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Books on the topic 'Narratives'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

Brewer, Mária Minich. Claude Simon: Narratives without narrative. Lincoln, Neb: University of Nebraska Press, 1995.

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2

Rath, Brigitte. Narratives Verstehen: Entwurf eines narrativen Schemas. Weilerswist: Velbrück Wissenschaft, 2011.

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3

Saint-Etienne, Musée d'art moderne, ed. Osvaldo Romberg: Architectures narratives = narrative architectures. Paris: Panama, 2005.

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4

(Gallery), Austin/Desmond Fine Art, ed. Narratives. London: Austin-Desmond Fine Art, 2004.

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5

Lyons, Richard. Narratives. Gardiner, Me: Tyzac Press, 1987.

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6

Scholz, Susanne. Body Narratives. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287686.

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Rippl, Gabriele. Haunted Narratives. Edited by Philipp Schweighauser, Tiina Kirss, Margit Sutrop, and Therese Steffen. Toronto: University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442664197.

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8

Hadromi-Allouche, Zohar. Fall Narratives. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315581880.

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9

Shapiro, Gary. Nietzschean narratives. Bloomington: Indiana University Press, 1989.

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10

Horvat, Ana, Orly Lael Netzer, Sarah McRae, and Julie Rak. Trans Narratives. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199465.

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11

Al-Rasheed, Madawi, and Robert Vitalis, eds. Counter-Narratives. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981318.

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12

Grabher, Gudrun M., and Anna Gamper, eds. Legal Narratives. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-92818-9.

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13

H, Bates Robert, ed. Analytic narratives. Princeton, N.J: Princeton University Press, 1998.

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14

Varma, R. Sreejith, and Ajanta Sircar. Contagion Narratives. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003285373.

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15

E, Houchins Sue, ed. Spiritual narratives. New York: Oxford University Press, 1988.

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16

Narrative Values, the Value of Narratives. de Gruyter GmbH, Walter, 2024.

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17

Narratives of Crisis - Crisis of Narrative. Wissner-Verlag, 2012.

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18

Narrative der Arbeit / Narratives of Work. Freiburg i.Br. / Berlin / Vienna: Rombach Verlag, 2009.

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19

Slave Narratives: Mississippi Narratives. Kessinger Publishing, 2004.

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20

Slave Narratives: Arkansas Narratives. Kessinger Publishing, 2004.

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21

Federal Writers' Project. Slave Narratives: Alabama Narratives. CreateSpace Independent Publishing Platform, 2015.

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22

Sammons, Benjamin. Narratives. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190614843.003.0002.

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This chapter discusses inset narratives and indirect narratives, with particular attention to their use in the construction of poems and the interconnections of poems to a larger mythological context. The Achaeans’ departure from Troy and the revenge of Athena against Oilean Ajax seem to have been prospectively narrated in the Ilioupersis in a way that causes confusion in Proclus’s summary. Similarly, much Trojan War mythology preceding the judgment of Paris was probably indirectly narrated in the Cypria, as is the case in the famous fragment concerning Helen’s birth. Two major passages of the Nostoi were most likely also narrated indirectly. Under the heading of paradigmatic tales (stories told by characters to one another for rhetorical purposes) our evidence is unfortunately meager, but the one example from the Cypria recorded by Proclus reveals a degree of sophistication equal to the most elaborate Homeric examples.
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23

Karamzin, Nikolay M. Narratives. CreateSpace Independent Publishing Platform, 2015.

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24

Derepaskay, Tanya. Narratives. Independently Published, 2017.

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25

Telkikki, Samson. Narratives. Lulu Press, Inc., 2015.

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26

Hesse, Hermann. Fabulario / Collection of Fables (Narrativas Contemporaneas / Contemporary Narratives). Sudamericana, 1998.

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27

Bohnacker, Ute, and Natalia Gagarina. Developing Narrative Comprehension: Multilingual Assessment Instrument for Narratives. Benjamins Publishing Company, John, 2020.

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28

Appleton, Naomi, ed. Narrative Visions and Visual Narratives in Indian Buddhism. Equinox Publishing Ltd., 2022. http://dx.doi.org/10.1558/isbn.9781800501300.

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This volume explores the interaction between text and image in Indian Buddhist contexts, including not only the complex relationship between verbal stories and visual representations at Indian sites, but also the ways in which visual imagery is used within textual narratives. The chapters are authored by a mixture of textual scholars and art historians, bringing together different disciplinary perspectives in order to seek a richer understanding of how text and art relate, and of the role of narrative imagery in different media and contexts. The book opens with an introduction that explores what narratives and visual narratives are, and why we might want to study narrative images alongside imagery-rich literary narratives. The volume is then divided into three parts. The chapters in “Part I: Visual Narratives” (Zaghet, Reddy, Zin) explore visual depictions of stories in their own right; those in “Part II: Narrative Networks” (Mace, Appleton & Clark, Strong) seek to understand the relationship between specific visual and verbal narratives; and those in “Part III: Narrative Visions” (Gummer, Fiordalis, Walters) primarily investigate how visual imagery and visualisation work in textual narratives. The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.
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29

Appleton, Naomi. Narrative Visions and Visual Narratives in Indian Buddhism. Equinox Publishing Limited, 2022.

