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Journal articles on the topic 'National Gallery of Jamaica'

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Published: 27 July 2024

Last updated: 28 July 2024

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1

Paterson, Liberty. "‘Wider than the realm of England’: the Hosack family heritage, Atlantic slavery and casting Mary, Queen of Scots for the nation." Sculpture Journal 32, no. 4 (December 2023): 469–92. http://dx.doi.org/10.3828/sj.2023.32.4.05.

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In 1871 the Scottish-born magistrate John Hosack (1809–87) was described as ‘the chivalrous and most recent defender’ of Mary, Queen of Scots. After writing a popular historical account of her life, he had presented a plaster cast bust of her Westminster effigy to London’s National Portrait Gallery, which it then used to create an electrotype sculpture with the help of Elkington & Co. This article interrogates the ‘value’ of this sculpture as a cultural heritage object by retracing its history. It places Hosack’s desire to replicate and commemorate Scottish heritage alongside his family ties to Jamaica, including the parallel life of his half-brother William and the wealth John derived from his father’s sugar profits, which relied on African enslavement. It argues the importance of understanding how such legacies enabled individuals to participate in cultural philanthropy in the Victorian period, which simultaneously distanced them from their Atlantic pasts. It also considers how, in its transformation into an electrotype, Hosack’s cast became part of a wider effort by museums and galleries to replicate national heritage using manufacturing methods indebted to the industrial economy intertwined with the British Empire. Sculpture offered a powerful medium through which to fortify national history, but its commemorative capacity can, and should, be unpicked to better understand British legacies of enslavement and colonialism.

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2

Rubinstein, Ben. "The micro gallery at the national gallery of London." Archives and Museum Informatics 6, no. 2 (June 1992): 5–10. http://dx.doi.org/10.1007/bf02770344.

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3

Smith, Philip E. M. "Neurology in the National Gallery." Journal of the Royal Society of Medicine 92, no. 12 (December 1999): 649–52. http://dx.doi.org/10.1177/014107689909201214.

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4

Mervis, J. "National Lab Day: Image Gallery." Science 329, no. 5989 (July 15, 2010): 270. http://dx.doi.org/10.1126/science.329.5989.270-f.

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5

Thomas, Ann W. "The National Gallery of Canada." History of Photography 20, no. 2 (June 1996): 171–74. http://dx.doi.org/10.1080/03087298.1996.10443645.

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6

Sinclair-Maragh, Gaunette. "Air Jamaica … more than a national airline." Emerald Emerging Markets Case Studies 1, no. 1 (January 1, 2011): 1–6. http://dx.doi.org/10.1108/20450621111110627.

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Subject area Hospitality and tourism management; strategic management; marketing, transportation system management and human resource management. Study level/applicability Undergraduate in business and management and hospitality and tourism management. Case overview This teaching case outlines the historical background, successes and challenges of the national airline of Jamaica. It shows how a national airline, which is a heritage asset and one that has provided nostalgic and sentimental value to the Jamaican people and its passengers, had to be divested. The airline has been faced with several challenges; the major one being high-operating costs, especially in light of the global economic recession. The case also highlights the various procedures carried out by the Government of Jamaica before and after the divestment arrangement and also by the acquirer, Caribbean Airlines. Expected learning outcomes The student should be able to: first, differentiate among the various strategic management terms and concepts used in the case; second, explain the importance of strategic decisions versus emotional decisions; third, assess the environmental factors that impacted Air Jamaica's operation; fourth, analyse the environmental factors that should have been considered by Caribbean Airlines before making the decision to acquire Air Jamaica; fifth, carry out a comparative analysis of the various corporate-level strategies to identify the best option for the Government of Jamaica; sixth, propose reasons why Caribbean Airlines acquired Air Jamaica. Supplementary materials Teaching note.

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7

Tyquiengco, Marina. "Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017." Contemporaneity: Historical Presence in Visual Culture 6 (November 30, 2017): 113–19. http://dx.doi.org/10.5195/contemp.2017.232.

