive notion, or, on the contrary, as a strong ordering principle, nature supports life and the world. Sometimes it is described as the simple element of matter, sometimes as an entity rivaling God himself. Nature inevitably conjures up the supernatural and therefore also its own supersession.
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13

Chométy, Philippe, and Jérôme Lamy. "Literature and nature: a dictionaric approach." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 18, no. 1 (July 15, 2024): 187–97. http://dx.doi.org/10.51777/relief19410.

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The notion of “lit&nature” makes it possible to bring to light an international corpus of hybrid texts with an uncertain and poorly identified status, neither truly “scientific” nor truly “literary”, which bear the mark of a tension between two modes of knowledge of nature. Taking note of the main difficulties which still prevent the development of a general critical method which allows us to think about this tension, the authors of the Dictionnaire de litt&nature (to be published by Classiques Garnier in 2025) propose to contribute, with a group of authors, to the effort to theorize the inscription of natural knowledge in literature. The genre of the dictionary is particularly suitable for this.
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14

Saini, Paridhi, and Shivali Dhameja. "Nature & Effectiveness of Corporate Governance : A Review of Literature." Global Journal For Research Analysis 3, no. 2 (June 15, 2012): 42–44. http://dx.doi.org/10.15373/22778160/february2014/14.

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15

Yee, Winnie L. M. "Reinventing “Nature”." Prism 17, no. 2 (October 1, 2020): 244–63. http://dx.doi.org/10.1215/25783491-8690380.

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Abstract The often-heated debates concerning Hong Kong's literary representations all take as a premise that Hong Kong has an urban identity, defined by its mythic transformation from a fishing village to a metropolis. On the return of the sovereignty to mainland China in 1997, the discourse stresses Hong Kong's exceptional status, reflecting a general anxiety that Hong Kong could be replaced by or even become just another Chinese city. This anxiety for the future is evident in an ecocritical turn, manifested in both the social realm (popular movements and organic communities) and artistic circles (independent cinema and literature). This article looks at Hong Kong literature—Wu Xubin's 吳煦斌 (1949–) stories, Dung Kai-cheung's 董啟章 (1967–) literary experiments, and a recent edited volume about plants—to determine how ecotopian imaginaries and cultural identities are closely linked to different moments in Hong Kong history. The author finds that the ecocritical turn in Hong Kong literature has opened a new space for Hong Kong's postcolonial identity.
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16

Kaplan, Edward K. "Nature." L'Esprit Créateur 46, no. 3 (2006): 105–8. http://dx.doi.org/10.1353/esp.2006.0039.

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17

Olaru, Ovio. "Nature Aesthetics. Space in Contemporary Scandinavian Literature." Metacritic Journal for Comparative Studies and Theory 6, no. 1 (July 1, 2020): 95–109. http://dx.doi.org/10.24193/mjcst.2020.9.07.

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18

Adabpal, Zabihullah. "A Critical Analysis of Nature in Literature." International Journal of Scientific and Research Publications (IJSRP) 9, no. 2 (February 6, 2019): p8620. http://dx.doi.org/10.29322/ijsrp.9.02.2019.p8620.

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19

Erdanova, Sevara Anvarovna. "THE LINGUISTIC NATURE OF SYMBOL IMAGINATIVE LITERATURE." Theoretical & Applied Science 95, no. 03 (March 30, 2021): 156–58. http://dx.doi.org/10.15863/tas.2021.03.95.27.

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20

Riddle, Amy. "Nature and the supernatural in African literature." African Identities 18, no. 1-2 (April 2, 2020): 80–94. http://dx.doi.org/10.1080/14725843.2020.1773238.

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21

Turner, Kate, and Bill Freedman. "Nature as a theme in Canadian literature." Environmental Reviews 13, no. 4 (December 1, 2005): 169–97. http://dx.doi.org/10.1139/a05-013.

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The relationships of people with the natural world are expressed in diverse ways, including painting, photographs, sculpture, song, video, and literature. In this document, we review historical and contemporary portrayals of nature as a theme in Canadian literature. Our assessment is intended to explore how Canadians have articulated their feelings about nature through literary expression, and to thereby gain insight into their empathy for natural ecosystems and native species, and their concern about damage caused to those values. We begin with a broad overview of nature as a theme in cultural expression, including overarching ones in Canadian literature, and discuss the influential literary views of Northrop Frye, Margaret Atwood, and their critics. We then examine the expression of nature within seven focal areas: early aboriginal expression, narratives of explorers, stories of settlers, the genre of animal stories, 20th-century poetry, recent aboriginal literature, and environmental ideas in contemporary prose. We identify six dominant themes of the expression of nature in Canadian literature: (1) humans as a part of nature; (2) a bounty of natural resources; (3) fear of an adversarial wilderness; (4) improvement of nature; (5) regret of environmental damage and perhaps despair of the future; and (6) love and respect of species and natural landscapes. Finally, we discuss how nature as a theme embedded in Canadian literature can be harnessed to further the compelling objectives of environmental literacy by providing sympathetic insights into the relationships of people and society with the species and ecosystems with which they share Canada.Key words: nature, literature, culture, Canada, environmental literacy.
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22