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30

Bohnacker, Ute, and Natalia Gagarina. Developing Narrative Comprehension: Multilingual Assessment Instrument for Narratives. Benjamins Publishing Company, John, 2020.

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31

Appleton, Naomi, and Equinox Publishing. Narrative Visions and Visual Narratives in Indian Buddhism. Equinox Publishing Limited, 2022.

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32

Narrative Visions and Visual Narratives in Indian Buddhism. Equinox Publishing Limited, 2022.

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33

Mother-texts: Narratives and counter-narratives. Newcastle upon Tyne: Cambridge Scholars Pub., 2010.

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34

Flügel, Peter. Jaina Narratives. Taylor & Francis Group, 2019.

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35

Flügel, Peter. Jaina Narratives. Taylor & Francis Group, 2019.

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36

Al-Rasheed, Madawi, and Robert Vitalis. Counter-Narratives. Palgrave Macmillan, 2010.

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37

Miles, Henry A. Gospel Narratives. Creative Media Partners, LLC, 2018.

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38

Scholz, Susanne. Body Narratives. Palgrave Macmillan, 2014.

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39

Cave, Stephen, Kanta Dihal, and Sarah Dillon, eds. AI Narratives. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846666.001.0001.

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This book is the first to examine the history of imaginative thinking about intelligent machines. As real artificial intelligence (AI) begins to touch on all aspects of our lives, this long narrative history shapes how the technology is developed, deployed, and regulated. It is therefore a crucial social and ethical issue. Part I of this book provides a historical overview from ancient Greece to the start of modernity. These chapters explore the revealing prehistory of key concerns of contemporary AI discourse, from the nature of mind and creativity to issues of power and rights, from the tension between fascination and ambivalence to investigations into artificial voices and technophobia. Part II focuses on the twentieth and twenty-first centuries in which a greater density of narratives emerged alongside rapid developments in AI technology. These chapters reveal not only how AI narratives have consistently been entangled with the emergence of real robotics and AI, but also how they offer a rich source of insight into how we might live with these revolutionary machines. Through their close textual engagements, these chapters explore the relationship between imaginative narratives and contemporary debates about AI’s social, ethical, and philosophical consequences, including questions of dehumanization, automation, anthropomorphization, cybernetics, cyberpunk, immortality, slavery, and governance. The contributions, from leading humanities and social science scholars, show that narratives about AI offer a crucial epistemic site for exploring contemporary debates about these powerful new technologies.
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40

Britton, Jeanne M. Vicarious Narratives. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846697.001.0001.

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In 1759, Adam Smith’s Theory of Moral Sentiments defines sympathy as a series of shifts in perspective by which one sees from a different point of view. British and French novels published over the following century redefine sympathy through narrative form—shifting perspectives or “stories within stories” in which one character adopts the voice and perspective of another. Fiction follows Smith’s emphasis on sympathy’s shifting perspectives, but this formal echo coincides with a challenge. For Smith and other Enlightenment philosophers, the experience of sympathy relies on human resemblance. In novels, by contrast, characters who are separated by nationality, race, or species experience a version of sympathy that struggles to accommodate such differences. Encounters between these characters produce shifts in perspective or framed tales as one character sympathizes with another and begins to tell his story, echoing Smith’s definition of sympathy in their form while challenging Enlightenment philosophy’s insistence on human resemblance. Works of sentimental and gothic fiction published between 1750 and 1850 generate a novelistic version of sympathy by manipulating traditional narrative forms (epistolary fiction, embedded tales) and new publication practices (the anthology, the novelistic extract). Second-hand stories transform the vocal mobility, emotional immediacy, and multiple perspectives associated with the declining genre of epistolary fiction into the narrative levels and shifting speakers of nineteenth-century frame tales. Vicarious Narratives argues that fiction redefines sympathy as the struggle to overcome difference through the active engagement with narrative—by listening to, retelling, and transcribing the stories of others.
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41

Hyden, Lars-Christer. Entangled Narratives. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199391578.001.0001.

