Books on the topic 'Nature and form of structures'

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1

Newman, Rochelle. Space, structure, and form. Bradford, MA: Pythagorean Press, 1996.

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2

Edinburgh old town: The forgotten nature of an urban form. Edinburgh: Tholis Pub., 2008.

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3

Pelke, Eberhard, and Eugen Brühwiler, eds. Engineering History and Heritage Structures – Viewpoints and Approaches. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/sed015.

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The present Structural Engineering Document (SED) is a compilation of contributions devoted to the vast topic of history of structural engineering as well as interventions on heritage structures and structures of high cultural values. Various, some-times opposed, viewpoints and approaches are expressed and presented. The rather heterogeneous and controversial nature of the content of this SED shall stimulate lively discus-sions within the structural engineering community who needs to increase the awareness of historical and cultural aspects of structures and structural engineering. Current structural engineering methods and practice are only at the very begin-ning of effective engineering, really integrating historical and cultural aspects in the assessment of existing structures and in intervention projects to adapt or modify structures of cultural values for future demands. Knowing the past is indispensable for modern structural engineering!
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4

Finsterwalder, Rudolf, ed. Form Follows Nature. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783990437056.

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5

Smith, Harry F. Data structures: Form and function. San Diego: Harcourt Brace Jovanovich, 1987.

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6

Lewis, Wanda J. Tension structures: Form and behaviour. London: Thomas Telford, 2003.

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7

Feininger, Andreas. Structures of nature: Photographs. Richmond, Va: University of Richmond Museums, 2002.

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8

Lam, Key Yip. Form and movement in nature. [London]: Middlesex University, 1992.

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9

Armstrong, Ronald D. Routing rules for multiple-form structures. Newtown, PA: Law School Admission Council, 2002.

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10

Determining the form: Structures for preaching. Minneapolis: Fortress Press, 2008.

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11

Anthony, Tromba, ed. Mathematics and optimal form. New York: Scientific American Library, 1985.

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12

Kolle, Mathias. Photonic Structures Inspired by Nature. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-15169-9.

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13

Paul, Young. The nature of information. New York: Praeger, 1987.

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14

Lüthi, Max. The European folktale: Form and nature. Bloomington: Indiana University Press, 1986.

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15

The European folktale: Form and nature. Bloomington: Indiana University Press, 1986.

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16

Binet, René. René Binet: From nature to form. Munich: Prestel, 2007.

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17

O'Dwyer, Bernard. forms, function, and position, 2nd ed., ed. Modern English structures: Form, function, and position. 2nd ed. Peterborough, Ont: Broadview Press, 2006.

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18

Wacław, Zalewski, and Iano Joseph, eds. Form and forces: Designing efficient, expressive structures. Hoboken, N.J: John Wiley & Sons, Inc., 2010.

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19

Dölling, Johannes, Tatjana Heyde-Zybatow, and Martin Schäfer, eds. Event Structures in Linguistic Form and Interpretation. Berlin, Boston: DE GRUYTER, 2008. http://dx.doi.org/10.1515/9783110925449.

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20

Eigenvalues of inhomogeneous structures: Unusual closed-form solutions. Boca Raton, Fla: CRC Press, 2005.

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21

Elishakoff, Isaac. Eigenvalues of inhomogenous structures: Unusual closed-form solutions. Boca Raton, FL: CRC Press, 2005.

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22

Hildebrandt, Stefan. Mathematics and optimal form. New York: Scientific American Library, 1985.

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23

Aerts, Diederik, and Jarosław Pykacz, eds. Quantum Structures and the Nature of Reality. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2834-8.

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24

Müller-Karch, Jutta. Elementare Kunst in der Natur: Form, Farbe, Funktion. Neumünster: K. Wachholtz, 1989.

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25

Griffin, Marion Mahony. Marion Mahony Griffin: Drawing the form of nature. [Evanston, Ill.]: Mary and Leigh Block Musem of Art, 2005.

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26

Debora, Wood, ed. Marion Mahony Griffin: Drawing the form of nature. [Evanston, Ill.]: Mary and Leigh Block Musem of Art, 2005.

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27

James, Yellena. Star, Branch, Spiral, Fan: Learn to Draw from Nature's Perfect Design Structures. Quarto Publishing Group USA, 2017.

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28

Hensley, Nathan K., and Philip Steer, eds. Ecological Form. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282128.001.0001.

