Relevant bibliographies by topics / National images

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'National images'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "National images"

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Wilterdink, Nico. "Images of national character." Society 32, no. 1 (November 1994): 43–51. http://dx.doi.org/10.1007/bf02693352.

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Kelman, Herbert C. "Conflict images, national narratives, and external realities." American Psychologist 63, no. 4 (2008): 280–82. http://dx.doi.org/10.1037/0003-066x.63.4.280.

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Smith, Anthony D. "Will and Sacrifice: Images of National Identity." Millennium: Journal of International Studies 30, no. 3 (December 2001): 571–84. http://dx.doi.org/10.1177/03058298010300031301.

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Kim, Jeahee, Changu Lee, and Jong Won Park. "Automatic National Image Interpretability Rating Scales (NIIRS) Measurement Algorithm for Satellite Images." Journal of Korea Multimedia Society 19, no. 4 (April 30, 2016): 725–35. http://dx.doi.org/10.9717/kmms.2016.19.4.725.

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Chvyr, Luidmila. "Ethno-Cultural Images at Central Asia: National Costume." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 6 (2020): 153. http://dx.doi.org/10.31857/s086919080012505-2.

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Giffard, C. Anthony, and Nancy K. Rivenburgh. "News Agencies, National Images, and Global Media Events." Journalism & Mass Communication Quarterly 77, no. 1 (March 2000): 8–21. http://dx.doi.org/10.1177/107769900007700102.

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One strategy used by nations to enhance their image is to host global media events. This study examines Associated Press, Reuters, and Inter Press Service coverage of six major U.N. summit meetings for their presentation of the host nations. Three of the conferences took place in western capitals; three were held in the developing world. While hosting a summit resulted in a nation getting a higher profile than it would if only a participant, western hosts received more overtly positive coverage than those from the developing world. The topic of the U.N. summit also influenced how news agencies portrayed a host nation.
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Brettschneider, Frank, Katja Neller, and Christopher J. Anderson. "Candidate Images in the 2005 German National Election." German Politics 15, no. 4 (December 2006): 481–99. http://dx.doi.org/10.1080/09644000601062667.

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Petkova, Diana. "National images and intercultural dialogue in Southeast Europe." Journal of Organisational Transformation & Social Change 3, no. 2 (March 2007): 135–55. http://dx.doi.org/10.1386/jots.3.2.135_1.

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Snauwaert, Erwin. "National images and their reception through football literature." Transnational Image Building 10, no. 1 (June 1, 2021): 5–25. http://dx.doi.org/10.1075/ts.20007.sna.

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Abstract As demonstrated extensively by translation studies, national images and their reception undergo significant changes in the transfer process to another culture. From this perspective, La pena máxima by Roncagliolo is an interesting case: not only is the plot tied in with the theme of football, which is widely believed to embody national identity, but it has also been commented on in different target cultures. The reception study displays how the images of Argentina and Peru, which the novel deconstructs by using the 1978 World Cup as a pretext to expose the atrocities perpetrated by their respective totalitarian regimes, are perceived in the Hispanic context and in the French and Dutch literary systems into which they have been translated. While the Argentinian and the French reviews skate over the gruesome reality, the Peruvian, the Spanish and the Dutch ones assume the negative images by emphasizing their socio-political relevance.
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Manheim, Jarol B., and Robert B. Albritton. "Insurgent Violence Versus Image Management: The Struggle for National Images in Southern Africa." British Journal of Political Science 17, no. 2 (April 1987): 201–18. http://dx.doi.org/10.1017/s0007123400004701.

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The authors examine the countervailing effects of two forces on external news coverage of Southern Rhodesia (now Zimbabwe) and South Africa during the 1970s. The first is purposeful government efforts at news management and information control undertaken by each of the two regimes. The second is the civil unrest which was present in the region during that period. They conclude that these effects and the policy consequences that flow from them are functions of the pre-existing image environment of each country in the foreign (US) press and of the character of its domestic unrest.
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Dissertations / Theses on the topic "National images"

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Mock, Steven. "Images of defeat in the construction of national identity." Thesis, London School of Economics and Political Science (University of London), 2009. http://etheses.lse.ac.uk/2735/.

