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Books on the topic 'National monuments – France'

Author: Grafiati

Published: 10 March 2023

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1

Dequier, Angéle. Un musée révolutionnaire: Le musée des monuments français d'Alexandre Lenoir. Paris: Louvre éditions, 2016.

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2

Léon, Pressouyre, and Cité de l'architecture et du patrimoine (Paris, France), eds. Le musée des monuments français: Cité de l'architecture et du patrimoine. Paris: N. Chaudun ; Cité de l'architecture et du patrimoine, 2007.

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3

Musée national des monuments français (Paris, France) and Musée des beaux-arts de Marseille., eds. Photographier l'architecture, 1851-1920: Collection du Musée des monuments français : Musée national des monuments français, 18 mars-20 juin 1994 [et] Musée des beaux-arts de Marseille, Palais Longchamp, 1er juillet-1er septembre 1994. Paris: Editions de la Réunion des musées nationaux, 1994.

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4

La basilique Sainte-Jeanne-d'Arc de Domrémy-la-Pucelle: Monument national de la reconnaissance française à Jeanne-d'Arc. Langres: D. Guéniot, 2001.

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5

Musée national des monuments français (Paris, France) and Cité de l'architecture et du patrimoine (Paris, France), eds. Le Musée des monuments français et ses amis de 1980 à 2006: Mémoire et questions : vers quelle Cité à Chaillot? Paris: Cité de l'architecture et du patrimoine, 2007.

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6

Normandy American Cemetery and Memorial. Arlington, Va: American Battle Monuments Commission, 2014.

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7

Carrier, Peter. Holocaust monuments and national memory cultures in France and Germany since 1989: The origins and political function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin. Oxford, UK: Berghahn Books, 2006.

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8

Holocaust monuments and national memory cultures in France and Germany since 1989: The origins and political function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin. New York: Berghahn Books, 2005.

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9

Le Cimetière américain de Colleville-sur-Mer: Une commission américaine en Normandie. Bayeux: OREP éditions, 2012.

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10

Die Musees du Trocadero: Viollet-le-Duc und der Kanondiskurs im Paris des 19. Jahrhunderts. Berlin: Reimer, 2012.

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11

1933-, Kabakov Ilʹi︠a︡ Iosifovich, Kabakov Emilia 1945-, Martin Jean-Hubert 1944-, and Galeries nationales du Grand Palais (France), eds. Monumenta 2014: L'étrange cité, Ilya et Emilia Kabakov, Grand Palais. Paris: Réunion des musées nationaux-Grand Palais, 2014.

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12

Malraux, Amitiés internationales André, and France. Ministère de la culture. Comité d'histoire., eds. André Malraux et l'Inventaire général des monuments et des richesses artistiques de la France: Journée d'études, Bibliothèque nationale de France, 23 mai 2003. Paris: Comité d'histoire du Ministère de la Culture, 2004.

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13

Caisse nationale des monuments historiques et des sites (France), ed. Lisses et délices: Chefs-d'œuvre de la tapisserie de Henri IV à Louis XIV. [Paris]: Caisse nationale des monuments historiques et des sites, 1997.

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14

Un pavé dans la culture: L'urgence d'un nouveau souffle de la politique culturelle, la controverse de MONUM. Paris, France: L'Harmattan, 2003.

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15

contributor, Chew Hélène, ed. La colonne trajane: Édition illustrée avec les photographies éxécutées en 1862 pour Napoléon III. Paris: Picard, 2015.

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16

Carrier, Peter. Holocaust Monuments and National Memory: France and Germany Since 1989. Berghahn Books, Incorporated, 2005.

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17

guide de la cité de l'architecture et du patrimoine. CARRE, 2010.

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18

Photographier l'architecture, 1851-1920: Collection du musée des Monuments français : musée national desMonuments français, 18 mars - 20 juin 1994 [et] Musée des beaux-arts de Marseille, Palais Longchamp, 1er juillet - 1er septembre 1994. Paris: Editions de la Réunion des musées nationaux, 1994.

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19

Holocaust Monuments and National Memory Cultures in France and Germany Since 1989: The Origins and Political Function of the Vil D'hiv in Paris and the Holocaust Monument in Berlin. Berghahn Books, 2006.

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20

Anderson, J. K. Castles to Cut Out and Put Together. Bellerophon Books, 1987.

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21

Achille, Etienne, Charles Forsdick, and Lydie Moudileno, eds. Postcolonial Realms of Memory. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620665.001.0001.