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Exhibition ReviewExhibition catalog: Tina Baum, Defying Empire: 3rd National Indigenous Art Triennial. Canberra: National Gallery of Art, 2017. 160 pp. $39.95 (9780642334688) Exhibition schedule: National Gallery of Australia, Canberra, ACT, May 26, 2017 – September 10, 2017

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8

Braman, George N. "The Girl in the National Gallery." Annals of Internal Medicine 144, no. 8 (April 18, 2006): 595. http://dx.doi.org/10.7326/0003-4819-144-8-200604180-00010.

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9

Cannon, Catríona. "The National Gallery of Ireland Library." Art Libraries Journal 25, no. 3 (2000): 21–24. http://dx.doi.org/10.1017/s030747220001172x.

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The National Gallery of Ireland Library has recently re-opened to internal and external readers after a number of years. The concentration so far has been on reader services, while a major revision of the cataloguing and classification procedures is being undertaken. New projects to organise the Gallery’s Archives and make them more accessible for research, and to open a sponsored Centre for the Study of Irish Art in 2002-3, show the Library’s revived interest in reaching its potential users.

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10

Molnar, Michael. "Freud in the National Portrait Gallery." American Imago 69, no. 1 (2012): 107–33. http://dx.doi.org/10.1353/aim.2012.0000.

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11

Raymond, Mareeni. "Making Sculpture at the National Gallery." BMJ 326, Suppl S5 (May 1, 2003): 0305171. http://dx.doi.org/10.1136/sbmj.0305171.

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12

C.-B., P. "The National Gallery Christies Furniture Fund." Museum Management and Curatorship 8, no. 3 (September 1989): 327–28. http://dx.doi.org/10.1016/0260-4779(89)90082-4.

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13

Molaro, P. "Thomas Harriot at the National Gallery?" Astronomische Nachrichten 339, no. 1 (August 9, 2017): 103–8. http://dx.doi.org/10.1002/asna.201713374.

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14

Mukarommah, Amirah Salwa, and Meylani Tuti. "THE IMPACT OF LIFESTYLE, ART COLLECTION, AND HEDONIC LIVING ON VISIT INTENTION, VISIT DECISION AND REVISIT INTENTION AT THE NATIONAL GALLERY." Journal of Management : Small and Medium Enterprises (SMEs) 16, no. 2 (July 1, 2023): 397–411. http://dx.doi.org/10.35508/jom.v16i2.11247.

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The National Gallery hosts several local and foreign travelers for art exhibitions and events. It is intriguing to look at the lifestyle characteristics, gallery art collections, and hedonic factors that affect tourists' decisions to visit the National Gallery. The purpose of this study was to determine the impact of Lifestyle, Art Collection, and Hedonic Living on Visit Intention, Visit Decision, and Revisit Intention in the National Gallery. Purposive sampling was used to collect data on 152 National Gallery visitors in December 2022 for this study. The analytical method employed is the Structural Equation Model, which is supported by SmartPLS software. The results demonstrate that the Hedonic influences the Visit Intention, Visit Decision, and Revisit Intention. Contrarily, the Visit Intention, Visit Decision, and Revisit Intention are unaffected by Lifestyle. The Art Collection affects Visit Intention and Revisit Intention but has no impact on Visit Decision. Finally, the Visit Decision is influenced by the Visit Intention, which in turn is influenced by the Revisit Intention. Keywords: Visit Intention; Visit Decision; Revisit Intention; Lifestyle; Art Collection; Hedonic Living; Gallery

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15

Sarmiento, Sergio Munoz, and Lauren van Haaften-Schick. "Cariou v. Prince." 2013 Fall Intellectual Property Symposium Articles 1, no. 4 (March 2014): 941–57. http://dx.doi.org/10.37419/lr.v1.i4.6.