Changxin Fang, Clara. "Literature as a Means to Understanding Nature." Sustainability: The Journal of Record 7, no. 4 (August 2014): 180–83. http://dx.doi.org/10.1089/sus.2014.9786.

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23

Shuler, John A. "The nature of government information policy literature." Government Information Quarterly 7, no. 1 (January 1990): 95–97. http://dx.doi.org/10.1016/0740-624x(90)90014-f.

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24

Khum Prasad Sharma. "Nature, Culture and Literature: An Ecocritical Contestation." Creative Launcher 5, no. 5 (December 30, 2020): 191–98. http://dx.doi.org/10.53032/tcl.2020.5.5.24.

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Literary theory, in general, examines the relations between writers, texts and the world. In most literary theory, "the world" is synonymous with society-the social sphere. The two most influential schools of thought that brought about great remarkable changes in people’s perspectives and life in the twentieth century—Marxism and psychoanalysis have the common assumption that what we call ‘nature’ exists primarily as a sign within the cultural discourse. Apart from it, nature has no being and meaning, they claim (Coupe 2). This vision of nature as a cultural construct permeates various schools of thoughts like formalists, new historicist, and deconstruction - all of which repudiate the existence of nature outside the cultural discourse, and take is just as a sign. However, nature affects us in several different ways, and always remains influential in human life; it cannot, therefore, be dismissed merely as a linguistic construct, and from ecological point of view it will be a big mistake to take it just a sign within a signifying system or a mere concept within the cultural discourse.
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25

Sankareswari, M. "Aa and its Nature in Sangam Literature." Shanlax International Journal of Tamil Research 8, no. 2 (October 28, 2023): 100–107. http://dx.doi.org/10.34293/tamil.v8i2.6737.

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In the Sangam period, the creature cow was not called as a cow. They were called as “Aa”. The ancients did not classify as animals. That is because people saw it spiritual as wealth. Today people who have money are called rich. But in ancient times, people who had more cows were considered wealthy. They valued and protected what was considered wealth. The wars of Vetschi and Karanthai were occurred because to cows. These cows are becoming obsolete nowdays. Apart from that they refer to Aa Madu. People have now subsumed under the category of animals what was not subsumed under animal. The Sanga scriptures talk about the cows in ancient times, their types and their nature.
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26

Xue, Zhang, and Liao Duma. "The influence of Russian literature on the literary creativity of China of the 20th – early 21th century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 11-3 (November 1, 2022): 232–39. http://dx.doi.org/10.31166/voprosyistorii202212statyi29.

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The content of Russian literature is rich and diverse: the writings of diff erent historical epochs carry diff erent meanings and imprints. In the course of the development of the literary tradition of China, appeals to the literary heritage of Russia were oft en made. Russian literature acceptance process in China was extremely long, during which not only the content, but also the spirit of Russian culture was perceived, which infl uenced the formation of the image of Chinese literature. In this paper, an att empt is made to study the nature and features of the infl uence of Russian literature on the work of Chinese writers of the 20th century.
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27

Wang, Xianwen, Wenli Mao, Shenmeng Xu, and Chunbo Zhang. "Usage history of scientific literature: Nature metrics and metrics of Nature publications." Scientometrics 98, no. 3 (November 13, 2013): 1923–33. http://dx.doi.org/10.1007/s11192-013-1167-5.

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28

Amer, Enas subhi. "Literature and Ecology: Promoting an Eco-Consciousness through Children Literature." International Journal of Language and Literary Studies 4, no. 3 (August 5, 2022): 192–201. http://dx.doi.org/10.36892/ijlls.v4i3.993.