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Recognized as one of the most influential studies of memory in the late twentieth century for its elaboration of a ground-breaking paradigm for rethinking the relationship between the nation, territory, history and memory, Pierre Nora’s monumental project Les Lieux de mémoire has also been criticized for implying a narrow perception of national memory from which the legacy of colonialism was excluded. Driven by an increasingly critical postcolonial discourse on French historiography and fuelled by the will to acknowledge the relevance of the colonial in the making of modern and contemporary France, the present volume intends to address in a collective and sustained manner this critical gap by postcolonializing the French Republic’s lieux de mémoire. The various essays discern and explore an initial repertoire of realms and sites in France and the so-called Outremer that crystalize traces of colonial memory, while highlighting its inherent dialectical relationship with the firmly instituted national memory. By making visible the invisible thread that links the colonial to various manifestations of French heritage, the objective is to bring to the fore the need to anchor the colonial in a collective memory that has often silenced it, and foster new readings of the past as it is represented, remembered and inscribed in the nation’s collective imaginary.

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22

La culture en clandestins : L'UX. Hazan, 2009.

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23

Lisses et delices: Chefs-d'euvre de la tapisserie de Henri IV a Louis XIV. Caisse nationale des monuments historiques et des sites, 1996.

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24

Feinsod, Harris. A Xenoglossary for the Americas. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682002.003.0003.

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This chapter advances a “tropological history” of inter-Americanism by showing how foreign words (xenoglossia) became a key poetic device for Wallace Stevens, José Lezama Lima, and Jorge Luis Borges after World War II, at the low ebb of political inter-Americanism. It shows how Stevens’s monumental “Notes Toward a Supreme Fiction” used this device in order to reimagine the poetic identity of the Americas—a gesture resonant with the US Congress’s contemporaneous debates about globalization. While Stevens’s “lingua franca et jocundissima” (his self-designated attempt to fashion a playful, sonorous global language) was rebuked in the United States by nationalistic postwar critics, the chapter demonstrates how it belongs to a rich vein of postwar poetry by Borges and Lezama, who respond to national and insular literary formations with similar turns toward international language norms and the style of “post-symbolism.”

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25

Unknown. Inventaire général des richesses d\'art de la France. Archives du Musée des Monuments français: Partie 3: Inventaires, correspondance, pièces administratives, ... aux archives nationales (suite et fin). Adamant Media Corporation, 2002.

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26

Aliata, Fernando Rodolfo, and Eduardo César Gentile, eds. El modelo <i>beaux-arts</i> y la arquitectura en América Latina, 1870-1930. Facultad de Arquitectura y Urbanismo (UNLP), 2022. http://dx.doi.org/10.35537/10915/138879.

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Entre un impulso historiográfico que ya lleva más de veinte años y la todavía indiferente respuesta a nivel global, se llevó a cabo, en abril de 2019, el congreso internacional "El modelo beaux-arts y la arquitectura en América Latina, 1870-1930. Transferencias, intercambios y perspectivas internacionales". El mismo fue organizado por el Instituto de Investigación Historia, Teoría y Praxis de la Arquitectura y la Ciudad (HiTePAC) de la Facultad de Arquitectura y Urbanismo de la Universidad Nacional de La Plata (FAU-UNLP), conjuntamente con el Laboratoire del Institut Parisien de Recherche Architecture, Urbanistique et Société (IPRAUS) ligado a la École Nationale Supérieure d’Architecture de Paris-Belleville, y el Histoire Culturelle et Sociale des Arts (HiCSA) de la Université Paris 1 Panthéon-Sorbonne. Este evento pautado entre institutos, escuelas y facultades de arquitectura, interesó también a diversas instituciones y organismos, como la Agencia de Promoción Científica y Tecnológica, la UNLP, el CONICET (que aportaron subsidios para la realización del evento), la Comisión Nacional de Monumentos de Lugares y de Bienes Históricos, Icomos Argentina, la Alianza Francesa La Plata y también la Secretaría de Patrimonio de la Ciudad Autónoma de Buenos Aires, que posibilitó la realización de visitas a los más importantes edificios patrimoniales del período en esa ciudad. Los resultados de esta iniciativa múltiple no pueden ser más auspiciosos. Colegas de América y Europa presentaron un importante número de trabajos que fueron publicados en su totalidad por el Repositorio Institucional de la Universidad Nacional de La Plata (SEDICI, http://sedici.unlp.edu.ar/handle/10915/83749). Más allá de ello, fue nuestra intención desde un principio preparar un volumen en formato libro que incluyera aquellas ponencias más significativas, tarea que reconocemos fue difícil de realizar dada la calidad de la mayoría de los trabajos, así como las conferencias de los invitados especiales quienes gentilmente adaptaron sus presentaciones a nuestro requerimiento.

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