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Victorian England was both the world’s first industrial society and its most powerful global empire. Ecological Form coordinates those facts to show how one version of the Anthropocene first emerged into visibility in the nineteenth century. Many of that era’s most sophisticated observers recognized that the systemic interconnections and global scale of both empire and ecology posed challenges best examined through aesthetic form. Using “ecological formalism” to open new dimensions to our understanding of the Age of Coal, contributors reconsider Victorian literary structures in light of environmental catastrophe; coordinate “natural” questions with social ones; and underscore the category of form—as built structure, internal organizing logic, and generic code—as a means for generating environmental and therefore political knowledge. Together these essays show how Victorian thinkers deployed an array of literary forms, from the elegy and the industrial novel to the utopian romance and the scientific treatise, to think interconnection at world scale. They also renovate our understanding of major writers like Thomas Hardy, George Eliot, John Ruskin, and Joseph Conrad, even while demonstrating the centrality of less celebrated figures, including Dinabandhu Mitra, Samuel Butler, and Joseph Dalton Hooker, to contemporary debates about the humanities and climate change. As the essays survey the circuits of dispossession linking Britain to the Atlantic World, Bengal, New Zealand, and elsewhere—and connecting the Victorian era to our own—they advance the most pressing argument of Ecological Form, which is that past thought can be a resource for reimagining the present.
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29

Henricks, Thomas S. Play’s Nature. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039072.003.0006.

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This chapter examines the link between play and nature, or more specifically, the human body. Our feats of thinking, feeling, and acting depend profoundly on structures of the body and the brain. Decisions to play are conditioned by our physical forms. Feelings about what we are doing—registered as sensations and emotions—arise from long-established physical processes. And we move through the world only as our bodies permit. Understanding play means understanding these physical processes. In that context, the chapter focuses on the consequences of play for physiology. It reviews studies of bodily movement, brain activity, consciousness, and affect in both humans and animals. It also explores animal play, classic theories of physical play, the role of the organism in play, play as an expression of surplus resources, and the role of brain in play.
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30

Natarajan, Usha, and Julia Dehm, eds. Locating Nature. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108667289.

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For those troubled by environmental harm on a global scale and its deeply unequal effects, this book explains how international law structures ecological degradation and environmental injustice while claiming to protect the environment. It identifies how central legal concepts such as sovereignty, jurisdiction, territory, development, environment, labour and human rights make inaccurate and unsustainable assumptions about the natural world and systemically reproduce environmental degradation and injustice. To avert socioecological crises, we must not only unpack but radically rework our understandings of nature and its relationship with law. We propose more sustainable and equitable ways to remake law's relationship with nature by drawing on diverse disciplines and sociocultural traditions that have been marginalized within international law. Influenced by Third World Approaches to International Law (TWAIL), postcolonialism and decoloniality, and inspired by Indigenous knowledges, cosmology, mythology and storytelling, this book lays the groundwork for an epistemological shift in the way humans conceptualize the relationship between law and nature.
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31

Faucher, Luc, and Pierre Poirier. Mother Culture, Meet Mother Nature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199367511.003.0017.

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Research on the adaptive characteristics of the human immune system reveals that evolutionary algorithms are not strictly matters of replication. And research in genomics suggests that there is no a single source of evolutionary information that carries the same content in every environment. A plausible theory of cultural evolution must acknowledge the possibility that multiple selective algorithms are operating at different time-scales, on different units of selection, with different logical structures; but it must explain how different selective processes are interfaced to yield culturally stable phenomena. This paper advances an empirically plausible approach to memetics that recognizes a wider variety of evolutionary algorithms; and it advances a pluralistic approach to cultural change. Finally, it shows that multiple forms of processing, operating at different timescales, on different units of selection, collectively sustain the human capacity to form and use certain types of representations.
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32

Newlands, Samuel. The Nature of the Conceptual. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817260.003.0010.

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This chapter returns to a fundamental question for the author’s overall interpretation: just what are conceptual relations for Spinoza? It argues against a very tempting answer, according to which conceptual relations are exclusively mental relations. This answer would commit Spinoza to a very robust form of metaphysical idealism. However, the author shows how and why Spinoza rejects both idealism and the underlying mentalistic account of conceptual relations on independent grounds. Chapter nine shows how this extra-mental, structural account of the conceptual fits elegantly into the rest of Spinoza’s ontology while avoiding the errors of the idealist interpretations. Given how little Spinoza offers us here, the conclusion indicates ways future research—both historical and constructive—might try to shed further light on Spinoza’s account of the conceptual.
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33

Agawu, Kofi. Topics and Form in Mozart’s String Quintet in e Flat Major, k. 614/i. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0018.