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Numerous cases can be shown of nations that elevate symbols they associate with their own defeat to the centre of their national mythology and construction of history. While this has been recognized and commented upon by scholars examining individual nations, it has yet to be examined in a comparative context as a phenomenon distinct to nationalism and the nation as a modern ideology and social construct. Yet such symbols are sufficiently common in national mythologies, and unusually so in that they can be shown to have been elevated in importance and altered in meaning over the process of nation building, that examination of this particular category of symbols has potential to offer unique insights into "the nation" as a general concept. Nations are modem constructs, yet most identify in continuity with ancient predecessors. The elevation of symbols of defeat serves to negotiate this balance by substantiating the nation's sense of continuity with the traditional ethnic culture on which it relies for its symbolic content, while at the same time rationalising the radical social transformation necessary in order for the community to assert claims in the modern political context. Under certain conditions, such myths can even serve as the very signifiers which give the system its structure and meaning and therefore the effective foundation myths of the nation. As a result, an added desperation, difficult for outsiders to understand, often characterises conflicts over symbols associated with these myths.
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Feklyunina, Valentina. "National images in international relations : Putin's Russia and the West." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1391/.

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This study seeks to analyse the impact of the perceived, projected and self-images of a state on its foreign and domestic policies. It approaches this problem by exploring the evolution of international images of the Russian Federation in the ‘West’ in the years of Vladimir Putin’s presidency (2000-2008) and by examining attempts by the Russian authorities to improve them with the help of foreign propaganda. Russian political elites have always been very sensitive to perceptions of Russia in Western Europe and later in the United States of America. Following the collapse of the Soviet Union, Russia’s images in Western countries underwent significant transformation. Although relatively positive in the early 1990s, they became more negative towards the end of Boris Yel’tsin’s presidency before reaching their negative ‘peak’ during Putin’s second presidential term. The energetic efforts of the Russian authorities in the years of Putin’s presidency to promote a more favourable image of the country provide extremely rich material for analysis, which has largely not yet been utilised in the academic literature. To facilitate the analysis of Russia’s perceived images and the effectiveness of foreign propaganda, the thesis includes two case studies that examine the issues at question in greater detail in the United Kingdom of Great Britain and Northern Ireland and the Federal Republic of Germany. Based on extensive primary research (elite interviewing and discourse analysis), the study seeks to make a three-fold contribution to the academic literature. Firstly, it is the first systematic examination of Russian foreign propaganda in the post-Soviet period. By analysing Russia’s attempts to improve its image in the international arena, the thesis contributes to the literature in the field of International Political Communication that has already examined public diplomacy campaigns conducted by other, mainly Western, countries. Secondly, it aims to provide a deeper insight into the role of subjective, non-material factors in Russian foreign policy. Finally, it seeks to make a contribution to the social constructivist IR literature by presenting a theoretical analysis of the role of national images in international relations.
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Hutchings, James Forrest. "Monitoring Property Boundaries for the Appalachian National Scenic Trail Using Satellite Images." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/32103.