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In the winter of 2008, Richard Prince had a major exhibition of new and controversial paintings at Gagosian Gallery in New York titled Canal Zone. For the exhibition, Prince, an early member of the appropriationist art group known as The Pictures Generation, presented a body of artworks that incorporated reproductions of published photographs protected by the United States Copyright Act of 1976 The original published photographs were taken by the artist Patrick Cariou for his book, Yes Rasta, which consisted of a series of portraits of Rastafarians in Jamaica.

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16

Gosine, Andil. "Everything Slackens in a Wreck." Small Axe: A Caribbean Journal of Criticism 26, no. 2 (July 1, 2022): 119–43. http://dx.doi.org/10.1215/07990537-9901696.

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This is a curatorial essay in which the author explains his research and process for the conception and production of everything slackens in a wreck, a visual arts exhibition running at the Ford Foundation Gallery in New York from June to September 2022. Gosine elaborates his thinking about the title of the exhibition, which is taken from a Khal Torabully poem, and explains the relevance of and his intrigue with the four artists whose works comprise the exhibition: Wendy Nanan (Trinidad and Tobago), Margaret Chen (Jamaica/Canada), Andrea Chung (Jamaica/United States), and Kelly Sinnapah Mary (Guadeloupe). Each of the four women is a descendant of indentured workers who traveled to the Caribbean in the late nineteenth and early twentieth centuries, and for each this history is a reference point in her practice. Gosine proposes a consideration of the Americas as a consequence of three wreckages: the ship landings of European colonizers and the arriving ships of enslaved and, later, indentured peoples.

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17

Garraway, Eric. "THE BIOLOGY OF IPS CALLIGRAPHUS AND IPS GRANDICOLLIS (COLEOPTERA: SCOLYTIDAE) IN JAMAICA." Canadian Entomologist 118, no. 2 (February 1986): 113–21. http://dx.doi.org/10.4039/ent118113-2.

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AbstractIps calligraphus (Germar) has previously been recorded from Jamaica but this is the first record of Ips grandicollis (Eichhoff) in the island. In Jamaica, both bark beetles attack 5 species of Pinus, 4 of which had not been previously recorded. The beetles thrive mainly on freshly cut logs and weakened trees, but recently they have been rising to economic importance in plantations. Successful attack on live trees is enhanced by mass aggregation of dispersing adults during invasion. Some adults may re-emerge after a phase of oviposition and disperse to new food sources. There is degeneration of flight muscles during oviposition, and regeneration to allow for another dispersive flight. In I. calligraphus attacking Pinus caribaea there was a mean of 26.74 ± 6.86 (mean ± SE) eggs per gallery, while in I. grandicollis there was 19.29 ± 3.04. The proportion of females at emergence was 0.57 ± 0.03 and 0.05 ± 0.02 in I. calligraphus and I. grandicollis, respectively.

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18

Imhof, Robin. "National Portrait Gallery200442National Portrait Gallery. London: National Portrait Gallery Gratis URL: http://www.npg.org.uk/ Last visited September 2003." Reference Reviews 18, no. 1 (January 2004): 48–49. http://dx.doi.org/10.1108/09504120410513429.

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19

Nugraha, Rizki Nurul, and Anisa Sesar Yuni Purwati. "Metaverse Strategy And Planning At The National Gallery." West Science Interdisciplinary Studies 2, no. 03 (March 25, 2024): 572–81. http://dx.doi.org/10.58812/wsis.v2i03.716.

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This research examines the strategy and planning of metaverse in the National Gallery. The purpose of this research is to find out and learn the right strategy and planning in tourism, especially at the National Gallery tourist attraction. The research method used is the literature study method by collecting library data, reading and recording, and processing research materials. The results show that regarding the strategy of Augmented Reality (AR) and Virtual Reality (VR) technology that will be carried in the development of Metaverse and analysis of the use of information media, it can be summarized and concluded that Metaverse has considerable potential and opportunities as information media and the latest interactive educational media for the National Gallery.

