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1

Pohlsander, Hans A. National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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2

National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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3

Koshar, Rudy. From monuments to traces: Artifacts of German memory, 1870-1990. Berkeley: University of California Press, 2000.

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4

From monuments to traces: Artifacts of German memory, 1870-1990. Berkeley: University of California Press, 2000.

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5

Katrin, Keller, and Schmid Hans-Dieter, eds. Vom Kult zur Kulisse: Das Völkerschlachtdenkmal als Gegenstand der Geschichtskultur. Leipzig: Leipziger Universitätsverlag, 1995.

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6

Hutter, Peter. "Die feinste Barbarei": Das Völkerschlachtdenkmal bei Leipzig. Mainz am Rhein: P. von Zabern, 1990.

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7

Munich and memory: Architecture, monuments, and the legacy of the Third Reich. Berkeley: University of California Press, 2000.

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8

Helmut, Caspar, and Hildebrandt Dieter 1932-, eds. Die Beine der Hohenzollern: Interpretiert an Standbildern der Siegesallee in Primaneraufsätzen aus dem Jahre 1901, versehen mit Randbemerkungen Seiner Majestät Kaiser Wilhelm II. Berlin: Berlin Edition, 2001.

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9

Carrier, Peter. Holocaust monuments and national memory cultures in France and Germany since 1989: The origins and political function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin. Oxford, UK: Berghahn Books, 2006.

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10

Holocaust monuments and national memory cultures in France and Germany since 1989: The origins and political function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin. New York: Berghahn Books, 2005.

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11

Kaelber, Lutz, and Raimond Reiter. Kindermord und "Kinderfachabteilungen" im Nationalsozialismus: Gedenken und Forschung. Frankfurt am Main: Peter Lang, 2011.

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12

Danker, Uwe. Verscharrt, verdrängt, vergessen: NS-Opfer auf dem Friedhof Eichhof, Kiel. Kiel: Neuer Malik Verlag, 1992.

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13

Germany's transient pasts: Preservation and national memory in the twentieth century. Chapel Hill: University of North Carolina Press, 1998.

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14

Schlie, Ulrich. German memorials: In search of a difficult past : nation and national monuments in 19th and 20th century German history. [Bonn]: Goethe-Institut Inter Nationes, 2000.

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15

Greiling, Werner. Der Bismarckturm: Bürgerschaftliches Engagement und nationale Denkmalkultur. Weimar: Hain, 2003.

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16

Gunther, Mai, ed. Das Kyffhäuser-Denkmal 1896-1996: Ein nationales Monument im europäischen Kontext. Köln: Böhlau, 1997.

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17

A monumental mockery: The construction of the national Holocaust memorial in Berlin. Berlin: Dissertation.de, 2007.

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18

"Distanz halten": Das Hamburger Bismarckdenkmal und die Monumentalität der Moderne. Göttingen: Wallstein, 2006.

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19

Markschies, Alexander. Die Siegessäule, Grosser Stern: Berlin-Tiergarten, Grosser Stern. Berlin: Mann, 2001.

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20

Voormalige concentratiekampen: De monumentalisering van de Duitse kampen in Nederland. Hilversum: Verloren, 2011.

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21

Jaskot, Paul B. The architecture of oppression: The SS, forced labor and the Nazi monumental building economy. London: Routledge, 2000.

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22

Michael, Kühlenthal, Bayerisches Landesamt für Denkmalpflege, International Council on Monuments and Sites. Deutsches Nationalkomitee., and Tōkyō Kokuritsu Bunkazai Kenkyūjo, eds. Ostasiatische und europäische Lacktechniken: Internationale Tagung des Bayerischen Landesamtes für Denkmalpflege und des Deutschen Nationalkomitees von ICOMOS in Zusammenarbeit mit dem Tokyo National Research Institute of Cultural Properties, München, 11.-13. März 1999 = East Asian and European lacquer techniques : international conference of the Bavarian State Department of Historical Monuments and the German National Committee of ICOMOS together with the Tokyo National Research Institute of Cultural Properties, Munich, 11-13 March 1999. München: Lipp, 2000.

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23

contributor, Chew Hélène, ed. La colonne trajane: Édition illustrée avec les photographies éxécutées en 1862 pour Napoléon III. Paris: Picard, 2015.

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24

Pohlsander, Hans A. National Monuments and Nationalism in 19th Century Germany. Lang AG International Academic Publishers, Peter, 2011.

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25

Carrier, Peter. Holocaust Monuments and National Memory: France and Germany Since 1989. Berghahn Books, Incorporated, 2005.

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26

Koshar, Rudy. From Monuments to Traces: Artifacts of German Memory, 1870-1990. University of California Press, 2000.

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27

Caspar, Helmut, and Dieter Hildebrandt. Die Beine der Hohenzollern, interpretiert an Standbildern der Siegesallee in Primaneraufsätzen aus dem Jahre 1901, versehen mit Randbemerkungen Seiner Majestät Kaiser Wilhelm II. Berlin Edition, 2001.