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As more people live longer, the number of persons with the diagnosis of dementia will increase; many will live a long time in their homes, and spend time at a care unit only during the final stage of the disease. It is essential to know more about how persons with dementia adapt to and learn to live with the disease in their everyday life so that they can sustain both relations and identities. One of the most important everyday venues for sharing experiences and negotiating identity is storytelling. When one family member or spouse gradually loses the ability to tell stories and cherish their common history due to Alzheimer’s disease, this may threaten both the experiences of belonging together and the participants’ individual identities. Learning about how persons with dementia can participate in storytelling is important in helping persons with dementia sustain their personhood. This book reviews previous research and introduces basic theoretical concepts as well as empirical findings that help in understanding how people with dementia can tell stories together with others. The book stresses the possibilities that are inherent in collaborative storytelling for sustaining both relations and identities. It also discusses how professionals and healthy relatives can learn to listen and make meaning in stories that otherwise might appear to be meaningless. Listening to and telling stories together with people living with a dementia diagnosis will help to re-imagine dementia—moving away from a notion of persons with dementia being “empty vessels” toward seeing them as collaborative meaning-makers.
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42

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Local narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0005.

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Intergenerational feuds gave rise to literary works about dynastic continuity, which transformed local military warriors into religious heroes and led to the elevation of the Grand Prince as a national leader, a position crystallized late in the period by Ivan IV. The chapter charts a narrative about invasion and survival after the thirteenth-century depredations of the Mongols, and discusses how scribal techniques adjusted versions of texts to suit the ideology of dynastic claimants. Prose narratives and two epics tell a story of the trauma of conquest and the potential for renewal. Historical discourses employed a language of natural boundaries, relying on river, plain, and forest imagery to create a symbolic geography of the Russian state.
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43

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. National narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0017.

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Within the context of the Enlightenment’s broader commitment to progress, the chapter considers the treatment of absolutism and the debate about the legacy of Peter the Great, an important theme in Russian writing in the Catherine period. Eighteenth-century writers also used literature (including works about travel) to explore the question of cultural progress and civilization. In the eighteenth century, progress and Enlightenment framed the idea of nation, and questions of national identity were evaluated with reference to Europe. New forms of writing developed to keep pace with these enquiries, and the chapter contains a case study on Nikolai Karamzin’s The Letters of a Russian Traveler, while another case study explores the relationship between literature, biography, and the idea of a philosophical life as examined by Aleksandr Radishchev.
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44

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Catastrophic narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0037.

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The chapter considers how, beginning with the Revolution and continuing across the centry, new narrative forms in prose and poetry fashion a discourse of national destiny. As narratives conceptualize historical change and convey the meanings of catastrophe, they develop new plotlines, metaphoric systems and mythological visions. The chapter argues that Russian literature on the Great Terror, collectivization, and Gulag achieves a focus on historical and personal trauma comparable to Holocaust literature. Soviet narratives of World War II also form an important trend from the 1940s through twenty-first century, serving simultaneously as the source of social criticism and the sustained attempt to redefine national identity.
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45

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Intelligentsia narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0038.

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The chapter explores how narratives about the intelligentsia and its cultural identity unfold the experience and ideology of this significant group in parallel with catastrophic narratives about revolution, terror and war. Central texts include major Russian novels of the twentieth century, such as Gorky’s Life of Klim Samgin, Olesha’s Envy, Bulgakov’s The White Guard and The Master and Margarita, and Pasternak’s Doctor Zhivago. Also important are the genres of autobiography, memoir, and oral history, and a case study of a single lyric poem, by Osip Mandelstam, further demonstrate the capacity of poetry to engage with the theme of the responsibility of the intelligentsia in a time of terror. The chapter shows how literary texts captured the conflicted and far from passive role of the intelligentsia as a beleaguered moral authority in a state organized around a central political idea.
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46

Cavarero, Adriana. Relating Narratives. Routledge, 2014. http://dx.doi.org/10.4324/9781315824574.

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47

Gravil, Richard. Master Narratives. Routledge, 2017. http://dx.doi.org/10.4324/9781315249506.

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48

Smith, Harold Ivan. Borrowed Narratives. Routledge, 2012. http://dx.doi.org/10.4324/9780203814758.

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49

Valentine, Christine. Bereavement Narratives. Routledge, 2008. http://dx.doi.org/10.4324/9780203893364.

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50

Hachad, Naïma. Revisionary Narratives. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620221.001.0001.

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Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives produced and/or published in the late 1970s through the 2000s. Part Two moves to analyzing the ubiquity of auto/biography and testimony in the arts as well as contemporary sociopolitical activism. The focus throughout the various case studies is women’s engagement with patriarchal and (neo)imperial norms and practices as they relate to their experiences of political violence, activism, migration, and displacement. To understand why and how women collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary, the book employs a broad, transdisciplinary, montage approach that combines theories on gender and autobiography and takes into account postcolonial, postmodern, transnational, transglobal and translocal perspectives.
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