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20

Morrison, Belinda F., William Aiken, Richard Mayhew, Yulit Gordon, and Marvin Reid. "Prostate Cancer Screening in Jamaica: Results of the Largest National Screening Clinic." Journal of Cancer Epidemiology 2016 (2016): 1–4. http://dx.doi.org/10.1155/2016/2606805.

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Prostate cancer is highly prevalent in Jamaica and is the leading cause of cancer-related deaths. Our aim was to evaluate the patterns of screening in the largest organized screening clinic in Jamaica at the Jamaica Cancer Society. A retrospective analysis of all men presenting for screening at the Jamaica Cancer Society from 1995 to 2005 was done. All patients had digital rectal examinations (DRE) and prostate specific antigen (PSA) tests done. Results of prostate biopsies were noted. 1117 men of mean age 59.9 ± 8.2 years presented for screening. The median documented PSA was 1.6 ng/mL (maximum of 5170 ng/mL). Most patients presented for only 1 screen. There was a gradual reduction in the mean age of presentation for screening over the period. Prostate biopsies were requested on 11% of screening visits; however, only 59% of these were done. 5.6% of all persons screened were found to have cancer. Of the cancers diagnosed, Gleason 6 adenocarcinoma was the commonest grade and median PSA was 8.9 ng/mL (range 1.5–1059 ng/mL). Older men tend to screen for prostate cancer in Jamaica. However, compliance with regular maintenance visits and requests for confirmatory biopsies are poor. Screening needs intervention in the Jamaican population.

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21

Hava, Jarmila. "The Library at the National Gallery of Zimbabwe." Art Libraries Journal 11, no. 2 (1986): 40–43. http://dx.doi.org/10.1017/s0307472200004636.

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The Library of the National Gallery of Zimbabwe dates from the 1950s. Its acquisition policies mirror those of the Gallery itself, which since Independence in 1980 have concentrated on traditional culture and contemporary art in Zimbabwe; the library also includes a collection of books on architecture. Due to insufficient funds and lack of foreign currency, Library acquisitions are heavily dependent on donations. A slide collection includes specially photographed slides of Zimbabwean art. The Library is open to the public and is well used by students but not by local artists who are often content to continue traditions without seeking to innovate or to respond to other works of art. Both Gallery and Library have accepted and are developing an active educational role.

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22

Garrett, Jason T. "Smithsonian Celebrates the American Musical." Theatre Survey 37, no. 2 (November 1996): 137–39. http://dx.doi.org/10.1017/s0040557400001654.

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Two of the Smithsonian museums in Washington, D.C., the National Portrait Gallery and the National Museum of American History, are celebrating Broadway and Hollywood with their collaborative exhibit “Red, Hot, and Blue: A Salute to American Musicals,” which runs 25 October 1996 to 6 July 1997, at the National Portrait Gallery.

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23

Warner, Malcolm. "The Pre-Raphaelites and the National Gallery." Huntington Library Quarterly 55, no. 1 (January 1992): 1–11. http://dx.doi.org/10.2307/3817652.

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24

Strauss, RM, H. Marzo-Ortega, and V. Goulden. "Skin abnormalities in the National Portrait Gallery." Journal of the European Academy of Dermatology and Venereology 18, no. 5 (September 2004): 566–68. http://dx.doi.org/10.1111/j.1468-3083.2004.01024.x.

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25

ROGERS, MALCOLM. "MASTER DRAWINGS FROM THE NATIONAL PORTRAIT GALLERY." Art Book 1, no. 2 (March 1994): 30. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00038.x.

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26

Wiseman, Frederick. "Presentación de National Gallery, de Frederick Wiseman." Cuadernos de Cine Documental, no. 10 (September 2, 2016): 62–66. http://dx.doi.org/10.14409/ccd.v0i10.6036.

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27

Wright, Elizabeth. "Virginia Woolf at the National Portrait Gallery." Women: A Cultural Review 25, no. 4 (October 2, 2014): 429–30. http://dx.doi.org/10.1080/09574042.2014.989744.