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This chapter explores the nature of the relationship between topics (understood, following Leonard Ratner, as “subject[s] to be incorporated into a musical discourse”) and form. An introductory section notes the sometimes precarious disposition of topics and acknowledges the heterogeneous nature of the topical universe. This is followed by a description of the role of topics in each of the fifteen periods that make up this sonata-form movement. In addition to confirming that topics typically give profile to tonal-harmonic and phrase-structural processes, the analysis notes the relationship between topics and theme, the stylistic implications of topical usage, and the temporal character of topics.
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34

Kirchman, David L. Elements, biochemicals, and structures of microbes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789406.003.0002.

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Microbiologists focus on the basic biochemical make-up of microbes, such as relative amounts of protein, RNA, and DNA in cells, while ecologists and biogeochemists use elemental ratios, most notably, the ratio of carbon to nitrogen (C:N), to explore biogeochemical processes and to connect up the carbon cycle with the cycle of other elements. Microbial ecologists make use of both types of data and approaches. This chapter combines both and reviews all things, from elements to macromolecular structures, that make up bacteria and other microbes. The most commonly used elemental ratio was discovered by Alfred Redfield who concluded that microbes have a huge impact on the chemistry of the oceans because of the similarity in nitrogen-to-phosphorus ratios for organisms and nitrate-to-phosphate ratios in the deep oceans. Although statistically different, the C:N ratios in soil microbes are remarkably similar to the ratios of aquatic microbes. The chapter moves on to discussing the macromolecular composition of bacteria and other microbes. This composition gives insights into the growth state of microbes in nature. Geochemists use specific compounds, “biomarkers”, to trace sources of organic material in ecosystems. The last section of the chapter is a review of extracellular polymers, pili, and flagella, which serve a variety of functions, from propelling microbes around to keeping them stuck in one place.
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35

Tension Structures: Form and Behavior. Thomas Telford, Ltd, 2003.

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36

Smith, Harry F. Data Structures: Form and Function. Oxford University Press, USA, 1995.

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37

Smith, Harry F. Jr. Data Structures Form and Function. Addison-Wesley Pub Co, 1985.

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38

Tension Structures: Form and Behaviour. Thomas Telford Ltd, 2003. http://dx.doi.org/10.1680/tsfab.32361.

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39

Tension Structures: Form and Behaviour. I C E Publishing, 2018.

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40

Blockley, David. 1. Everything has structure. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199671939.003.0001.

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‘Everything has structure’ considers the fundamental nature and role of structure and the relationship of structural engineering with other engineering disciplines and with architecture. Decision making is driven by the purpose of a man-made structure and how ‘fitness for purpose’ is realised. There is a need to understand how forces flow through a structure in order to ensure it meets its primary purpose of being strong and safe whilst at the same time meeting many other needs such as affordability, aesthetic, and regulatory and environmental criteria. The best structures are a harmony of architecture and engineering—where form and function are one and the flow of forces is logical.
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41

Engineering Nature: Timber Structures. Detail Business Information GmbH, The, 2021.

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42

Schoof, Jakob. Engineering Nature: Timber Structures. Detail Business Information GmbH, The, 2021.

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43

Ohsaki, Makoto, and Jing Yao Zhang. Tensegrity Structures: Form, Stability, and Symmetry. Makoto Ohsaki Jing Yao Zhang, 2015.

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44

Tensegrity Structures: Form, Stability, and Symmetry. Springer Japan, 2016.

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45

Ohsaki, Makoto, and Jing Yao Zhang. Tensegrity Structures: Form, Stability, and Symmetry. Springer London, Limited, 2015.

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46

Photonic Structures Inspired By Nature. Springer, 2011.

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47

Kolle, Mathias. Photonic Structures Inspired by Nature. Springer, 2011.

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48

Kolle, Mathias. Photonic Structures Inspired by Nature. Springer, 2011.

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49

Kolle, Mathias. Photonic Structures Inspired by Nature. Springer, 2013.

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50

Marin, Mara. Modeling Commitment for Structural Relations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498627.003.0003.

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Chapter 2 extends the concept of commitment from personal to social structural relations and begins the argument that our implication in social structures puts us in relations analogous to those of personal commitments. This analogy has a descriptive and a normative element. Descriptively, this book’s notion of commitment captures the idea that social structures are the accumulated effects of our actions. Normatively, it captures the claim that we owe obligations to each other in virtue of our structural relationships to each other, that is, because our actions, accumulated over time, are responsible for reproducing the structure. It illustrates these claims with the example of a woman who attempts to change the gendered nature of parenting. This view of social structures as commitments is an antidote to the powerlessness we otherwise experience in our relation to unjust structures.
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