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The study scrutinises intermingled relations between children literature and some ecological issues. Such interwoven relationships would be highly recommended to encourage children to explore and identify themselves with nature from early ages to avoid facing an extreme experience later on. The research limits its scope to two novels Suzanne Collins’ (1962) The Hunger Games trilogy (2003-2007) and William Golding’s (1911-1993) Lord of the Flies (1954), and both novels have no direct connections with Ecology and the Eco-consciousness, yet it offers an insightful description about Man’s experience with Nature. Moreover, it raises serious moral questions, raises awareness, heals wounds and suggests solutions for the problems that are both cultural and physical about man’s interactions with nature. The study narrows its theoretical methodology to the thematic contents of literature rather than their form. Nevertheless, theories of ecocriticism such as Serpil Oppermann’s, Cheryll Glotfelty and Harold Fromm are to be mentioned due to their relevance to the main ideas mentioned in the research. The conclusion sums up that the environment is turned to be man’s collective problem rather than a mere didactic issue. This problem is referred to not only as a problem of nature, but also as social, psychological, and cultural problem that negatively affect all components of the earth. It is about a broad perspective which includes human as well as nonhuman nature.
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29

Wielicka, Karolina. "The restructuring nature." Scientific Papers of Silesian University of Technology. Organization and Management Series 2023, no. 190 (2023): 213–21. http://dx.doi.org/10.29119/1641-3466.2023.190.14.

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Purpose: This article aims to systematize the concept of restructuring and its types. Design/methodology/approach: The article uses literature analysis as a research tool. The issue covers domestic and foreign publications of the last quarter of a century. Findings: The activities carried out as part of the restructuring process are unique and unrepeatable. They cannot be directly copied or mapped in another organization. The concept of restructuring has been and is currently considered by authors in four approaches as a market phenomenon resulting from changes in the environment, as a microeconomic phenomenon, as a result of the systemic-industrial restructuring of the national economy and in meso- and macro-economic approach. Research limitations/implications: An article from a literature review is limited by its subjective selection. Originality/value: The article updates contemporary knowledge about the restructuring process. Its value is the diagrammatic representation of overlapping approaches to restructuring. Keywords: restructuring, definition, classification. Category of the paper: Literature review.
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30

Jang, Jeonglyeul. "Ecofeminism in Modern Literature." Korean Society of Culture and Convergence 45, no. 1 (January 31, 2023): 243–51. http://dx.doi.org/10.33645/cnc.2023.01.45.01.243.

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The purpose of this paper is to examine the ecological feminism in Korean literature. Jeong Jin-gyu's poem and Lee Yoon-ki's short story “Hole” talk about nature and women alike. However, while Jeong Jin-gyu's work reveals intact nature, femininity, principles of life, and vivid vitality, Lee Yoon-ki's novel criticizes the selfishness of humans(men) through femininity and ecosystems in crisis. Nevertheless, ｢hole｣ shows the possibility of re-recognition of the world through the realization of 'him'. Jeong Jin-gyu's poems are dedicated to expressing or admiring the feminine and productive principles of nature. This is effective in finding its place in nature and women who have been alienated or distorted in the reality of ecosystem destruction. Ecofeminist literature makes us recognize the reality that nature, women, and the world are distorted by socio-political institutions or power. It also urges the restoration of ecological ethics, heals the wounds of the separated world, and functions as a goddess to adjust the ecosystem in crisis.
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31

JARKINOVA, Tursunoy. "INTERPRETATION OF PHYTONYMIC IMAGES IN UZBEK LITERATURE." Current Research Journal of Philological Sciences 5, no. 6 (June 1, 2024): 10–14. http://dx.doi.org/10.37547/philological-crjps-05-06-03.

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The poet expresses his feelings born in his heart through poetry. He is inspired by nature, the world of animals and plants, and transfers it to his poetry. Among literary people, flower names - phytonyms rise to the level of an artistic image. This article interprets floristic images used in Uzbek literature. The nature images found in Uzbek classic and modern poetry are discussed.
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32

Kishore., Paridhi. "GOING GREEN IN LITERATURE: AN INSIGHT INTO NATURE AND ECOLOGY THROUGH LITERATURE." International Journal of Advanced Research 5, no. 3 (March 31, 2017): 1324–26. http://dx.doi.org/10.21474/ijar01/3640.

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33

Flack, Stephanie, and Joy Williams. "Ill Nature." Antioch Review 60, no. 4 (2002): 709. http://dx.doi.org/10.2307/4614414.

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34

Gorlin, Deborah. "True Nature." Antioch Review 61, no. 1 (2003): 144. http://dx.doi.org/10.2307/4614443.

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35

Davis, Barbara Beckerman, W. G. Sebald, and Michael Hamburger. "After Nature." Antioch Review 62, no. 1 (2004): 171. http://dx.doi.org/10.2307/4614620.

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36

Owens, Rochelle, and Toby Olson. "Human Nature." World Literature Today 74, no. 3 (2000): 599. http://dx.doi.org/10.2307/40155888.

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Axelrod, Steven Gould, and John Updike. "Facing Nature." World Literature Today 61, no. 1 (1987): 104. http://dx.doi.org/10.2307/40142562.