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28

Baxter, Paula A. "THE NATIONAL PORTRAIT GALLERY COLLECTION. Susan Foister." Art Documentation: Journal of the Art Libraries Society of North America 9, no. 1 (April 1990): 43. http://dx.doi.org/10.1086/adx.9.1.27948199.

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29

Whitehead, Christopher. "Architectures of display at the National Gallery." Journal of the History of Collections 17, no. 2 (December 1, 2005): 189–211. http://dx.doi.org/10.1093/jhc/fhi023.

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30

Hasnes, Geir. "Chesterton and the National Portrait Gallery Postcards." Chesterton Review 46, no. 1 (2020): 87–111. http://dx.doi.org/10.5840/chesterton2020461/212.

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31

Kluger, Nicolas. "Skin abnormalities in the Finnish National Gallery." Journal of Cosmetic Dermatology 19, no. 4 (August 24, 2019): 960–63. http://dx.doi.org/10.1111/jocd.13095.

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32

Yaneva, Alexandra. "Pre-Columbian Ecuador in the National Gallery." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 9, no. 1 (June 30, 2023): 131–40. http://dx.doi.org/10.55630/kinj.2023.090110.

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Fourteen artifacts reveal reality and believes of ancient societies of Ecuador. The collection consists of anthropomorphic and zoomorphic ceramic figures created between the 16th century BCE and 16th century CE. It is donated in 1988 by Guaysamin Foundation and since 2015 - exhibited in permanent exposition at Kvadrat 500, National gallery, Sofia.

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33

Lashley, Beverley, Nicholas Graham, and Nicole Prawl. "Coping with Covid-19: The case of the National Library of Jamaica." Alexandria: The Journal of National and International Library and Information Issues 30, no. 2-3 (August 2020): 135–46. http://dx.doi.org/10.1177/0955749020984937.

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While Asian and European countries were grappling with the Covid-19 pandemic, the first imported case from the United Kingdom surfaced in Jamaica on 10 March 2020. The article will trace the steps taken by the National Library of Jamaica (NLJ) before and during the pandemic while improving the value of our cultural heritage to Jamaica and the wider diaspora. The NLJ celebrated 40 years of sterling contribution to the development of Jamaica from March 1979 to April 2020. It has been a leading voice in the region in disaster management and preparedness. Through its Preservation and Conservation Branch, and oversight from the Disaster Preparedness Committee, the NLJ has become a training ground for professionals in the information and conservation field. While highlighting the work of the NLJ, the article will also present statements and surveys conducted on regional and international bodies. These organisations include the Association of Caribbean University, Research and Institutional Libraries (ACURIL), the Community of Directors of National Libraries (a subgroup of the International Federation of Library Associations (IFLA) and the Society of American Archivists. The surveys conducted gleaned a greater appreciation of the impact of Covid-19 on libraries and archives regionally and internationally. The article will address other pandemic crises that have affected Jamaica. It will also demonstrate that being proactive and prepared for viral episodes can mitigate the risks. The NLJ used the opportunity to facilitate service delivery while being socially distant from its patrons.

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34

James, Stuart. "National Gallery Catalogues:98339Judy Egerton. National Gallery Catalogues: The British School. London: National Gallery Publications 1998. 456 pp, ISBN: 1 85709 170 1 £50.00 Distributed by Yale University Press." Reference Reviews 12, no. 6 (June 1998): 37–38. http://dx.doi.org/10.1108/rr.1998.12.6.37.339.

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35

Honoris, Robby, and Andalucia . "Design of North Sumatera Paradise Gallery in Medan City (Metaphor Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (November 15, 2017): 91–99. http://dx.doi.org/10.32734/ijau.v1i1.266.

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The purpose of this Art Gallery designing is for giving space for the local artist to place and promote their art products. It’s because Medan city has not decent gallery according to the national standard. The surplus of this art gallery out of showing fine art is giving room experience impression to support fine art showcase. The theme of the building is a metaphor of water ripple to represent Babura river, so the art installation to the building is using water concept that gives unique aspect to building and can be art identity of Medan city. This gallery building is hoped to fulfill gallery estimation which is decent in national and international rank because Medan is the third biggest town in Indonesia where been visited by so many foreign tourists.