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28

Holocaust Monuments and National Memory Cultures in France and Germany Since 1989: The Origins and Political Function of the Vil D'hiv in Paris and the Holocaust Monument in Berlin. Berghahn Books, 2006.

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29

Sprigge, Martha. Socialist Laments. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197546321.001.0001.

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Antifascist and socialist monuments pervaded the landscape of the former German Democratic Republic (1949–1989), presenting a distorted vision of the national past. Official commemorative culture in East Germany celebrated a selective set of political heroes, seeming to leave no public space for mourning those who were excluded from the country’s founding myths. Socialist Laments: Musical Mourning in the German Democratic Republic examines the role of music in this nation’s memorial culture, demonstrating how music facilitated the expressions of loss within spaces of commemoration for East German citizens. Music performed during state-sponsored memorial rituals no doubt bolstered official narratives of the German past. But it simultaneously provided an outlet for mourning in highly politicized environment.
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30

Mittel- und langfristige Perspektiven für den Waldfriedhof Halbe: Abschlussbericht der Expertenkommission und Beiträge. Berlin: Metropol, 2009.

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31

Kuo, Hsiu-Ling. Monumentality and Modernity in Hitler's Berlin: The North-South Axis of the Greater Berlin Plan. Lang AG International Academic Publishers, Peter, 2012.

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32

Watanabe-O'Kelly, Helen. Projecting Imperial Power. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.001.0001.

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The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín and Pedro, the emperors of Mexico and Brazil, in 1822, to Napoleon III in 1852, Maximilian of Mexico in 1864, Wilhelm I, German emperor, in 1871, and Victoria, empress of India in 1876. These monarchs projected an imperial aura by means of coronations and acclamations, courts, medals, and costumes, portraits and monuments, ceremonial and religion, international exhibitions and museums, festivals and pageants, architecture and town planning. They relied on ancient history for legitimacy while partially espousing modernity. The empress consorts had to find a meaningful role for themselves in a changing world. The first emperors’ successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, until George VI relinquished the title of emperor in 1947. The imperial cities of Berlin, Paris, Vienna, and New Delhi bear witness to these vanished empires, as does Chapultepec Castle in Mexico City and the town of Petrópolis in Brazil. How the empires came to an end and how imperial cities and statues are treated nowadays demonstrates the contested place of the emperors in national cultural memory.
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33

Philpott, Colin. Relics of the Reich: The Buildings the Nazis Left Behind. Pen & Sword Books Limited, 2016.

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34

Philpott, Colin. Relics of the Reich: The Buildings the Nazis Left Behind. Pen & Sword Books Limited, 2021.

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35

Philpott, Colin. Relics of the Reich: The Buildings the Nazis Left Behind. Pen & Sword Books Limited, 2016.

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36

Relics of the Reich. Pen & Sword Books Limited, 2016.

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37

Philpott, Colin. Relics of the Reich: The Buildings the Nazis Left Behind. Pen & Sword Books Limited, 2016.

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38

Bildersturm in Osteuropa: Die Denkmaler der kommunistischen Ara im Umbruch : Eine Tagung des Deutschen Nationalkomitees von ICOMOS, des Instituts fur Auslandsbeziehungen ... of the German National Committee). Vertrieb, Karl Lipp, 1994.

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39

Jaskot, Paul. The Architecture of Oppression: The SS, Forced Labor and the Nazi Monumental Building Economy (The Architext Series). Spon Press, 1999.

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40

Das Denkmal als Altlast?: Auf dem Weg in die Reparaturgesellschaft : Tagung des Deutschen Nationalkomitees von ICOMOS und des Lehrstuhls fur Denkmalpflege ... of the German National Committee). Vertrieb, K.M. Lipp, 1996.

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41

Krupnik, Igor. Handbook of North American Indians, Volume 1: Introduction. Open Monographs, 2022. http://dx.doi.org/10.5479/si.21262173.

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<p>The Handbook of North American Indians series—the most monumental summary of knowledge on indigenous peoples of the USA, Canada, and Northern Mexico—was designed by the staff of the National Museum of Natural History (NMNH) Department of Anthropology in the 1960s and, in 2022, culminates with Volume 1, edited by Igor Krupnik. Involving more than 70 contributors from the United States, Canada, Mexico, the United Kingdom, and Germany, including indigenous contributors from across North America, the volume’s 35 chapters and more than 7,400 bibliography entries, Volume 1 presents new perspectives on the history of North America’s indigenous societies, issues facing North American indigenous communities in the 21st century, a thorough update of the studies of Native American indigenous peoples, and the first-ever history of the Handbook project. Volume 1 is an innovative collection of new contributions written in 2015–2017 and is organized in five sections that reflect the series’ three-pronged mission: to look forward, to update and assess developments in Native American research, and to account for the history of the Handbook initiative and its legacy. With Volume 1, the Handbook of North American Indians series concludes. </p>
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