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The Appalachian National Scenic Trail is a unit of the National Park System created by the National Trails Act of 1968. Commonly referred to as the Appalachian Trail, or the AT, this National Park has some of the longest boundaries of any park. The AT is routed more than 2000 miles along the mountains of the eastern United States. The land purchased for the protection of the AT creates a separate boundary on each side of the trail. Monitoring these boundaries for intrusions or encroachments is a difficult and time-consuming task when done totally by field methods. This thesis presents a more efficient and consistent monitoring process using remote sensing data and change detection algorithms. Using Landsat TM images, Normalized Difference Vegetation Index (NDVI), and image difference change detection, this research shows that major boundary encroachments can be detected. Detection of sub-pixel vegetation index decreases identifies specific locations for field inspection. Assuming low cost multispectral Landsat imagery is available, simple NDVI difference calculation allows this technique to be applied to the entire AT one or more times per year. This procedure would improve the response time for encroachment mediation. The producerâ s accuracy for finding possible encroachments was 100 percent and the consumerâ s accuracy for possible encroachments indicated was 78.3 percent. Due to limited image availability, this study only examines change between one pair of Landsat images. Further refinement of these techniques should investigate other Landsat images at other times. Use of other remote sensing systems and change detection algorithms could be the focus of further research.
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Poos, Francoise. "The making of a national audio-visual archive : the CNA and the 'Hidden Images' exhibition." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/12429.

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This thesis explores the agency and practices of visual material in the construction of collective memory and national identity. It is grounded in the case study of one particular institution, the Centre national de l’audiovisuel (CNA) in Luxembourg, and in the institutional life and transformations of a specific body of images, Luxembourg’s Amateur Film Collection and the exhibition Hidden Images mounted in 2007. The CNA is Luxembourg’s central repository for film, photography and sound documents brought together under the rubric of ‘national heritage’. The amateur film archive comprises today about 10.000 objects from the 1920s to the mid 1970s. Made in Luxembourg or by people from Luxembourg, the movies, and even more so the film stills as a condensed version of the archive, represent the nation, yet as an ensemble they remain contained, making a close examination possible. I consider in this context that images are not however only indexical referents, but also, and especially, bundled objects existing materially in the world, entangled in a complex tissue of social interactions and practices, tensioned between document and art work and interwoven with shifting institutional aspirations. Drawing on the work of Ingold, I characterize this as a meshwork, in which everything is connected and visual objects evolve organically, subject to internal and external influences. Thus, this thesis observes the private family films as they meet and mesh with the public institution CNA where they develop new agency as historical documents, as works of art or triggers of collective memory. It explores the filmed material in relation to the national and institutional politics of the CNA’s emergence, the shifting culture of curatorial intention and ambition for the collection, the hierarchies of information within CNA. By making visible the lines, the connections and the nodes of this meshwork, as well as its patterns of disruption and fracture, this study highlights the varying interactions with Luxembourg’s Amateur Film Collection in particular, and, more generally, the performative nature of family photographs and films as they are used to construct images of nationality. The small scale of Luxembourg as a nation-state presents a demonstrable case study of the ecology of images in national identity building and makes an unusually grounded contribution to the wider debate about the ways in which images strengthen a sense of belonging, and how archives and museums use photography and film to construct and articulate visions of nationhood.
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Matei, Hanna. ""We agree to disagree" : a Study of Ghanaian University Students' National Self-Images." Thesis, Södertörns högskola, Institutionen för samhällsvetenskaper, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-13436.

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This thesis is based on a field study conducted in Ghana's capital Accra between September and November 2010 where data, in the form of inter alia interviews with Ghanaian university students, was collected. The underlying aim for the study is to gain a deeper understanding for the many times troublesome nation-building process in the African context. The thesis' objective then is to gain a deeper understanding of a part of the "successful" Ghanaian nation-building process and the national identification in Ghana via the concept of national self-images: the affective and cognitive views of the own nation and people. The Ghanaian national identification is explored via the concept which here is divided into two wide dimensions (the Temporal and Relational - primarily based on the works by Bo Petersson and Noel Kaplowitz) and the data is then organised and analysed according to these. The national self-images are further divided into positive respective negative images with presumably disitnct influences on national and political stability. The result from this study is is that the interviewed university students hold predominantely positive images of their own nation, people and polity which may indicate a continued support for the nation-building process. Howeer also osome negative images exist which could hold the potential threat of weakening the support and trust for the national project among the students.
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Renard, Margot. "Les images du récit national : illustrer l'Histoire de France entre 1814 et 1848." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAH033.