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김성훈. "The Nature-Nurture Controversy in Ancient Education Literature." Journal of Educational Idea 27, no. 3 (December 2013): 117–35. http://dx.doi.org/10.17283/jkedi.2013.27.3.117.

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39

Makoto, Ooka, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Journal of Japanese Studies 11, no. 2 (1985): 457. http://dx.doi.org/10.2307/132572.

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40

Molchanova, Diana A. "On the Nature of Polytextual Complexes in Literature." Studia Litterarum 6, no. 3 (2021): 40–55. http://dx.doi.org/10.22455/2500-4247-2021-6-3-40-55.

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The article examines polytextual complexes integrated by certain geosocial localization. The aim is to establish theoretical grounds for highlighting and studying these complexes from the standpoint of literary studies. The description and systematization of philological studies in the field of such polytextual complexes as topos texts, or supertexts, allows us to trace the tendency towards a structuralist understanding of the phenomenon on the one hand and a mythopoetic interpretation on the other. Topos texts related by their intertextual and semantic connections are considered as palimpsest semiotic formations, in which individual texts are connected by paradigmatic links with a particular complex of archetypal motifs. The essay seeks to propose a more accurate terminology as a result of the mentioned analysis. It proposes distinguishing intertextual complexes from thematic unities, cycles, and cycloid ensembles relying on the mythopoetic nature of these complexes. Finally, the article gives a definition to the term “megatext” that it introduces.
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Epp, Robert, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Harvard Journal of Asiatic Studies 45, no. 2 (December 1985): 685. http://dx.doi.org/10.2307/2718977.

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42

Egonu, Iheanachor. "The Nature and Scope of Traditional Folk Literature." Présence Africaine 144, no. 4 (1987): 109. http://dx.doi.org/10.3917/presa.144.0109.

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43

Yeago, David S. "Literature in the Drama of Nature and Grace." Renascence 48, no. 2 (1996): 95–109. http://dx.doi.org/10.5840/renascence199648213.

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44

Buckley, Sandra, Kinya Tsuruta, and Theodore Goossen. "Nature and Identity in Canadian and Japanese Literature." Monumenta Nipponica 44, no. 1 (1989): 107. http://dx.doi.org/10.2307/2384703.

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45

Zhang, Chunyan. "Nature as Refuge in Chinese Film and Literature." International Journal of Social Science Studies 8, no. 4 (June 23, 2020): 163. http://dx.doi.org/10.11114/ijsss.v8i4.4908.

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In the period of 1920s and 1930s, traditional Chinese ideas and aesthetics, although embattled and in the process of being superseded by modern and Western aesthetics, did not totally disappear or die out in Chinese film and literature. For example, the image of nature continued to be constructed for its ability to relieve the misery of humanity. This is demonstrated in the films A Poet at the Edge of the Sea (1927) and Sand Washed by Waves (1936). However, because of social turmoil and turbulence of this period, the peaceful inner spirit as conveyed in the traditional culture seemed unattainable. There were more hints of social struggles in the “utopia”, as shown in the films Little Toy (1933) and Return to Nature (1936). The traditional ideas and aesthetics were also continued by some writers, such as Zhou Zuoren, Feng Wenbing, Yu Pingbo and Wang Tongzhao, who still had close spiritual connections with traditional culture. Sometimes the spirit of the “return to nature” was embedded with another mark of this period: the influence of Western culture, as shown by several of Guo Moruo’s poems.
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Slovic, Scott. "Giving Expression to nature: Voices of Environmental Literature." Environment: Science and Policy for Sustainable Development 41, no. 2 (March 1999): 6–32. http://dx.doi.org/10.1080/00139157.1999.10544059.

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Kutsukake, Lynne, and Makoto Ueda. "Modern Japanese Poets and the Nature of Literature." Pacific Affairs 58, no. 2 (1985): 338. http://dx.doi.org/10.2307/2758293.

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Boyd, Brian. "Jane, Meet Charles: Literature, Evolution, and Human Nature." Philosophy and Literature 22, no. 1 (1998): 1–30. http://dx.doi.org/10.1353/phl.1998.0003.

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Gil-wha, Chung. "Nature Imagery and Religious Motif in Ecological Literature." Literature and Religion 25, no. 2 (June 30, 2020): 123–60. http://dx.doi.org/10.14376/lar.2020.25.2.123.

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Lacivita, Alison. "Wild Dublin: nature versus culture in Irish literature." Green Letters 17, no. 1 (February 2013): 27–41. http://dx.doi.org/10.1080/14688417.2012.750843.

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