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36

Mohamedali, Ownali Nurdin. "NATIS (National Information Systems): The Jamaican Experience." Alexandria: The Journal of National and International Library and Information Issues 8, no. 3 (December 1996): 167–80. http://dx.doi.org/10.1177/095574909600800303.

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In December 1973 the Prime Minster of Jamaica appointed a National Council on Libraries, Archives and Document Services (NACOLADS) to advise the government on the development of an integrated network information system. It was thought that this could best be done by using UNESCO's NATIS concept. Several working parties were established, and among their recommendations were the creation of a series of networks as the basis of a national information system, the establishment of a National Library (achieved in 1979), new legislation for the National Archives and Records Center (passed in 1982), and copyright legislation, with provision for legal deposit. NACOLADS incorporated all the recommendations into a national information plan, published in 1978. A revised edition in 1986 included recommendations for redressing a number of shortcomings (e.g. the need for improved salaries and conditions of service). In 1990 NACOLADS was renamed NACOLAIS (National Council on Libraries, Archives and Information Systems), and given additional responsibility for the expansion of NATIS in Jamaica. A copyright law was eventually passed in 1993, but laws for a national information policy and legal deposit remain to be enacted. Some believe that the experience of NATIS in Jamaica can be used as a model for the establishment of national information systems in other small Third World countries.

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37

Waddington, Murray. "The national role of the Library of the National Gallery of Canada." Art Libraries Journal 19, no. 1 (1994): 27–29. http://dx.doi.org/10.1017/s0307472200008671.

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The financial situation of cultural institutions is becoming increasingly perilous, and two years into its new national mandate the Library of the National Gallery of Canada finds its resources absorbed by internal needs and local use. To sustain a vital presence in the community of art information specialists the Library must restrict its contributions to those which have modest or no resource imperatives: generously shared collections; well conceived services which are publicized and accessible; strengthened cataloguing to be shared; attention to preservation; development of expertise to be shared with colleagues and students; initiation and promotion of collaborative projects. As a federal body the National Gallery of Canada is excluded from funding sources available to others, but will support the projects of others. A national task force is needed to outline and develop a Canadian strategic plan for art libraries.

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38

Wijaya, Sherren, and Imam Ardiansyah. "PENGARUH DAYA TARIK WISATA TERHADAP MINAT BERKUNJUNG WISATAWAN DI GALERI NASIONAL INDONESIA." SOCIA: Jurnal Ilmu-Ilmu Sosial 20, no. 1 (June 29, 2023): 77–89. http://dx.doi.org/10.21831/socia.v20i1.64556.

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This study aims to determine the effect of attractiveness on tourist interest in the National Gallery of Indonesia. The object of this research is people who are visiting the National Gallery of Indonesia. The research sample amounted to 100 people used by purposive sampling method. All data were processed using the SPSS (Statistical Program for Social Science) version 25.This research uses quantitative methods. In this study the results showed that the t value of the variable count Attraction (X1) amounted to 3.454 t table (1.984) with a value of Sig. 0.001 0.05 then H0 is rejected and HA is accepted so that it can be concluded that Attraction (X1) has a positive influence on Interest in Visiting at the National Gallery of Indonesia.The t value of the Amenity variable (X2) is -0.46 t table (1.984) with a Sig value. 0.963 0.05, then H0 is accepted and HA is rejected so it can be concluded that the Attractiveness of Amenities (X2) has no effect on Interest in Visiting at the National Gallery of Indonesia. t value of the Accessibility variable (X3) is 2.108 t table (1.984) with a Sig value. 0.038 0.05 then H0 is rejected and HA is accepted so it can be concluded that Accessibility Attraction (X3) has a positive influence on Interest in Visiting at the National Gallery of Indonesia.