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Henri IV et son panache blanc, Jeanne d’Arc en armure, Vercingétorix vaincu amené devant César… ces représentations liées à l’histoire de France nous sont aujourd’hui familières. Pourtant leur origine est ancienne : elles apparaissent dès la première moitié du XIXe siècle dans les arts visuels et dans l’historiographie, lorsqu’émerge la vogue de l’histoire, et spécialement de l’histoire nationale. Le médium de l’illustration, alors en plein essor, devient un agent efficace de la création et de la diffusion de représentations liées à l’histoire de France. En effet, les éditeurs en quête de formules éditoriales plus séduisantes commencent à intégrer des illustrations dans les ouvrages historiques savants, lorsqu’une telle association semblait auparavant délicate. Cette thèse se propose donc d’étudier les illustrations produites pour les ouvrages historiques parus entre 1814 et 1848. Les ouvrages historiques illustrés s’adressent à un lectorat de plus en plus large, que nous distinguons en termes de classes sociales (populaire, bourgeois) et d’âges (adultes, enfants). Les discours comme les illustrations tentent donc de s’adapter aux attentes et aux dispositions de ces divers lectorats, ce que nous étudierons dans le premier chapitre. Une part de la vogue pour les ouvrages historiques illustrés vient de ce qu’ils font écho aux préoccupations contemporaines : la question de la fondation de la France en tant que nation, en particulier, soulève de vastes débats. Notre deuxième chapitre examinera donc l’illustration de l’historiographie des périodes considérées comme fondatrices, le haut Moyen-Age et la Révolution française. Enfin, si l’historiographie illustrée de cette période apparaît très francocentrée, certains ouvrages viennent éveiller l’intérêt des lecteurs pour une histoire aux échelles « micro » ou macro », intéressée par l’histoire régionale et par l’histoire transnationale (troisième chapitre). Au fil du temps et des publications illustrées émergent donc des schémas iconographiques récurrents, contribuant à enraciner un récit historique iconotextuel, hybride de texte et d’images, dans l’imaginaire national
Which images pop into the minds of Frenchmen when they recall their national history? Henry IV and his white panache, Joan of Arc in her armor, or Vercingétorix and his long hair. Where do these representations come from? How did they develop and with which narrative? This dissertation aims at studying the origins of these images : the spreading of the illustrated historical narrative in France from 1814 to 1848. Indeed, in these years, a true economy of the illustrated history book emerged. These illustrated narratives – these iconotexts – progressively clarified and strengthened a national history in image on which French identity was leaning on. The illustration of history developed interacting with other historical-focused media: theater, panorama, and especially history painting, standing as a model from which to set apart in order to find its own language. Over the course of time and publications, iconotextual patterns established themselves. Therefore, the illustration of history, spread through a larger and larger audience, contributed to the rooting of a national historical narrative into the collective psyche
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Wang, Xiao Jie. "Demon or angel? :China's discrepant national images in New York Times and China Daily." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2554638.

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Walton, S. J. "Images of the peasantry in Norwegian National Romanticism and the works of Ivar Aasen." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372915.

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Yilmazturk, Emre Ali. "European Identity: Historical Images And The Eu Initiatives." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606900/index.pdf.

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This thesis aims to describe and analyze the historical images of European identity and the contemporary initiatives of the European Union to promote it. By analyzing the common cultural elements that European identity consists of, namely Ancient Greece, Roman Empire, Christianity, Renaissance, Reformations, Enlightenment, French Revolution, and Modernity in terms of the images of European identity, the limits of these common cultural elements and how much they have contributed to the creation of a European identity will be presented. And by examining the contemporary initiatives of European Union to promote European Identity such as creating a European flag, anthem, passport, constitution, this thesis aims to explore and present the prospects for a common European Identity. In this regard, it is the main argument of the thesis that European identity is a limited form of a collective identity, among the multiple identities that a person has.
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Oppenheimer, Melanie. "Volunteering the Australian experience /." [Australia] : Melanie Oppenheimer, 2007. http://www.naa.gov.au/Images/oppenheimer-paper-2007_tcm2-9196.pdf.

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Thesis (PhD) - Marketing and International Studies, Faculty of Business and Enterprise, Swinburne University of Technology, 2008.
"Public lecture for the National Archives of Australia, presented in Canberra ... 15 May 2007."-t.p. Includes bibliographical references (p. 174-215).
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Books on the topic "National images"

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Lavoie, Vincent. Images premières: Mutations d'une icône nationale = Primal images : transmutations of a national icon. Paris: Centre culturel canadien, 2004.

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Australia's national parks: Images and impressions. Boston: Houghton Mifflin, 1991.

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Depardon, Raymond. Images cachées: Hidden images. Grand Duchy of Luxembourg: Centre national de l'audiovisuel, 2007.

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Michel, Olinga, ed. Images changeantes de l'Inde et de l'Afrique. Paris: Harmattan, 2011.

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Kinnock, Glenys. Eritrea: Images of war and peace. London: Chatto & Windus, 1988.

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1942-, Berman David, Lapan Maureen T, and National Gallery of Ireland, eds. Images of Berkeley. Dublin: National Gallery of Ireland, 1986.

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1934-, Strand Mark, ed. These rare lands: Images of America's national parks. New York: Simon & Schuster Editions, 1997.

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National self-images and regional identities in Russia. Aldershot, England: Ashgate, 2001.

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National Geographic satellite atlas of the world. Washington, D.C: National Geographic Society, 1998.

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Dumouchel, Paul. Tableaux de Kyoto: Images du Japon, 1994-2004. [Sainte-Foy, Québec]: Presses de l'Université Laval, 2005.

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Book chapters on the topic "National images"

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Szalay, Lorand B., Jean B. Strohl, Liu Fu, and Pen-Shui Lao. "National Images." In American and Chinese Perceptions and Belief Systems, 61–106. Boston, MA: Springer US, 1994. http://dx.doi.org/10.1007/978-1-4757-9148-8_3.

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Diaz-Guerrero, Rogelio, and Lorand B. Szalay. "National/Ethnic Images." In Understanding Mexicans and Americans, 191–206. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-0733-2_13.

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van Doorslaer, Luc. "National and cultural images." In Handbook of Translation Studies, 122–27. Amsterdam: John Benjamins Publishing Company, 2012. http://dx.doi.org/10.1075/hts.3.nat2.

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Ingelbien, Raphaël. "National images in transit." In Interconnecting Translation Studies and Imagology, 53–67. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/btl.119.04ing.

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Geng, Yan. "Dual Mao: Dong Xiwen and National Oil Painting." In Mao’s Images, 137–71. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-20825-7_5.

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Sedda, Franciscu. "National Self-Determination and the Limits of Europe." In Images of Europe, 123–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69240-7_9.

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Monticelli, Daniele. "(Trans)forming national images in translation." In Interconnecting Translation Studies and Imagology, 277–97. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/btl.119.16mon.

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Höjer, Mattias, Anders Gullberg, and Ronny Pettersson. "Images of the Future from a National Economic Perspective." In Images of the Future City, 381–95. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-0653-8_30.

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Zlatnar Moe, Marija, and Tanja Žigon. "Comparing national images in translations of popular fiction." In Interconnecting Translation Studies and Imagology, 145–61. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/btl.119.09zla.

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Valdeón, Roberto A. "The construction of national images through news translation." In Interconnecting Translation Studies and Imagology, 219–37. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/btl.119.13val.

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Conference papers on the topic "National images"

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Alsayem, Hisham A., and Yasser M. Kadah. "Image restoration techniques in super-resolution reconstruction of MRI images." In 2016 33rd National Radio Science Conference (NRSC). IEEE, 2016. http://dx.doi.org/10.1109/nrsc.2016.7450852.