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39

Furness, Jane. "Research resources in the National Galleries of Scotland." Art Libraries Journal 28, no. 3 (2003): 37–41. http://dx.doi.org/10.1017/s0307472200013225.

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The National Galleries of Scotland is entering an exciting period of development: phase one of its Playfair Project is due for completion in summer 2003, with the opening of the remodelled Royal Scottish Academy building adjacent to the National Gallery and the exhibition Monet: the Seine & the sea. As well as providing increased gallery, education and visitor facilities, this project also has information technology and access implications for the Archives, Libraries and Reference Section as well as for the commercial Picture Library.

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40

Beaulieu, Micheline, and Victoria Mellor. "The Micro Gallery: an evaluation of the hypertext system in The National Gallery, London." New Review of Hypermedia and Multimedia 1, no. 1 (January 1995): 233–60. http://dx.doi.org/10.1080/13614569508914669.

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41

Horman, Mary M. "National Gallery of Art ‐ The Collection0047National Gallery of Art. National Gallery of Art ‐ The Collection. 1997 to date; updated weekly. http://www.nga.gov/collection/collect.htm No charge." Electronic Resources Review 4, no. 5 (April 2000): 51. http://dx.doi.org/10.1108/err.2000.4.5.51.47.

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42

Lydon, Andrea. "The right space: 150 years of housing a national gallery's library and archive collection." Art Libraries Journal 43, no. 1 (December 8, 2017): 24–30. http://dx.doi.org/10.1017/alj.2017.44.

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The National Gallery of Ireland is the country's premier art institution. It houses the nation's collection of fine art in addition to a collection of library and archive material relating to the visual arts. The library and archive collections play an invaluable role supporting the work of the gallery and are regularly consulted by external researchers. Surprisingly, for more than a century there was no dedicated library space allocated to this collection. This article explores the development of the collection and the space it has occupied within the Gallery over the last 150 years, chronicling the challenges the gallery has faced housing this growing collection. This article outlines the situation today and concludes with an outline of the gallery's future plans for the library and archive in its efforts to create a space that will be a fitting home for this remarkable collection.

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43

Collier, Lorna. "Get Ready for the National Day on Writing." Council Chronicle 19, no. 1 (September 1, 2009): 6–9. http://dx.doi.org/10.58680/cc200912092.

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44

Sari, Desy Novita, and Rahmi Rahmi. "National Gallery of Indonesia’s Website Evaluation Using WebQual 4.0." Paradigma - Jurnal Komputer dan Informatika 25, no. 2 (September 6, 2023): 71–80. http://dx.doi.org/10.31294/p.v25i2.2022.

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Although there is a lot of research on websites, there is very little research on art gallery websites in Indonesia. As a result, this study examines the quality of the National Gallery of Indonesia’s (commonly referred to as Galnas) website as a source providing information about the gallery by analyzing end-user perceptions through methods such as WebQual 4.0, importance–performance analysis, and customer satisfaction index (CSI). Fifty undergraduate and postgraduate college students in the Library and Information Science (LIS) program of the Faculty of Humanities at the University of Indonesia were selected as respondents based on convenience sampling. The study found that compared to other sources of information, the Galnas website was chosen the least, but the overall services of the website met user expectations, as evidenced by a CSI score of 83.88% for undergraduate college students and a CSI score of 74.96% for postgraduate college students. This research contributes to the enhancement of the quality and accessibility of the Galnas website.

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Hayes, Sandy. "Technology Toolkit: I Hear American Writing: NCTE’s National Day on Writing." Voices from the Middle 17, no. 1 (September 1, 2009): 46–47. http://dx.doi.org/10.58680/vm20097966.

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When the National Gallery of Writing opens to the public on October 20, Hayes is hoping to hear from every profession, every socioeconomic group, every race, and … your students. Here are ideas for the many forms that writing might take, as well as a list of resources to help make writing for the gallery a unique experience for each writer.