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Jain, Garima, Anand Plappally, and Shanmuganathan Raman. "InternetHDR: Enhancing an LDR image using visually similar Internet images." In 2014 Twentieth National Conference on Communications (NCC). IEEE, 2014. http://dx.doi.org/10.1109/ncc.2014.6811307.

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Sreedevi, Indu, Rishi Pandey, N. jayanthi, Geetanjali Bhola, and Santanu Chaudhury. "Enhancement of inscription images." In 2013 National Conference on Communications (NCC). IEEE, 2013. http://dx.doi.org/10.1109/ncc.2013.6488017.

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Nasr, M. E., S. M. Elkaffas, T. A. El-Tobely, A. M. Ragheb, and F. E. Abd El-Samie. "An Integrated Image Fusion Technique for Boosting the Quality of Noisy Remote Sensing Images." In 2007 National Radio Science Conference. IEEE, 2007. http://dx.doi.org/10.1109/nrsc.2007.371370.

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Mohamed, M. A., and B. M. El-Den. "Implementation of image fusion techniques for multi-focus images using FPGA." In 2011 28th National Radio Science Conference (NRSC). IEEE, 2011. http://dx.doi.org/10.1109/nrsc.2011.5873618.

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Veduruparthi, Bijju Kranthi, Jayanta Mukherjee, Partha Pratim Das, Sanjoy Chatterjee, Soumendranath Ray, and Partha Sen. "Multimodal image registration of lung images." In 2015 Fifth National Conference on Computer Vision, Pattern Recognition, Image Processing and Graphics (NCVPRIPG). IEEE, 2015. http://dx.doi.org/10.1109/ncvpripg.2015.7490027.

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Karahan, Esin, and Cengizhan Ozturk. "Multivariate classification of fMRI images." In 2009 14th National Biomedical Engineering Meeting. IEEE, 2009. http://dx.doi.org/10.1109/biyomut.2009.5130368.

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Vanmali, Ashish V., Sanket S. Deshmukh, and Vikram M. Gadre. "Low complexity detail preserving multi-exposure image fusion for images with balanced exposure." In 2013 National Conference on Communications (NCC). IEEE, 2013. http://dx.doi.org/10.1109/ncc.2013.6488013.

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Icer, Semra, Turkan Ikizceli, Abdulhakim Coskun, and Musa Hakan Asyali. "Evaluation of fatty liver ultrasonography images." In 2009 14th National Biomedical Engineering Meeting. IEEE, 2009. http://dx.doi.org/10.1109/biyomut.2009.5130310.

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Aksahin, Mehmet Feyzi, S. Kutay Ozen, and Neyyir Tuncay Eren. "Automatic vascular segmentation on angio images." In 2017 Medical Technologies National Congress (TIPTEKNO). IEEE, 2017. http://dx.doi.org/10.1109/tiptekno.2017.8238042.

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Reports on the topic "National images"

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Neeley, Aimee, Stace E. Beaulieu, Chris Proctor, Ivona Cetinić, Joe Futrelle, Inia Soto Ramos, Heidi M. Sosik, et al. Standards and practices for reporting plankton and other particle observations from images. Woods Hole Oceanographic Institution, July 2021. http://dx.doi.org/10.1575/1912/27377.

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This technical manual guides the user through the process of creating a data table for the submission of taxonomic and morphological information for plankton and other particles from images to a repository. Guidance is provided to produce documentation that should accompany the submission of plankton and other particle data to a repository, describes data collection and processing techniques, and outlines the creation of a data file. Field names include scientificName that represents the lowest level taxonomic classification (e.g., genus if not certain of species, family if not certain of genus) and scientificNameID, the unique identifier from a reference database such as the World Register of Marine Species or AlgaeBase. The data table described here includes the field names associatedMedia, scientificName/ scientificNameID for both automated and manual identification, biovolume, area_cross_section, length_representation and width_representation. Additional steps that instruct the user on how to format their data for a submission to the Ocean Biodiversity Information System (OBIS) are also included. Examples of documentation and data files are provided for the user to follow. The documentation requirements and data table format are approved by both NASA’s SeaWiFS Bio-optical Archive and Storage System (SeaBASS) and the National Science Foundation’s Biological and Chemical Oceanography Data Management Office (BCO-DMO).
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2

Khomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.