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Ardhiati, Yuke, Ashri Prawesthi D, Diptya Anggita, Ramadhani Isna Putri, L. Edhi Prasetya, Widya Nur Intan, Muhammad Wira Abi, et al. "An Adaptive Re-use of Cultural Heritage Buildings in Jabodetabek (Greater Jakarta) as the National Gallery of Indonesia's Satellites." International Journal of Built Environment and Scientific Research 4, no. 2 (December 28, 2020): 115. http://dx.doi.org/10.24853/ijbesr.4.2.115-126.

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The Nasional Gallery of Indonesia is a reputable art gallery owned by Indonesian State. It roles as the venue for exhibitions and art events on International scale. To maintain the reputation then it employed the Independent Curators to cary out exhibitions. In recent years, the phenomenon of the proffesional Fine Art Artists show the hing spirits. To enrich their international publication then they began to realize their opportunity to exhibit at this gallery. Unfortunately, the gallery building is an adaptive reuse of the Cultural Heritage Building. The National Gallery building which has a distinctive Dutch Colonial architectural style has not been optimally utilized. So, it has existence has wide limitations and space limitation that unable to accommodate such high interests. On the other hand, Jabodetabek is stands for Jakarta-Bogor-Depok-Tangerang-Bekasi are the Greater City of Jakarta, has Cultural Heritage Buildings. There are many of architectural style of heritage buildings that has chance to be the exhibition spaces. The study is an idea to aim solutions of the availability of exhibition area in Jabodetabek to accommodate the Fine Art Artists interest of exhibiting. According to the Adaptive-Reuse of the National Gallery’s case, and by refers to the Grounded Theory Research method and Case Studies related to the Jabodetabek’s Cultural Heritage buildings. A Working Hyphotesis is Jabodetabeks’s Cultural Heritage Buildings opportunities as The National Gallery’s Satellites. The findings are the Satellite Galleries Rank, and the Properties Display recommendation based on the Cultural Heritage’s rules that can be offered to make them as the “Satellite” as well as the ICOM as the National Gallery of Indonesia’s standard.

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Scott, P. H. "How The Scottish National Portrait Gallery Was Saved." Scottish Affairs 10 (First Serie, no. 1 (February 1995): 141–47. http://dx.doi.org/10.3366/scot.1995.0015.

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Burganova, Maria, and Malsch Friedemann. "Interview with Director of the Liechtenstein National Gallery." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (March 10, 2020): 12–18. http://dx.doi.org/10.36340/2071-6818-2020-16-1-12-18.

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We are pleased to present an interview with Director of the Liechtenstein National Gallery Kunstmuseum Liechtenstein, Dr. Malsch Friedemann Dr. Friedmann Malsch, has been cooperating with Russia for more than 15 years in organizing and conducting exhibitions, preparing publications. He is actively engaged in educational and publishing activities. In 2018, with the support of the Liechtenstein Museum, a translation of the book dedicated to the Black Square painting by Kazimir Malevich was released. At the presentation, Friedman Malsch called this book a publication that turns the prevailing ideas about the icon of Suprematism. The architecture of the new building of the Liechtenstein State Museum in Vaduz, which opened in 2000, interprets in its own way the plastic idea of Suprematism, the idea of a black square. The creation of the Swiss architects Meinrad Morger, Heinrich Degelo and Christian Kerez with a very complex and extensive internal infrastructure from the outside is a combination of two laconic volumes: a white and black cube. Material for the construction is taken from the vicinity of the city. We thank Dr., Professor Alexander Lavrentiev for professional support and assistance in arranging the interview with Dr. Malsch Friedemann

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Metzger, Catherine A., and Lorne Campbell. "National Gallery Catalogues: The Fifteenth Century Netherlandish Schools." Studies in Conservation 44, no. 4 (1999): 287. http://dx.doi.org/10.2307/1506662.

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McIntosh, Jacqui. "Dublin: "A German Dream" at the National Gallery." Circa, no. 111 (2005): 87. http://dx.doi.org/10.2307/25564291.

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