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The article is dedicated to the investigation of time-space measurements of journalistic works of Eugen Sverstiuk, a well-known Ukrainian journalist. In particular, the time-space continuum of his works is being discussed, which is characterized as comprehensive, continuous, filled with archetypical images which metaphorize the text, but at the same time structure it, and are beaded on the axis of time and documentarily located in the space. The logics of images initiated in the text is exaggerated by constant dwelling of the author in the time-space dimensions of the epoque, of which he was a contemporary, as well as precise knowledge of World and Ukrainian history and culture. Historical parallelism of journalism of E. Sverstiuk possesses double potential. On the one hand, the author provides arguments for confirmation of his own opinion, and on the other, he shows us historical collisions in the new aspect, which helps consider the past, better understand the present, and think of the future. Pages of his works is space for author’s considerations, which logics impresses by free transgression of the author in the time, and his ability to grasp the most essential, although sometimes precedent, sometimes sudden and forgotten, or even unknown historical facts in order to force them to resonate in the new historical realities, first of all to indicate the importance of national and the need for assigning to it more significance. Using retrospectives, E. Sverstiuk encourages us to return to the national sources and to seek in ourselves the reflections of nationality in order to return historical truth to our audience. This is what, according to E. Sverstiuk, was believed to be one of the most necessary conditions of existence to the independent state. Time-space continuum of E. Sverstiuk’s journalism is reproduction of comprehensive history as continuous process of the development of humanity, and of formation of comprehensive, total, and so to say epic reading and understanding of these processes via accentuation of reader’s attention on key events, phenomena, and facts.
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3

Tommasini, R., and J. Koch. High-Energy X-Ray Imager for Laser-Fusion Research at the National Ignition Facility. Office of Scientific and Technical Information (OSTI), April 2005. http://dx.doi.org/10.2172/15016017.

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4

Jackson, Pamela. Artificial Intelligence's Role in Advancing the National Imagery and Mapping Agency (NIMA). Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada401055.

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5

Eyes, Douglas J. The National Imagery and Mapping Agency: Harnessing Geographic and Imagery Intelligence in Support of the 21st Century Joint Force Commander. Fort Belvoir, VA: Defense Technical Information Center, February 1997. http://dx.doi.org/10.21236/ada324984.

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6

Portouw, Lawrence J. Implications of High-Resolution, Commercial Space Imagery for National Security and Homeland Defense. Fort Belvoir, VA: Defense Technical Information Center, April 2002. http://dx.doi.org/10.21236/ada401674.

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7

Miles, Anne D. The Creation of the National Imagery and Mapping Agency: Congress's Role as Overseer. Fort Belvoir, VA: Defense Technical Information Center, April 2002. http://dx.doi.org/10.21236/ada476584.

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8

Guindon, B. Development of Thematic Browse Products to Aid in the Analysis of National Satellite Image Data Sets. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/219665.

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9

López Vidales, N., L. Gómez Rubio, and D. Vicente Torrico. Regional news in Spain’s national radio and television and their contribution to the image of Spain’s autonomous communities. Revista Latina de Comunicación Social, June 2017. http://dx.doi.org/10.4185/rlcs-2017-1184en.

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10

Courtney, Peter. The Use of National Imagery Intelligence Assets to Obtain Battle Damage Assessment of Tactical Battlefield Targets. Fort Belvoir, VA: Defense Technical Information Center, February 2001. http://dx.doi.org/10.21236/ada389904.

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